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onestepahead@cheproximity.com.au for any additional
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ONE STEP AHEAD
A P R I L 2 0 2 0C H E P R O X I M I T Y
M E D I A P R O D UC T F U N D A M E N T A L S
Media Product Fundamentals
Week 4 – Focus and Effectiveness.
Incremental channel effects
and prioritising needs over wants.
May - 2020
Where have we been so far?
We ran through the idea of media
being an integrated system.
Where have we been so far?
We ran through the idea of media being an integrated system.
We agreed that we shouldn’t run to solutions – we need to get
comfortable in the problem.
We outlined ways to investigate and break apart a problem.
We explained ways to use driver trees to quickly understand
the largest contributors to the problem, as well as potential
macro solutions.
We ran through the Needs/Pains/Gains framework to better
understand consumer/target motivations.
We looked at how we tier motivators in terms of attention,
in order to understand how we communicate these.
We then sorted media relevant to the consumer by its ability
to communicate these messages.
And this is before we’ve even
written a brief for media
partners, let alone sent it out.
8
Focus and effectiveness
Incremental channel effects and
prioritising needs over wants.
May 2019
I’d like to
acknowledge the
contribution of
Genevieve
Reynolds in
shaping this
thinking
And Nicholas Biggs and Renee
Hyde for basically organising
the entire thing – from material
to technology, invites etc.
Need to Have Nice to Have
Last week we spoke about a similar thing
but in a different context.
We spoke about things we NEEDED to
pay attention to, and things we LIKED
to pay attention to.
This context is more around determining
when choosing channels and activities,
what is a need and what is a nice to have.
Need to Have Nice to Have
Critical
Quantifiable
Non substitutable
Material
Non-essential
Substitutable
Difficult to quantify
Unknown impact
If you don’t
have it, you
cannot achieve
your objective
If you don’t have
it, you will
probably succeed
anyway.
Need to Have Nice to Have
Michael Jordan Luc Longley
Need to Have Nice to Have
We make need to have and nice to
have decisions every single day.
I know personally, nice to have
decisions are generally more fun
and interesting.
Need to have: Power, gas,
mortgage, health insurance, school
fees, medicine, petrol, rest
Nice to have: Fashion, sneakers,
chocolate, nice beer, after shave
You can make all the nice to
have investment decisions you
want when its your money.
When it’s someone else’s
money and they are using your
services to deliver the best
outcome, you need to focus
on the need to have’s.
A good test: “What would
happen if I didn’t do this?”
“What would happen if I
didn’t pay the mortgage?”
“What would happen if I didn’t
buy that Kitsune jumper?”
• Bank fees
• Fall behind on payments
• Potential default
• Credit rating issue
• Impact on family
• Significant risk
• Could lose home
• Wouldn’t enjoy buying
it and receiving it
• One less jumper
• Couldn’t wear it out*
“What would happen if I
didn’t pay the mortgage?”
“What would happen if I didn’t
buy that Kitsune jumper?”
• Bank fees
• Fall behind on payments
• Potential default
• Credit rating issue
• Impact on family
• Significant risk
• Could lose home
• Wouldn’t enjoy buying
it and receiving it
• One less jumper
• Couldn’t wear it out*
Need Nice
May be a bit
too restricting
Need to Have Nice to Have
Source: https://www.productplan.com/glossary/moscow-prioritization/
M
S
C
W
Must have: Non – negotiable product
needs that are mandatory for the team.
Should have: Important initiatives that
are not vital but add significant value.
Could have: Nice to have initiatives that
will have a small impact if left out.
Will not have: Initiatives that are not a
priority for this specific time frame.
MoSCoW Prioritisation
I came across MoSCoW in research for
the media book I am writing and have
chosen to use it for media decisioning.
MoSCoW comes from Agile, an area
I am not at all an expert or even a
laggard in.
Must have: No point in undertaking activity without it,
not legal without it, cannot deliver. Viable campaign
without it.
Should have: Important but not vital, may be
challenging to leave out but still viable with, may
require an alternative and/or workaround.
Could have: Wanted or desired but less important, less
impact if removed
Will not have: Immaterial, high confidence will not
impact positively on campaign.
Why all the focus on need/nice
to have and must/should/could?
In media we are faced daily
with hundreds if not thousands
of options.
Media companies
Media brands
Environments
and
programming
Time/day
Targeting
Data
Formats
Buying
mechanic
50+
1,000
30,000
24/7/365
1,000’s
10,000’s
120,000
CPM, CPC, CPA,
Fixed, Open, Private
We need some sort of
prioritization system to
sort through the
thousands of options
Creative
47%
Context 2%
Targeting 9%
Recency 5%
Reach
22%
Brand
15%
Source: : Nielsen Catalina 2018
In the context of media, you’re
generally focusing on specific
elements of the pie.
Creative
47%
Context 2%
Targeting 9%
Recency 5%
Reach
22%
Brand
15%
Source: : Nielsen Catalina 2018
Reach is the most important as
it has the most flow on effect
Reach doesn’t mean mass
Reach means reaching as many
buyers or prospective/eligible
buyers within your category
as possible.
1. Growth primarily comes from gaining new users
(penetration) rather than driving increased loyalty.
Most of a brand’s users will be light users.
2. Brands need to build physical availability (distribution)
and mental availability (saliency).
3. Even though brands differentiate themselves, in reality
consumers still react (and buy) within a repertoire (as
if there were no differences). Indeed, distinctivity is
more important than differentiation – as it helps drive
saliency.
4. Advertising works by refreshing (and occasionally
building) past memory structures.
