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What Joseph Campbell’s Monomyth Can Teach Us
THE HERO’S
JOURNEY
“I don't believe people are looking for
the meaning of life as much as they are looking
for the experience of being alive. Participate
joyfully in the sorrows of the world. We cannot
cure the world of sorrows, but we can choose to
live in joy.”
- Joseph Campbell
1. The Ordinary
World
ROCKY 1
The Ordinary World
Rocky Balboa is introduced as a
mediocre boxer and loan collector
— just doing his best to live day-to-
day in a poor part of Philadelphia.
2. The Call To
Adventure
E.T.
The Call To Adventure
Elliot discovers a lost alien in the
tool shed. Elliot is called to
adventure.
3. Refusal of The
Call
STAR WARS
Refusal Of The Call
Luke Skywalker initially refuses to
join Obi-Wan on his mission to
rescue the princess.
4. Meeting The
Mentor
THE HOBBIT
Meeting The Mentor
Bilbo Baggins meets Gandalf The
Wizard who encourages and
equips him for the adventure
ahead.
5. Crossing The
Threshold
The Hobbit
Crossing The Threshold
Bilbo is convinced that a great
adventure awaits and leaves the
shire to pursue that adventure.
6. Tests, Allies &
Enemies
Harry Potter
Tests, Allies and Enemies
In his first few months at Hogwarts, Harry
Potter manages to fight a troll, almost fall
from a broomstick and die, and get
horribly lost in the Forbidden Forest.
7. Approaching
The Inmost Cave
Top Gun
Approaching The Inmost Cave
Maverick must get back in the fighter
after losing his best friend and
wingman, Goose in order to complete a
new mission without him.
8. The Ordeal
Castaway
The Ordeal
Chuck Noland must leave the comfort
of the island and start making his way
back toward civilization
9. The Reward:
Seizing the Sword
The Wizard of Oz
Seizing The Sword
Dorothy, The Tin Man, The Cowardly Lion and
The Scarecrow escape the Wicked Witch’s
castle with the Ruby Slippers and the
Broomstick - keys to getting Dorothy back
home.
10. The Road
Back
Good Will Hunting
The Road Back
Will decides to not only return to
school, but considers taking a job
to fulfill the legacy of his mentor
11. Resurrection
(Atonement)
Rocky IV
Resurrection (Atonement)
After being nearly killed by Ivan Drago,
Rocky finds his inner strength and
purpose and comes back to defeat the
giant Russian.
12. Return With
The Elixir
Forrest Gump
Return With The Elixir
As Forrest is finally reunited with Jenny,
she introduces him to their son,
named Forrest Gump, Jr. ... Jenny
and Forrest finally marry, but she dies a
year later. The
film ends with Forrest seeing his son off on
his first day of school.
ASSIGNMENT:
Chart Your Own
Hero’s Journey

