5. MATISSE, Henri
Formes (de la série : Jazz (20 planches et 1 table des planches)
1977
Papiers collés, pochoir, 0.425 x 0.655 m
Paris, musée national d'Art moderne - Centre Georges Pompidou - Photo (C) Centre Pompidou, MNAM-CCI, Dist.
RMN-Grand Palais / Jacqueline Hyde
6. MATISSE, Henri
La Nageuse dans l'aquarium Jazz (Série de 20 planches, 15 doubles pages et 5 pleines pages, 15 doubles pages et 5
pleines pages, 1943-1946)
Marouflé,papiers collés, 0.442 x 0.66 m
Musée national d'Art moderne - Centre Georges Pompidou
7. PICASSO, Pablo
Portrait of Ambroise Vollard
1910
Oil on canvas, 93 x 66 cm
Pushkin State Museum of Fine Arts, Moscow
17. BRANCUSI, Constantin
L'Oiselet II
1928
Marbre veiné, 65 x 36,5 x 28,5 cm
Paris, musée national d'Art moderne - Centre
Georges Pompidou
Photo (C) Centre Pompidou, MNAM-CCI, Dist. RMN-
Grand Palais / Adam Rzepka
24. GIACOMETTI, Alberto
Grande Femme III
1960
Large Standing Woman III
Bronze, cast 6/6, Susse Fondeur Paris, 237 x 31 x
54 cm
Photo: Robert Bayer, Basel
32. BRANCUSI, Constantin
Socle (Sert de socle au "Torse de jeune homme")
1930
Pierre (calcaire), 13,4 x 22,5 x 18,4 cm
Paris, musée national d'Art moderne - Centre Georges
Pompidou
Photo (C) Centre Pompidou, MNAM-CCI, Dist. RMN-
Grand Palais / Adam Rzepka
41. 15 untitled works in concrete, 1980-1984
The fifteen concrete works by Donald Judd that run along the border of Chinati's property (Chinati Foundation, Marfa, TX) were the first works to be installed at
the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the
same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the Dia
Art Foundation
42. JUDD, Donald
Untitled (Stack)
1967
Laquer on galvanized iron, Twelve units, 22,8 x 101,6 x 78,7 cm
Museum of Modern Art, New York
Helen Acheson Bequest (by exchange) and gift of Joseph Helman
46. JUDD, Donald
Untitled
1991
Painted aluminum, 150 x 750 x 165 cm
Bequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund,
Patricia Cisneros, Doris Fisher, Mimi Haas, Marie-Josée and Henry R. Kravis, and Emily Spiegel, MoMA
48. ANDRE, Carl
Pyre (Element Series)
Conceived in 1960 and executed in 1971
Each: 30.5 x 30.5 x 91.4 cm. Overall: 121.9 x
91.4 x 91.4 cm
49. ANDRE, Carl
Stile (Element Series), New York 1960 (proposed) / New
York 1975 (made)
Private collection, Installation Museum Kurhaus Kleve.
Photo: Achim Kukulies, Düsseldorf
70. HESSE, Eva
Test Piece for “Contingent”
1969
Latex over cheesecloth, 365.8 x 111.8 cm
National Gallery of Art, Washington DC
Gift of the Collectors Committee
71. HESSE, Eva
Contingent
1969
Cheesecloth, latex, fibreglass installation (variable), 350.0 x
630.0 x 109.0 cm
National Gallery of Australia Purchased 1973 Courtesy The
Estate of Eva Hesse, Galerie Hauser & Wirth, Zurich
72. SERRA, Richard (left to right)
1. Shovel Plate Prop 1969 - Plate, 99.1cm x 2m x 2.5 cm, Photograph by Peter Moore
2. Close Pin Prop 1969 - Pole, 2.5 m; 8.9 cm diam.; tube, 101.9 cm long 15.2 cm diam., Solomon R. Guggenheim
Museum, NY, Panza Collection
3. Wall Plate Prop 1969 - Two plates: 88.9 x 88.9 cm; 101.6 x101.6 cm, Collection the artist
4. Right Angle Prop 1969 - Plate: 182.9 x 182.9 x 1.3 cm, angle: 91.4 x 61 x 86.4 cm, Solomon R. Guggenheim
Museum, NY, funds by The Theidoron Foundation
91. SANDBACK, Fred
Untitled (from Ten Vertical Constructions)
1977
Two-part vertical construction, red (variation)
Dia Art Foundation
Photo: Nic Tenwiggenhorn
100. SANDBACK, Fred
Blue Day-glo Corner Piece,
1968/2004
1/32" Elastic Cord & Spring Steel, 35.6 x 30.5 x 15.2 cm
accompanied by certificate of authenticity
Edition of 25
The intention in 1968 was to do an edition of 25. Documentation shows
that five of each were made in 1968. In the archives of the estate, labels
(with edition numbers in Fred's handwriting) were found for 7 of the
blue, 7 of the orange, and 8 of the violet pieces.