How Brands Grow
Source: : Ehrenberg Bass
Reaching the maximum amount of
category buyers/category eligible
consumers means more relevant
people see our messages.
1+ reach is key
Evidence to date shows that advertising's
greatest sales effect occurs when an individual
moves from zero to one exposure (Sharp, 2009).
Subsequent close-by exposures can have a
positive effect, but the impact is much lower.
Figure 6 shows the typical advertising
response curve.
An effective multi-platform media mix needs to
reach more people without wasting advertising
dollars by hitting the same consumers multiple
times With the same stimuli within a short
window. The lower the overlap in audiences,
the greater the synergy.
Biggest
Change
Smaller
Change
Even
Smaller
Change
1 2 3+
Number of Exposures to Advertising
Source: Ehrenberg-Bass Institute, 2011
ResponsetoAdvertising
Creative
47%
Context 2%
Targeting 9%
Recency 5%
Reach
22%
Brand
15%
Category
buyer/category
eligible reach
contributes 36%
of the pie
Source: : Nielsen Catalina 2018
Creative and messaging is vitally
important – we know it contributes
up to 47% of effectiveness impacts.
However, in this context of media
we are focusing on medium and
effectively reaching people who
have the need and want to buy our
category at scale.
Hygiene Factors for
media consideration
Suitable context
Credible environment
Reasonable engagement
What is reasonable engagement?
Name Level
Unique
Audience (000)
Time Per Person
(hh:mm:ss)
Site 1 App(M) 9,231 14:29:53
Site 2 App(M) 8,913 09:06:06
Site 3 App(M) 6,600 05:40:44
Site 4 B 4,867 00:40:31
Site 5 App(M) 4,503 07:06:25
Site 6 B 2,272 00:03:16
Site 7 B 1,818 00:10:32
Site 8 B 950 00:22:48
Site 9 B 667 00:01:26
Site 10 B 530 00:03:28
Site 11 B 239 00:05:14
Site 12 B 191 00:01:39
Source: : Nielsen Answers 2020
Name Level
Unique Audience
(000)
Time Per Person
(hh:mm:ss)
Site 1 App(M) 9,231 14:29:53
Site 2 App(M) 8,913 09:06:06
Site 3 App(M) 6,600 05:40:44
Site 4 B 4,867 00:40:31
Site 5 App(M) 4,503 07:06:25
Site 6 B 2,272 00:03:16
Site 7 B 1,818 00:10:32
Site 8 B 950 00:22:48
Site 9 B 667 00:01:26
Site 10 B 530 00:03:28
Site 11 B 239 00:05:14
Site 12 B 191 00:01:39
Source: : Nielsen Answers 2020
What isn’t reasonable engagement?
So – reach matters.
But it’s nuanced and it’s
based on how much of this
eligible reach you can
utilize for your client.
Two key factors
1. Audience Scale
2. Ability to realise
What do I mean?
1. Audience Scale: The total amount
of the audience I want to reach that use
the channel or platform.
2. Ability to realise: The total amount
of that audience I can buy without it
becoming inefficient.
Media realisation matrix
0%
100%
Audiencescaleavailable
Available Audience realised 100%
High potential,
high realisation
Efficient use of
resource and audience
potential maximised
Low potential,
high realization
Low-Moderate use of
resource, audience
potential maximised
Low potential,
Low realisation
Inefficient use of
resource (money/time)
and maximum gain
immaterial
High potential,
Low realisation
Inefficient use of
resource (money/time)
and audience potential
underachieved
0%
100%
Audiencescaleavailable
Available Audience realised 100%
High potential,
high realisation
Efficient use of
resource and audience
potential maximised
Low potential,
high realization
Low-Moderate use of
resource, audience
potential maximised
Low potential,
Low realisation
Inefficient use of
resource (money/time)
and maximum gain
immaterial
High potential,
Low realisation
Inefficient use of
resource (money/time)
and audience potential
underachieved
Media realisation matrix
0%
100%
Audiencescaleavailable
Available Audience realised 100%
High potential,
high realisation
Efficient use of
resource and audience
potential maximised
Low potential,
high realization
Low-Moderate use of
resource, audience
potential maximised
Low potential,
Low realisation
Inefficient use of
resource (money/time)
and maximum gain
immaterial
High potential,
Low realisation
Inefficient use of
resource (money/time)
and audience potential
underachieved
Zone of maximum gain
Zone of indulgence Zone of small gains
Zone of inefficiency
Media realisation matrix
Let’s play out a scenario
Looking at 5 channels/platforms
$2m over 4 weeks
$300k into Channel 1
$400k into Channel 2
$1m into Channel 3
$150k into Channel 4
$150k into Channel 5
Media realisation matrix – Scenario 1
0%
100%
Audiencescaleavailable
Available Audience realised 100%
Ch. 1
Ch. 2
Ch. 3
Ch. 4
Ch. 5
High potential,
high realisation
Low potential,
high realisation
Low potential,
Low realisation
High potential,
Low realisation
On the surface
5 channels
Audience is 25-54 male skew, 100k HHI
Covering 4 different media types
Moderately sized media plan
Feels good – lots of providers, well known logos,
broad use of contemporary ways of buying
Scratch below the surface here …
$300k into Channel 1 – Ch.1 can reach 95% of our
TA, this investment level caps at 40%
$400k into Channel 2 – Ch. 2 reaches 25% of our
TA, maximises at 25%
$1m into Channel 3 – Ch. 3 can reach 85% of our
TA, we have maximized this at 60%
$150k into Channel 4 – Ch. 4 can reach 80% of our
TA but we’ve only chosen to activate against 10%
$150k into Channel 5 - Ch. 5 can reach 90% of our
TA but we’ve only chosen to activate against 5%
My view – never leave the
audience on the table.
