9. “Anyone who took a course on cartography,
or who taught cartography in the last half of
the 20th century, learned and taught the
“gospel according to Robinson”, and the
gospel was Elements of Cartography. Amen.”
(Tyner 2005, 4)
28. 1953
218 pages, 8 appendices
1960
281 pages
1969
334 pages
Added author: Randall Sale
(UW-Madison)
1978
448 pages, Reduced to 4
appendices
Added author: Joel Morrison (UW-
Madison)
1984
544 pages, 3 appendices
Added author: Phillip Meuhrcke
(UW-Madison) (Morrison now at
USGS)
1995
674 pages, 6 appendices
Added authors: Jon Kimmerling,
(Oregon State University)
Stephen Guptill (USGS)
Subtracted authors: Robert Sale
29. 1953
218 pages, 8 appendices
-2 chapters on projections
-1 chapter on design-but
interwoven into entire book
-1 chapter on symbolization and
distribution maps
1960
281 pages
-4 chapters on projections
-Symbolization was expanded to 3
chapters
-Addition of statistical concepts
1969
334 pages
Added author: Randall Sale
(UW-Madison)
-Chapter on projections
relegated to appendix
Added chapter: Air Photographs
-First mention of automation in
cartography (in appendix)
1978
448 pages, Reduced to 4
appendices
Added author: Joel Morrison (UW-
Madison)
-Added chapters: Color Theory,
Generalization, Computer
Assisted Cartography
-expanded chapter on air
photography
1984
544 pages, 3 appendices
Added author: Phillip Meuhrcke
(UW-Madison) (Morrison now at
USGS)
-commentary on how the academy
was lagging behind advances in
the field
-added chapters: The Nature of
Cartography, Technology of the
Cartographer, Remote Sensing
1995
674 pages, 6 appendices
Added authors: Jon Kimmerling,
(Oregon State University)
Stephen Guptill (USGS)
Subtracted authors: Robert Sale
-expansions due to GIS
-authors conceptualized
cartography as 1) the
establishment and use of
databases and 2) visualization
30. 1953
218 pages, 8 appendices
-2 chapters on projections
-1 chapter on design-but
interwoven into entire book
-1 chapter on symbolization and
distribution maps
1960
281 pages
-4 chapters on projections
-Symbolization was expanded to 3
chapters
-Addition of statistical concepts
1969
334 pages
Added author: Randall Sale
(UW-Madison)
-Chapter on projections
relegated to appendix
Added chapter: Air Photographs
-First mention of automation in
cartography (in appendix)
1978
448 pages, Reduced to 4
appendices
Added author: Joel Morrison (UW-
Madison)
-Added chapters: Color Theory,
Generalization, Computer
Assisted Cartography
-expanded chapter on air
photography
1984
544 pages, 3 appendices
Added author: Phillip Meuhrcke
(UW-Madison) (Morrison now at
USGS)
-commentary on how the academy
was lagging behind advances in
the field
-added chapters: The Nature of
Cartography, Technology of the
Cartographer, Remote Sensing
1995
674 pages, 6 appendices
Added authors: Jon Kimmerling,
(Oregon State University)
Stephen Guptill (USGS)
Subtracted authors: Robert Sale
-expansions due to GIS
-authors conceptualized
cartography as 1) the
establishment and use of
databases and 2) visualization
31. 1953
218 pages, 8 appendices
-2 chapters on projections
-1 chapter on design-but
interwoven into entire book
-1 chapter on symbolization and
distribution maps
1960
281 pages
-4 chapters on projections
-Symbolization was expanded to 3
chapters
-Addition of statistical concepts
1969
334 pages
Added author: Randall Sale
(UW-Madison)
-Chapter on projections
relegated to appendix
Added chapter: Air Photographs
-First mention of automation in
cartography (in appendix)
1978
448 pages, Reduced to 4
appendices
Added author: Joel Morrison (UW-
Madison)
-Added chapters: Color Theory,
Generalization, Computer
Assisted Cartography
-expanded chapter on air
photography
1984
544 pages, 3 appendices
Added author: Phillip Meuhrcke
(UW-Madison) (Morrison now at
USGS)
-commentary on how the academy
was lagging behind advances in
the field
-added chapters: The Nature of
Cartography, Technology of the
Cartographer, Remote Sensing
1995
674 pages, 6 appendices
Added authors: Jon Kimmerling,
(Oregon State University)
Stephen Guptill (USGS)
Subtracted authors: Robert Sale
