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VENTAJAS Y DESVENTAJAS DEL
MEDIO RADIOFÓNICO
A N D R E A M A L Q U Í N
V I V I A N A T R E J O
C O M U N I C A C I Ó N
3 N I V E L
R A D I O
P O N T I F I C I A U N I V E R S I D A D C A T Ó L I C A D E L
E C U A D O R S E D E I B A R R A
L A L L E G A D A D E I P O D S Y O T R O S
D I S P O S I T I V O S P A R A O Í R M Ú S I C A H A N I D O
G A N A N D O B A T A L L A A L U S O D E R A D I O ; S I N
E M B A R G O , É S T A S E G U I R Á S I E N D O U N
M E D I O D E C O M U N I C A C I Ó N E F I C A Z E N T R E
L A S M A S A S . L A R A D I O T I E N E V A R I A S
A P L I C A C I O N E S E N E L S E C T O R E D U C A T I V O
C O M O I N F O R M A R , E N T R E T E N E R Y F O R M A R .
M E G U S T A R Í A A N A L I Z A R A L G U N A S D E L A S
V E N T A J A S Y D E S V E N T A J A S Q U E N O S
O F R E C E L A R A D I O :
VENTAJAS 
 1. AMPLIA DIFUSIÓN
POPULAR
SE “METE” EN TODOS LAS
CASAS Y, ADEMÁS, TIENE LA
POSIBILIDAD DE SER
ESCUCHADA POR MEDIOS
PORTÁTILES COMO EN AUTOS,
CELULARES, ETC.
2. SIMULTANEIDAD 
P O S I B I L I D A D D E
L L E G A R A M U C H A S
P E R S O N A S
A L M I S M O T I E M P O
3.  INSTANTANEIDAD
E L M E N S A J E R A D I O F Ó N I C O L L E G A A L
O Y E N T E E N E L M I S M O
M O M E N T O E N Q U E S E E M I T E Y S E
" D I S T R I B U Y E " , S I N N E C E S I D A D D E   L A
I N T E R V E N C I Ó N D E N I N G Ú N A G E N T E
I N T E R M E D I A R I O .
4. LARGO ALCANCE
U N C A N A L D E T V T I E N E U N R A D I O D E
S E R V I C I O D E U N O S 1 5 0 K M S , A L A
R E D O N D A ; U N A E M I S O R A D E R A D I O
D E O N D A M E D I A , D E B U E N A
P O T E N C I A , P U E D E C U B R I R U N
D I L A T A D O
Á M B I T O .
5. BAJO COSTO PER CÁPITA
M Á S B A J O Q U E E L D E N I N G Ú N O T R O
M E D I O D E D I F U S I Ó N C O L E C T I V A , L O
Q U E A S U V E Z S E T R A D U C E D E S D E
E L P U N T O D E V I S T A E D U C A T I V O E N
L A R E L A C I Ó N C O S T O - B E N E F I C I O
M Á S
F A V O R A B L E .
6 ACCESO DIRECTO A LOS
HOGARES DE LOS
DESTINATARIOS
E L M E N S A J E R A D I O O
T E L E D I F U N D I D O L L E G A A L D O M I C I L I O
D E C A D A
U S U A R I O , S I N Q U E É S T E T E N G A Q U E
D E S P L A Z A R S E P A R A R E C I B I R L O .
DESVENTAJAS
1. UNISENSORIALIDAD
E S T A P R I M E R A L I M I T A C I Ó N E S E V I D E N T E ;
A P A R E C E T A N P R O N T O S E
C O M P A R A L A R A D I O C O N L A T E L E V I S I Ó N
O E L C I N E S O N O R O . L A R A D I O
S O L O E M I T E S O N I D O S . E S U N I S E N S O R I A L ;
P U E D E V A L E R S E D E U N S O L O
Y Ú N I C O S E N T I D O , E L O Í D O , A L C U A L S E
E N C U E N T R A L I M I T A D A . L O
V I S U A L N O E X I S T E .
A N T E U N R E C E P T O R D E R A D I O - S E H A
D I C H O - S O M O S C O M O  
2. AUSENCIA DEL
INTERLOCUTOR
E S T A L I M I T A C I Ó N N O E S , C O M O L A
A N T E R I O R , E X C L U S I V A D E L A
R A D I O , S I N O C O M Ú N A T O D O S L O S M A S S
M E D I A .
E N R A D I O , E S T A M O S S O L O S . E L
E D U C A N D O , E L I N T E R L O C U T O R , E S T Á
D E L O T R O L A D O D E L R E C E P T O R , N O
P U E D E I N T E R V E N I R . N O S E R E P R O D U C E
L A R E L A C I Ó N I N T E R P E R S O N A L D I R E C T A
Q U E S E D A , P O R E J E M P L O ,
E N E L A U L A .  
