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05_0014_Mempersiapkan 100 Desainer Furnitur Sarawak 2019-2030.pptx
- 1. Imam Santosa, Deny Willy Junaidy, Bagus Handoko, Yogie Candra Bhumi, Arsaika Widasati, Miranti Sari Rahma, Hatif Adiar Almantara, Kharista Astrini Sakya, Andriano Simarmata, dll. MEMPERSIAPKAN 100 DESAINER FURNITUR SARAWAK 2019-2030: Kemitraan Internasional Indonesia & Malaysia Fakultas Seni Rupa dan Desain INSTITUT TEKNOLOGI BANDUNG Sarawak Timber Industry Development Corporation (STIDC) INTERNATIONAL CONFERENCE ON INDONESIAN CULTURE 2022
- 2. Sarawak furniture industries awareness towards design value is still trying to grow because of pursuing a comfort job order business than to challenge development of new products as a media for design promotion and national image. Background Fakultas Seni Rupa dan Desain INSTITUT TEKNOLOGI BANDUNG Sarawak Timber Industry Development Corporation (STIDC)
- 3. To enhance Sarawak Young Designers (SayD’Signers) skills on R&D (research and development) in timber utilisation, enhancement and international networking. Goal Fakultas Seni Rupa dan Desain INSTITUT TEKNOLOGI BANDUNG Sarawak Timber Industry Development Corporation (STIDC)
- 4. Program Outline Jan Feb March Apr May June Jul Aug Sept Oct Nov Dec Introduction of Design Project I Attachment Training (AT01) Wisanka Furniture, Solo - Musabi-ITB Workshop - Musabi-ITB Exhibition ata BCH (E01) - Designer Association Gathering (IFEX), Jakarta Portfolio Preparation (during Ramadhan) Attachment Training (AT03) at Studio Hiji (Abi Abdillah) POYOD Final Exhibition (E03) & presentation at ITB Sarawak Design Conference, Expo and Exhibition (E02) Musabi and Chiba University, Japan Study Visit Design Review II - Program closing - POYOD Exhibition at Kuching Exhibition (E04) Garut/Tasikmalaya Bamboo SME Study Visit Cirebon, Word’s biggest Rattan Furniture Manufacture Study Visit Attachment Training (AT02) Singgih SK, Magno Design, Temanggung Jepara Wood Craft Center Study Visit Prototyping I Prototyping II Design Project I : Wooden Chair Design Project II : Contemporary Furniture Design Forum I Shipping Introduction of Design Project II Design Forum II Shipping Portfolio Preparation
- 5. 1 year (257 days) / Batch 5 days a week (09.00 am - 04.00 pm) - 360 hours Course and Factory / Study Visit - 480 hours Workshop and Modeling - 180 hours Attachment training - 120 hours Exhibition - 120 hours Self-Directed Homework Involvement: - 2 Award-Wining Product Designers - 13 Academicians & Designers - 9 Sample Makers - 3 World-class Furniture Manufactures - 2 Prominent Design Studios Attachement Training Content in A Nutshell
- 6. Welcoming & Induction 7 – 11 January 2019
- 7. Welcoming & Induction 7 – 11 January 2019
- 8. Progress Presentation 1 February 2019 Course & Design Studio 14 January – 8 February 2019
- 9. Course & Design Studio 14 January – 8 February 2019 Design studio consists of several design process stages : Idea generation / brainstorming – idea development – Presentation & Evaluation – Schematic Drawing.
- 10. POYOD members were introduced to all ITB’s facilities that may support all of their training activities. Course & Design Studio 14 January – 8 February 2019
- 11. Study Visit: Garut 16 January 2019
- 12. Design Workshop (1:5 Scale Model) 11 - 15 February 2019 POYOD members were making 1:5 scale furniture mock-up guided by three expert of sample makers.