40%
0%
100%
25%
60%
10%
5%
1 2 3 4 5
Scenario 1
15% budget
20% budget
50% budget
7.5% budget
7.5% budget
40%
0%
100%
25%
60%
10%
5%
1 2 3 4 5
Scenario 1 – missed opportunity
15% budget
20% budget
50% budget
7.5% budget
7.5% budget
10%
10% 10%
55%
70% 90%
40%
0%
100%
25%
60%
10%
5%
1 2 3 4 5
Scenario 1 – missed opportunity
15% budget
20% budget
50% budget
7.5% budget
7.5% budget
90%70%
55%
30% of budget is
not maximized
0%
100%
25%
1 2 3 4 5
Scenario 1 – optimised opportunity
95%
60%
30% budget
20% budget
50% budget
Remove 2 channels that
are inefficient
No audience loss, in fact
an audience gain
Maximum audience realised
Commonly held view: Using
multiple channels maximises
media return and efficiency
The devil is in the detail
Ehrenberg Bass: Does each
medium help build cumulative
reach more effectively than
spending more in any of the
individual media?
40%
0%
100%
25%
60%
10%
5%
1 2 3 4 5
Scenario 1 – non optimised
15% budget
20% budget
50% budget
7.5% budget
7.5% budget
0%
100%
25%
1 2 3 4 5
95%
60%
30% budget
20% budget
50% budget
Scenario 1 – optimised opportunity
Remove 2 channels that
are inefficient
No audience loss, in fact
an audience gain
Maximum audience realised
Ehrenberg Bass: Does each
medium help build cumulative
reach more effectively than
spending more in any of the
individual media?
Each channel has to have an
incremental contribution of
reach against the audience
you are seeking.
Don’t get caught up in doing
more for the sake of doing more.
Let’s use an example
Channel 1 – 90% of our TA use this, but it
becomes inefficient at 60%
Channel 2 – 15% of our TA uses this, and we
can access them all at an efficient position
Channel 3 – 95% of our TA use this, we can
access 75% before it becomes inefficient
Channel 4 – Ch. 4 can reach 35%, but only 30%
are realistically efficiently reached
Channel 5 - Ch. 5 can reach 10% of our TA, with
2/5 of them available to purchase realistically.
New car launch, target female 25-39 – some macro
media options based on data/insight/suitability
Media realisation matrix – new car scenario
0%
100%
Audiencescaleavailable
Available Audience realised 100%
Ch. 1
Ch. 2
Ch. 3
Ch. 4
Ch. 5
High potential,
high realisation
Low potential,
high realisation
Low potential,
Low realisation
High potential,
Low realisation
0%
100%
Audiencescaleavailable
Available Audience realised 100%
Ch. 1
Ch. 2
Ch. 3
High potential,
high realisation
Low potential,
high realisation
Low potential,
Low realisation
High potential,
Low realisation
Media realisation matrix – new car scenario
0%
100%
30%
1 2 3 4 5
New Car Scenario – optimised opportunity
– 4 weeks
75%
60%
$1,200,000
$700,000
$450,000
Channel 1 - $1.2m required per
month to generate 60% 1+
Channel 2 – 700k required per
month to generate 100% IS
Channel 3 - $450k per month
required to generate 75% 1+
0%
100%
30%
1 2 3 4 5
New Car Scenario– optimised opportunity – 4
weeks – incremental gains
75%
60%
$1,200,000
$700,000
$450,000
These 3 channels provide
95% of the eligible
audience – thus, any added
channels are unlikely to
bring any additional
audience benefit.
Why is this important?
The more you stack onto
a media plan the more
work you create, the
more chance for error,
and the lower the return
on resource becomes
Remember – the only guaranteed
outcome from using more channels
is the creation of more work.
Search
0%
100%
TV
OOH
Radio
Social
Search TV OOH Radio Social
• Broad channel selection
• Channel diversity
• Search – 50% of key terms not
visible
• TV – Audience at 1+ 35%
• OOH – Light, 3 cities
• Radio – Audience at 1+ 20%
• Social – 5% of addressable
audience reached
Issues
• Duplication of category
buyers/audience across channels
• Significant chunks of audience not
reached across all channels
• Incremental contribution of
channel additions not understood
• Token use of social and out of
home that misses majority of
category buyers
Product: Mid sized new automotive
Video
0%
100%
TV
Search
Video TV Search
• 3 channels used
• Foundation channel selected (video)
• Video audience reach exhausted at
80% with media efficiency and
efficacy maintained
• TV utilized to reach incremental
audience at efficient cost
• Search at level which captures
volume of demand in market
Benefits
• 90-100% of audience reached
• Clear ‘ringfencing of audience’
across channels
• Reduction in resource required to
manage partners, logistics, creative,
measurement
Product: New release theatrical
TV
0%
100%
Search
SearchTV
• 2 channels used
• Foundation channel selected (TV)
• TV reaches 85% of audience with
efficiency and frequency
• Format allows longer creative to be
rotated – demonstrates product
benefits
• Search used to capture intent signals
and convert awareness into action
• Search coverage is 100% of key
terms
Benefits
• Two channels to manage
• Focused deployment
• Resourcing requirement for media
logistics management more efficient
Product: Pensioners Insurance
To finish – effective share of voice
Source: : https://www.thedrum.com/opinion/2019/05/23/exclusive-look-binet-and-field-s-new-b2b-marketing-research
Budgeting for growth: The share of voice rule
12%
10%
8%
6%
4%
2%
0%
0% 2% 4% 6% 8% 10% 12%
Growth Proportional
to ESOV = SOV–SOM
Shareofvoice
Strong correlation
for B2BSOV > SOM:
Brands tend to grow
SOV < SOM :
Brands tend to shrink
How ESOV converts into growth
