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September 2015 | Central Wisconsin | SceneNewspaper.com | L3
CENTRAL WISCONSIN
EDITION
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PRESSINC.
L4 R30
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Micheal Casper
John Price-Kabhir
Trish Derge
James Page
Merry Dudley
Steve Lonsway
Kimberly Fisher
Jean Detjen
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Tony Palmeri
Bob Meyer
Rohn W. Sidhop
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CONTENTS
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CONTRIBUTORS
COVER STORY
L4 Order Up a ‘Hot Dish’
FINE ARTS
R4 Foxy Finds
FOOD & DRINK
R2 Brewmaster
R2 The Wine Cave
L11 Tricia’s Table
ENTERTAINMENT
L8 Reverend Raven
R6 Dobie Maxwell
R16 Kat Reinhert
R18 The Spanish Inquisition
R20 Postcard from Milwaukee
R22 Concert Watch
R26 Riders in the Sky
R30 Latino Fest Celebration
Debuts
L9 The Buddist Advisor
L10 Live from Japan
NEWS & VIEWS
R8 Media Rants
R10 Right Wing Nut
R12 Trump NO!
OUTDOORS
R14 Rob Zimmer
EVENT CALENDARS
R31 Live Music
L12 The Big Events
Stevens Point’s Premier Steak & Seafood House
The Supper Club…
Reinvented
CALL FOR CUISINE
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Just $30/Couple includes Appetizers, Entrees, Salad, & Dessert!
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Night

COVER STORY // THE JIMMYS
BY MICHAEL CASPER
There’s so much history within the walls
of the Indian Crossing Casino in Waupaca
with nine decades of entertainment under
its roof. And here comes another talented
line up scheduled for this season’s Chain O’
Lakes Blue’s Festival with howling guitars,
note bending harmonicas, the Hammond
B3, and gritty, soulful lyrics from songs
belted out by some of the best.
Jimmy Voegeli fronts the headline band
for the festival, The Jimmys.
Michael: You grew up on a dairy
farm...where did...
Jimmy: Where did it all go wrong
(laugh)?
M: Where did the music come from?
J: Growing up we always had music in
the house on the record player, usually big
band. I grew accustomed to the horns and
music of the Benny Goodman’s and Louie
Armstrong’s.
M: And your parents met at one of
your dad’s gigs?
J: Yeah. My dad played trumpet in a
polka band called The Jolly Schweitzers
who were based out of the Monroe area.
My mom walked in, and dad was smitten.
By the time the band took a break, and he
went out to find her...she already left. He
told the bandleader that ‘If she comes into
one of our gigs again someday, I’m gonna
put my trumpet down, and go ask her to
dance.’ The guy said, ‘If you do that, I’m
not gonna pay you.’
M: And a month later?
J: In she walked. He put down his
trumpet. Asked her to dance, ended up
giving her a ride home, and ran out of gas.
Of course he didn’t get paid that night, so
he didn’t have any money. So they walked
to my future uncle’s farm, and got gas out
of the farm tank. As my dad drove away
my uncle said to my mom that ‘You’ll
never see the money for the gas, or that guy
ever again (laugh).
M: That’s a great story. This interview
is over!
J: (Laugh) Far more interesting than
my story, for sure. My father passed away
a number of years ago, but my mom still
lights up when she retells it. She’s 84 now,
and still sings in the church choir.
M: You spent several years with West-
side Andy & the Mel Ford Band, but your
Order up a ‘Hot Dish’
Chain O’Lakes Blues Festival October 2 & 3 Continue on Page L6

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For a complete listing of programs and events, visit our online
Health Connection Calendar of Events at ministryhealth.org/events
Unless otherwise noted,
all programs are free and located at:
Ministry Saint Michael’s Hospital,
900 Illinois Avenue, Stevens Point
SEPTEMBER CALENDAR OF EVENTS
Featured Event
WALK IN
WEDNESDAYS
Wednesdays • 2 - 6 p.m.
Ministry Medical Group
824 Illinois Avenue, Stevens Point
(OB/GYN department on third floor)
Ministry Medical Group
2401 Plover Road, Plover
Busy women don’t have to neglect their health. We are
making it easier to get a screening 3D mammogram. Our
convenient Walk-in Wednesdays means no appointment*
needed for screening 3D mammograms. Please note 2D
mammograms are still available at all locations.
Check with your insurance carrier for coverage.
*Walk-ins are available for screening mammograms only.
If your clinician has referred you for a mammogram due
to specific concerns regarding your breast health, make an
appointment by calling 715.342.6482. To learn more,
visit us at ministryhealth.org/breastcare
Grief Support Groups
Thursday • September 3
1:30 - 3 p.m.
2501 N. Main Street, Stevens Point
For information, call 800.398.1297
Friday • September 11
Noon - 1:30 p.m.
Goodwill Store
2561 8th Street South, Wisconsin Rapids
Monday • September 21
6 - 7:30 p.m.
Redeemer Lutheran Church
900 Brilowski Road, Stevens Point
Hosted by Ministry Home Care
Bariatric Support Group
Monday • September 7
6 - 7 p.m.
2501 Main Street, Stevens Point
Oak Room
No registration required
Bariatric Information Session
Wednesday • September 16
12:30 - 1:30 p.m.
6 - 7 p.m.
Oak Room
To register, call 877.295.5868
FAMILY
BIRTH CENTER
EDUCATION
OFFERINGS
Breast Feeding Basics
6 - 8:30 p.m., $15
Life with Baby:
How to Navigate through Your
Baby’s First Months
6 - 8:30 p.m., $15
Lamaze one-day
Saturday Class
Saturday • September 12
9 a.m. - 4:30 p.m., $55
New Moms Class
Mondays • September 14, 21, 28
10:30 - 11:30 a.m.
For information and to register for all
programs, call 715.346.5655

musical desire goes back to high school.
J: I’m envious of young kids today,
and starting a garage band. I was in
the chorus, and marching band in high
school, but our school system at the time
went through a series of band directors
and teachers. I never really followed my
‘calling,’ in other words, I didn’t practice
much. I didn’t read music, and relied
on my ear, and by my junior year my
teacher flunked me! I flunked band!
And I deserved it. It was a kick in the
ass. He was a great teacher, Mr. Korth.
He just retired a fews ago, and is still a
great friend of mine.
M: And your first solo CD is an
homage?
J: He plays on one of the cuts, and
the cover of the album is my report card
with the F on it. And every CD I sold,
I gave two bucks back to the high school
band department.
M: Eventually you did knuckle
down and practice.
J: And was part of the UW Madi-
son marching band playing the trum-
pet, and then the euphonium which
resembles a small tuba. Meanwhile I’d
been tinkering with the piano, my mom
had shown me some chords. I was in
an agricultural fraternity, and they had
a Steinway grand piano, and I just kept
playing more and more. Between my
junior and senior year I got into my first
band that played U2, XTC, and Pink
Floyd covers...nothing really bluesy.
M: After graduating you went back
to the family farm?
J: And that’s when I connected with
some of the guys I still play with today,
it’s been about 25 years.
M: Things changed musically for
you when Stevie Ray Vaughn hit.
J: Yes! I could hear this instrument
playing within his music, and couldn’t
figure out what it was. It turned out
it was the Hammond B3 that Reece
Wynans was playing. That’s what
hooked me. I sort of went backwards
in time starting with Stevie Ray, and
Johnny Winter, then discovering older
artists like Otis Spann and Professor
Longhair, the piano players who really
invented the sound that influenced
every player since. I discovered a world
I’d never been told about.
M: You met Reece this past summer?
J: At a festival in Canada, yes. I’d
waited 25 years to meet this guy, 25
years to tell him how much he influ-
enced my life with his instrument. I
shook his hand. Was star struck. The
conversation went so terribly. I was so
dumb (laugh). I started talking and just
wouldn’t shut up. I think I was talking
about farming! Twenty five years, and
this is what I’m babbling about. You
know how you imagine something like
this? You meet a hero, and flash into
the future where you’re sitting in a bar,
telling stories, becoming great friends.
I pictured all that! Best friends with
Reece Wynans, my idol. He was polite,
but finally said, ‘I gotta’ go stand over
here now.’ I said to myself, ‘You dumb
ass!’ (laugh)
M: The Jimmys today have been an
on and off, interchangeable group.
J: The bass player Johnny Wart-
enweiler, and the drummer Mauro
Magellan and I have been in and out of
bands together for 25 years or so. After
the turn with Westside Andy I thought
it was time to try to put my own spin
on things musically. I’ve always heard
horns. I’d seen the horn section that
played with Clyde Stubblefield who was
the drummer for many years with James
Brown, jamming in Madison a couple
times. I recruited a couple of them, at
first as an experiment, but everybody has
Friday, October 2
7:00 pm – Donnie Pick and The Road Band
9:00 pm – Altered Five Blues Band
Saturday, October 3
3:00 pm – Brian Koenig &
The Stand Back Blues Band
5:00 pm – Big N Tasty Blues
7:00 pm – Reverend Raven and
the Chain Smokin’ Altar Boys
9:00 pm – The Jimmy’s
Order Tickets Online
Friday – $15 in advance, $20 at the door
Saturday, $20 in advance, $25 at the door
Weekend Pass – $25 in advance, $30 at
the door
Prices include sales tax
Available online until October 1st, by phone at
(715) 258-7343 or (888) 417-4040 or at the
Waupaca Area Chamber of Commerce, 221 S.
Main Street, Waupaca, WI 54981.
Online tickets will be held at “Will Call”.
Pick up at the Indian Crossing Casino
Friday evening or Saturday.
Individuals not 21 years of age will not be admit-
ted to the Festival. Identification required at the
door. Carry-in beverages and seating will not
be permitted. Handicap access into the Casino is
available on the east side of the building.
Continued from Page L4