- 13. Attachment training 1: Wirasindo Santakarya, Ltd. (WISANKA) 18 - 22 February 2019
- 14. Attachment training 1: Wirasindo Santakarya, Ltd. (WISANKA) 18 - 22 February 2019
- 15. ITB – MAU Workshop & Exhibition (Japan, Indonesia, Korea, China, Malaysia) 25 February – 10 March 2019
- 16. ITB – MAU Workshop & Exhibition (Japan, Indonesia, Korea, China, Malaysia) 25 February – 10 March 2019
- 17. ITB – MAU Workshop & Exhibition (Japan, Indonesia, Korea, China, Malaysia) 25 February – 10 March 2019
- 18. ITB – MAU Workshop & Exhibition (Japan, Indonesia, Korea, China, Malaysia) 25 February – 10 March 2019
- 19. ITB – MAU Workshop & Exhibition (Japan, Indonesia, Korea, China, Malaysia) 25 February – 10 March 2019
- 20. ITB – MAU Workshop & Exhibition (Japan, Indonesia, Korea, China, Malaysia) 25 February – 10 March 2019
- 21. 1:1 Scale Schematic Drawing 13 – 15 March 2019
- 22. 1:1 Scale Schematic Drawing 13 – 15 March 2019
- 23. Study Visit : Yamakawa Rattan & Balagi – Dilmoni Rattan 30 March 2019
- 24. Study Visit : Jepara 4 – 6 April 2019 Kota Jati UNISNU
- 25. Attachment Training 2 : Piranti Works (Singgih Susilo Kartono) 7 – 14 March 2019 Nature observation and live sketching (taking inspiration from nature)
- 26. Attachment Training 2 : Piranti Works (Singgih Susilo Kartono) 7 – 14 March 2019 Design process with analogy method (study : cooking process)
- 27. Attachment Training 2 : Piranti Works (Singgih Susilo Kartono) 7 – 14 March 2019 Friday, 12 April 2019 : - Production management on new craft product - Task : basic craft production (bamboo toys)
- 28. Attachment Training 2 : Piranti Works (Singgih Susilo Kartono) 7 – 14 March 2019 Task : basic craft production (bamboo toys)
- 29. Simple FEA Analysis Introduction 16 March 2019
- 30. Prototype Production 13 March – 25 May 2019 Part production
- 31. Prototype Production 13 March – 25 May 2019
- 32. Prototype Production 13 March – 25 May 2019
- 33. Prototype (Semester 1) Iwan Hamdan
- 34. Prototype (Semester 1) Calvin Renang
- 35. Prototype (Semester 1) Rudy Edi
- 36. Prototype (Semester 1) Robica Sapok Tingang
- 37. Prototype (Semester 1) Sazrin Jamali
- 38. Prototype (Semester 1) Ayu Mortadza
- 39. Exhibition (Sarawak Design Conference & Expo 2019) 27 – 30 June 2019
- 40. Design courses were tailored to meet POYOD’s knowledge & skill requirement : • Design Trend : market mapping &analysis, design epicenter studies, etc. • Materials : introduction to natural based, metals, synthetic material • Form Spatial Organization & Typological order : Place making, etc. • Sustainable Design : responsible design for the future • The Bussiness of Furniture Design : planning, designing, costing • Ragam Hias : various decorative pattern • Professional Practice & Ethics Course 2 July – 4 October 2019
- 41. Design Trend : Market Mapping &Analysis - Task : POYOD classifying furniture based on price and style Course 2 July – 4 October 2019
- 42. Design Studio (design development) Robica Sapok Tingang
- 43. Design Studio (design development) Rudy Edi
- 44. Design Studio 2 July – 4 October 2019
- 45. Presentation & Evaluation : presenting the design process (exploration) and design concept Design Review I 6 August 2019
- 46. Visit : Balagi – Dilmoni Rattan 10 September 2019 Each POYOD members explain their furniture design by schematic drawing.
- 47. Visit : Balagi – Dilmoni Rattan 10 September 2019 Explanation about rattan furniture
- 48. Prototype II Production 5 July 2019 • Prototyping discussion with manufacturer • Prototype II refinement discussion by mockup scale 1:5
- 49. Bandung Design Bienale (Pecha Kucha Night) 1 October 2019
- 50. Study Visit (Japan) 13 – 19 October 2019 Thursday, 17 October 2019 – Ergonomic Laboratory Visit at Chiba University
- 51. Study Visit (Japan) 13 – 19 October 2019 Thursday, 17 October 2019 – Ergonomic Laboratory Visit at Chiba University
- 52. Study Visit (Japan) 13 – 19 October 2019 Thursday, 17 October 2019 – Ergonomic Laboratory Visit at Chiba University
- 53. Study Visit (Japan) 13 – 19 October 2019 Thursday, 17 October 2019 – Ergonomic Laboratory Visit at Chiba University
- 54. Study Visit (Japan) 13 – 19 October 2019 .
