Themes Of Contemporary Art And Politics Reflected In Rajni Perera's Works

The Themes Of Contemporary Art
In this essay, I would be demonstrating how the topic of contemporary art and the politics of art institutions reflects and relates to Rajni Perera's 3
figures and VHT. With formal analysis of these artworks and readings from this topics, I would show the differences and similarities between these
topics. Contemporary art represents what we see as individuals in society today, it does not follow the set rules of art. For instance, modern art looks
and follows modernist theories, likewise, impressionisms which looks at our perception and understanding of a moment through light and color in
contrasts to that of realism which represents subject matter accurately without any alteration or addition. On the other hand contemporary art does
not have one conclusive or definitive view. Its view is versatile and flexible which reflects the diversity of the world today, themes of contemporary
are notably about politics, globalization, social issues, migration and technology. In like manner, the theme I drew from Perera's artworks which is
diversity. Perera is Sri Lankan artist, who grew up and was raised in Scarborough and North York. I find her works diverse notably in the materials
she chose. She uses laundry drying racks which are unconventional materials to create her VHT sculpture. She does not conform to the regular norms
of using clay or plaster. I also found this as a reoccurring theme of contemporary art and the Migrating the Margins exhibition at the Art Gallery of
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Contemporary Art : Modern Art
What – aside from its subject matter – makes modern art 'modern'?
Modern art is almost impossible to define or categorise other than it occurred in the rough time span of the 1860s to 1970s. It was a reaction against
the perfection of traditional values and strict notion of what art is, creating something more inventive. Modernist art doesn't need a particular use or
meaning to exist; it is autonomous in the way that it was art for art's sake. In general it strives to show the world as we really see it rather than through
any instrument such as perspective or imagination. It uses experimentation in form, colour and medium to represent the reality experienced by each
individual. However subject matter is also important in the understanding of a work of art as 'modern', as rapid political and social changes especially
during the 19th century were depicted by artists. Modern art developed gradually, with artists being inspired by modern inventions. Impressionism can
be classed as modern due to the subject matter of the Industrial Revolution. With this approach one could also argue that Turner acts as a precursor to
modernism especially with his painting Rain, Steam and Speed – The Great Western Railway, 1844, which demonstrates the rapidity of the new
technology. Rapid social and cultural changes during the 19th century had a huge effect on the style of artists. Previously artists had worked to
commission but the emergence of a new middle class as well as art academies across

Contemporary Art And Artistic Practices
Historical Context The Community–based Artistic Practices are not a complete novelty in contemporary art, their rhetoric are being used as strategic
tools, to support discourse such as democracy, equality, social justice among other, from the 1960s on a explicit way. Even less, this "social turn" ,
understood as an ethical shift by artist and critics who focus their attention on the aspect of social usefulness of the art practices, characterized by an
increase of art projects that emphasize participation, dialogue and community engagement to activate the public sphere attempting to offer new social
models to live together; appear like a leitmotif along the theory and history of art of the 20th century. One of the focal points in the...show more
content...
This artВґs condition was throwing into crisis with the emergency of avant–garde movements from the late 19th century in Europe, because these
movements recognized on this status –autonomy of art– a lack of self–criticism by art, not only in the "art institution in its separation from the praxis of
life" ; but also to bourgeois society as a whole. In other words, the avant–garde is understood as a form of self–consciousness of artistic field, with a
very clear interest to break the artВґs autonomy, while separate form of production, as a necessary condition to redirect the art into life. According to
Peter BГјrger, with "the reintegration of art into praxis proposes a revolution in the life, which causes a revolution in the art." As BГјrger states, the
avant–garde movements that sought to break with the bourgeois autonomy of art and thereby apply a strong self–criticism to art institutionally were:
the Russian Constructivism, closely linked with the Revolution of 1917; Dadaism and its negation of art as institution; and the Surrealism.
Nonetheless, after the World War II in the middle of the 20th century, the avant
–garde schism became a crisis, failing in its quest to eliminate the
division between art and life and its critical self–consciousness about this, which meant its co–option by the art institution,