2.0
ESOVEfficiency
Source: : https://www.thedrum.com/opinion/2019/05/23/exclusive-look-binet-and-field-s-new-b2b-marketing-research
1.8
1.6
1.4
1.2
1.0
0.8
0.6
0.4
0.2
0.0
Retail FMCG Durables Financial
Services
Other
Services
B2C
Average
B2B
Source: IPA Databank, 1998-2018 cases
Average
+0.6% SOM
p.a. per
10% ESOV
B2B very
Similar
to B2C
1.8
1.5
0.6
0.30.2
Adjust budget
for category
& context
Sector
How ESOV converts into growth
2.0
ESOVEfficiency
Source: : https://www.thedrum.com/opinion/2019/05/23/exclusive-look-binet-and-field-s-new-b2b-marketing-research
1.8
1.6
1.4
1.2
1.0
0.8
0.6
0.4
0.2
0.0
Retail FMCG Durables Financial
Services
Other
Services
B2C
Average
B2B
Source: IPA Databank, 1998-2018 cases
Average
+0.6% SOM
p.a. per
10% ESOV
B2B very
Similar
to B2C
1.8
1.5
0.6
0.30.2
Adjust budget
for category
& context
Sector
Adjust budget to fit pricing strategy
Source: : https://www.thedrum.com/opinion/2019/05/23/exclusive-look-binet-and-field-s-new-b2b-marketing-research
Low prices accelerate growth Up-weight SOV for
premium brands
1.0
0.8
0.7
0.6
0.5
0.4
0.3
0.2
0.2
0.1
0.0
Value/mid-market Premium/Super
Premium
Value Mid
Market
Premium Super
Premium
ESOVefficiency
AverageESOV
Source: IPA Databank, 1998-2016 for-profit cases
13.8%
10.4%
7.3%
6.1%
16%
14%
12%
10%
8%
6%
4%
2%
0%
In short: If your share of advertising
exposure within your category is
higher than your share of sales in that
category, your brand will grow. If it’s
the opposite, your brand will shrink.
What’s it all about?
Basically – if you are exposing yourself to more people, more
frequently than your share of market, you’re more likely to reach
more people either in-market or eligible and you can make your
product more meaningful in relation to competitors, and you can
generate higher salience and recall.
Effective share of voice
Not effective share of spend
Kantar:
“It is not just weight of spend that matters, it is against what it is spent. It is
perfectly possible for a brand to spend more than its fair share and still not
grow because its offer is not meaningfully different from the competition, or
people perceive it to be too costly. Similarly, a disruptive brand may grow
faster than expected simply because the relevance of its offer is immediately
obvious when people come to buy the category. Finally, categories with low
proportions of switching will not see the same strength of relationship
between increase in market share and share of voice simply because share
change is slow.”
Source: http://www.millwardbrown.com/global-navigation/blogs/post/mb-
blog/2019/05/29/do-not-misinterpret-the-excess-share-of-voice-analysis
Where, how it is spent matters hugely. As well as …
1.Underlying business strategy – a disruptive strategy
ought to yield greater returns,
2.Nature of the brand positioning – a brand that is out
of sync with today’s culture will likely, underperform
3.Media channel selection – choices that create positive
synergies will overperform,
4.Activation at point of sale – failure to create instant
recognition will mean the brand underperforms.
Source: http://www.millwardbrown.com/global-navigation/blogs/post/mb-
blog/2019/05/29/do-not-misinterpret-the-excess-share-of-voice-analysis
ESOV also has to be viewed not in isolation
If ESOV correlates to market share gains – then ultimately
the investment can be turned into a yield calculation.
If 10% of SOV equals $3m in cost, and 0.6% of market
share gain = $10m in gross profit… then 3m in creates
$10m.
To be truly prudent, we could compare against RORC ratio
– R&D investment in Y1 compared with gross profit in Y2.
RORC has the same issue as it’s HOW the money is spent,
not that it is spent … that is the key.
ESOV is very hard to measure accurately in AU
1. Competitive tools are of limited accuracy for
broadcast channels.
2. Channels like OOH are hard to legitimately measure
in terms of true live exposure at a competitor level.
3. Digital SOV misses most platforms, search etc
4. ”Exposure” is subjective
So, more times than not ESOV becomes ESOS
(share of spend)
An example where ESOV is challenging to measure
1. You’re a non cola soft drink
2. You have 5% market share
3. Your category spends $30m PA
4. You decide to aggressively grow and substitute
SOV for SOS
5. You recommend spending $9m pa to have around
30% of share of spend to grow market share 1.8%
6. However, you’re only in 20% of the stores as your
competitor
7. Your main competitor has shelf space agreements
in place for prime position
8. Your main competitor has a series of aggressive
price promotions in high volume outlets
So with ESOV
Always use responsibly.
To summarise
• Be focused.
• Use MoSCoW
• “What would happen if I DIDN’T do this?”
• Reach matters.
• Don’t confuse category eligible with mass.
• Prioritise scale and the ability to utilize.
• More channels doesn’t necessarily mean better.
• Never leave audience on the table.
• Know when to fold them – think of the pareto principle
• ESOV – utility is all in the application
• The Chicago Bulls wouldn’t have won a championship
without Michael Jordan
Contact me anytime
ben.shepherd@cheproximity.com.au
Materials
PDF will be sent to you
Webex recording will be available
to view via link
Dispatch 24-48 hours post session
See you next Wednesday
12:30pm AEST
Thank you.