September 2015 | Central Wisconsin | SceneNewspaper.com | L7
Mitchell
Piano Works
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& Digital Pianos
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• Piano Lessons
www.pianocom.com
715-341-8419
(1 mi. W of I-39 on Main St./Hwy 66-W).
always been on the same page musically.
M: Tell me about the Chuck Taylor’s.
J: I’ve never been a very snappy dresser
(laugh).
M: Chucks have never been so popular!
J: I know. And I’d wear coveralls
all the time if I could! In fact there was
a phase that I went through where I was
trying to dress up on stage, and wear nice
shoes (laugh) but my feet would slip off
the pedals of my keyboard all the time. I
needed rubber soles, and I do move around
a lot, I just needed the grip, and that’s
how that started. And then Mauro, the
drummer who played and still plays with
the Georgia Satellites, he’s also our graphic
artist, he decided to incorporate the Chuck
Taylor’s into our band promo materials.
M: What if Converse gets wind of it?
J: Mauro said, ‘All the better,’ (laugh)
there’s no such thing as bad press...let’em
sue us, it’ll get us out there even more!
M: Musically, who are The Jimmys?
J: That’s kind of a complex question.
I’ve always had this, and I know the guys
in the band are tired of me using this word,
but ‘vision’ of what I wanted the band to be
and how to go about it. I’ve always wanted
to be as original as possible, play as much
original stuff as we could. We’ve achieved
that. We don’t have to do the ‘Brown Eyed
Girl’s’ and the ‘Twist and Shout’ kind of
classic horn band songs. The songs I’ve
written come out of the base of blues, and
old-school horn songs. When we do play a
cover we’ll mix a Pink Floyd song in with
one of ours once in a while or other tunes
you wouldn’t normally expect to hear,
always wanting to keep it a little on the
‘odd’ side.
M: Your guitarist Perry Weber writes a
lot as well.
J: He’s been with us for about three
years, and has played with a lot of great
bands, and is a fantastic singer and song-
writer. It’s something of a relief to have
someone of his caliber with us to write
music. Perry is true blues all the way.
M: Your writing is rooted in the blues.
J: Yeah, but I’m not trying to fool
anybody into thinking that I’m some
great blues piano player or artist, because
I’m not. But being honest, and able to
approach it that way, I can stay true to
myself at the same time. Our latest album
has some blues in it, but we certainly stray
from it. We haven’t pigeonholed ourselves.
M: Speaking of your latest album,
that’s your wife Laura on the cover?
J: She’s a very positive and active part
of my career and of the band. And yes
that’s her. Kind of a play on words in the
album’s title, ‘Hot Dish’...she’s definitely
the ‘hot dish.’
M: Is your meeting her anywhere near
as romantic as your parent’s story?
J: We did meet at a gig (laugh) but
it was a dive bar, and she gave me a fake
name. But, she did give me her correct
phone number...so when I called it, she had
no idea who I was asking for...she forgot
she had lied to me (laugh). And when I
took her to meet my mom, mom wanted to
know how we met, and Laura told her we
met at the Betty Ford Clinic (laugh). My
mom was aghast! I had to explain I had
never been in re-hab. Laura’s very funny.
M: How about this gig, and the Indian
Crossing Casino?
J: The venue is so fantastic. The people
there are wonderful, the owners are great.
There’s just so much history there, every-
body has played it from Louie Armstrong
to the Beach Boys, Ricky Nelson, the list
is a long one, you can’t help but love the
joint.
August Feature
The Sun Shine Roll
10 pcs for $15.95
Crab Meat tempura, cream cheese, white onion, and
oshinko (pickled radish) in the middle. Alternating on top
is fresh salmon and red snapper. The roll gets finished
with Q. P. mayo, eel sauce, chili garlic sauce, orange and
yellow tobiko.
Torpedo Roll
12 pcs 14.95
Chicken tempura, shrimp tempura, red tuna, albacore
tuna, crab meat and cream cheese in the middle.
The whole roll is dipped in tempura batter and finished
with Plum sauce, eel sauce, sriracha sauce, tempura
crunch, and three types of tobiko.
September Special

ENTERTAINMENT // REVEREND RAVEN
BY MICHAEL CASPER
Michael: Tell me about the Altar Boys.
Reverend: They’re a talented group of
musician friends of mine. The current ver-
sion of the band includes Westside Andy
who is an incredible harmonica player, and
I’m honored he’s with us.
M: Danny Moore has been around a
awhile.
R: He’s played piano with Willie
Nelson, Loretta Lynn, and many others.
He’s one of the best. P.T. Pedersen my bass
player toured with Charlie Musslewhite,
Big Walter Horton, Pinetop Perkins...that’s
a great resume right there. In fact P.T.
just reconnected with Musslewhite at the
Bayfront Blues Festival. They hadn’t seen
one another in about 35 years, so that was
pretty cool telling stories from back in the
day...I always wanted to ask Charlie if P.T.
was telling the truth about Charlie hitting
a pig and totaling his truck (laugh).
M: There’s a book to be written telling
tales of the road. You have a favorite?
R: I remember Danny once eating
some magic brownies (laugh). He doesn’t
drink...he doesn’t do anything, but he likes
food. Somebody offered him a plate of
brownies, he says he ate one...I think he ate
more than one. In the middle of a set I
hear this weird jazz being played. I look
behind me at him and he has this giant
smile on his face. I leaned over and sug-
gested he take a break. He said very hap-
pily ‘Okay’ and off he went.
M: And your rhythm section?
R: Bobby Lee Sellers on drums is a guy
who’s always in demand as a session drum-
mer when he’s not gigging with us, and his
vocals help make the blues sound we create
over the top.
M: You like the ensemble.
R: Love it. Nothing makes me crazier
than a three-piece band that lags because of
the lead guitar. My all-time favorite three
piece is the Bel Airs out of Columbia, Mis-
souri. I’ve always liked the larger ensemble
with the piano and harmonica, bands like
Muddy Waters, Jimmie Rogers.
M: And Freddie King was who hooked
you?
R: My whole childhood I was like the
kid in The Wonder Years, I wasn’t born
into the blues, whereas my brother who
was seven years older was in the middle of
the whole hippie-thing, and flower power.
He was bringing home the Stones and
Yardbirds, we lived on the south side of
Chicago on 66th and Winchester. Then he
discovered Muddy Waters lived and played
right across the expressway, and Howlin’
Wolf was part of the live music scene.
Then all of a sudden he and his buddies
were going to all the clubs. That was the
big hippie invasion of all the black clubs on
the south side, and he started bringing all
those records home.
M: But you were the youngster.
R: I didn’t see anybody until I was 17
years old. And that was at the Kinetic Play-
ground which was like Bill Graham used to
be at the Fillmore, Aaron Russo who went
on to become Linda Ronstadt’s manager...
he had the Kinetic Playground club, and
that was pretty much like the Fillmore,
same deal...a blues act, the the Buddy Rich
Orchestra, then the Who...something like
that. Well, my first night Freddie King was
opening for Jeff Beck, and Freddie stole the
show. He had the Leon Russell Band back-
ing him up, and he was out there with his
red suit, red patten leather shoes, a guitar
with a 200-foot cord, and he’s standing in
the middle of 2000 hippies just ripping it
up!
M: And that was it for you.
R: Stopped playing rock n’ roll right
then and there. I wanted to be a blues
guy, and started really practicing and
woodshedding. Then I went in the Navy
(laugh)!
M: What?
R: Yeah. I put the guitar away for 15 years.
M: I can’t believe that.
R: Didn’t start playing again until I was
38. The last two years I was in the Navy
I had a guitar, and I sat in on a jam ses-
sion in St. Paul while I was on a training
trip. I caught the bug again. I had a hippie
girlfriend from Oshkosh who didn’t like
my being in the military, so I got out for
a couple years just to try it, fully intending
to go back into the Navy.
M: But?
R: I started getting some gigs. And
started getting fatter and fatter (laugh).
Had a heart attack. Can you imagine the
Navy didn’t want me back?
M: Whatever happened to the hippie
girlfriend?
R: She’s a psychologist.
M: I checked your schedule, and you’re
booked!
R: I’ve always been the kind of person
who wants to see what’s on the other side
of the hill. I joined the Navy (laugh) to
get out of town, grow a beard, get a tattoo,
and drink my way through all the ports
around the world. I got home and was
assigned to shore duty in Chicago, then got
orders to Oshkosh. I remember asking my
detailer what the hell the Navy was doing
in Oshkosh? He told me I was going to
train reservists. And this was the late 80’s,
and the live music-thing was still going on,
Blue Tail Fly was going on, Janet Planet was
huge...there was still a great music scene in
the Fox Valley. I got out of the Navy, and
into the music, moved to Milwaukee and
started going on the road. What can I say?
I’m a gadfly. It’s terrible (laugh).
M: You still dig the greats?
R: Absolutely. Still love Muddy Waters,
Buddy Guy, Junior Wells...my go-to album
is Hoodoo Man. Contemporary artists
I listen to anything Kim Wilson (of the
Fabulous Thunderbirds) does, Barrelhouse
Chuck, Billy Flynn. New bands I like the
44’s, Nick Moss out of Chicago, Rockin’
Johnny is cool, Doug Deming and the
Jewel Tones.
M: Do you listen back to your own
music?
R: At home I’ll record myself, listen
to it, pick things out I don’t like and try
to change them. That’s why I was happy
with the Big Bull CD, it turned out like it
sounds in my head on a good night.
M: Big Bull took something like two
years to complete?
R: I already had a live CD out, “Live at
the Red Rocket” which is a bootleg CD I’ll
be putting out every year, but that’s mainly
for fans who come see us. It’s mostly covers
that I’d never include on a regular album.
But, we ended up with these recordings,
and Steve Hamilton produced and engi-
neered Big Bull. Steve works with Jackson
Browne, and does the Steel Bridge Songfest
in Sturgeon Bay, he’s done a lot of work
with Jim Liban and Short Stuff. Steve
said he had some music of mine he had
recorded from 2012 that I’d never heard,
and then some more recent recordings,
two songs of which from Red Rocket, and
that’s the Big Bull album.
M: And the Chain O’ Lakes Blues
Festival?
R: Get your tickets early. There’s a
great bunch of bands, and it gets packed.
We’re looking forward to playing the
Indian Crossing Casino again!
REVEREND RAVEN
at Chain O’ Lakes Blues Fest
The Rev and his Chain O’ Smokin’Altar Boys Deliver the Blues