- 55. Bandung Design Biennale 25 – 31 October 2019
- 56. Bandung Design Biennale 25 – 31 October 2019
- 57. Bandung Design Biennale 25 – 31 October 2019 18 KHAZANAH P ROGRAM Poyod dimulai sejak Januari 2019. Para peserta mengikuti lokakarya di FSRD ITB. Di program ini setiap peserta menda- pat ilmu pengetahuan dan peningkatan kemampuan untuk mendesain. Mereka mengikuti be- ragam kegiatan yang berkaitan dengan industri furnitur, desainer furnitur, aktivitas internasional, dan membangun jejaring di Kam- pus ITB. Pada pameran ”Venture”, lewat desain furnitur para desainer mengeksplorasi keindahan alam dan budaya. Karya mereka lahir lewat proses yang terinspirasi dari lingkungan di sekitar. Hasilnya, enam desain kursi yang tak hanya memiliki fungsi tetapi juga nilai artistik yang kental. Salah satunya ”Palabo Chair” yang didesain Iwan Hamdan yang disupervisi oleh Deny Willy J, MT, PhD. Dalam keterangan karya di- tuliskan, karya Iwan terinspirasi dari terumbu karang di dalam laut. Dia membuat kursi santai dengan material kayu yang disusun seperti puzzle. Bulatan-bulatan kayu dibubuhi warna koral, seperti hijau, kuning, biru, dan oranye. Karya ini me- representasikan sifat terumbu karang yang cantik, sarat warna, dan kerap ditemukan tak terduga. Dalam bentuk sofa bulat, ada karya desainer Calvin Renang Anak Tumbai yang berjudul ”Malama Chair”. Karya ini disu- pervisi Yogie Candra Bhumi, SDs, MDs. Dibalut warna biru yang segar, furnitur ini terilhami dari bunga semalu. Menurut Calvin, dia memilih bentuk bunga semalu karena bunga ini memiliki ke- unikan. Selain warna dan anatomi bunga yang cantik, daun bunga ini juga akan mengerut saat disentuh untuk melindungi diri. Bentuk bulat yang dipakai mem- perlihatkan pengguna kursi ini bisa merasa aman dan nyaman saat duduk. Aksen bulat yang ter- dapat di tengah sofa menunjukkan kehangatan. Ditopang kaki kayu, sofa mungil ini kuat tetapi tetap ringan jika dipindahkan atau di- geser. Flora dan fauna Terinspirasi dari semut, desainer Mohd Sazrin Bin Jamali membuat ”Sanam Chair”. Dibalut warna hi- tam, ”Sanam Chair” dibuat dari material organik. Karakter semut yang hidup bergotong royong dan berkoloni menjadi pengaruh uta- ma desain kursi ini. Bentuk kaki semut diaplikasikan di kaki kursi yang memanjang. Tekstur dan bentuk badan semut menjadi inspirasi utama bentuk badan kursi. Penggunaan warna hitam di seluruh badan dan kaki kursi menguatkan identitas semut di karya ini. Manik-manik suku Dayak men- jadi inspirasi Rudy Edi dalam membuat ”Talaba Chair”. Rudy mendesain furnitur ini karena sering melihat aktivitas nelayan di tempat tinggalnya yang dekat pan- tai. Rudy menemukan banyak per- samaan antara Malaysia dan Indo- nesia. Salah satunya yaitu penggu- naan manik-manik yang dia lihat di Sarawak dan Kalimantan. Ran- cangan karya Rudy berbentuk manik-manik besar terbuat dari kayu yang dia rangkai sampai menjadi bentuk kursi santai di tepi pantai. Kembali terinspirasi dari bentuk bunga, ada karya Robica Tingang yang berjudul ”Pida Chair”. Seperti kelopak bunga yang sedang mekar, Robica membuat bentuk sandaran kursi yang nyaman. Di bagian tengah kursi terdapat bantalan empuk. Bentuk kursi yang terbuka ini seperti mengundang siapa pun untuk duduk nyaman. Desainer Ayu Moriadza mende- sain ”Bita Chair” yang terinspirasi dari air bungkus ikat tepi. Di Malaysia, air bungkus ikat tepi merupakan minuman yang ditaruh di dalam plastik dan diikat tali rafia. Minuman ini mengingatkan Ayu pada masa kecilnya. Lewat de- sain karyanya, Ayu ingin membuat furnitur yang memberi kenya- manan sekaligus ruang privat bagi penggunanya. (Windy Eka Pramudya/”PR”)*** Keindahan dari A lam MENGUSUNG tema ”V enture”, enam desain furnitur dipamerkan di Selasar CADL-Institut Teknologi Bandung, Jalan Ganesha, Kota Bandung. Pameran yang menjadi bagian dari Bandung Design Biennale ini berlangsung 25-31 Oktober 2019. Digagas Fakultas Seni Rupa dan Desain Institut Teknologi Bandung (FSRD ITB), tahun ini menjadi tahun kedua kolaborasi dengan Sarawak Timber Industry Development Corporation (STIDC) untuk program Pool of Y oung Designer (Poyod). RABU (PON) 30 OKTOBER 2019 2 RABIUL AWAL 1441 H MULUD 1953 FOTO: ADE BA YU INDRA I Pameran V enture
- 58. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 59. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 60. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 61. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 62. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 63. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 64. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 65. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 66. On-line Ventura Future Exhibition - Milan Design Week 2020 29 April – 30 Juni 2020