-expansions due to GIS
-authors conceptualized
cartography as 1) the
establishment and use of
databases and 2) visualization
32. 1953
218 pages, 8 appendices
-2 chapters on projections
-1 chapter on design-but
interwoven into entire book
-1 chapter on symbolization and
distribution maps
1960
281 pages
-4 chapters on projections
-Symbolization was expanded to 3
chapters
-Addition of statistical concepts
1969
334 pages
Added author: Randall Sale
(UW-Madison)
-Chapter on projections
relegated to appendix
Added chapter: Air Photographs
-First mention of automation in
cartography (in appendix)
1978
448 pages, Reduced to 4
appendices
Added author: Joel Morrison (UW-
Madison)
-Added chapters: Color Theory,
Generalization, Computer
Assisted Cartography
-expanded chapter on air
photography
1984
544 pages, 3 appendices
Added author: Phillip Meuhrcke
(UW-Madison) (Morrison now at
USGS)
-commentary on how the academy
was lagging behind advances in
the field
-added chapters: The Nature of
Cartography, Technology of the
Cartographer, Remote Sensing
1995
674 pages, 6 appendices
Added authors: Jon Kimmerling,
(Oregon State University)
Stephen Guptill (USGS)
Subtracted authors: Robert Sale
-expansions due to GIS
-authors conceptualized
cartography as 1) the
establishment and use of
databases and 2) visualization
33. 1953
218 pages, 8 appendices
-2 chapters on projections
-1 chapter on design-but
interwoven into entire book
-1 chapter on symbolization and
distribution maps
1960
281 pages
-4 chapters on projections
-Symbolization was expanded to 3
chapters
-Addition of statistical concepts
1969
334 pages
Added author: Randall Sale
(UW-Madison)
-Chapter on projections
relegated to appendix
Added chapter: Air Photographs
-First mention of automation in
cartography (in appendix)
1978
448 pages, Reduced to 4
appendices
Added author: Joel Morrison (UW-
Madison)
-Added chapters: Color Theory,
Generalization, Computer
Assisted Cartography
-expanded chapter on air
photography
1984
544 pages, 3 appendices
Added author: Phillip Meuhrcke
(UW-Madison) (Morrison now at
USGS)
-commentary on how the academy
was lagging behind advances in
the field
-added chapters: The Nature of
Cartography, Technology of the
Cartographer, Remote Sensing
1995
674 pages, 6 appendices
Added authors: Jon Kimmerling,
(Oregon State University)
Stephen Guptill (USGS)
Subtracted authors: Robert Sale
-expansions due to GIS
-authors conceptualized
cartography as 1) the
establishment and use of
databases and 2) visualization
34. 1953
218 pages, 8 appendices
-2 chapters on projections
-1 chapter on design-but
interwoven into entire book
-1 chapter on symbolization and
distribution maps
1960
281 pages
-4 chapters on projections
-Symbolization was expanded to 3
chapters
-Addition of statistical concepts
1969
334 pages
Added author: Randall Sale
(UW-Madison)
-Chapter on projections
relegated to appendix
Added chapter: Air Photographs
-First mention of automation in
cartography (in appendix)
1978
448 pages, Reduced to 4
appendices
Added author: Joel Morrison (UW-
Madison)
-Added chapters: Color Theory,
Generalization, Computer
Assisted Cartography
-expanded chapter on air
photography
1984
544 pages, 3 appendices
Added author: Phillip Meuhrcke
(UW-Madison) (Morrison now at
USGS)
-commentary on how the academy
was lagging behind advances in
the field
-added chapters: The Nature of
Cartography, Technology of the
Cartographer, Remote Sensing
1995
674 pages, 6 appendices
Added authors: Jon Kimmerling,
(Oregon State University)
Stephen Guptill (USGS)
Subtracted authors: Robert Sale
-expansions due to GIS
-authors conceptualized
cartography as 1) the
establishment and use of
databases and 2) visualization
81. The point is not to elide the more
conventional elements of cartography,
but to understand that one part of the
political potential in the power of maps
lies in precisely these more objective
elements.
82. The point is not to elide the more
conventional elements of cartography,
but to understand that one part of the
political potential in the power of maps
lies in precisely these more objective
elements.