September 2015 | SceneNewspaper.com | R1

R2 | SceneNewspaper.com | September 2015
FOOD & DRINK // BREWMASTER
BY STEVE LONSWAY
As the Mile of Music 3 slowly fades, all
who participated are left with many fond
memories of another successful year. The
Stone Arch Brew crew is also left with the
deepest of gratitude for all the support our
brand received during this epic event. And
thanks to the band Ruben, we were also
left with several 16 ounce cans of Farm
Girl, a Saison brewed by Lift Bridge Brew-
ing Company out of Stillwater, Minnesota.
Unfortunately this beer isn’t yet avail-
able in our market, but we thought the
gesture itself was worth the story. Besides,
The Twin Cities is only a short, beautiful
drive away.
The Stone Arch team invited a few of
our spouses into this tasting circle and their
feedback on the beer was also recorded and
used in these findings.
We poured the beers cold into standard
pint glasses for all of us to enjoy. The hazy
gold color reminded some of lemonade.
It was effervescent, and produced a nice
thick, dense foam head which added to its
appearance. As we brought this libation
to our collective noses the following terms
were used to describe the sweet aromas
that were released; floral, lemony, pleasant
citrus, fresh hay, yeasty, and orange peel
which was an ingredient used in the brew-
ing process. A sharp Belgian yeast scent
was quite prominent and very enticing. All
in all, quite pleasing and true to style.
The flavors discovered were abundant.
Spicy with hints of clove, allspice, cinna-
mon and orange all balanced very well with
what is perceived as a light bodied malt
profile. Its crisp invasion on the tongue
left a bit of a chalky note that gives way
to more orange peel and obvious Belgian
yeast flavors that round out perfectly. The
finish is very clean, candy-sweet and leaves
a bit of acidity on the palate.
This beer would pair very nicely with
a cold, crisp summer salad or a freshly
grilled slab of Mahi Mahi. We see this
beer as a really good fit to any and all of
summers activities from a relaxing paddle
downstream to enjoyment around a
crackling camp fire. Its 5.8% is nothing
to shake a stick at either so as always, enjoy
in moderation. When pairing this beer to
music, pop in a disc of the band Ruben,
set the volume at around 70% and enjoy
the audio and flavor invasion, you won’t
regret it!
Onto the Lift Bridge Brewery. Located
about 25 minutes east of the Twin Cities
this brewery and tap room is far away
from the bustling city life we all know.
With hours of visit primarily evenings and
weekend days, a simple call ahead to their
toll free number of (888) 430-2337 is rec-
ommended. Quite often your visit will be
met with a freshly tapped firkin of real ale
pulled through a traditional beer engine,
which in our eyes is as natural as it gets.
FINAL WORD: A great brew as the
autumn sets in upon us.
For those who enjoyed our last article
showcasing Surlys Overrated, Stone Cellar
Brewpub will be featuring a Surly Beer
Dinner on October 1st. We will host this
four course dinner paired with fine Surly
beers at our event space located at 1101
S. Oneida St. Stone Cellar at Riverview
Gardens. The event is by reservation only
by calling (920) 997-3332. Cost is $45 per
person. Prosit!
FARM GIRL SAISON
Lift Bridge Brewing Company, 1900 Tower Drive West, Stillwater, Minnesota
FOOD & DRINK // THE WINE CAVE
Harvest of Grapes to GlassBY KIMBERLY FISHER
Fall is upon us and it is this season that
starts the harvest of grapes to glass. Have
you ever thought about the lifecycle of a
vine or how long it takes to get grapes to
make that wonderful transition from vine-
yard to glass?
The physical structure of the vine as
cultivated. It consists of a single trunk
that connects its underground root system
to the above ground structure of branches,
shoots and leaves. The root system contin-
ues to grow and spread throughout the life-
time of the vine, and is capable of pulling
water and nutrients from soil deep below
the surface. The trunk thickens slowly
with time, growing from a slender stick to
a gnarled, tree-like pillar after many years.
In nature, grapes propagate by producing
seeds. The skin and pulp of the grape are
designed to protect the seed from damage
and nourish it while it matures.
A newly planted vine will produce
grapes during its first or second season,
but the clusters are usually considered
substandard. It is isn’t until its third year,
which is sometimes called “third leaf,” that
the vine begins to produce good fruit and
it is common to say, that after six years, the
grapevine develops to the point where its
fruit is at its optimal quality level. It will
then produce its best grapes for a decade
or more.
The annual growth cycle of a vine
is most successful in temperate climates.
The cycle begins in the spring, once tem-
peratures start to get up above 50 degrees F
(10 degrees C). Tiny shoots emerge on the
branches which we call “bud break.” As
the shoots begin to grow and strengthen,
leaves begin to develop. Once the leaves
appear, photosynthesis can begin and the
plant can take in energy directly from the
sun.
Flowering is the next phase and
takes 40-80 days after bud break. Clusters
of tiny flowers appear at intervals and
for every flower that is fertilized, it will
become a grape. The transition from flower
to berry is called “berry set” or “fruit set.”
As the berries start to mature in size over
the next three months, a process called
“veraison” takes place. It is most noticeable
in red grapes which begin to take on color.
White grapes also change in appearance,
remaining green, but become translucent
or golden.
Harvest takes place a month or two
after veraison. When the grapes are ripe
in terms of sugar levels and physiological
maturity which translates into tannin,
color, and flavor, and aromas become fully
formed in the grapes resulting in the wine.
Time from bud break to harvest is
normally around 140-160 days but can be
as short as 110 days or as long as 200 days.
We are at the point of harvest in many
countries where the aromas of crushed
grapes fill the air. What an incredible
aroma and what a journey the grape and
grapevine together take.
The end result is a delicious glass of
red or white that fits your occasion or your
budget.
Kimberly Fisher is Director of Fine Wine
Sales for Badger Liquor & Spirits

Barley’s Beer Sampling Series 4
HostedbyanAll-Wisconsinline-up,Barley&Hopsreturnsforthe4th
installment of their celebration of this great state’s brewing prowess.
Attendees will enjoy over 40 other beers, spirits and wines!!
Beer Samplings 2015-2016
Wednesday, October 7th
Wisconsin Brewing Company
Featuring: Dogfish Head (Delaware)
Wednesday, December 2nd
Central Waters Brewing Co.
Featuring: Two Brothers Brewing (Chicago)
Wednesday, February 3rd
Pearl Street Brewing
Featuring: Founder’s (Michigan)
Wednesday, April 6th
Point Brewery
Featuring: Kona (Hawaii)
Verona
La Crosse
Amherst
Stevens Point
ADMISSION
$25 door
$20 advance

R4 | SceneNewspaper.com | September 2015R4 | SceneNewspaper.com | September 2015
FINE ARTS // FOXY FINDS
Foxy FindsBY JEAN DETJEN,ARTFUL LIVING
Cheers to living
artFULLY in the
heart of Wisconsin!
Send your sugges-
tions for Jean’s Foxy
Finds to jdetjen@
scenenewspaper.com
“Hushed
Effluence” orig-
inal abstract
oil painting
on canvas by
Amy Buchholtz
(Magnuson).
32’ x 48’,
$1,950. Find
this stunning
piece and ad-
ditional works
at The Hang
Up Gallery
of Fine Art,
Neenah. The
abstract expres-
sions invite
the viewer to
experience ten-
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pushing forward of energetic progress. The emotional freedom
and the exploding deliverance celebrates the exciting wonder-
ment of progress and future unfolding’s.
Amy Buchholtz (Magnuson) is currently
represented in galleries throughout the Midwest
region. She acquired her Master’s of Fine
Arts degree in painting and drawing from
the University of Wisconsin, Milwaukee, her
Masters of Arts from University of Wisconsin,
Milwaukee, and her Bachelor of Fine Arts
Degree from Minnesota State University,
Mankato.
Give your decorating scheme a big boom of resonating fun
with this vintage “Harmony Rollickers” bass drum. 26.5”
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Handcrafted stone metallic
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Chic double-breasted beige-multi
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Handcrafted hardwood The Baker’s
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Whether choosing their decorative rich-
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(920.209.9368).