Modern Art Vs. Contemporary Art
Art overall is created and adored by numerous amount of people for many reasons, such as amplifying shared common visual language. The word art
often branches into many different movements and components. Modern art or Contemporary art is one those components; this specific genre began
mainly in the 1860's to the 1970's. During, this time period artists began throwing aside their own beliefs in a spirit of experimentation and the
bringing of new ideas. The purpose of Modern art is to beautify one's surroundings with intrigue, its often very diverse and cannot be easily defined
through a list of visual characteristics, artistic themes or cultural concern. Moreover, Modern art is often hard to understand by people because, unlike
Egyptian tomb paintings or Greek sculptures, it speaks to the dramatic social, political and technological changes of the last 50–60 years, and questions
many of society's values and assumptions. Also, Modern artists known for incorporating a great deal of abstraction into their works and
representational forms to convey their ideas more elaborately; Rene Magritte is one of those artists. In the False Mirror by Rene Magritte the artist
presents his viewers with an enormous lashless eye illuminated with luminous cloud–swept blue sky filling the iris and opaque, and a dead–black disc
for the pupil. The painting is filled with a great deal of allusion, because the artist gives the viewer both a look through the eye as if it's a window and a
stare back

Essay Museum of Modern Art in New York
Museum of Modern Art in New York
Roxanne Briano The Museum of Modern Art in New York City is the world's leading modern art. Its exhibits have been a major influence in creating
and stimulating popular awareness of modern art and its accompanying diversity of its styles and movements. The museum's outstanding collections of
modern painting, sculpture, drawings, and prints range from Impressionisms to current movements. Moreover, there are exhibits of modern
architecture, industrial design, sculpture, photography, prints and electronic media. The museum presently has a modern art library of 300,000 books
and impressive collections of films that are shown regularly. The Museum is said to be the complementary of the Metropolitan Museum...show more
content...
Barr submitted the concept of what was to become of the museum. It had to be organized as a multi–departmental structure each devoted for
Architecture and Design, Photography, Film and Video, and they should stand side by side with traditional arts such as Painting and Sculpture. Architect
Philip Johnson built on this idea. The multi–departmental structure seemed to best fit with the burgeoning International Style, a modernist architectural
movement from which Philip Johnson belonged. In this architecture, buildings are designed with simple geometric lines and clean, precise surfaces
and with minimum decoration. Walls are made almost entirely of glass, known as curtain walls–a signature Johnson was known for–that are used to
give the building a light and airy appearance.
The Museum of Modern of Art was the first to use the words "International Style", which was a fitting term to introduce modernist arts to the world.
Johnson and another renowned architect Henry–Russell Hitchcock organized a major show under the title "Modern Architecture: International
Exhibition". There they described the International Style that expresses several design principles, that concerns with volume rather than mass and
solidity, regularity instead of axial symmetry, and the proscription of "arbitrary applied decoration". Exhibits featured leading European and American
architects, especially the likes of Le Corbusier and Ludwig Mies van der

Essay on Intimate Life in Contemporary Art
Intimate Life As Contemporary Art
According to www.merriam–webster.com, contemporary is defined as happening or beginning now or in recent times. When utilized in art and
photography, it's connoted as vague, obscure, and by definition always in flux. For some it signifies "cutting edge" – work that pushes the limitations of
recognized practice, style, subject matter, mediums, or concepts.
In the book " the photograph as contemporary art" Contemporary Photography is divided into eight categories that were chosen to highlight the diverse
styles and subject matter that is somehow connected through similar characteristics.
Chapter One "If This Is Art" defies a conventional stereotype of photography. The photographers in this chapter...show more content...
What make these images stand out are the dynamic sequences and their emphasis on unanticipated moments in everyday life.
The Sixth Chapter contemplates 'Moments in History' by using documentary photography in a form of art. Using a counter–photojournalistic approach
coined as 'aftermath photography'. Photographers here present the tales of the consequences of political and human disruption. Moreover, others
investigate the visual records of isolated communities.
The seventh Chapter 'Revived and Remade' investigates and exploits ones preexisting knowledge of imagery by mimicking and remaking well–known
photographs.
Finally Chapter 8 'Physical and Material' draws attention to the many decisions that photographers have made to the physical and material properties of
photography. Some use analogue while others have mixed different mediums such as installations and sculptural work mixed with photography. The
second part of the chapter discusses alternatives ways of gaining exposure by the Internet. After summarizing the content of this book, an in–depth
research of some photographers from chapter five Intimate Life will be discussed.
Nancy 'Nan' Goldin
Born on September 12th 1953, Goldin was bought up in a family who believed in revisionism, where everything wrong was kept secret or as Goldin
put it "what happened didn't happen." At the age of 11, Nan's sister committed suicide, driven by the poor family values and the feeling of rejection,

which only

KANGAWA Contemporary Art
However, what noticeable is all of these practices are part of KANGAWA's artwork and indicate there is a possibility to redefine the definition of
contemporary art.
These projects can be describe as an гЂ€
actual movieгЂ‰deprived from the scripts.
Many consider his activity as occupying a similar thematic vein to the work of futurologist, alike Alvin Toffler, or situationists, however its stylistic
approach veers in a distinct direction. His and ON's approach trace the lineage of the genuine minimal artist.
At ON management we believe that this, as with so much of what KANGAWA does, is truly rare.
–
(ONгѓ—гѓгѓ•г‚Јгѓјгѓ«)
ON, Inc.
ON is a firm which assumes the roles of translator and facilitator, realizing the goals laid out in Social Script.
We, a parter