3. FUGACIDAD 
E L M E N S A J E R A D I O F Ó N I C O E S E F Í M E R O ,
S E I N S C R I B E E N E L T I E M P O .
N O E S P O S I B L E A L P E R C E P T O R V O L V E R
A T R Á S Y R E L E E R L O Q U E N O L O G R Ó
A P R E H E N D E R , C O M O S U C E D E E N E L
M E N S A J E E S C R I T O . L O Q U E S E D I J O
Y A E S T Á D I C H O , Y A P A S Ó ; S I N O F U E
C A P T A D O Y E N T E N D I D O , Y A N O H A Y
R E M E D I O ; E L O Y E N T E S E " D E S C O N E C T A "
P O R Q U E N O P U E D E S E G U I R E L
R E S T O D E L A E X P O S I C I Ó N .  
4. AUDITORIO
CONDICIONADO 
  H E M O S D E J A D O E X P R E S A M E N T E P A R A A N A L I Z A R P O R
Ú L T I M O - I A S T B U T N O T I E A S T - U N A L I M I T A C I Ó N M U Y
I M P O R T A N T E P O R L A S R E P E R C U S I O N E S Q U E I M P L I C A
P A R A U N U S O E D U C A T I V O D E L A R A D I O Y Q U E S I N
E M B A R G O E S L A M E N O S M E N C I O N A D A Y T E N I D A E N
  C U E N T A .
E N U N A P R I M E R A F O R M U L A C I Ó N , P O D R Í A E N U N C I Á R S E L A
A S Í : L A G E N T E E S T Á A C O S T U M B R A D A A O Í R R A D I O M Á S
Q U E A E S C U C H A R R A D I O . E S T O E S , E L N I V E L D E
A T E N C I Ó N Y C O N C E N T R A C I Ó N A N T E E L M E N S A J E
R A D I O F Ó N I C O E S B A J O .  
REFERENCIAS:
Kaplún, M. (1999). PRODUCCIÓN DE PROGRAMAS DE
RADIO. [ebook] Quito-Ecuador, pp.56-68. Available at:
http://campusvirtual.pucesi.edu.ec/aulascampus/plugi
nfile.php/218765/mod_resource/content/1/LFLACSO-A-
Kaplun-PUBCOM.pdf [Accessed 26 Sep. 2017].

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Pontificia universidad católica del ecuador sede ibarra

  • 1. VENTAJAS Y DESVENTAJAS DEL MEDIO RADIOFÓNICO A N D R E A M A L Q U Í N V I V I A N A T R E J O C O M U N I C A C I Ó N 3 N I V E L R A D I O P O N T I F I C I A U N I V E R S I D A D C A T Ó L I C A D E L E C U A D O R S E D E I B A R R A
  • 2. L A L L E G A D A D E I P O D S Y O T R O S D I S P O S I T I V O S P A R A O Í R M Ú S I C A H A N I D O G A N A N D O B A T A L L A A L U S O D E R A D I O ; S I N E M B A R G O , É S T A S E G U I R Á S I E N D O U N M E D I O D E C O M U N I C A C I Ó N E F I C A Z E N T R E L A S M A S A S . L A R A D I O T I E N E V A R I A S A P L I C A C I O N E S E N E L S E C T O R E D U C A T I V O C O M O I N F O R M A R , E N T R E T E N E R Y F O R M A R . M E G U S T A R Í A A N A L I Z A R A L G U N A S D E L A S V E N T A J A S Y D E S V E N T A J A S Q U E N O S O F R E C E L A R A D I O :
  • 4.  1. AMPLIA DIFUSIÓN POPULAR SE “METE” EN TODOS LAS CASAS Y, ADEMÁS, TIENE LA POSIBILIDAD DE SER ESCUCHADA POR MEDIOS PORTÁTILES COMO EN AUTOS, CELULARES, ETC.
  • 5. 2. SIMULTANEIDAD  P O S I B I L I D A D D E L L E G A R A M U C H A S P E R S O N A S A L M I S M O T I E M P O
  • 6. 3.  INSTANTANEIDAD E L M E N S A J E R A D I O F Ó N I C O L L E G A A L O Y E N T E E N E L M I S M O M O M E N T O E N Q U E S E E M I T E Y S E " D I S T R I B U Y E " , S I N N E C E S I D A D D E   L A I N T E R V E N C I Ó N D E N I N G Ú N A G E N T E I N T E R M E D I A R I O .