Valley Transit

ENTERTAINMENT // DOBIE MAXWELL
BY DOBIE
MAXWELL
September is back to school month,
and that makes memories come flooding
back annually for those of us who did
indeed attend an actual school. I am of a
generation that did not yet know of the
now all too frighteningly common concept
of home schooling, so forgive me if I frown
upon that idea without having personally
experienced it. I think kids need to mingle
with their peers.
Home life comes with its own unique
set of politics and dysfunction, and mine
happened to be off the charts. I was raised
by my grandparents, which in my day was
not nearly as common as it is today. It
wasn’t common in my circle at all, as I was
the only kid I knew who had it going on.
There’s an extra layer of difficulty in
that situation on multiple levels. First, they
were on to all the tricks my father and uncle
pulled during their childhoods so that
made them suspicious of me before I even
did anything. They had seen it all before,
and I was guilty until proven innocent.
Secondly, they were of the generation
before the one of all the parents of kids my
age, so they looked down on all the parents
of my friends as inexperienced, naïve and
ungrateful spoiled brats for not having
lived through The Great Depression. That
was their generation’s common bond.
I learned quickly that since they were
forced to suffer their way through The
Great Depression against their will, I
would have to join them throughout my
entire childhood and relive it all over again
vicariously on a daily basis. They weren’t
about to waste penny one on anything
frivolous, kid friendly or fun, so I knew
early I would be in for an uphill battle with
nobody in my corner.
This is where my school lunch connec-
tion kicks in. For whatever reason, Silver
Spring School in Milwaukee did not have a
school lunch program when it first opened.
I think I was in fourth or fifth grade when
they tore down the old school and built
a new one, and we were all excited to be
in a spanking new facility. It looked and
smelled new, but they still had some bugs
to work out.
Until the cafeteria was finished, we all
had to bring our lunch to school. This is
where I learned all about social intercourse
and status, as in who the cool kids were
and who was destined for the unwanted
ugly fate of perpetual mock-a-tude. I soon
became the king of everything out of style.
Parents can be painfully unaware of
styles and trends of their children, but
grandparents are on a completely different
planet. They have no clue what cool is, nor
do they care. They think all of their gen-
eration’s references are still fresh, and they
make no effort whatsoever to get current.
From day one, I begged them for a
lunch box. All the cool kids had lunch-
boxes, and they were just as cool. For boys,
the highly desirables included Batman,
Spiderman, G.I. Joe, Scooby Doo, Dukes
of Hazzard, Green Bay Packers and maybe
Charlie Brown. Everything else was
mocked.
For girls as I recall, it was Barbie, Rag-
gedy Ann, Josie and the Pussycats and
it was also fine to have a Scooby Doo or
Charlie Brown. I didn’t pay much attention
to the girls then, and they have long since
returned that favor – but that’s another tale
for another time. Back to lamenting lunch.
Grandma and Gramps wouldn’t hear of
buying me a lunch box, as they said I didn’t
need one. I guess nobody really needs one,
but what’s wrong with being in the in-
crowd for a change? I only wanted to be
like the other kids, but they made it seem
like I was asking to revoke my citizenship.
What really welds the pain and embar-
rassment permanently into the deepest and
most sensitive inner core fiber of my being
is how they vehemently refused to purchase
lunch bags. They could not comprehend
why any sane human would part with
perfectly good cash money for paper bags
in which to haul a kid’s lunch to school. It
was like the stock market was crashing all
over again.
I figured out what the actual cost per
bag was and it came out to a whopping
three whole cents. If I didn’t know better
I’d have thought I asked for a new Cadillac
and a bag of gold doubloons.
“THREE CENTS A BAG?” Grandma
yelped. “We are NOT the J.P. Morgans.”
I had no idea who she was talking
about. The only person I knew with that
name was a panelist on The Gong Show.
“There is NO need to spend three cents
each for a lunch bag. I’ll use the bags we
get for free at the grocery store instead.”
Hey great! Now there’s a prudent solu-
tion. Pay absolutely zero mind that those
enormous bags are only about fifty to
one hundred times bigger than any grade
school kid would ever happen to need at
any time except for maybe a young Andre
The Giant. You saved three cents. Yahoo!
Just drop my little peanut butter
sandwich in that bag, and I’ll wait for the
echo. Then plop my tangerine in after that.
And don’t forget my bag of plain, no name
potato chips. God forbid I may enjoy some
barbecue flavor chips or maybe even some
snack with a brand name like Doritos or
Fritos or Cheetos. Anything with an ‘itos’
on the end of it would have been a minor
miracle.
Then, why don’t you take that gigantic
paper bag and roll it over about six hundred
times, and I’ll drag it to the playground
like Christ carrying the cross? Then I’ll get
to school and have to be mocked for the
rest of my days. This was a fate I was not
willing to accept so I pushed back. For the
first time I ever remembered, Grandma
and Gramps agreed to something I really
wanted.
Unfortunately, grandparents live in
their own world. They didn’t take time to
ask what kind of a lunch box I might want.
They went to a store of their own volition,
and I would bet dollars to donuts it had
the word “Mart” somewhere in the title.
They probably had a coupon they clipped
out of the newspaper, and I’m sure there
was some kind of closeout “everything
must go” sale.
There was no fanfare whatsoever, nor
was there any gift wrap. They came home
one day and my icy German grandmother
personally presented me with what I had
whined about for so long.
“You wanted a lunch box,” she said
matter of factly. “Well, here is your lunch
box. It’s the last one you will ever get, so
quit bothering us and live your life.”
I was overjoyed for all of about five
seconds until the picture on the lunch box
gave me a swift kick directly in the groin
of my heart.
I am the only child I have ever met –
and I’ve met a lot of children and former
children in my day – that had to suffer
through my formative years with a…and it
still makes my snot curdle… Winnie the
Pooh lunch box. I couldn’t have done any
worse except for maybe if there had been
a Hitler thermos. I knew I would hate it,
but I also knew there was no turning back.
This was it.
The kids at my school could not have
been any more cruel. My new nickname
was of course a combination of “Pooh,”
“Mr. Pooh” and “Permanently Ostracized
Leper.”
“You wanted a lunchbox.” Grandma
said sternly. “And you’re going to use it
every day.”
I’m surprised she didn’t make me take it
to church and pack me a lunch for Sunday
school too.
That lunch box was the source of
torture for the rest of the school year. I
remember taking it as soon as summer
vacation came and bashing it with my
Louisville Slugger baseball bat. After that I
rode over it with my bike. Then I stomped
on it with both feet. Then I threw it in the
street and let the garbage truck run over it.
When I was finally done, it was a twisted
piece of useless metal.
That damn lunch box was only one of
many torturous memories of my child-
hood, and it comes back to haunt me every
year around this time when I see the “Back
to School” ads everywhere.
To make it worse, I peeked at Ebay to
see what Winnie The Pooh lunch boxes
were going for. I saw one for $275 and
another for $325. In retrospect I guess I
was home schooled after all.
Dobie Maxwell is a stand up comedian and
writer from Milwaukee, Wisconsin. To
see him on stage at his next hell-gig, visit
dobiemaxwell.com
Back-To-School Lunch

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NEWS & VIEWS // MEDIA RANTS
BY TONY PALMERI
I’ve been following
presidential elections
closely since 1976
when I was a high
school sophomore.
As the first post-
Watergate national
election, the 1976
contest sparked our
still intense infatu-
ation with outsider
candidates ready to
clean up Washington.
Affable peanut farmer
and former Georgia
Governor Jimmy
Carter cultivated
the outsider persona
perfectly against
incumbent President
Gerald Ford. Ford was
a 13-term congress-
man, the only man ever to serve as Vice
President and President without receiving
any popular or Electoral College votes, and
pardoned Richard Nixon; Ford was about
as ‘insider’ as a candidate could get.
The outsider/insider dialectic has
framed every presidential election since,
especially in the primary and caucus
season. Today, every Republican seeking
the White House is running as a Washing-
ton outsider, charged up to take on Hillary
“the ultimate insider” Clinton. Even the
Democratic challenger’s to the former first
lady tout themselves as outsiders.
For most of the summer, the presiden-
tial political scene has been dominated by
two self-described outsiders: billionaire
Donald Trump on the Republican side and
Vermont Senator Bernie Sanders for the
Democrats. In different ways, both cam-
paigns have exposed the moral bankruptcy
of the mainstream media.
The Donalds’ “Trump-a-palooza”
campaign tour is like legendary American
Idol contestant William Hung’s music: so
awful that it actually becomes entertaining
in its awfulness. Or for those old enough
to remember the generous and kind kid
Richie Rich comic book character, Trump
is like what would happen if that kid grew
up and became a total asshole. Often he’s
like an unfiltered Nixon, as in his conversa-
tion with Maureen Dowd: The nice thing
about Twitter, in the old days when I got
attacked it would take me years to get even
with somebody, now when I’m attacked I
can do it instantaneously, and it has a lot
of power. How’s that for a great role model
for the youth of America?
Trump’s been in the mainstream media
spotlight for a long time, but the fact that
he can be taken seriously as a political
candidate is unquestionably because of
Fox News. His brand of highly personal-
ized, black or white babbling, delivered in
a slash and burn rhetorical style, generates
great ratings for a news network that prides
itself on being a platform for over-the-
top wing nut characters. And that’s why
Trump’s public spat with Fox after Megyn
Kelly’s reasonable question to him about
his history of misogyny and sexism was
so amusing: without such a vulgar his-
tory, would Trump even be in the media
spotlight to begin with? Not surprisingly,
Fox viewership largely sided with Trump in
the spat.
Donald Trump is Fox’s Frankenstein.
Yes, Fox has historically served as a forum
for many monsters, but usually they’re
content to go after single mothers, African-
American teens, liberal Democrats, and
undocumented immigrants. The Trumpen-
stein monster on the other hand, appears
poised to wreck the entire Republican
establishment. Sure, it’s hilarious to watch
Trumpenstein smack down Jeb Bush, Scott
Walker, and others in the GOP’s motley
candidate crew of empty suits, lame brains,
and lightweights; but as Rolling Stone’s
Matt Taibbi argues, the end result is that
candidates have had to resort to increas-
ingly bizarre tactics in order to win press
attention. It’s not pretty, yet there’s not
one network news anchor with the moral
authority to call out the nonsense.
So what about the Democrats? When
Massachusetts Senator Elizabeth Warren
declined to run, and with former Maryland
governor Martin O’Malley failing to spark
enthusiasm, it looked like Hillary Clinton
might make it through the caucus and
primary season unscathed except for the
predictable GOP trolling about Benghazi,
emails, etc.
But then...Enter Sandman. Bernie
Sanders, the 73-year-old Senator from
Vermont who represents the democratic
wing of the Democratic Party, and articu-
lates a vision of an America of, by and for
the people instead of the one-percent, met
record crowds in city after city. Rocker Neil
Young threatened to sue Trump for using
“Rockin’ in the Free World” at rallies, but
had no problem lending the tune to Bernie.
Actually, I’d like to see Sanders come
to the stage with Metallica’s “Enter Sand-
man” as his intro music. The song’s theme
of childhood nightmares works well with
Sander’s harsh wake up call for the 99 per-
cent, many of whom accept our economic
nightmare as normal.
The mainstream media response (or
more accurately non-response) to Sanders
is really a prime example of how bogus
is the claim that there is some kind of
liberal bias in political news coverage. If
500 people show up at a Tea Party rally,
it’s treated as the birth of a new American
revolution and often gets space on the
network evening news. Sanders in contrast,
can pack sports arenas with a message
of redistributing wealth to Main Street
instead of Wall Street, yet the events barely
register a blip on the media radar.
Does this mean there’s a conservative
bias in media? No. The bias is toward the
corporate, which means the Trump-a-
palooza clown show’s that drive ratings will
get 24/7 attention.
I hope there’s a high school sophomore
following the campaigns. In 40 years
people will want to know what it was like
to watch corporate media obsess over Fox’s
Frankenstein, while the Sandman filled the
stadiums.
Tony Palmeri (palmeri.tony@gmail.com) is
a professor of communication studies at UW
Oshkosh.
Fox’s Frankenstein & the Sandman
Crescent Moon
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since 1987
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NEWS & VIEWS // RIGHT WING NUT
BY BOB MEYER
As more support for educational vouch-
ers gains ascendancy, the talking points
against them become increasingly desperate.
The epitome of this trend might well
have been expressed by a writer in his recent
column in the Appleton Post-Crescent. His
assertion is excerpted below.
“Voucher schools, also known as
taxpayer-supported religious schools, aren’t
about improving public education, they are
about proselytizing. And once government
finances religion, it won’t be long before
it wants to control the religious message,
ending the religious freedom we’ve enjoyed
for over 200 years.”
http: //www. pos t crescent .com /
story/opinion/columnists/2015/06/11/
vouchers-taxpayer-supported-religious-
education/71095108/
It sure sounds good, but when I read
the whole column, it appeared to be more a
critique of private education, than advocacy
for religious liberty. If education is a public
good, then that particular ‘public good’
is realized regardless of whether or not the
learning takes place in the public milieu.
Some Christians may legitimately fear
the regulation of their faith by the govern-
ment should they accept vouchers. On the
other hand, a greater number recognize the
inherent unfairness of a taxation policy that
makes them pay for government subsidized
public education, even when they are already
paying for alternatives. Vouchers could only
help restore those funds, making alternative
educational choices more affordable for citi-
zens who aren’t wealthy. The accountability
question is answered by the parents who
voluntarily make educational choices.
If one sees the voucher as following the
student, rather than being a direct subsidy
from the government to a particular school,
then the issue is really about parental choice,
not government subsidy. That is why the
writer’s assertion that ‘vouchers are tanta-
mount to subsidizing religious education’
are bogus. Taken to it’s logical conclusion,
should we argue that a government employ-
ee’s contribution in the church offering plate
is a really government subsidy of religion
since the taxpayers pay the employee’s salary?
Many secularists will quickly point to
Thomas Jefferson’s famous quotation taken
from a private correspondence in 1801.
“...I contemplate with sovereign reverence
that act of the whole American people which
declared that their legislature should ‘make no
law respecting an establishment of religion,
or prohibiting the free exercise thereof,’ thus
building a wall of separation between Church
& State.”
But the historical understanding of this
metaphor has absolutely nothing to do with
removing religious principles from public
education.
Jefferson more clearly explains the mean-
ing of his famous metaphor in this excerpt
from his second inaugural message...
“In matters of religion I have considered
that its free exercise is placed by the Constitu-
tion independent of the powers of the General
Government. I have therefore undertaken on
no occasion to prescribe the religious exercises
suited to it, but have left them, as the Consti-
tution found them, under the direction and
discipline of the church or state authorities
acknowledged by the several religious societ-
ies....”
Jefferson is talking about the application
of federalism; distinguishing between the
enumerated powers of the federal govern-
ment and the broader latitude of state
governments.
Article three of the Northwest Ordinance
in 1787 clearly shows that the Founders had
no intention to separate education from
acknowledgment of God.
“Religion, morality, and knowledge, being
necessary to good government and the happiness
of mankind, schools and the means of educa-
tion shall forever be encouraged...”
The late SCOTUS Chief Justice William
Rehnquist, in his Wallace v. Jaffree (1985)
dissent, clarified the historical abuse of the
wall of separation metaphor.
“But the greatest injury of the “wall” notion
is its mischievous diversion of judges from the
actual intentions of the drafters of the Bill of
Rights...no amount of repetition of historical
errors in judicial opinions can make the errors
true. The “wall of separation between church
and State” is a metaphor based on bad history,
a metaphor which has proved useless as a guide
to judging. It should be frankly and explicitly
abandoned.”
The great deception on the part of many
people, is to define “religion” narrowly, as a
belief in theism, rather than more broadly. If
one were to read beyond the first definition
of the word “religion” in a good dictionary,
they will come across a definition like this...
“A cause, principle, or activity pursued
with zeal or conscientious devotion.”
In that broad sense, all education is
fundamentally and inescapably a religious
enterprise.
An attorney in San Antonio, Texas
teaches a historical symposium on constitu-
tional law. One question he asks early in the
course is this: Who is more religious...?
A) Bill Clinton
B) Bill Gates
C) Billy Graham
D) Billy the Kid
The answer, of course, is that this is a
trick question. The correct answer is E),
all the above, since all persons listed have a
cause, principle, or activity pursued with zeal
or conscientious devotion.
The biggest fallacy accepted by the
public is that public education is ideologi-
cally neutral. The writer’s original claim of
proselytizing is a classic example of the
pot calling the kettle black. At least some
humanists view the public education venue
as an indoctrination opportunity.
(“The battle for humankind’s future
must be waged and won in the public school
classroom by teachers who correctly perceive
their role as the proselytizers of a new faith: A
religion of humanity – utilizing a classroom
instead of a pulpit to carry humanist values
into wherever they teach. The classroom
must and will become an arena of conflict
between the old and the new – the rotting
corpse of Christianity, together with its
adjacent evils and misery, and the new faith
of humanism.”)
Dunphy, John J., The Humanist, Jan.
1983, p. 26.
Dunphy clearly recognizes what most
advocates of monolithic public education
either fail to admit, or are inexcusably igno-
rant of: The effort to extract Christianity
from public education effectively replaces
one “religion” with another, it doesn’t
achieve neutrality.
Though there are many good reasons to
support vouchers, the check against unde-
sired indoctrination is first on my list.
RIGHT WING NUT

