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Pepe le Moko
Part One
Themes, Settings, Context, Visual Composition
Discussion Questions
 1. As your readings demonstrated, North Africa in general
and Algeria in particular were fairly diverse. What
populations have existed in Algeria? Which civilizations
influenced its development? What connections between
Global North and South can be seen in the history of
Algeria? What elements of this diversity and history are
visible in Pepe le Moko?
 2. What is classical narration or the classical Hollywood style?
Is Pepe le Moko classical in its composition, and if so why?
 3. Who is the implied audience for this film? How do we
know this? How does the implied audience shape the view
of Algeria offered by the film?
Context
 Made during the colonial era, set in Algeria, officially a
Department of France
 Made collaboratively in studio production style with many
of the “stars” of French cinema (actors, producers, set
designers, etc.)
 Regarded as one of the great examples of colonial cinema
Setting
Historical Setting
 Colonial Algiers
 The Casbah
 1930s
 References to French control, power (the police, the efficacy
of the police)
 Use of colonial era iconography to represent Algeria
(feminized, violent, dirty, chaotic)
The Colonial Imaginary
North Africa
Iconography of North Africa
Exoticism /
Eroticism Violence / Danger
Settings (Scenes)
Exotic / Erotic /
Dangerous Beautiful / Civilized
Foreign, Unknowable,
Dangerous
Foreign / chaotic Criminal Dangerous
Casbah as Prison
Themes
 France vs. Algeria
 (Pepe vs. Slimane, Gaby vs. Ines, Slimane vs. Paris Police)
 Law / order vs. violence, chaos, crime
 Paris vs. Algiers
 Entrapment
 Power of destiny
 Love as only possible among those who are alike
 Restoration of order

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Pepelemoko

  • 1. Pepe le Moko Part One Themes, Settings, Context, Visual Composition
  • 2. Discussion Questions  1. As your readings demonstrated, North Africa in general and Algeria in particular were fairly diverse. What populations have existed in Algeria? Which civilizations influenced its development? What connections between Global North and South can be seen in the history of Algeria? What elements of this diversity and history are visible in Pepe le Moko?  2. What is classical narration or the classical Hollywood style? Is Pepe le Moko classical in its composition, and if so why?  3. Who is the implied audience for this film? How do we know this? How does the implied audience shape the view of Algeria offered by the film?
  • 3. Context  Made during the colonial era, set in Algeria, officially a Department of France  Made collaboratively in studio production style with many of the “stars” of French cinema (actors, producers, set designers, etc.)  Regarded as one of the great examples of colonial cinema
  • 5. Historical Setting  Colonial Algiers  The Casbah  1930s  References to French control, power (the police, the efficacy of the police)  Use of colonial era iconography to represent Algeria (feminized, violent, dirty, chaotic)
  • 8. Iconography of North Africa Exoticism / Eroticism Violence / Danger
  • 9. Settings (Scenes) Exotic / Erotic / Dangerous Beautiful / Civilized
  • 10. Foreign, Unknowable, Dangerous Foreign / chaotic Criminal Dangerous
  • 12. Themes  France vs. Algeria  (Pepe vs. Slimane, Gaby vs. Ines, Slimane vs. Paris Police)  Law / order vs. violence, chaos, crime  Paris vs. Algiers  Entrapment  Power of destiny  Love as only possible among those who are alike  Restoration of order