- 67. Thank you! Fakultas Seni Rupa dan Desain INSTITUT TEKNOLOGI BANDUNG Sarawak Timber Industry Development Corporation (STIDC) Sarawak Design Center
Editor's Notes
- The Sarawak government is committed to ensuring a sustainable timber industry as a high percentage of the state’s export revenue is derived from timber and timber products. However, the industry readiness, particularly furniture manufacturer to respond to current global furniture market challenge (trend and technology) requires massive development and exposure to design trend and lifestyle. The furniture industries awareness towards design value is still trying to grow because of pursuing a comfort job order business than to challenge development of new products as a media for design promotion and national image. In 2018 an agreement was signed between Sarawak Timber Industry Development and Corporation (STIDC) and Institut Teknologi Bandung (ITB) to improve the ability of Sarawak Young Designers (SayD’signers) to learn more about furniture design from various aspects through one year-term furniture design training program under 10 years collaboration. Duration of the program is one-full year program (two academic semesters).
- In giving greater emphasis and focus on the growth and value-added development especially in the furniture industry sector, in 2018 an agreement was signed between Sarawak Timber Industry Development and Corporation (STIDC) and Institut Teknologi Bandung (ITB) to improve the ability of SAYDESIGNERS to learn more about furniture design from various aspects through one year-term furniture design training program organized by Faculty of Art and Design ITB (FSRD ITB). In the first semester these designers work on the task of making chairs with wood as the main material. Meanwhile in the second semester they made furniture sets using a combination of wood and bamboo or rattan. FSRD ITB has known to be a good design school with high reputation in the field of design globally and has produced some prominents designers that boosted and has been shaping Indonesian local creative industry through their design. The outcome of the this program is to allow SAYDESIGNERS members to enhance their skills on R&D (research and development) in timber utilisation, enhancement and international networking.
- SARADEC SAYD members were enrolled as trainee at Institut Teknologi Bandung (ITB) to kick-start their second year training program in furniture design. This training is to enhance SAYDESIGNERS member’s knowledge and skill in designing with international and industry exposure through ITB networks.
- POYOD members were introduced to all ITB’s facilities that may support all of their training activities. ITB Facility : Motion Capture Lab Virtual Reality Lab Digital Modeling Lab Scale model workshop Prototype workshop Health facility Sport facility Class, Hall & other building location
- Exposure to some fine bamboo home décor, crafts works, and prominent craftsmen
- PT. Wirasindo Santakarya (WISANKA) is one of the Indonesia’s furniture manufacture with experience for more than 25 years. Nowadays, WISANKA have their own Research, Design and Development team that responsible for well-designed product and positive impact for the environment. Monday, 18 February 2019 Company introduction Explanation : Basic prototyping & production Visit : WISANKA’s Prototyping facility Visit : Leather Craftsman (weaving, cover & support), wood-branch craftsman (Furniture frame, furniture & home décor) & Wood craftsman (wardrobe & table ready for finishing). Tuesday, 19 February 2019 Rattan & Natural Fiber Division introduction Explanation : rattan and natural fiber based furniture & home-décor product design & production process. Visit : Prototyping facility, production process, quality control & shipping. Visit : Furniture frame craftsman & Weaving craftsman. Daily task : Idea generation – furniture & functional home-décor product. Daily evaluation : Presentation and discussion for each POYOD member Friday, 22 February 2019 Open discussion : Presentation from each POYOD Member about Chair Design idea Generation (Preliminary design, concept description & Schematic drawing). Explanation : Marketing strategy at WISANKA. Explanation : Design Characteristic. Final Evaluation Attachment Training Program closing at WISANKA’s Showroom.
- Jepara is a district in Central Java known worldwide for their great wood craftmanship (woodcarving & woodworking). Thursday, 4 April 2017 : - Maxim Wood Factory visit, is a factory with extensive area and facility for production. All production line were all done inside the factory with specialty using oak and teak wood.