Contemporary Art Research Paper
The early Renaissance is often hailed as a period of artistic detail. However, critics might argue that at least as far as subject matter goes, the
Renaissance very much alludes to the religious themes of contemporary art. What, then, were other differences from contemporary art in comparison to
Renaissance?
Despite the similarities to modern art surrounding subject matter, there can be no doubt that that Renaissance artists broke the static mold of
contemporary art. First of all, though the themes of modern art have remained fairly constant, the style of the Renaissance was unique in its
combination of modern and ancient influences. However, what is most remarkable about the art of the Renaissance is the constant evolution of
techniques and...show more content...
The sculptures created in the Renaissance era saw the use of new techniques and styles that were never used before. The artwork had a huge impact
of humanism on the different artists in this era. Starting around the 14th century and ending around the beginning of the 17th century the Renaissance
era art was all about realistic linear perspective where the artist would observe objects from close and far and then paint it. This enabled the artist to
get a lot of depth in his or her sculptures. Also, the art changed to depicting joy of human emotions and pleasures of life. On the other hand, art of
today, also known as contemporary art, started a few years after World War II up to present day. During this period, different art movements occurred
that influenced artists all over the world. In the 1950 and 1960, contemporary art was influenced by movements like Abstract, Expressionism, Pop Art,
Neo–Dada, Minimalism and New York School. Some of the famous artists of this era are Andy Warhol, Wassily Kandisky, Robert Lichtenstein and
Jackson Pollock (Witcombe, 2005). The 1960s was a playground for modern art. In spite of this new movement in art, the innovation and technical
skill was not of a near caliber as of the Renaissance era. This mainly because of the lack in detail and human spirit, these are not recognized in modern
art sculptures, paintings and photographs today. This being a

The history of contemporary art can often be confusing not only to the general public but also to professionals in the field. It is a very broad term
that can be taken in many different forms. A significant theme that will need to be explored is firstly; what the contemporary actually is, and,
narrowing it down to a single definition that relates directly to contemporary art. Further, what role a museum actually plays in the involvement of
contemporary pieces is crucial. This essay will moreover assess what the difference between what the contemporary is, and what art is and will
converse how the museums role acts as an optimistic catalyst for contemporary. This will lead to a contrast to this view, which will suggest the
hindrance of a museum on the art and the sense of being 'contemporary'. These approaches will assist in the quest to extrapolate what the contemporary
is and how the context of an object may significantly impact on its contemporary value. Moreover, specific designers, artists and researchers can be
utilised in order to argue how or how not a museum helps play a role on contemporary art. In discussing the role the museum and the viewer plays on
contemporary art, it is important to first determine what underpins the contemporary. Although it has many different aspects associated with the term,
when discussing contemporary art it can be a bit more complex, so breaking down what is contemporary, and what is art must first be scrutinised. 'The
contemporary' as

Limitations Of Contemporary Art
Introduction
In modern society; the copyright system seems to restrict the development of the contemporary arts. A pragmatic relationship between the artist and the
artwork is created by copyright as it relies heavily on the idea of intellectual property law. An issue with the copyright act is that the meaning of artistic
work is only limited to a few definitions. The current system prevents contemporary artists from copying or utilising other related works, which exist in
their own right with several exceptions such as the art of the 'readymade,' 'appropriation art' and 'conceptual art' in general. Contemporary art practices
unsettle the doctrinal certainty of copyright. It is seemingly apparent that modern artists are unable to receive protection, so, therefore, utilise previous
artistic works due to the limitations of the Copyright, Designs and Patents Act 1988. It seems modern artists are unable to receive due protection and
use previous artistic works because of the limitations under the CDPA. The growth of digitalisation does not aid in protecting the artist because digital
copies can be easily created and reproduced. This is a key issue which is suppressing the development of modern visual arts.
Paragraph 1
One type of contemporary art is performance. This "live art" is strongly defined by the artist's commitment to their own work. The artist will appear
on stage, and they may not be alone as occasionally there will be some public participation in order for the work