Please join us next
Wednesday 20 May for
‘Briefing – the powerful multiplier’

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Week 4 - Media Focus and Effectiveness

  • 1. Hello & welcome. We will be starting the session at 12:30 EST There is no sound at the moment All participants will be muted throughout the session, so please use the chat function in the bottom of the screen to communicate – private and public messaging is available We will do our best to respond to questions in the session, but please feel free to email onestepahead@cheproximity.com.au for any additional information afterwards ONE STEP AHEAD
  • 2. A P R I L 2 0 2 0C H E P R O X I M I T Y M E D I A P R O D UC T F U N D A M E N T A L S
  • 3. Media Product Fundamentals Week 4 – Focus and Effectiveness. Incremental channel effects and prioritising needs over wants. May - 2020
  • 4. Where have we been so far? We ran through the idea of media being an integrated system.
  • 5.
  • 6. Where have we been so far? We ran through the idea of media being an integrated system. We agreed that we shouldn’t run to solutions – we need to get comfortable in the problem. We outlined ways to investigate and break apart a problem. We explained ways to use driver trees to quickly understand the largest contributors to the problem, as well as potential macro solutions. We ran through the Needs/Pains/Gains framework to better understand consumer/target motivations. We looked at how we tier motivators in terms of attention, in order to understand how we communicate these. We then sorted media relevant to the consumer by its ability to communicate these messages.
  • 7. And this is before we’ve even written a brief for media partners, let alone sent it out.
  • 8. 8 Focus and effectiveness Incremental channel effects and prioritising needs over wants. May 2019
  • 9. I’d like to acknowledge the contribution of Genevieve Reynolds in shaping this thinking
  • 10. And Nicholas Biggs and Renee Hyde for basically organising the entire thing – from material to technology, invites etc.
  • 11. Need to Have Nice to Have
  • 12. Last week we spoke about a similar thing but in a different context. We spoke about things we NEEDED to pay attention to, and things we LIKED to pay attention to. This context is more around determining when choosing channels and activities, what is a need and what is a nice to have.
  • 13. Need to Have Nice to Have Critical Quantifiable Non substitutable Material Non-essential Substitutable Difficult to quantify Unknown impact
  • 14. If you don’t have it, you cannot achieve your objective If you don’t have it, you will probably succeed anyway. Need to Have Nice to Have
  • 15. Michael Jordan Luc Longley Need to Have Nice to Have
  • 16.
  • 17.
  • 18. We make need to have and nice to have decisions every single day. I know personally, nice to have decisions are generally more fun and interesting.
  • 19. Need to have: Power, gas, mortgage, health insurance, school fees, medicine, petrol, rest Nice to have: Fashion, sneakers, chocolate, nice beer, after shave
  • 20. You can make all the nice to have investment decisions you want when its your money.
  • 21. When it’s someone else’s money and they are using your services to deliver the best outcome, you need to focus on the need to have’s.
  • 22. A good test: “What would happen if I didn’t do this?”
  • 23. “What would happen if I didn’t pay the mortgage?” “What would happen if I didn’t buy that Kitsune jumper?” • Bank fees • Fall behind on payments • Potential default • Credit rating issue • Impact on family • Significant risk • Could lose home • Wouldn’t enjoy buying it and receiving it • One less jumper • Couldn’t wear it out*
  • 24. “What would happen if I didn’t pay the mortgage?” “What would happen if I didn’t buy that Kitsune jumper?” • Bank fees • Fall behind on payments • Potential default • Credit rating issue • Impact on family • Significant risk • Could lose home • Wouldn’t enjoy buying it and receiving it • One less jumper • Couldn’t wear it out* Need Nice
  • 25. May be a bit too restricting Need to Have Nice to Have
  • 26. Source: https://www.productplan.com/glossary/moscow-prioritization/ M S C W Must have: Non – negotiable product needs that are mandatory for the team. Should have: Important initiatives that are not vital but add significant value. Could have: Nice to have initiatives that will have a small impact if left out. Will not have: Initiatives that are not a priority for this specific time frame. MoSCoW Prioritisation
  • 27. I came across MoSCoW in research for the media book I am writing and have chosen to use it for media decisioning. MoSCoW comes from Agile, an area I am not at all an expert or even a laggard in.
  • 28. Must have: No point in undertaking activity without it, not legal without it, cannot deliver. Viable campaign without it. Should have: Important but not vital, may be challenging to leave out but still viable with, may require an alternative and/or workaround. Could have: Wanted or desired but less important, less impact if removed Will not have: Immaterial, high confidence will not impact positively on campaign.
  • 29. Why all the focus on need/nice to have and must/should/could?
  • 30. In media we are faced daily with hundreds if not thousands of options.
  • 32. We need some sort of prioritization system to sort through the thousands of options
  • 33. Creative 47% Context 2% Targeting 9% Recency 5% Reach 22% Brand 15% Source: : Nielsen Catalina 2018
  • 34. In the context of media, you’re generally focusing on specific elements of the pie.
  • 35. Creative 47% Context 2% Targeting 9% Recency 5% Reach 22% Brand 15% Source: : Nielsen Catalina 2018
  • 36. Reach is the most important as it has the most flow on effect
  • 38. Reach means reaching as many buyers or prospective/eligible buyers within your category as possible.