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The Hero's Journey

Editor's Notes

  1. In narratology and comparative mythology, the hero's journey, or the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed. Earlier figures had proposed similar concepts, including psychologist Otto Rank and amateur anthropologist Lord Raglan, who discuss hero narrative patterns in terms of Freudian psychoanalysis and ritualism. Eventually, hero myth pattern studies were popularized by Joseph Campbell, who was influenced by Carl Jung's analytical psychology. Campbell used the monomyth to deconstruct and compare religions. In his famous book The Hero with a Thousand Faces (1949), he describes the narrative pattern as follows: A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.[1] Campbell's theories regarding the concept of a "monomyth" have been the subject of criticism from scholars, particularly folklorists (scholars active in folklore studies), who have dismissed the concept as a non-scholarly approach suffering from source-selection bias among other criticisms.
  2. This is where the Hero's exists before his present story begins, oblivious of the adventures to come. It's his safe place. His everyday life where we learn crucial details about our Hero, his true nature, capabilities and outlook on life. This anchors the Hero as a human, just like you and me, and makes it easier for us to identify with him and hence later, empathize with his plight.
  3. The Hero's adventure begins when he receives a call to action, such as a direct threat to his safety, his family, his way of life or to the peace of the community in which he lives. It may not be as dramatic as a gunshot, but simply a phone call or conversation but whatever the call is, and however it manifests itself, it ultimately disrupts the comfort of the Hero's Ordinary World and presents a challenge or quest that must be undertaken. In which an adventure starts. The call to adventure is all about booting the Hero out of their comfort zone. In this stage, they are generally confronted with a problem or challenge they can't ignore. This catalyst can take many forms, as Campbell points out in Hero with a Thousand Faces. The Hero can, for instance: Decide to go forth of their own volition, i.e. Theseus upon arriving in Athens, Be sent abroad by a benign or malignant agent, i.e. Odysseus setting off on his ship in The Odyssey, Stumble upon the adventure as a result of a mere blunder, i.e. Dorothy when she’s swept up in a tornado in The Wizard of Oz, Be casually strolling when some passing phenomenon catches the wandering eye and lures one away from the frequented paths of man, i.e. Elliot in E.T. upon discovering a lost alien in the tool shed. The stakes of the adventure and the Hero's goals become clear. The only question: will he rise to the challenge?
  4. Although the Hero may be eager to accept the quest, at this stage he will have fears that need overcoming. Second thoughts or even deep personal doubts as to whether or not he is up to the challenge. When this happens, the Hero will refuse the call and as a result may suffer somehow. The problem he faces may seem to much to handle and the comfort of home far more attractive than the perilous road ahead. This would also be our own response and once again helps us bond further with the reluctant Hero.
  5. At this crucial turning point where the Hero desperately needs guidance he meets a mentor figure who gives him something he needs. He could be given an object of great importance, insight into the dilemma he faces, wise advice, practical training or even self-confidence. Whatever the mentor provides the Hero with it serves to dispel his doubts and fears and give him the strength and courage to begin his quest.
  6. The Hero is now ready to act upon his call to adventure and truly begin his quest, whether it be physical, spiritual or emotional. He may go willingly or he may be pushed, but either way he finally crosses the threshold between the world he is familiar with and that which he is not. It may be leaving home for the first time in his life or just doing something he has always been scared to do. However the threshold presents itself, this action signifies the Hero's commitment to his journey an whatever it may have in store for him.
  7. Now finally out of his comfort zone the Hero is confronted with an ever more difficult series of challenges that test him in a variety of ways. Obstacles are thrown across his path; whether they be physical hurdles or people bent on thwarting his progress, the Hero must overcome each challenge he is presented with on the journey towards his ultimate goal. The Hero needs to find out who can be trusted and who can't. He may earn allies and meet enemies who will, each in their own way, help prepare him for the greater ordeals yet to come. This is the stage where his skills and/or powers are tested and every obstacle that he faces helps us gain a deeper insight into his character and ultimately identify with him even more.
  8. The inmost cave may represent many things in the Hero's story such as an actual location in which lies a terrible danger or an inner conflict which up until now the Hero has not had to face. As the Hero approaches the cave he must make final preparations before taking that final leap into the great unknown. At the threshold to the inmost cave the Hero may once again face some of the doubts and fears that first surfaced upon his call to adventure. He may need some time to reflect upon his journey and the treacherous road ahead in order to find the courage to continue. This brief respite helps the audience understand the magnitude of the ordeal that awaits the Hero and escalates the tension in anticipation of his ultimate test.
  9. The Supreme Ordeal may be a dangerous physical test or a deep inner crisis that the Hero must face in order to survive or for the world in which the Hero lives to continue to exist. Whether it be facing his greatest fear or most deadly foe, the Hero must draw upon all of his skills and his experiences gathered upon the path to the inmost cave in order to overcome his most difficulty challenge. Only through some form of "death" can the Hero be reborn, experiencing a metaphorical resurrection that somehow grants him greater power or insight necessary in order to fulfill his destiny or reach his journey's end. This is the high-point of the Hero's story and where everything he holds dear is put on the line. If he fails, he will either die or life as he knows it will never be the same again.
  10. After defeating the enemy, surviving death and finally overcoming his greatest personal challenge, the Hero is ultimately transformed into a new state, emerging from battle as a stronger person and often with a prize. The Reward may come in many forms: an object of great importance or power, a secret, greater knowledge or insight, or even reconciliation with a loved one or ally. Whatever the treasure, which may well facilitate his return to the Ordinary World, the Hero must quickly put celebrations aside and prepare for the last leg of his journey.
  11. This stage in the Hero's journey represents a reverse echo of the Call to Adventure in which the Hero had to cross the first threshold. Now he must return home with his reward but this time the anticipation of danger is replaced with that of acclaim and perhaps vindication, absolution or even exoneration. But the Hero's journey is not yet over and he may still need one last push back into the Ordinary World. The moment before the Hero finally commits to the last stage of his journey may be a moment in which he must choose between his own personal objective and that of a Higher Cause.
  12. This is the climax in which the Hero must have his final and most dangerous encounter with death. The final battle also represents something far greater than the Hero's own existence with its outcome having far-reaching consequences to his Ordinary World and the lives of those he left behind. If he fails, others will suffer and this not only places more weight upon his shoulders but in a movie, grips the audience so that they too feel part of the conflict and share the Hero's hopes, fears and trepidation. Ultimately the Hero will succeed, destroy his enemy and emerge from battle cleansed and reborn.
  13. This is the final stage of the Hero's journey in which he returns home to his Ordinary World a changed man. He will have grown as a person, learned many things, faced many terrible dangers and even death but now looks forward to the start of a new life. His return may bring fresh hope to those he left behind, a direct solution to their problems or perhaps a new perspective for everyone to consider.