Essay on Digital vs. Traditional Art
"From the point of view of art, there are no concrete or abstract forms, but only forms which are more or less convincing lies."(Wagner, par. 1) So
what is art? A painted picture with lines, figures or faces that has meaning; or digitally altered shapes with meaning? Art can be any product of a
creative process. Graphic Design (digital design) as a discipline has a relatively recent history, with the name 'graphic design" first coined by William
Addison Dwiggins in 1922. (Wikipedia. par. 2)Digital art is an art created on the computer in digital form. The medium of computer art was developed
during 1960s and opened new possibilities for abstract and figurative art. Digital art is an evolution of art itself, and is definitely a valid art...show more
content...
Both arts deal with color theory and both types are strengthened by creative concepts. Both disciplines rely heavily on good hand–eye co–ordination.
Graphic art has the advantage of an "undo" button. The ability to erase a mistake does not make a graphic artist less of an artist. While traditional has
the advantage of being immersive and messy. Sometimes, there is nothing more satisfying than taking a piece of chalk or crayon and putting a mark
with your hand. It is infinitely more difficult to place your mark correctly in programs such as Lightwave or Blender. Both forms of art can be highly
frustrating and highly rewarding by turns.
Graphic design as an art discipline boomed in the 20th and 21st century. Although it is undertaken to convey a specific message to a specific
audience; graphic design like most art is a creative process. Its elements, theories, and languages are the same as those of classical art. In graphic
design, "the essence is to give order to information, form to ideas, expression and feeling to artifacts that document human experience." The time,
effort and knowledge it takes an artist to create a water color, oil painting or pastel drawing , is the same time and effort it takes today's digital artists
to create art masterpieces out of nothing. The name "Graphic Design" first appeared in print in the 1922 essay "New Kind of Printing Calls for New
Design" by William Addison Dwiggins, an American book

Contemporary Art Essay
Contemporary Art: Dealing with Post–Modernity
в€’ "Art worlds consist of all the people whose activities are necessary to the production of the characteristic works which that world, and perhaps
others as well, define as art. ... By observing how an art world makes those distinctions rather than trying to make them ourselves we can understand
much of what goes on in that world.... The basic unit of analysis, then, is an art world."
– Howard Becker (Art Worlds)
Postmodernism deconstructs Modernism like Modernism deconstructed art
Like the Simpson's episode that explained Po–Mo as "weird for the sake of weird",
Postmodernism accepted the philosophy "art for the sake of art". A very free and democratic practice, a natural response...show more content...
Postmodernism embraces hypertext and hyperplicity, or the rejection of centralized control. It looses trust in the media and public communication,
embracing simulacrum as a hyper–reality that was only long–ago based on some sort of truth. Most importantly, Postmodernism rejects the
Modernist idea of high art as normative and dominant. Instead, it merges the concept of "low" and "high" art, effectively canceling them both. Where
Modernism saw a work of art as a finished product, signed by the artist and authenticated by the art market,
Postmodernism sees art as a recycling of culture, authenticated by whatever audience that may be. Where Modern art is a separate dichotomy of
contrasting themes (organic/nonorganic, realist/abstract), Postmodern art mixes all available ideas into a sensational pastiche. Finally Modernism clearly
divided normity versus sexual difference and pornography. Postmodernism embraces whatever ideas have an audience, and mixes polymorphous
sexuality and pornography with mainstream media. Postmodernist art and media reject the linear way of working, building upon a specific discourse
and ideology. It embraces instead, an anything–goes attitude, expanding mediums and messages into multiple directions. As long as there's an audience
somewhere, the work can be considered legitimate art.
Modernist trends in the Postmodern Art–World
It is important to note – since the work is still authenticated by its audience, art still