  • 39. 1. Growth primarily comes from gaining new users (penetration) rather than driving increased loyalty. Most of a brand’s users will be light users. 2. Brands need to build physical availability (distribution) and mental availability (saliency). 3. Even though brands differentiate themselves, in reality consumers still react (and buy) within a repertoire (as if there were no differences). Indeed, distinctivity is more important than differentiation – as it helps drive saliency. 4. Advertising works by refreshing (and occasionally building) past memory structures. How Brands Grow Source: : Ehrenberg Bass
  • 40. Reaching the maximum amount of category buyers/category eligible consumers means more relevant people see our messages.
  • 41. 1+ reach is key Evidence to date shows that advertising's greatest sales effect occurs when an individual moves from zero to one exposure (Sharp, 2009). Subsequent close-by exposures can have a positive effect, but the impact is much lower. Figure 6 shows the typical advertising response curve. An effective multi-platform media mix needs to reach more people without wasting advertising dollars by hitting the same consumers multiple times With the same stimuli within a short window. The lower the overlap in audiences, the greater the synergy. Biggest Change Smaller Change Even Smaller Change 1 2 3+ Number of Exposures to Advertising Source: Ehrenberg-Bass Institute, 2011 ResponsetoAdvertising
  • 42. Creative 47% Context 2% Targeting 9% Recency 5% Reach 22% Brand 15% Category buyer/category eligible reach contributes 36% of the pie Source: : Nielsen Catalina 2018
  • 43. Creative and messaging is vitally important – we know it contributes up to 47% of effectiveness impacts. However, in this context of media we are focusing on medium and effectively reaching people who have the need and want to buy our category at scale.
  • 44. Hygiene Factors for media consideration Suitable context Credible environment Reasonable engagement
  • 45. What is reasonable engagement? Name Level Unique Audience (000) Time Per Person (hh:mm:ss) Site 1 App(M) 9,231 14:29:53 Site 2 App(M) 8,913 09:06:06 Site 3 App(M) 6,600 05:40:44 Site 4 B 4,867 00:40:31 Site 5 App(M) 4,503 07:06:25 Site 6 B 2,272 00:03:16 Site 7 B 1,818 00:10:32 Site 8 B 950 00:22:48 Site 9 B 667 00:01:26 Site 10 B 530 00:03:28 Site 11 B 239 00:05:14 Site 12 B 191 00:01:39 Source: : Nielsen Answers 2020
  • 46. Name Level Unique Audience (000) Time Per Person (hh:mm:ss) Site 1 App(M) 9,231 14:29:53 Site 2 App(M) 8,913 09:06:06 Site 3 App(M) 6,600 05:40:44 Site 4 B 4,867 00:40:31 Site 5 App(M) 4,503 07:06:25 Site 6 B 2,272 00:03:16 Site 7 B 1,818 00:10:32 Site 8 B 950 00:22:48 Site 9 B 667 00:01:26 Site 10 B 530 00:03:28 Site 11 B 239 00:05:14 Site 12 B 191 00:01:39 Source: : Nielsen Answers 2020 What isn’t reasonable engagement?
  • 47. So – reach matters.
  • 48. But it’s nuanced and it’s based on how much of this eligible reach you can utilize for your client.
  • 49. Two key factors 1. Audience Scale 2. Ability to realise
  • 50. What do I mean? 1. Audience Scale: The total amount of the audience I want to reach that use the channel or platform. 2. Ability to realise: The total amount of that audience I can buy without it becoming inefficient.
  • 51. Media realisation matrix 0% 100% Audiencescaleavailable Available Audience realised 100% High potential, high realisation Efficient use of resource and audience potential maximised Low potential, high realization Low-Moderate use of resource, audience potential maximised Low potential, Low realisation Inefficient use of resource (money/time) and maximum gain immaterial High potential, Low realisation Inefficient use of resource (money/time) and audience potential underachieved
  • 52. 0% 100% Audiencescaleavailable Available Audience realised 100% High potential, high realisation Efficient use of resource and audience potential maximised Low potential, high realization Low-Moderate use of resource, audience potential maximised Low potential, Low realisation Inefficient use of resource (money/time) and maximum gain immaterial High potential, Low realisation Inefficient use of resource (money/time) and audience potential underachieved Media realisation matrix
  • 53. 0% 100% Audiencescaleavailable Available Audience realised 100% High potential, high realisation Efficient use of resource and audience potential maximised Low potential, high realization Low-Moderate use of resource, audience potential maximised Low potential, Low realisation Inefficient use of resource (money/time) and maximum gain immaterial High potential, Low realisation Inefficient use of resource (money/time) and audience potential underachieved Zone of maximum gain Zone of indulgence Zone of small gains Zone of inefficiency Media realisation matrix
  • 54. Let’s play out a scenario Looking at 5 channels/platforms $2m over 4 weeks $300k into Channel 1 $400k into Channel 2 $1m into Channel 3 $150k into Channel 4 $150k into Channel 5
  • 55. Media realisation matrix – Scenario 1 0% 100% Audiencescaleavailable Available Audience realised 100% Ch. 1 Ch. 2 Ch. 3 Ch. 4 Ch. 5 High potential, high realisation Low potential, high realisation Low potential, Low realisation High potential, Low realisation
  • 56. On the surface 5 channels Audience is 25-54 male skew, 100k HHI Covering 4 different media types Moderately sized media plan Feels good – lots of providers, well known logos, broad use of contemporary ways of buying
  • 57. Scratch below the surface here … $300k into Channel 1 – Ch.1 can reach 95% of our TA, this investment level caps at 40% $400k into Channel 2 – Ch. 2 reaches 25% of our TA, maximises at 25% $1m into Channel 3 – Ch. 3 can reach 85% of our TA, we have maximized this at 60% $150k into Channel 4 – Ch. 4 can reach 80% of our TA but we’ve only chosen to activate against 10% $150k into Channel 5 - Ch. 5 can reach 90% of our TA but we’ve only chosen to activate against 5%
  • 58. My view – never leave the audience on the table.