All the numbers between 6/25 - 18/25 cannot be verified by the estate.
4 artist's proofs and one exhibition copy exist as well.
Barbara Krakow Gallery, Boston US
101. SANDBACK, Fred
Orange Day-glo Corner Piece, 1968/2004
Orange day-glo acrylic on 1/32” Elastic Cord & Spring Steel
Edition of 25, AP 1/3
Accompanied by letter of authenticity, 61 x 5.1 x 7.6 cm
Barbara Krakow Gallery, Boston US
104. BEUYS, Joseph
Memory of My Youth in the Mountains, 1977
Tallow, wax, wood, metal, oil, and carpenter's rule, 103.5 x 160.7 x 113.2 cm Hirshhorn
Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Holenia
Purchase Fund, in memory of Joseph H. Hirshhorn, and Joseph H. Hirshhorn Purchase
Fund, 1996
106. BEUYS, Joseph
The End of the Twentieth Century
1983-85
31 basalt stones, clay, and felt
Galerie Bernd Klüser, Munich
107. BEUYS, Joseph
The End of the Twentieth Century
48 x 150 x 48 cm
Pinakothek der Moderne, Germany
108. MERZ, Mario
Installation Gallerie Pietro Sparta,
Chagny, France
1984, including: L'Autre Côté de la
lune 1984 Metal tubes, glass, stone,
vegetables and fruits, 70 x 350 x 900
cm
109. MERZ, Mario
Luoghi senza strada
1987
Installazione nella Chapelle Saint-Louis de
la Salpetrière, Paris, 1987
111. MERZ, Mario
Igloo con albero
1968-69
Tubolare in ferro, vetri, stucco, ramo igloo, 110 x Ø 230 cm; ramo, h 247 cm
Collezione Margherita Stein Proprietà Fondazione CRT
Progetto Arte Moderna e Contemporanea, 2001 Deposito permanente Castello
di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino GAM – Galleria Civica
d’Arte Moderna e Contemporanea, Torino
119. ZORIO, Gilberto
Star (To Purify Words) (Stella [per
purificare le parole])
1980
Terracotta and metal, 495.3 cm
diameter
Solomon R. Guggenheim Museum,
New York Exxon Corporation
Purchase Award with additional
funds contributed by Sonnabend
Gallery, New York, 1982
130. KIEFER, Anselm
Barren Landscape
1985-89
Height 12 Feet
Width 25 and a half feet
Depth 1 and a half feet
Twin bookcases, labelled Tigris and Euphrates, containing approximately 200 lead books
132. KAPOOR, Anish
Adam
1988-89
Sandstone and pigment
Unconfirmed: 2390 x 1205 x 1040 mm
CollectionTate
AcquisitionPresented by the American Fund for the Tate
Gallery, courtesy of Edwin C. Cohen (for A., A., A. and J.)
2000
136. KAPOOR, Anish
It Is Man (Es hombre)
1988-90
Piedra arenisca de Cumbrian y pigmento, 241 x 127 x 114 cm
Museu Nacional Centro de Arte Reina Sofia, Madrid
150. RAMOS, Nuno
Sem título, 1991
Espelho, vidro, folha de ouro, folha metálica, tecidos, algodão, folhas secas, plásticos, esmalte sintético, óleo de linhaça,
terebentina, parafina, vaselina, breu, resina sobre madeira. 240 X 400 cm
151. RAMOS, Nuno
Sem título
1991
Espelho, vidro, folha de ouro, folha metálica, tecidos, algodão, folhas secas, plásticos, esmalte sintético, óleo de
linhaça, terebentina, parafina, vaselina, breu, resina sobre madeira. 240 X 340 cm
154. RAMOS, Nuno
1992
Nas paredes, quatro ampliações (250×250 cm) de
imagens tomadas por satélite, de regiões vizinhas a
São Paulo, em momentos próximos à invasão. Bulbos
de vidro dependurados sobre elas
155. RAMOS, Nuno
1992
No chão, oito bulbos de vidro conectados, através
de mangueiras transparentes, a duas máquinas de
produzir fumaça acionadas periodicamente por um
timer
156. RAMOS, Nuno
1992
Exposição feita a partir do assassinato de 111
presidiários durante a invasão do Complexo
Penitenciário do Carandiru em outubro de 1991
163. FELIX, Nelson
Sobre seis mesas de granito, são colocadas peças em ferro - moldes do
corpo do artista e de glândulas endócrinas -, azeite e mimosas pudicas
(plantas sensitivas, conhecidas como `dormideiras`). Uma destas mesas
é pendurada sobre um `tapete` desses vegetais e provoca, com seu
movimento pendular, uma reação nas plantas. Invoca, assim, o instante
desta ação, centralizando ali toda a atenção ao trabalho e roubando,
por segundos, a presença formal da peça escultórica