  • 7. 4. LARGO ALCANCE U N C A N A L D E T V T I E N E U N R A D I O D E S E R V I C I O D E U N O S 1 5 0 K M S , A L A R E D O N D A ; U N A E M I S O R A D E R A D I O D E O N D A M E D I A , D E B U E N A P O T E N C I A , P U E D E C U B R I R U N D I L A T A D O Á M B I T O .
  • 8. 5. BAJO COSTO PER CÁPITA M Á S B A J O Q U E E L D E N I N G Ú N O T R O M E D I O D E D I F U S I Ó N C O L E C T I V A , L O Q U E A S U V E Z S E T R A D U C E D E S D E E L P U N T O D E V I S T A E D U C A T I V O E N L A R E L A C I Ó N C O S T O - B E N E F I C I O M Á S F A V O R A B L E .
  • 9. 6 ACCESO DIRECTO A LOS HOGARES DE LOS DESTINATARIOS E L M E N S A J E R A D I O O T E L E D I F U N D I D O L L E G A A L D O M I C I L I O D E C A D A U S U A R I O , S I N Q U E É S T E T E N G A Q U E D E S P L A Z A R S E P A R A R E C I B I R L O .
  • 11. 1. UNISENSORIALIDAD E S T A P R I M E R A L I M I T A C I Ó N E S E V I D E N T E ; A P A R E C E T A N P R O N T O S E C O M P A R A L A R A D I O C O N L A T E L E V I S I Ó N O E L C I N E S O N O R O . L A R A D I O S O L O E M I T E S O N I D O S . E S U N I S E N S O R I A L ; P U E D E V A L E R S E D E U N S O L O Y Ú N I C O S E N T I D O , E L O Í D O , A L C U A L S E E N C U E N T R A L I M I T A D A . L O V I S U A L N O E X I S T E . A N T E U N R E C E P T O R D E R A D I O - S E H A D I C H O - S O M O S C O M O  
  • 12. 2. AUSENCIA DEL INTERLOCUTOR E S T A L I M I T A C I Ó N N O E S , C O M O L A A N T E R I O R , E X C L U S I V A D E L A R A D I O , S I N O C O M Ú N A T O D O S L O S M A S S M E D I A . E N R A D I O , E S T A M O S S O L O S . E L E D U C A N D O , E L I N T E R L O C U T O R , E S T Á D E L O T R O L A D O D E L R E C E P T O R , N O P U E D E I N T E R V E N I R . N O S E R E P R O D U C E L A R E L A C I Ó N I N T E R P E R S O N A L D I R E C T A Q U E S E D A , P O R E J E M P L O , E N E L A U L A .  
  • 13. 3. FUGACIDAD  E L M E N S A J E R A D I O F Ó N I C O E S E F Í M E R O , S E I N S C R I B E E N E L T I E M P O . N O E S P O S I B L E A L P E R C E P T O R V O L V E R A T R Á S Y R E L E E R L O Q U E N O L O G R Ó A P R E H E N D E R , C O M O S U C E D E E N E L M E N S A J E E S C R I T O . L O Q U E S E D I J O Y A E S T Á D I C H O , Y A P A S Ó ; S I N O F U E C A P T A D O Y E N T E N D I D O , Y A N O H A Y R E M E D I O ; E L O Y E N T E S E " D E S C O N E C T A " P O R Q U E N O P U E D E S E G U I R E L R E S T O D E L A E X P O S I C I Ó N .  
  • 14. 4. AUDITORIO CONDICIONADO    H E M O S D E J A D O E X P R E S A M E N T E P A R A A N A L I Z A R P O R Ú L T I M O - I A S T B U T N O T I E A S T - U N A L I M I T A C I Ó N M U Y I M P O R T A N T E P O R L A S R E P E R C U S I O N E S Q U E I M P L I C A P A R A U N U S O E D U C A T I V O D E L A R A D I O Y Q U E S I N E M B A R G O E S L A M E N O S M E N C I O N A D A Y T E N I D A E N   C U E N T A . E N U N A P R I M E R A F O R M U L A C I Ó N , P O D R Í A E N U N C I Á R S E L A A S Í : L A G E N T E E S T Á A C O S T U M B R A D A A O Í R R A D I O M Á S Q U E A E S C U C H A R R A D I O . E S T O E S , E L N I V E L D E A T E N C I Ó N Y C O N C E N T R A C I Ó N A N T E E L M E N S A J E R A D I O F Ó N I C O E S B A J O .  
  • 15. REFERENCIAS: Kaplún, M. (1999). PRODUCCIÓN DE PROGRAMAS DE RADIO. [ebook] Quito-Ecuador, pp.56-68. Available at: http://campusvirtual.pucesi.edu.ec/aulascampus/plugi nfile.php/218765/mod_resource/content/1/LFLACSO-A- Kaplun-PUBCOM.pdf [Accessed 26 Sep. 2017].