Need to edit- Essentially subjective (pg 73) From Look of Maps
Quote from script
Clean Up
Clean Up
Clean Up
Clean Up
Clean Up
Clean Up
Clean Up
Chapter titles
Chapter titles
Chapter titles
Chapter titles
Chapter titles
Chapter titles
Chapter titles
Chapter titles
Theme: Imagination
Quote: It is not necessary to be an artist to learn to design effectively. The basic elements of good design lend themselves to systematic analysis, and their principles can be learned. A basic requirement, however, is a willingness to think in visual terms, uninhibited by the prejudices resulting from previous experience, or, to put it another way, a willingness to exercise imagination. (1st, 7, 120)
Findings: Rub between mapping requiring engagement of a creative imagination but that imagination being able to be (partially) learned.
Year, ch. X, 24
Theme: Imagination
Quote: It is not necessary to be an artist to learn to design effectively. The basic elements of good design lend themselves to systematic analysis, and their principles can be learned. A basic requirement, however, is a willingness to think in visual terms, uninhibited by the prejudices resulting from previous experience, or, to put it another way, a willingness to exercise imagination. (1st, 7, 120)
Findings: Rub between mapping requiring engagement of a creative imagination but that imagination being able to be (partially) learned.
Year, ch. X, 24
Theme: Imagination
Quote: It is not necessary to be an artist to learn to design effectively. The basic elements of good design lend themselves to systematic analysis, and their principles can be learned. A basic requirement, however, is a willingness to think in visual terms, uninhibited by the prejudices resulting from previous experience, or, to put it another way, a willingness to exercise imagination. (1st, 7, 120)
Findings: Rub between mapping requiring engagement of a creative imagination but that imagination being able to be (partially) learned.
Year, ch. X, 24
Theme: Imagination
Quote: It is not necessary to be an artist to learn to design effectively. The basic elements of good design lend themselves to systematic analysis, and their principles can be learned. A basic requirement, however, is a willingness to think in visual terms, uninhibited by the prejudices resulting from previous experience, or, to put it another way, a willingness to exercise imagination. (1st, 7, 120)
Findings: Rub between mapping requiring engagement of a creative imagination but that imagination being able to be (partially) learned.
Year, ch. X, 24
Theme: Imagination
Quote: It is not necessary to be an artist to learn to design effectively. The basic elements of good design lend themselves to systematic analysis, and their principles can be learned. A basic requirement, however, is a willingness to think in visual terms, uninhibited by the prejudices resulting from previous experience, or, to put it another way, a willingness to exercise imagination. (1st, 7, 120)
Findings: Rub between mapping requiring engagement of a creative imagination but that imagination being able to be (partially) learned.
Year, ch. X, 24
Theme: Imagination
Quote: It is not necessary to be an artist to learn to design effectively. The basic elements of good design lend themselves to systematic analysis, and their principles can be learned. A basic requirement, however, is a willingness to think in visual terms, uninhibited by the prejudices resulting from previous experience, or, to put it another way, a willingness to exercise imagination. (1st, 7, 120)
Findings: Rub between mapping requiring engagement of a creative imagination but that imagination being able to be (partially) learned.
Year, ch. X, 24
Chapter titles
Theme: Inconvenience. (Consistency)
Cartography like many fields, has developed traditions and conventions. To disregard the powerful forces associated with these traditions and conventions would be inconvenience map users, which would in itself be poor design (6th ed, chp 18, p. 317)
Theme: Inconvenience. (Consistency)
Cartography like many fields, has developed traditions and conventions. To disregard the powerful forces associated with these traditions and conventions would be inconvenience map users, which would in itself be poor design (6th ed, chp 18, p. 317)
Theme: Inconvenience. (Consistency)
Cartography like many fields, has developed traditions and conventions. To disregard the powerful forces associated with these traditions and conventions would be inconvenience map users, which would in itself be poor design (6th ed, chp 18, p. 317)
Theme: Inconvenience. (Consistency)
Cartography like many fields, has developed traditions and conventions. To disregard the powerful forces associated with these traditions and conventions would be inconvenience map users, which would in itself be poor design (6th ed, chp 18, p. 317)
Chapter titles
Theme: Functional (Departure)
Maps today are strongly functional in that they are designed, like a bride or a house, for a purpose. Their primary purpose is to convey information or to get across a geographical concept or relationship;it is not to serve as an adornment for a wall.(3rd ed, chp 1,p. 18)