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NEWS & VIEWS // ROHN’S RANTS
BY ROHN W. BISHOP
What the hell are we doing?
The Republican Party currently has the
best slate of candidates to seek it’s nomina-
tion since 1980!
We have conservative governors, con-
servative senators, a business woman, a
neurosurgeon, immigrant kids, small town
kids, all of whom are true believers to the
conservative cause. Yet it’s Donald Trump
who’s leading the Republican Presidential
polls? It’s Donald Trump who is receiving
such love and adoration from Rush Lim-
baugh, Sean Hannity, Breitbart News, and
Ann Coulter?
I get that Rush Limbaugh needs lis-
teners, Sean Hannity needs viewers, Ann
Coulter, needs readers, Breitbart needs web
hits; but all in for Trump?
I get it too that we’re ticked off and
disillusioned with Washington. Since
winning control of Congress in November
the Republicans haven’t done diddly squat
with their new found power. Obama Care
survives, Iran is getting nukes, Israel is
threatened, the border is wide open, the
police are under assault, and Christianity
is about to become the modern version of
the KKK.
We conservatives look around and no
one is defending us, no one is sticking up
for what we believe. We watch in disbelief
as Americans are more angered about some
lion in Zimbabwe than they are about
Planned Parenthood murdering babies and
selling the body parts!
It’s like we’re living in the” Twilight
Zone.” We look to our elected leaders,
Republicans in Washington like Speaker
John Boehner, or Senate Leader Mitch
McConnell, and we get nothing.
You turn on the TV and there is a guy,
finally yelling about the border and immi-
gration crisis, and when some jerk liberal
reporter questions him, he yells back, “Sit
down, shut up, you’re all done! You’re a
loser!”
It’s refreshing! We hunger for someone
to express our beliefs, defend our beliefs,
and to not put up with the main stream
liberal news media and the politically cor-
rect bullies. I, as a monthly contributor
to the Scene, really appreciate Trump’s
unapologetic bluntness. Every month,
The Scene receives calls and emails from
the “PC” crowd calling on me to be fired,
threats to boycott the paper or our adver-
tisers. These intolerant folks then put on a
Che Guevara t-shirt, climb in their Prius
with a COEXIST bumper sticker on it,
tune into Pubic Radio, and congratulate
themselves on being so open to diversity.
But I digress…
Trump is perceived as combative,
always telling people off. And, he’s getting
away with it! But we can do much better
than Donald Trump.
Trump is no conservative! He supported
Hillary Clinton for president in 2008, he’s
donated to the Clinton Crime Family
Foundation, repeatedly said George W.
Bush was the worst president ever, opposed
the Iraq War, has supported socialized
health care, higher taxes, defends Planned
Parenthood, uses Democrat talking points
to slander Scott Walker, and gives Hillary
a pass on her criminal behavior with her
secret computer server.
Even with that kind of past, I’m told by
“Trumpiters” that he’s the true conserva-
tive, he’ll make America great again, and
that Jeb Bush is the establishment’s squishy
RINO.
Really?
Rush Limbaugh went so far as to say on
the very highly rated “EIB Network” that,
“The ideal, the perfect ticket, for the 2016
election: Hillary Clinton, Jeb Bush. Now,
they can figure out who’s on top of the ticket
on their own, but when you compare their
positions, Hillary Clinton and Jeb Bush, on
the key, important issues, they are two peas in
the same pod.”
Really!?
When Jeb Bush served as Florida’s Gov-
ernor he was the most conservative gover-
nor in America. Bush cut taxes, balanced
budgets, grew a state surplus, gave Florida
Concealed-Carry, state wide school choice,
and defunded Planned Parenthood. Bush
was a national leader in education reform
with high standards, defended Elian Gon-
zalez, stood up for Terri Schiavo, despises
Castro’s Cuba, and won the Hispanic vote.
That RINO!
If you don’t like Bush look at Scott
Walker, who as Wisconsin’s Governor
turned a $3.6 billion deficit into a sur-
plus, has cut income and property taxes,
all while staring down the all out assault
launched by public sector unions. Walker
has also delivered on Concealed-Carry,
defunding Planned Parenthood, and
expanding school choice.
While Bush and Walker are the two
most accomplished conservatives run-
ning, some of the less conservative, but
still effective Republican leaders running
include, Ohio Governor John Kasich, who
balanced the federal budget while serving
in Congress, Carly Fiorina a successful
businesswoman who ran Hewlett Packard,
Chris Christie who governed a blue state,
and Rick Perry who lead America’s stron-
gest economy as Texas Governor.
We conservatives don’t have to settle
for Donald Trump. Yes, he’s an entertain-
ing blowhard, much like Ted Cruz is, but
we have the chance to select a conservative
with a strong record of accomplishment, a
conservative who’ll have a strong chance of
winning in 2016.
Let’s not blow this by selecting a chau-
vinist clown riding a tidal wave of discon-
nect. Let’s select a true conservative who’s
shown they can accomplish conservative
reforms and lead!
Let’s select a conservative reformer
with results. Let’s select Jeb Bush or Scott
Walker.  
Rohn W. Bishop is a monthly contributor to
the Scene. Bishop, a former Waupun City
Council member, and serves as Treasurer
for the Republican Party of Fond du Lac
County.
Contact Rohn: rohnnyb@msn.com
Twitter: @RohnWBishop
Trump NO!
2015 Fall Entertainment Series
September 19, 2015
Tribute to Creedence Clearwater Revival
The Fortunate Sons
With special guests
Those Weasels
Doors Open at 6:30pm
Show starts at 7:30pm
204 Shaler Drive
Waupun WI 53963
America’s Favorite Cowboys
Riders In The Sky
Cowboy Music and Comedy
October 9, 2015
October 24, 2015
Rock, Roll and Remember
The Avalons
A Memorable Journey through
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Historic City Hall Auditorium
201 E. Main Street, Waupun, WI 53963
For more information www.CityHallStage.com or Call (920) 268-8005
All Seats Reserved Tickets available at
TicketStarOnline.com
800-895-0071