  • 59. 40% 0% 100% 25% 60% 10% 5% 1 2 3 4 5 Scenario 1 15% budget 20% budget 50% budget 7.5% budget 7.5% budget
  • 60. 40% 0% 100% 25% 60% 10% 5% 1 2 3 4 5 Scenario 1 – missed opportunity 15% budget 20% budget 50% budget 7.5% budget 7.5% budget 10% 10% 10% 55% 70% 90%
  • 61. 40% 0% 100% 25% 60% 10% 5% 1 2 3 4 5 Scenario 1 – missed opportunity 15% budget 20% budget 50% budget 7.5% budget 7.5% budget 90%70% 55% 30% of budget is not maximized
  • 62. 0% 100% 25% 1 2 3 4 5 Scenario 1 – optimised opportunity 95% 60% 30% budget 20% budget 50% budget Remove 2 channels that are inefficient No audience loss, in fact an audience gain Maximum audience realised
  • 63. Commonly held view: Using multiple channels maximises media return and efficiency
  • 64. The devil is in the detail
  • 65. Ehrenberg Bass: Does each medium help build cumulative reach more effectively than spending more in any of the individual media?
  • 66. 40% 0% 100% 25% 60% 10% 5% 1 2 3 4 5 Scenario 1 – non optimised 15% budget 20% budget 50% budget 7.5% budget 7.5% budget
  • 67. 0% 100% 25% 1 2 3 4 5 95% 60% 30% budget 20% budget 50% budget Scenario 1 – optimised opportunity Remove 2 channels that are inefficient No audience loss, in fact an audience gain Maximum audience realised
  • 68. Ehrenberg Bass: Does each medium help build cumulative reach more effectively than spending more in any of the individual media?
  • 69. Each channel has to have an incremental contribution of reach against the audience you are seeking. Don’t get caught up in doing more for the sake of doing more.
  • 70. Let’s use an example
  • 71. Channel 1 – 90% of our TA use this, but it becomes inefficient at 60% Channel 2 – 15% of our TA uses this, and we can access them all at an efficient position Channel 3 – 95% of our TA use this, we can access 75% before it becomes inefficient Channel 4 – Ch. 4 can reach 35%, but only 30% are realistically efficiently reached Channel 5 - Ch. 5 can reach 10% of our TA, with 2/5 of them available to purchase realistically. New car launch, target female 25-39 – some macro media options based on data/insight/suitability
  • 72. Media realisation matrix – new car scenario 0% 100% Audiencescaleavailable Available Audience realised 100% Ch. 1 Ch. 2 Ch. 3 Ch. 4 Ch. 5 High potential, high realisation Low potential, high realisation Low potential, Low realisation High potential, Low realisation
  • 73. 0% 100% Audiencescaleavailable Available Audience realised 100% Ch. 1 Ch. 2 Ch. 3 High potential, high realisation Low potential, high realisation Low potential, Low realisation High potential, Low realisation Media realisation matrix – new car scenario
  • 74. 0% 100% 30% 1 2 3 4 5 New Car Scenario – optimised opportunity – 4 weeks 75% 60% $1,200,000 $700,000 $450,000 Channel 1 - $1.2m required per month to generate 60% 1+ Channel 2 – 700k required per month to generate 100% IS Channel 3 - $450k per month required to generate 75% 1+
  • 75. 0% 100% 30% 1 2 3 4 5 New Car Scenario– optimised opportunity – 4 weeks – incremental gains 75% 60% $1,200,000 $700,000 $450,000 These 3 channels provide 95% of the eligible audience – thus, any added channels are unlikely to bring any additional audience benefit.
  • 76. Why is this important? The more you stack onto a media plan the more work you create, the more chance for error, and the lower the return on resource becomes
  • 77. Remember – the only guaranteed outcome from using more channels is the creation of more work.