Theme: Functional (Departure)
Maps today are strongly functional in that they are designed, like a bride or a house, for a purpose. Their primary purpose is to convey information or to get across a geographical concept or relationship;it is not to serve as an adornment for a wall.(3rd ed, chp 1,p. 18)
Theme: Functional (Departure)
Maps today are strongly functional in that they are designed, like a bride or a house, for a purpose. Their primary purpose is to convey information or to get across a geographical concept or relationship;it is not to serve as an adornment for a wall.(3rd ed, chp 1,p. 18)
Theme: Functional (Departure)
Maps today are strongly functional in that they are designed, like a bride or a house, for a purpose. Their primary purpose is to convey information or to get across a geographical concept or relationship;it is not to serve as an adornment for a wall.(3rd ed, chp 1,p. 18)
Theme: Functional (Departure)
Maps today are strongly functional in that they are designed, like a bride or a house, for a purpose. Their primary purpose is to convey information or to get across a geographical concept or relationship;it is not to serve as an adornment for a wall.(3rd ed, chp 1,p. 18)
Chapter titles
Theme: Generalization (Departure)
Quote: “These manipulations remain rather poorly defined and subject to the whim of cartographers performing them. The cartographers must subjectively specify criteria that allow the aggregation procedure to be applied” (6th, 24, 461)
Findings: as the editions go on, we lose the notion of “practice makes perfect”
Theme: Generalization (Departure)
Quote: “These manipulations remain rather poorly defined and subject to the whim of cartographers performing them. The cartographers must subjectively specify criteria that allow the aggregation procedure to be applied” (6th, 24, 461)
Findings: as the editions go on, we lose the notion of “practice makes perfect”
Theme: Generalization (Departure)
Quote: “These manipulations remain rather poorly defined and subject to the whim of cartographers performing them. The cartographers must subjectively specify criteria that allow the aggregation procedure to be applied” (6th, 24, 461)
Findings: as the editions go on, we lose the notion of “practice makes perfect”
Theme: Generalization (Departure)
Quote: “These manipulations remain rather poorly defined and subject to the whim of cartographers performing them. The cartographers must subjectively specify criteria that allow the aggregation procedure to be applied” (6th, 24, 461)
Findings: as the editions go on, we lose the notion of “practice makes perfect”
Theme: Generalization (Departure)
Quote: “These manipulations remain rather poorly defined and subject to the whim of cartographers performing them. The cartographers must subjectively specify criteria that allow the aggregation procedure to be applied” (6th, 24, 461)
Findings: as the editions go on, we lose the notion of “practice makes perfect”
Chapter titles
Theme: Integrated Whole (Consistency)
Quote: “The manner of presentation of the many map components so that together they appear as an integrated whole, devised systematically to fit the purposes of the cartographer (and thus those of the reader), includes elements ranging from mathematics to art” (1st, 7, 120)
Theme: Integrated Whole (Consistency)
Quote: “The manner of presentation of the many map components so that together they appear as an integrated whole, devised systematically to fit the purposes of the cartographer (and thus those of the reader), includes elements ranging from mathematics to art” (1st, 7, 120)
Theme: Integrated Whole (Consistency)
Quote: “The manner of presentation of the many map components so that together they appear as an integrated whole, devised systematically to fit the purposes of the cartographer (and thus those of the reader), includes elements ranging from mathematics to art” (1st, 7, 120)
Theme: Integrated Whole (Consistency)
Quote: “The manner of presentation of the many map components so that together they appear as an integrated whole, devised systematically to fit the purposes of the cartographer (and thus those of the reader), includes elements ranging from mathematics to art” (1st, 7, 120)
Chapter titles
Theme: Cartographer’s concern (departure)
Quote: “one of the cartographer's concerns may be to keep from producing an ugly map; in this respect he is definitely an artist, albeit in a somewhat negative sense” (3rd, 1, 18).
Theme: Cartographer’s concern (departure)
Quote: “one of the cartographer's concerns may be to keep from producing an ugly map; in this respect he is definitely an artist, albeit in a somewhat negative sense” (3rd, 1, 18).
Theme: Cartographer’s concern (departure)
Quote: “one of the cartographer's concerns may be to keep from producing an ugly map; in this respect he is definitely an artist, albeit in a somewhat negative sense” (3rd, 1, 18).
Theme: Cartographer’s concern (departure)
Quote: “one of the cartographer's concerns may be to keep from producing an ugly map; in this respect he is definitely an artist, albeit in a somewhat negative sense” (3rd, 1, 18).