- Friday, 5 April 2017 : Talenta Java Design factory visit : furniture factory with quality oriented production & they don’t use computer based machine (CNC Machine, etc). UNISNU : a university that have major in woodworking & woodcarving, they have complete facility to meet student’s needs. Kota Jati factory visit : one of the biggest factory in Jepara (more than 10HA) with complete production chain process, starting from material preparation to product packaging.
- Thursday, 11 April 2019 : Bamboo basket making (from material preparation to crafting) Explanation : Magno Radio design development process based on new craft method Shape exploration using bamboo Brief : component drawing technique
- Finite element analysis (FEA) is a computerized method for predicting how a product reacts to real-world forces, vibration, heat, fluid flow, and other physical effects. Finite element analysis shows whether a product will break, wear out, or work the way it was designed.
- Part assembly test
- Design studio : design consultation with supervisor
- Thursday, 17 October 2019 – Ergonomic Laboratory Visit, Faculty of Engineering, Department of Design Science, Chiba University. Discussion with undergraduate and postgraduate students (Prof. shimomura from the Humanomics Lab) (2) Mini tour of research facilities under the Humanomics Laboratory. (3) Design discussion and sharing with Prof Onno of the Design and System Planning Lab
- Rudy Edi (Supervisor: Prabu Wardono, M. Des., Ph.D.) Product Name: TALABA For the TALABA chair design, the designer encouraged ideas from members of his local community, and the project was inspired by the question “How can we improve our community?” Since the designer’s hometown is situated near the ocean, it is quite likely that he was inspired by the fishermen’s community itself. Subsequently, he has been intrigued by the similarities he has discovered between Malaysia and Indonesia. He realised that the beads used by the Dayak ethnic peoples can also be found in both Sarawak and Kalimantan. With that information, he combined those beads using his fisherman’s skill at fixing fishnets and became a weaver. Like killing two birds with one stone, this TALABA chair design benefits the manufacturer but directs considerable benefit to the community as well. As such, the manufacturer will fabricate the main structure of the chair frame, and the sewing tasks will be performed by members of the community.
- Robica Tingang (Supervisor: Dr. Imam Santosa, M.Sn.) Product Name: PIDA This product provides a strong visual impression of a wide-open chair that is inviting and welcoming, and it is imbued with the character of a blooming flower that is irresistible to pollinating bees. PIDA was designed to present a side view in which the armrest and chair leg are combined to resemble the flowers in a bouquet. The curved shape around the armrest provides enough seating space to offer a comfortable welcome to anyone looking to sit in this chair, and it manages to combine all of this with an added emphasis on value for the consumer.
- Iwan Hamdan (Supervisor: Deny Willy J., M.T., Ph.D.) Product Name: PALABO For this new collection, the designer found inspiration from the coral reef. This is represented as a beautiful undersea ecosystem with colourful scenes in which reef inhabitants are shown in varying relationships within the groupings. The PALABO chair brings these characteristics of coral reefs together so they are represented by a palette in which beauty, colour, and a degree of randomness are the key features.
- Sazrin Jamali (Supervisor: Harry Anugrah Mawardi, M.Ds.) Product Name: SANAM The designer was inspired by the ant when developing his new chair collection named SANAM. The organised colonies and social characteristics of the ant exert direct influences on the design and the ant leads the designer to use the insect’s organic shape to explore and achieve the design. In this way, the leg of the ant lends its shape to the base of the chair and constitutes a unique aspect of the product. The texture and shape of the ant’s body also inform the pattern of the upholstery and the colour of the product.
- Ayu Mortadza (Supervisor: Deny Willy J., M.T., Ph.D.) Product Name: LIESCA SEMI DINING SET The concepts “sweet” and “delicious” provide the designer with inspiration based on the characteristics of foods being enjoyed. Various defining characteristics of food, such as chewy, crunchy, and melting, create the essence of the design. Delighted by these attributes, the designer captured them with the design of the LlESCA semi-dining set and used a combination of cushions and fitrit rattan to imbue the material with these concepts. Some parts are interchangeable to ensure user satisfaction and, with regard to technical aspects, the product is designed for easy mass production.
- Robica Tingang (Supervisor: Harry Anugrah Mawardi, M.Ds.) Product Name: KYIE CHAIR & TABLE The KYIE collection presents a smooth form with a twist structure and is reminiscent of a continuous line of marshmallows. The designer chose as a model these small sweets we can eat while sharing with others, since they can bring happiness to everyone. The curved and oval form of this series is designed to balance the overall design and convey various impressions to the user. With round and welcoming shapes, the set emphasises the combined characters of rattan and wood she wished to apply to this design.