  • 78. Search 0% 100% TV OOH Radio Social Search TV OOH Radio Social • Broad channel selection • Channel diversity • Search – 50% of key terms not visible • TV – Audience at 1+ 35% • OOH – Light, 3 cities • Radio – Audience at 1+ 20% • Social – 5% of addressable audience reached Issues • Duplication of category buyers/audience across channels • Significant chunks of audience not reached across all channels • Incremental contribution of channel additions not understood • Token use of social and out of home that misses majority of category buyers Product: Mid sized new automotive
  • 79. Video 0% 100% TV Search Video TV Search • 3 channels used • Foundation channel selected (video) • Video audience reach exhausted at 80% with media efficiency and efficacy maintained • TV utilized to reach incremental audience at efficient cost • Search at level which captures volume of demand in market Benefits • 90-100% of audience reached • Clear ‘ringfencing of audience’ across channels • Reduction in resource required to manage partners, logistics, creative, measurement Product: New release theatrical
  • 80. TV 0% 100% Search SearchTV • 2 channels used • Foundation channel selected (TV) • TV reaches 85% of audience with efficiency and frequency • Format allows longer creative to be rotated – demonstrates product benefits • Search used to capture intent signals and convert awareness into action • Search coverage is 100% of key terms Benefits • Two channels to manage • Focused deployment • Resourcing requirement for media logistics management more efficient Product: Pensioners Insurance
  • 81. To finish – effective share of voice
  • 82. Source: : https://www.thedrum.com/opinion/2019/05/23/exclusive-look-binet-and-field-s-new-b2b-marketing-research Budgeting for growth: The share of voice rule 12% 10% 8% 6% 4% 2% 0% 0% 2% 4% 6% 8% 10% 12% Growth Proportional to ESOV = SOV–SOM Shareofvoice Strong correlation for B2BSOV > SOM: Brands tend to grow SOV < SOM : Brands tend to shrink
  • 83. How ESOV converts into growth 2.0 ESOVEfficiency Source: : https://www.thedrum.com/opinion/2019/05/23/exclusive-look-binet-and-field-s-new-b2b-marketing-research 1.8 1.6 1.4 1.2 1.0 0.8 0.6 0.4 0.2 0.0 Retail FMCG Durables Financial Services Other Services B2C Average B2B Source: IPA Databank, 1998-2018 cases Average +0.6% SOM p.a. per 10% ESOV B2B very Similar to B2C 1.8 1.5 0.6 0.30.2 Adjust budget for category & context Sector
  • 84. How ESOV converts into growth 2.0 ESOVEfficiency Source: : https://www.thedrum.com/opinion/2019/05/23/exclusive-look-binet-and-field-s-new-b2b-marketing-research 1.8 1.6 1.4 1.2 1.0 0.8 0.6 0.4 0.2 0.0 Retail FMCG Durables Financial Services Other Services B2C Average B2B Source: IPA Databank, 1998-2018 cases Average +0.6% SOM p.a. per 10% ESOV B2B very Similar to B2C 1.8 1.5 0.6 0.30.2 Adjust budget for category & context Sector
  • 85. Adjust budget to fit pricing strategy Source: : https://www.thedrum.com/opinion/2019/05/23/exclusive-look-binet-and-field-s-new-b2b-marketing-research Low prices accelerate growth Up-weight SOV for premium brands 1.0 0.8 0.7 0.6 0.5 0.4 0.3 0.2 0.2 0.1 0.0 Value/mid-market Premium/Super Premium Value Mid Market Premium Super Premium ESOVefficiency AverageESOV Source: IPA Databank, 1998-2016 for-profit cases 13.8% 10.4% 7.3% 6.1% 16% 14% 12% 10% 8% 6% 4% 2% 0%
  • 86. In short: If your share of advertising exposure within your category is higher than your share of sales in that category, your brand will grow. If it’s the opposite, your brand will shrink.
  • 87. What’s it all about? Basically – if you are exposing yourself to more people, more frequently than your share of market, you’re more likely to reach more people either in-market or eligible and you can make your product more meaningful in relation to competitors, and you can generate higher salience and recall.
  • 90. Kantar: “It is not just weight of spend that matters, it is against what it is spent. It is perfectly possible for a brand to spend more than its fair share and still not grow because its offer is not meaningfully different from the competition, or people perceive it to be too costly. Similarly, a disruptive brand may grow faster than expected simply because the relevance of its offer is immediately obvious when people come to buy the category. Finally, categories with low proportions of switching will not see the same strength of relationship between increase in market share and share of voice simply because share change is slow.” Source: http://www.millwardbrown.com/global-navigation/blogs/post/mb- blog/2019/05/29/do-not-misinterpret-the-excess-share-of-voice-analysis
  • 91. Where, how it is spent matters hugely. As well as … 1.Underlying business strategy – a disruptive strategy ought to yield greater returns, 2.Nature of the brand positioning – a brand that is out of sync with today’s culture will likely, underperform 3.Media channel selection – choices that create positive synergies will overperform, 4.Activation at point of sale – failure to create instant recognition will mean the brand underperforms. Source: http://www.millwardbrown.com/global-navigation/blogs/post/mb- blog/2019/05/29/do-not-misinterpret-the-excess-share-of-voice-analysis
  • 92. ESOV also has to be viewed not in isolation If ESOV correlates to market share gains – then ultimately the investment can be turned into a yield calculation. If 10% of SOV equals $3m in cost, and 0.6% of market share gain = $10m in gross profit… then 3m in creates $10m. To be truly prudent, we could compare against RORC ratio – R&D investment in Y1 compared with gross profit in Y2. RORC has the same issue as it’s HOW the money is spent, not that it is spent … that is the key.
  • 93. ESOV is very hard to measure accurately in AU 1. Competitive tools are of limited accuracy for broadcast channels. 2. Channels like OOH are hard to legitimately measure in terms of true live exposure at a competitor level. 3. Digital SOV misses most platforms, search etc 4. ”Exposure” is subjective So, more times than not ESOV becomes ESOS (share of spend)
  • 94. An example where ESOV is challenging to measure 1. You’re a non cola soft drink 2. You have 5% market share 3. Your category spends $30m PA 4. You decide to aggressively grow and substitute SOV for SOS 5. You recommend spending $9m pa to have around 30% of share of spend to grow market share 1.8% 6. However, you’re only in 20% of the stores as your competitor 7. Your main competitor has shelf space agreements in place for prime position 8. Your main competitor has a series of aggressive price promotions in high volume outlets
  • 95. So with ESOV Always use responsibly.
  • 96. To summarise • Be focused. • Use MoSCoW • “What would happen if I DIDN’T do this?” • Reach matters. • Don’t confuse category eligible with mass. • Prioritise scale and the ability to utilize. • More channels doesn’t necessarily mean better. • Never leave audience on the table. • Know when to fold them – think of the pareto principle • ESOV – utility is all in the application • The Chicago Bulls wouldn’t have won a championship without Michael Jordan
  • 98. Materials PDF will be sent to you Webex recording will be available to view via link Dispatch 24-48 hours post session
  • 99. See you next Wednesday 12:30pm AEST
  • 101. Please join us next Wednesday 20 May for ‘Briefing – the powerful multiplier’