OUTDOORS // ?
BY ROB ZIMMER
Add some new life to your yard,
garden and landscape this fall by incor-
porating dramatic color, texture and more
for an amazing autumn season.
Look beyond the standard fall staples
like mums and kale and include a variety
of different and unusual plants to add
spice to your landscape.
Be sure to bring new life to fading
summer containers by replacing spent
annuals with flashy new fall bloomers.
Looking for something different this
year? Here are some of my choices for
amazing autumn all-stars in the land-
scape.
Turtlehead
With their unusual, tubular blooms
in pink or white, these long lasting, late
blooming perennials attract migrating
hummingbirds and monarchs. They
prefer part sun and moist soil.
Little Bluestem
My favorite of the native grasses, this
compact, colorful and elegant variety
shimmers in pink, silver, blue and red,
changing to a fiery orange and gold later
in fall. Grows 2 feet tall by 2 feet wide
forming a nice, compact clump.
Witch Hazel
Our latest blooming wildflower,
technically a shrub, witch hazel begins
to bloom in mid October, lasting until
early January, depending on temperature.
Native witch hazel blooms in bright
yellow, while garden varieties bloom in
shades of red and orange.
Larches and Tamaracks
An excellent tree for color and texture
in all seasons, tamaracks and larches are
technically evergreens that shed their
needles each fall. Before they do so,
however, the needles transform into a
brilliant, fiery gold.
There are many varieties to choose
from including weeping larches, conical
forms and asymmetrical forms. There
are even dwarf tamaracks and larches for
large containers.
Autumn Crocus
Look for autumn crocus bulbs on sale
after Labor Day. Plant the large bulbs
with their necks at the surface and enjoy
their spectacular blooms just a few weeks
later. These bulbs naturalize easily in the
garden, meaning more blooms year after
year.
Hardy Hibiscus
One of the most dramatic flowers for
the garden, blooms on hardy hibiscus
plants may reach 10 inches across or
more. Available in a variety of colors
including pink, white and shades of red.
Blue Lobelia
Often overlooked in place of its
flashier cousin, cardinal flower, great blue
lobelia is equally stunning in cobalt blue.
Flowering spikes me a reach 3 to 4 feet in
height and bloom begins in late August.
Zinnias
Colorful, flamboyant and available in
a wide variety of colors, zinnias are classic
autumn bloomers that attract migrating
monarchs and other late season butter-
flies.
Cannas
Just as flashy in foliage as in flower,
cannas spend the entire summer season
reaching for the sky before putting on
their best show in fall.
Autumn
All-Stars
Rose Turtlehead Photo by Rob Zimmer
Blue Lobelia Photo by Rob Zimmer

ENTERTAINMENT // KAT REINHERT
Kat Reinhert
“Sparks” a New Album
BY GEORGE HALAS
In addition to all the great original
music being generated locally, Wisconsin
is also in the business of exporting extraor-
dinary talent to other parts of the country
and the world.
A splendid example is singer-song-
writer-composer Kat Reinert, whose new
album, “Spark” was released on August
21st.
Growing up in Milton, Wisconsin,
Reinhert – then Kat Berentsen – began
her pursuit of her musical muse at Law-
rence University, where she studied with
Ken Shaphorst and voice teacher Patrice
Michaels-Bedi.
“I loved Lawrence,” Reinhert said.
“It was an amazing experience and it was
invaluable to my growth as a musician. I
found my voice.”
“I love Appleton. It’s such a beautiful
place,” she continued. “I still keep in touch
with the people from Lawrence.”
After two years at LU, she faced a dif-
ficult decision.
“As a singer, I needed more technical
education than Lawrence could provide at
the time,” she said. “I had to leave this won-
derful college and small town for a conser-
vatory
in scary New York City.”
She enrolled at the prestigious Manhat-
tan School of Music, where one of her
classmates and friends was internationally-
acclaimed jazz vocalist Jane Monheit. She
earned a master’s degree in Jazz Pedagogy
in 2007 at The University of Miami where
she is currently pursuing a Ph.D. in Music
Education, specializing in Popular Music
Education.
“Spark” is a very strong, consistent
tour de force that contains 12 Reinhert
originals and an engaging cover of Rush’s
“Limelight.”
“I’m very proud of this album,” she
said, “not only because of the content and
the themes it explores, but also because
of the music and the arrangements that
the musicians helped to create and shape
as we’ve played together for the last four
years. This is the kind of album I’ve always
wanted to make.”
“It’s my originals as I envisioned them,”
Kat said. “We recorded in this old school
studio where I’ve always wanted to record;
they have Coltrane’s mike and a grand
piano from Carnegie Hall. I hired a pro-
ducer – pianist David Cook – I had not
done that before. I also hired a publicist,
because I want to be honest about what
I’m doing. This does not
fit into jazz or any other
genre – and that’s okay. It’s
me celebrating music and allowing the
musicians to be who they are. I’m ful-
filling the dream of a 19 year-old kid.”
The new CD is the culmination of
“six or seven” years of her exploration of
songwriting.
“Over that time, I concentrated on
lyrics,” she said. “I want to write lyrics that
not only help me but perhaps others who
are dealing with things that they cannot
talk about. When you go through the
jazz vocal programs, at both the undergrad
and grad level, there is no emphasis on
songwriting. You study the great songs but
they don’t tell you how they were written
or how they were created.”
There were two years in between that
she wasn’t living in New York.
“I used the time like a workshop,” Kat
said “to get better at the things I wanted to
get better at. I had something deep to say
that I wasn’t finding in the standards.”
A growing trust of the players in the
band led to a more team-oriented approach
when it came to the arrangements.
“They trust you as a person and as a
musician and I trust them,” she said, “and
that enables me to bring in something that
isn’t quite finished and ask ‘what do you
think?’”
The title tune addresses the same values
in a relationship, as she writes, “at last I
trusted, at last I listened, at last I found
you were here for me.”
Much of the lyrical
content deals with the kind
of heartbreak and insight
that comes after years of
experience.
“Divorce does really
interesting things to you,
like any life-changing loss,”
she said. “It’s an opportunity
to look inside yourself and be
honest.”
“Prison” includes the line,
“you’ve got to kick the ball and
chain of shame to the curb,”
while the opening cut, “Walk Into The
Rain,” includes “we’ve said goodbye so
I know that I’ve just got to walk into the
rain…so that we can be free to love.”
Reinhert is at perhaps her deepest and
most reflective on “Without A Fight,”
where she speaks of “sitting naked in your
living room and you pray for the courage
to move.”
“I was very angry when I wrote that
song, so it was actually pretty easy to
write,” she said. “It is awesome as a song-
writer to have a song that has double and
triple meanings for people.”
There is plenty of positive, upbeat
emotion available in songs like “My Arms,”
“Little Compartments,” and “Naked,”
an interesting exercise in self-exploration
of the “palladium mystery” of her “secret
disguise” and her request for “silk sheets, if
you please.”
An off-the-cuff suggestion and a Ted
Talk by Elizabeth Gilbert led her to cover
Rush’s Limelight.”
“It deals with what you do after you
succeed or fail. You go back to work,” she
said. “You do not compete with your suc-
cess or failure.”
The album features outstanding play-
ing – Reinhert gives her band plenty of
room to stretch out, develop themes and
have fun – from Cook on piano/keyboards,
guitarist Perry Smith, bassist Sam Minale
and drummer Ross Pederson. Cellist Jody
Redhage adds just the right touch on
“Prison” and “Paper Bag.”
The entire ensemble seems to be on the
same page with the mantra that is promi-
nently featured on Reinhert’s refrigerator:
“I will dare greatly to create a life that’s
filled with love, gratitude and music so that
I can help others to find their voices with
the gifts that I share.”
“Spark” can be purchased at katrein-
hert.com – she is also on Face Book, Insta-
gram and Twitter.
Photos By Karsten Staiger

The Bridge Bar & Restaurant
101 W Main St. Fremont, Wisconsin 54940
(920) 446–3300
www.bridgebarfremont.com
Find us on Facebook!
The Bridge Bar & Restaurant
is a popular four-season
destination located in
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by car, boat, motorcycle, or
snowmobile and enjoy our laid
back atmosphere here on the
water.
UPCOMING EVENTS:
September 5th - Roger Jokela
September 6th - Buffalo Stomp
September 26th - Dave Olsen Band
Where
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BRETT ELDREDGE
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quandt
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800-838-3378

ENTERTAINMENT // THE SPANISH INQUISITION
BY GEORGE HALAS
From its humble beginnings, The
Inquisition strives to discover and reveal
the hidden gems in the music and art of
The Fox Cities. One of the most impor-
tant revelations was simply the enormous
quantity and quality of original music of
all types emanating from artists and bands
based from Fond du Lac to Green Bay.
The Inquisition leads by example, of
course, and, with trademark humility,
refuses to accept credit for anything other
than a minor role in the growing mega-
trend generating momentum towards
turning all of Northeast Wisconsin into a
music and arts “destination.”
One need look no further than the
impressive success of Mile of Music and
the growing emphasis on original music
included on the playlists at 91.1 The
Avenue, just two of a rapidly-developing
number of examples.
Marc Golde, a musician-composer-
arranger-producer and owner of Rock
Garden Studios, has not only been in an
excellent position to observe the growth of
local original music, he’s played a key role
in its development. It’s something about
which he is very passionate.
Golde left a management job in 2002
to start Rock Garden.
“It was just a dream I had of having
a great studio and producing awesome
records,” he said. “I found a way to get it
done.”
Rock Garden achieved the goals of a
five-year success plan in three and has been
expanding ever since. While it is one of the
favorite studios for musicians, a significant
portion of the business is corporate video.
“In 2002, there were not as many (local)
gigs. There were only two festivals, Cel-
ebrate and Octoberfest. You had to travel.
Now there is a festival in every town,” he
said. “There have always been great artists
and great bands, but the opportunities to
see and hear them were fewer and farther
between.”
As the local music scene expanded,
Golde’s passion turned into a mission.
“I want to make the Fox Valley undeni-
ably important in the national scene,” he
said, “and I’d like to see some local artists
break out of the Fox Valley. I want to play
a part in those artists gaining much larger
national exposure.”
While the Mile of Music has been one
of the catalysts, the major impetus for the
growth of local original music is the musi-
cians themselves.
“There have been enough artists who
have stuck to their guns and done their
own thing,” he noted, “that the gates had
to open.”
While the music is local, the reasons
that many musicians and bands fail are
global in nature.
“You have to have something unique
to offer,” Golde said. “Many artists make
the mistake of following trends or think-
ing that there is a ‘Nashville formula,’ but
the key is to be themselves. Many of the
artists creating original music are not good
at promoting themselves, nor do they have
agents and management to shop their
records. They are not looking at it as a
business and at themselves as entertainers.
Art and commerce are like oil and water.
The music is yours to
do whatever you want
with, as long as you sell
it.”
Golde says you
cannot be introverted.
“You have to deliver
your songs and the
band to the audience,”
he continued. “The
music can be heartfelt
art, but you still have
to see it as ‘product.’
If you want to make
money, you have to
deliver.”
While the Fox
Valley does not have
the industry infrastruc-
ture of Chicago, New
York, L.A., Nashville
and other major cities,
Golde points out that
“Corey Chisel has
shown people in this
area that you can do bigger and better.”
Golde is not just a dreamer, he has
plans.
“I’d like to see an organization and an
outlet that offers artists hope,” he said,
“and that can happen on the business side.
We need to build some bridges to larger
companies like record labels and radio sta-
tions that can help the artists gain greater
exposure. I’ve been waiting for 20 years for
someone else to do this, but I believe I have
to get involved in connecting the artists
with these companies.”
Golde is thinking, hoping and dream-
ing big.
“I’d like the Fox Valley to be like
Motown in the ‘60’s or Seattle in the ‘90’s,”
he said. “I’d like to make it so undeniably
cool that it has to be recognized nationally
and internationally. We have the talent
but we need to start developing it earlier.
It takes time to grow, but we are already
starting to see it happen. I’m very excited
for the next 10 years, things are going to
get really good around here…and you can
put money on that.”
One of the more intimate venues
that has been a strong supporter of local
music and musicians is The St. James
Lounge in the Town of Menasha, more
commonly referred to as “Michelle’s.”
Among the many outstanding artists who
have appeared at the St. James are Janet
Planet, John Harmon, Antonio Wigley,
Jim Rosetti, Erin Krebs and Jeff Johnston,
KWT and The Bob Levy Little Big Band.
The bad news is that the current loca-
tion is being torn down; the great news is
that owner-manager-bartender Michelle
Kersten is moving to a somewhat larger
location just 500 feet or so north. While
the new location will retain the same, com-
fortable but classy intimacy and ambience,
the stage will be larger and the room will
feature a better acoustic set-up and design.
Kersten plans to stay open in the cur-
rent location until September 12th and
expects to open in the new location on
Tuesday, September 29th with a Grand
Opening Celebration slated for early Octo-
ber with some very special musical guests.
The current hours, Tuesday-Friday, 4:00
p.m.to close and Saturday, 5:00 p.m. until
close, will remain the same.
New Focus on N.E.W. Music