Essay about Identity in Art
IDENTITY IN ART
Topic 2: Identity is a central concern of contemporary life. Critically examine and discuss how design or art has been used to explore, discuss and
express identity.
Identity is a central concern of contemporary life. Identity plays a large part in societies and individuals lives; however it has not just become a
central concern. For the last couple of hundred years identity has been a central concern. This central concern of identity is and has been portrayed,
explored and discussed through art. In contemporary art there are multiple different art techniques, styles, codes, conventions and forms of art which
explore and express identity. In the classical era of art the privilege of having a self–portrait created by...show more content...
She focused on the identities that had changed due to the wars, either from directly being involved or form indirectly being involved, for example
the identity change from one losing their loved one due to the harshness and effects of the world wars, or having no family or job that would be
able to provide for you or your child so you have been forced to take up a life of begging on the streets for food in attempt to not to die of starvation.
Kollwitz's art resounds with compassion as she makes appeals on behalf of the working poor, the suffering and the sick.
Although Kathe Kollwitz's work is mainly portraying the identity changes and effects of both World War 1 and World War 2 she also took a liking
in depicting with in her artworks the role and identity of women in a family. She mostly used the same materials of charcoal on paper when she
created this work, but also used different media to create some of her artworks. When working on expressing and exploring women, their identities
and their roles in society Kollwitz was able to express the changes to a women's identity if she had a family to look after, and to high light the
importance of the women's identity when it came to interacting with their child. She also focused on women who were barely able to care for or
nourish their children. This was able to depict the difficulties with handle children and the identities that un–worthy parents had.
In the era that Leonardo da Vinci,

Feminism And The Contemporary Art
The contemporary art world is including and exposing more female artists who are promoting themselves creatively and pushing for equality through
art. This essay will examine the increase of feminist art visibility and the way in which the audience views work through female perspectives; how art
is defined through alternative and non–traditional media, and how fine art has created platforms and spaces for discussion and widens views of feminism
within feminist groups and how it can be portrayed differently. In our contemporary age of art, female artists are stripping away the precedent of the
male–dominated views of the female standing socially, politically and physically. It should be made clear that Feminist art is not of a specific time
period or movement, "feminist art is neither a style nor a movement...It consists of many styles and individual expressions."(Lippard) The use of
alternative creative expression is to broaden our knowledge of art, the way in which ideas and issues are presented based on the journey of women
historically through to the contemporary.
The visibility of female artists has increased over the years allowing for viewers to experience art through a woman's perspective. Although there is
still a largely male dominated art scene in our contemporary world, as a young female artist it is becoming apparent that more and more female artists
are being given exposure publically and in private gallery spaces. Given that the art world is highly subjective

Contemporary Art Analysis
Contemporary art is showcased through the lenses of traditional gallery settings, as well as festival–like venues. For the audience, this means that art
can be discovered and engaged with. What is contemporary art? According to Melissa Ho, assistant curator at the Hirshhorn Museum in Washington,
D.C., "technically," modern art is "the cultural expression of the historical moment of modernity." "With modern art, there is this new emphasis put on
the value of being original and doing something innovative," says Ho (Smithsonianmag.com, 2011). The unique creations for contemporary artists
such as Michael Landy and Amalia Pica, both international artists from the U.K, are currently on view at The Power Plant, a small gallery space that
displays their innovative art. Both exhibits reflect current issues that face modern society, Michael Landy's, DEMONSTRATION, (2017) and Amalia
Pica's In Praise of Listening, (2016). Landy's DEMONSTRATION exhibit at the The Power Plant's Fleck Clerestory is a collaborative work between
himself and the Canadian public in building a hand–lettered, text–based, red–and–white oil paint style wall work known as protest art. Essentially, the
protest art reflects the attitudes, thoughts and feelings on what matters most to Canadians on various current social and political issues (de Leon,
Formal Analysis Part A). His goal for this project is to open up the channel of communication among Canadians. Landy's simple and direct approach
engages the

The Importance Of Contemporary Art
Contemporary art, or modern art, is very commonly misunderstood because of the fact that it quite often lends itself to abstraction and expressionism.
People discredit the artistic craftsmanship and moving conceptualism of the pieces, as well as the political activism and messages of injustice that are
conveyed by those who would not otherwise be heard by the public. Censorship is not only dangerous to our constitutional rights, but is also hyper
specific to contemporary art and actively silences the messages of underprivileged and disadvantaged voices. In other words, we must avoid the
unnecessary, unfair censorship of contemporary artists and their work. Not only is the censorship of art immoral, but it is a dangerous, irresponsible
...show more content...
I found the subsequent statements by President Bush and Mr. Frohnmayer misguided at best and at worst a spineless demonstration of lack of true
commitment to the integrity of art, freedom of expression and the Bill of Rights. ("Art Censorship") She captures the fear and resentment that the
art community feels, with their rights so easily discarded by those in the government. The same problem is posed by several students at the Parsons
School of Design, in which several students and faculty destroyed a drawing that they deemed inappropriate, without any authorization from the
school to do so. Several students began asking questions such as, "If you are going to start defacing art you don't think is appropriate, where do
you stop? And who decides what is appropriate" (Holmes)? This again refers back to the fear of setting a dangerous precedent for discarding and
silencing any art that causes controversy. Moreover, the violation of these rights most commonly affects those who are already without a real voice in
society, who are using arts as a means to raise awareness for topics important to the artist, which are commonly misinterpreted as offensive works due
to the subject matter. Most commonly, artwork deemed offensive or shocking is only intended to appear so for the purpose of raising awareness, to
force the audience to think, that's not okay, and to create a dialog, ultimately inspiring empathy and one day, change. Take, for example,

