2. • African composers for the world
– Zahara, Mandoza, Kabelo (South Africa)
– Eric Wainaina, Suzanna Owiyo, Sauti Sol (Kenya)
– Hans “Ras” Sheehama (Namibia)
– Gito Baloi (Mozambique)
– John Kyffy (Ivory Coast)
– Nat Brew, CK Mann (Ghana)
– Kampi Moto (Congo)
– Wambali (Malawi)
– Marsha Moyo (Zambia)
– Victor Kunonga, Jimmy Indi, Dino Mudondo (Zimbabwe)
– D-Tone, Folorunso Philips (Nigeria)
– Otis Fraser (Botswana)
(c) David Alexander / Sheer Publishing
3. • International publishing companies for Africa
– Kobalt (Paul McCartney / Dr Luke / LMFAO)
– Mute Song (Bob Geldof)
– Mushroom Music (Kylie Minogue)
– Dipiu Music (David Guetta)
– Black River Entertainment (Keiko Matsui)
– Shacht Musikverlag (Karl Douglas)
– Ole Media (Lady Antebellum)
– Great South Bay Music (DJ Khaled)
– Dancecave Music – Ferry Corsten
(c) David Alexander / Sheer Publishing
5. (c) David Alexander / Sheer Publishing
Mechanical
Public Performance
Synchronisation Licensing
Print
6. Transactional Income/Per Sale
• Phono-mechanicals
– 6.76% of PPD (wholesale price)
– Mechanical Licenses
– Distributor Licensing
– OCW Licenses
• Digital Mechanicals
– 9% of EUP (retail price)
(c) David Alexander / Sheer Publishing
7. Blanket Licensing Income
• Broadcast Mechanicals
– TV Blanket Licenses
– Radio?
Mechanical Society
• NORM
• Samro
• CAPO
(c) David Alexander / Sheer Publishing
8. • South African Music Rights Organisation (SAMRO)
• The SA Performing Rights Society
• Local Repertoire through local members
• Reciprocal Agreements – International Repertoire
through CISAC membership
• License the Public use of all repertoire
(c) David Alexander / Sheer Publishing
9. Owner of a Right wants to merge a piece of
music with their existing proprietary rights
The reason to do this is to;
• Set the Mood
• Remind the listener of a time and place
• Draw attention to their product
• Basically add value to their property
(c) David Alexander / Sheer Publishing
12. Major Terms
– Media
• Cinema/
• Television
• Internet
• Public Spaces
– Territory
• National
• Continental
• International
– Term
• Months
• Years
• Perpetuity
(c) David Alexander / Sheer Publishing
13. • SONGWRITER AGREEMENTS
– Deed of Assignment
• Signing the Songs
– Exclusive Writer Agreements
• Signing the Writer
• B 2 B (BUSINESS TO BUSINESS)
– Administration Agreements (South African
Companies)
– Sub-Publishing Agreements (Territorial
Agreement)
(c) David Alexander / Sheer Publishing
14. Exclusivity
Exclusivity over songs
Exclusivity over Composer
Territory
• Samro
• Africa and Adjacent Indian Ocean
Islands)
• World
Term
• Fixed Term
• Retention / collection Period
• Life of Copyright (LOC)
(c) David Alexander / Sheer Publishing
Royalty Splits
Public Performance (Global
standard 50/50)
Mechanical
Synchronisation
Cover Recordings
Accounting
6 months 90 days
15. - TITLE:
(of composition)
- COMPOSED BY:
(melody)
- LYRICS BY:
(words)
• You are required to complete this form for each song that is completed at this
studio.
• The shares in the Melody must add up to 100%
• The shares in the lyrics must add up to 100%
• Full names and not artist or pseudonyms must be given
In the new split sheets you may need to include:
Featured Performers / Session Musicians / Producer for the purposes of Needletime
(c) David Alexander / Sheer Publishing
16. 1. Existing Works
a. Administration
b. Exploitation or Finding the Opportunity
i. Pitching
ii. Relationship Building
iii. Cuts
2. Music Supervision
3. Licensing
4. Collection of Residuals
5. New Works
a. Co-write opportunities
b. b. Pitches
(c) David Alexander / Sheer Publishing