• Arts, Crafts and Food Vendors
• Car Show and Kayak Demos
• Area-Wide Scavenger Hunt.
(See local businesses for details.)
• Tomorrow River Youth Arts Festival at
the Jensen Center from 1:00 till 3:00 pm
• Music by Hip Pocket beginning at 4:00
pm in the International Bank of Amherst
Parking Lot
6th
Annual
Celebrate Amherst
Saturday, September 12th
10:00 am Till Dark
ON MAIN STREET, DOWNTOWN AMHERST
Event Sponsored By
and the
Village of Amherst
KITCHEN MANAGER: JIM JENSEN
and the entire Kitchen Team: Justin, Luke, Norm & Tracy
invite you to stop in soon to try out our new
& exciting daily lunch and dinner specials.
www.simpsonswaupaca.com
Monday to Friday: Open at 11:00 AM
Saturday to Sunday: Dining open at 4:00 PM, Bar open at 3:00 PM
Visit our Facebook page
FOOTBALL SEASON IS FINALLY HERE!
Join Us for Packer Parties all season long
FIND OUT WHY SIMPSON’S RESTAURANT
HAS BEEN WAUPACA’S FAVORITE
SINCE 1932.
211 S. Walnut Street - 920-574-3950
September 4 Hard Drive
September 5 Christopher Gold Band
September 21 Live Comedy with Tyler Sitar
September 25 Porky’s Groove Machine
September 26 A-Town
Tuesdays
Wino Wednesdays
Live quizmaster trivia @ 8pm
1/2 price wine all night!

ENTERTAINMENT // POSTCARD FROM MILWAUKEE
BY BLAINE SCHULTZ
His resume includes Encyclopedia
Walking – Pop Culture & the Alchemy
of Rock ‘n’ Roll, a book that collects
his writings from the weekly San Diego
Reader, Ugly Things magazine, The San
Diego Troubadour, and his own blog site.
Kanis is or has been a recording artist
(All American Mongrel Boy – a collection
that veers from Beatle-esque to the DIY
of “Where is Joe Strummer When you
Need Him?”), collaborator, tour manager,
radio deejay and producer (State Controlled
Radio) and Grammy nominated video
archivist (The American Folk Blues Festival
1962-1966 Volume One). While that may
seem like a long list, the shorthand version
is that Kanis is a wonderful chronicler of
the human condition.
In the mid-eighties he met the man who
would become something of his mentor.
Paul Williams founded Crawdaddy! maga-
zine in 1966 and it is recognized as the first
publication to take rock and roll music and
its culture seriously. Williams was ground
zero, writing thoughtfully about Bob
Dylan and the Beach Boys’ masterpiece
LP “Smile,” while most other publications
focused on teen heartthrobs. Williams also
served as literary executor for Science Fic-
tion writer Philip K. Dick.
Kanis met Williams on the eve of a Bob
Dylan tour, trading tickets for California
shows. And it is Williams’ compassionate
searching that often surfaces in Kanis’s
articles. Williams died in 2013.
The centerpiece of the Encyclopedia
Walking is Check Your Ego at the Door:
Transformation and Rejuvenation at Steel
Bridge Song Fest, Kanis’ journal recount-
ing the 2013 songwriting workshop held
annually in Sturgeon Bay. He takes the
reader through a cross-country journey
into the process of blind-date songwriting
collaborations, insane logistics, and sunrise
jam sessions. Ultimately, he leaves with a
handful of co-written songs, and friend-
ships that he continues to nurture.
While many of his articles delve into
worthwhile analysis from Big Star to the
Monkee’s movie Head, to an obscure
1973 New York public television series
called SOUL!, the Steel Bridge chronicle
serves as a bookend to the chapter titled
1992, where Kanis stands on the edge of
his feather and dives in. He transforms his
life; trial by fire as a vagabond musician
traveling Europe, and then returning to the
states to serve as Peter Case’s guerilla tour
manager (and sometimes opening act).
His depictions of challenges, stress and
the payoff off realizing he made the correct
choice is a lesson many young people may
find valuable.
Kanis ends with “I didn’t know what
the future held or if I even had a future.”
Just check his vast reservoir of work and
decide for yourself.
Jon Kanis is equal parts
inspired and inspiring
SATURDAY,SEPT.12
7:00p.m.@DischerParkDanceHall
800NorthFinchST,Horicon,WI53032
Horicon Phoenix Program Presents:
An Evening of Epic Spoken
Word + Musical Intermezzo
as performed by Magnus Pym
$5.00 at the door. [18+ show]
FREE admission with your Horicon Phoenix Membership Card!
Tues- Sat
11am-6pm
17 Waugoo Ave. Oshkosh * (920) 235-0023
back to
school
In Vintage from

Latinfest
101 North Main, FDL (Next to Hopper’s) 933-6003 • Kitchen open daily 7 am
LocatedonNorthMainStreet,justnorthofHopper’sSilkScreening
The Talented & Popular
LIGHT HOUSE BIG BAND
Playing everything from Beatles to Basie
Enjoy Dinner
Before or
During
the Show!
Come
Early...
The Show is FREE!
Presenting...
TUESDAYS, September 8th & 22nd • 7:30 PM

ENTERTAINMENT // CONCERT WATCH
BY JANE SPIETZ
WHAT: Los Lonely Boys
WHERE: Thrasher Opera House,
Green Lake WI
WHEN: Thurs., October 1, 2015 7:30pm
COST: $44
INFO: www.thrasheroperahouse.com
www.thrasheroperahouse.com/
Dynamic rock/brown-eyed soul/blues
band Los Lonely Boys is made up of the
brothers Garza: Henry (guitar/
vocals), Jojo (bass/vocals), and
Ringo (drums/vocals). The band
describes their sound as “Texican
Rock ‘n’ Roll.” They are best
known for their #1, Grammy-
winning hit, “Heaven.” Originally
from San Angelo, Texas, their
music is deeply rooted in family
ties. Their father, Ringo Garza,
Sr., also played in a sibling band,
The Falcones. Ringo, Sr. then
went solo and brought along his
sons as backing members.
The boys left the nest to form
their own group and recorded
their self-titled debut album at
Willie Nelson’s Pedernales studio
in Austin in 2004, on which Willie
played. Los Lonely Boys was first
released on the small Or Music
label, but Epic Records picked
it up in 2004. The popularity of
the group skyrocketed and their
single, “Heaven,” went to #1 on
Billboard’s Adult Contemporary
chart and won a Grammy in 2005
by a Duo or Group with Vocal for
Best Pop Performance. Los Lonely
Boys ended up going double platinum.
Los Lonely Boys’ latest release, Revela-
tion (2014) came out a little less than a year
after Henry Garza was seriously injured
from a fall from a stage. After a long recu-
peration period, he is thankfully back to
playing music.
The band strives to put out music that
unites listeners. “We want to make music
that brings people together, not music
that divides people,” Jojo states. “We’re
all about having a good time, but we also
make an effort to write about things that
really matter.”
I must confess that I am a huge fan of
Los Lonely Boys. This powerhouse trium-
virate with its rich, effortless harmonies is a
pleasure to listen to.
I caught up with Jojo Garza when he
was in California recently.
Jane Spietz: You refer to your musical
style as “Texican Rock ‘n’ Roll.”
Jojo Garza: Music has been a major
part of our lives forever and so we were
exposed to many different artists, styles,
genres, instruments and many other things
music related. Because of this we were able
to learn that the art of music wasn’t some-
thing we could make new, but rather that
we could create something new with what
already existed from the art of music. Basi-
cally what I mean is we learned from the
teachers and musicians before us. First our
father. He was the biggest influence. Songs
he wrote along with his personal favorites
were what we were fed. Then we started to
do our own searching musically and found
many other influences along the way. All
those ideas, and melodies and rhythms and
sounds and artists are the base or platform
of what we build musically. There’s nothing
new about music. I guess you could say
the hammer, nails and building materials
were already here...it’s what we do with
those things that make what we build ours.
We call it Texican rock n roll because they
asked us to define ourselves as a genre...
we said, well if there isn’t a genre called
“Music” then we will just make up our
own.
JS: It sounds as though your father,
Ringo Garza, Sr., impacted the band
greatly from early on. Did you perform
with him?
JG: He’s the biggest influence. Our
father is the original Lonely Boy. He had
his dreams and aspirations as to what we
would become. The first Mexican Ameri-
can family country band. That’s where we
got all our practice.
JS: Where did the inspiration for your
#1 single, “Heaven,” come from?
JG: The inspiration came from per-
sonal life experiences. Henry came up with
the idea from what was at first a prayer. If
you listen to the lyrics, you can understand
where the inspiration comes from. The
idea that we all have faith and hope, believ-
ing there’s a better place with better days,
every day.
JS: Los Lonely Boys won a
Grammy Award for Best Pop
Performance by a Duo or Group
with Vocal for “Heaven” in
2005. What did that mean for
the band?
JG: First it was unbelievable,
and then we remembered that
our band name was the one
they called out. Ha ha! We really
never played for the idea of win-
ning anything, but it’s such a
great honor and it means a lot to
us to be noticed by many others
for what we always loved to do.
JS: Having your debut
album, Los Lonely Boys, go
double platinum was quite an
accomplishment.
JG: When we started selling
our album, it was obvious that
the music did all the talking. It
sold itself and began to grab the
attention of many show goers. I
guess word got around and we
were approached by some cats
from Epic Records. The idea of
selling millions of records was
not something we even knew about. When
they gave us our platinum records we
asked, ‘where’s the gold ones?’ They said,
‘these are way better than those.’ We were
pretty surprised and it was another great
moment.
JS: Talk about your collaboration with
Carlos Santana.
JG: Working with Carlos was a dream
come true for all of us. What he gave to
Los Lonely Boys
Continue on Page R24

Community Open House
Tuesday, October 6 • 3-7 p.m.
1825 N. Bluemound Drive, Appleton (entrance 10)
www.fvtc.edu/OpenHouse
Insta
Highlights:
• Campus Tours & Technology Demonstrations
• Learn How to Pay for College
• Panel Discussion: Choosing a College Today (5-6 p.m.)
• Free Workshop: Starting a Business, Courtesy of the Venture Center (6-9 p.m.)
• Free Food & Prizes
Other campuses also open!
Check out our Oshkosh Riverside campus or regional centers in Chilton, Clintonville, Waupaca
or Wautoma to apply in person or for general college information.
Pay no application fee!
Apply for admission during the Open House and we’ll waive the $30 application fee. High school seniors and older are eligible to apply. You must apply in person.