An Essential Core Part Of Contemporary Art Essay
An essential core part of Contemporary art an artist is to show one's art are websites, galleries, and museums. An artist has numerous options to
select from when revealing one 's work. Every artist should have or build a website to utilizing the site to display their art in an effective way. It is
significant for an artist to have their own website to sell work or services, serve an introduction to a new or existing audience, and expand their art.
Having a website to showcase artwork is a superior quality every artist should acquire. However, artist 's tend to endure in errors when developing a
website,some which may include, missing a goal, forgetting to partake in research, lack of information, and over designed. Many website
complications could discredit the artist's work. In this paper, I will examine issues and critic five websites of selective contemporary artist's, and
determine whether they are effective. The artist's I have chosen are Ebony Patterson, Jared Miller, Shinique Smith, Lynette Yiadom
–Boakye, and
Richard Prince. First, Ebony Patterson is a Jamaican artist born in Kingston, Jamaica in 1981, who works revolves around questions of identity and
the body, and takes the form of mixed media paintings, drawings, and collages. Patterson conveys her work of art by presenting them on her own
personal website. Her website is well–organized with great structure, despite, an absence of artistic merit. Although, her website is valuable and has
great quality because

The Language Of Contemporary Art
Paula Rego, School for Little Witches, 2009 (Villarreal, 2016) Introduction The language of contemporary art is analysed through the system called
semiotics, which is the study of signs and signifying practices. It is defined as an entity of words, images, objects and more. It was established around
the nineteenth–century and is often derived from American philosopher Charles Sanders Peirce and Swiss linguist Ferdinand de Saussure.
(Hammerstingl, 2000). I have selected this drawing in particular to analyse as I am a fan of her work and it also appears very complex and
elaborate. One of her many artworks "School for Little Witches", has been drawn with pastel, conte and charcoal on paper. Paula Rego is a
Portuguese contemporary artist known for her paintings and prints depicting stories from her imagination created by the fairy tales since her
childhood. Her artworks are indeed very symbolic and quite disturbing as she has stated that she is interested in "the beautiful grotesque". (Brown,
2009). SIGNMYTHIDEOLOGY Sign 1 ChildrenYouth Innocent Toddler PlayfulIn this image the children appear playful and in a relaxed
environment surrounded by adults taking care of them. They appear to be in the age range of 3 to 6 years old. Sign 2 AdultsGrown up Nurturing
Mature Elder RespectedThe adults seem to be taking care of the children and are depicted as being caring, friendly, loving, attached to the children.
They remind me of teachers taking care of children in a

What Is Modern Art? Essay
Ha Lim (Sally) Lee
Term3/Fall15'
Intro to Modernism
Daniel Spaulding
Midterm Essay
What is Modern Art? Modern Art was created roughly during the 1800s to the 1900s. Before this period, art depicted religious or mythological scenes
that told stories and guided the audience through art. "Modern Art denotes the style and philosophy of the art produced during that era."(Arnason)
This time was usually connected with art that threw the old traditions aside in a spirit of experimentation. This doesn't mean that modern art pieces
don't have a story or a meaning behind them. To break out of the tradition, artists had to have courage to do what they loved. In Basic Writings of
Kant, Wood states, "Have courage to use your own reason." Modern art can range from paintings to sculptures. Some artists experimented with the
expressive use of color, non–traditional materials, new techniques, and new mediums. Two of the most popular modern works, currently presented at
Los Angeles County Museum of Art, were "The Jewel" by Jay DeFeo and "Irregular Forms: Creation" by Frantisek Kupka . Both of these paintings
were expressed with oil paint on canvas. However, despite the same mediums used in their works, these two have very opposing feeling from each other.
"The Jewel" by Jay DeFeo was started in 1958 and was finished in 1959. This is a gorgeous giant piece which measures up to 120" by 57.5". The
Jewel recalls that her works of this period were a marriage of painting and sculpture. She

Themes Of Contemporary Art And Politics Reflected In Rajni Perera's Works

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