BY
C
A
music was always influential as well as
inspirational to us. We are just so thank-
ful to God for all the blessings we have
received and continue to receive.
JS: Los Lonely Boys covered John Len-
non’s “Whatever Gets You Through the
Night” at Amnesty International’s Make
Some Noise Project in 2007. Interestingly,
that song was Lennon’s only U.S. #1 single
while he was alive.
JG: It was great being a part of it all.
We wanted to record “Imagine,” but so did
everybody, ha! So we came to the decision
to record that tune and it came out pretty
cool.
JS: Your 2009 EP, 1969, cel-
ebrated some of the great music from that
year. What thoughts went into the selection
of the songs you covered for that?
JG: Those were just a few songs we
chose to put out as some of our favorites.
We were paying homage to the 40 year
anniversary of music from that era.
JS: In 2011, Los Lonely Boys
released Rockpango, which in Spanglish
means “rock party.” Describe how the
music of  Rockpango is representative of a
“rock party.”
JG: All our albums are like that really.
We always try to give something to the
people that flows. If you listen to music at
a party, the music tries to please everyone
with different styles and genres and so on.
Not being big fans of limiting ourselves to
styles or musical solidification, we always
try to put something out that can keep you
listening to the same band without notic-
ing. That’s the idea behind the title.
JS: You followed a new creative path
on your latest album, Revelation (2014).
Describe the musical stylings you explored
for this.
JG: Revelation is an updated version
of how we approach our albums. Work-
ing with different artists and writers and
producers, combined with what we do was
an idea we all liked. There is an evident
progression you can not only hear but feel.
We’ve never been big fans of studio albums,
we are a live band, but we really feel we
captured something familiar but fresh.
Something old but new. A true expression
of being part of the change of something
that already exists. A musical shift, or Rev-
elation, if you will.
JS: I am incredibly excited that Los
Lonely Boys will be performing at the his-
toric Thrasher Opera House in Green Lake
WI on October 1st.
JG: Everyone can expect a good time!
Plain and simple. People can expect to see
a band...that plays real instruments. We
also sing and play every note heard. It’s all
organic. You can feed your musical hunger
with processed and overproduced so- called
music, or you can come get some of the
good stuff at a Los Lonely Boys concert.
Short Branch
Saloon
Continued from Page R22

céad míle fáilte
201 S.Walnut St.| Downtown Appleton
www.McGuinnessIrishPub.com
Celebrate Half-way to
St. Patrick’s Day
the weekend of September 17-20
Drink Specials and Live Music all Weekend Featuring:
The Roving Scallywags • AndreasTrans0
Derek Byrne • Paddygrass
a hundred thousand welcomes
Other Special Events
Fri, 9/4 - Movie Night at The Pub
Showing “The Irish Pub”
Sat 9/12 - Joe Cullen
Sat 9/26 - Appleton’s Octoberfest
Happy Hour
Special Mon-Fri
2 for 1 20 oz. Tap Beers
Welcome to McGuinness Irish Pub
where the CRAIC is mighty!
Thursday Evening Corned Beef and Cabbage Dinners
Sunday Morning Full Irish Breakfasts
with Half-Priced Bloody Mollys
Slainte!
Thrasher

&
BY JAMIE LEE RAKE
“It’s just doing the right thing...not taking the easy
way.”
That’s a succinct description of The Cowboy Way
delivered by Doug Green, better known as Ranger
Doug, “the idol of American youth” whose serene
baritone and acoustic guitar lead family-friendly,
comedic Western music band Riders In The Sky,
who are set to play Waupun’s historic City Hall at
201 E. Main St. 7 PM, Friday October 9.
Not many groups, much less ones so long-lived
and renowned as the Riders, promote an ethical
code to inspire their young fans. Seeing a band with
such an investment in their passion should be a draw
for some already.
That code also slyly acknowledges the straight-
shooting behavior of that nearly lost genre of movie,
and singing star Riders and other acts who recall the
time when “a Western” was once a common addition
to country music’s description: the singing cowboy.
“We all grew up in the ‘50s when cowboys were
still on TV. That’s part of it,” Green says of some of
the inspiration for the combo he assembled with
fiddler Paul “Woody Paul” Chrisman, generously
Riders in the Sky
“The Cowboy Way”
Continue on Page R28

Fas
t Shipping • Great Prices • F
riendlyService
pointbrewsupply.comLocated at 3038 Village Park Drive, Plover, WI 54467 Exit 153 off of I-39 S| | 1-715-342-9535 |
Ask for Steve....he knows fermentation!
We rent grape crushers, fruit presses and wine corkers to make your harvest easy!
O S H K O S H
BANDS INCLUDE:
Blaskapelle Milwaukee
Copper Box
Tuba Dan Band
The Music Vendors
For More Information visit www.OshkoshOktoberfest.com

ENTERTAINMENT // RIDERS IN THE SKY
mustached upright bass player and wearer
of cactus neckties (or cac-ties,” get it?) Fred
“Too Slim”LaBour, and accordion master
Joey “The Cowpolka King” Miskulin.
Alongside Western dramas like Gun-
smoke, Bonanza and Have Gun-Will Travel,
TV stations’ schedules in the Eisenhower
era were apt to fill weekend afternoons with
movies starring upright, guitar-strumming
adventurers of the open plains including
Gene Autry, Rex Allen and the man to
whom the Riders pay tribute on their latest
album, Roy Rogers.
Western movies, and serenading heroes
in them haven’t been in vogue for quite a
while, but that hasn’t deterred the Riders’
ongoing popularity and objectives.
“Our mission is twofold,” Green
explains in the same sort of cucumber
cool, beatific tone he possesses when he’s
in character, “One, to entertain, to make
people happy. Two, to preserve this beauti-
ful style of music.” He avers that what they
do, many never get into commercial radio
rotation, but neither are Florida-Georgia
Line nor Dan Shay apt to ever perform
harmonies so sweet as Green and his
cohorts.
Niche entity though they may be, the
guys’ profile has remained pretty high
for much of their 36 years together. It
has secured them, among other things,
several years of Riders Radio Theater on
public radio stations, an early ‘90s live
action Saturday morning kids show on
CBS, frequent appearances on WSM-AM
‘s famed Grand Ole Opry in their home
base of Nashville, and arguably their most
enduring insinuation into pop culture, as
a presence in Disney productions.
“That really had nothing to do with
us,” Green explains of his group’s initial
association with the House Of Mouse in
Pixar’s Toy Story 2. “One of the producers
happened to be a fan,” and hooked them
up with songs Randy Newman wrote for
the CGI blockbuster.
“We have a good relationship with
Disney,” Green says, and it’s landed him
and his mates in cell animation TV produc-
tions like Darkwing Duck and pre-schooler
favorite Stanley.
Lest anyone
think the Riders
are playing
strictly to the
a n k l e - b i t e r
set, the fun
they’re having
is steeped in deeper matters. In fact, Green
could have been the next Studs Terkel.
“I had a job in oral history,” Green says
of his work before donning his ranger hat.
That gig led him to a festival of Western
swing music, a genre in which he remains
involved by way of his side band, The Time
Jumpers. Hearing famed cowboy harmo-
nizers The Sons Of The Pioneers (of which
Rogers was once a member) at the fest led
to memories of his childhood in front of
the cathode ray tube watching his Western
heroes.
And then...
“I tried to get some guys together for
what would become Riders In The Sky,”
Green said “and when we found the right
ones...initially just Woody and Slim, it
was magic from there on.”
But can magic going on four decades
stay fresh? The good ranger insists that’s
the case.
“Being creative every night with three
other really creative guys,” Greed said
“remains an incentive to stay on stage for
over 175 dates a year. But so does the kick
of throwing each other off their game. We
like to crack each other up.”
There’s no conflict between being a
hoot and keeping an artistic tradition
alive.
“The music still hasn’t lost its magic.”
Green likes the reception they get for
it in Midwestern cities like Waupun, too.
“People up there have this wonder-
ful sense of humor,” Green said “and
enjoy having fun and laughing. Out East,
it’s like folklore, you have to explain. In the
Midwest, it’s entertainment, and people
still have a huge appreciation of acoustic
music.”
Visit cityhallstage.com to order tickets
online.
Continued from Page R26

Fox River
Wood Shop
Custom Wood Working | Furniture Restoration | Handmade Gifts
New Location! 2734 Co. Hwy. II, Neenah
[ 2.5 miles west of HWY 41 or 1/2 mile east of HWY 76 ]
P: (920) 882–8880 E: FoxRiverWoodShop@gmail.com
Let us preserve those childhood memories by turning your
children’s crib into a beautiful bench, teeth marks n’ all!
For custom woodworking please call, email, or send us a facebook message.
The Wheelhouse Restaurant
E1209 County Road, Waupaca, WI 54981
(715) 258-8289 | www.wheelhouserestaurant.com
Open Mon-Fri - 4 -10 pm
Sat 11 am - 11 pm | Sun 11 am - 9 pm
Wednesdays with Live Music
by a featured artist hosted by
Tony Wagner & Friends
Event Serving begins at NOON! Music 1:00 PM
Sat. September 26
Music by The Uptown Savages
Pig Roast
Overlooking the Beautiful Chain O’Lakes
Visit Scoopers Today!
[Just across the wheelhouse parking lot]
(715) 258-6061
COMING SOON
WEDNESDAY WITH WAGS
IS BACK THIS FALL

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