Fashion style and elements during the 1860s period.

1. 1860S ERA
INTRODUCTION TO FASHION BUSINESS
The Fashion of 1860s
PRESENTED BY
AKANKSHA AGARWAL
VANSHIKA AGARWAL
PGDFB

2. Early 1860s:
The silhouette of women's fashion was
characterized by wide, bell-shaped skirts
supported by hoop skirts or crinolines.
Bodices featured high necklines and wide
sleeves, often with pagoda or bell-shaped
designs.
The emphasis was on a small waist, achieved
with corsets.
TIMELINE AND HISTORY

3. Mid-1860s:
(American Civil War - The Shortage of Fabrics)
Skirts became narrower and flatter in the front,
with the fullness shifting to the back.
This style, known as the elliptical or "crinolette"
silhouette, was achieved with a bustle or a pad
worn at the back of the skirt.
The bodices remained fitted, with lower necklines
and shorter sleeves.
Dark colors and muted
tones were favoured
in fabrics as a sign of
mourning.

4. Late 1860s:
Skirts began to widen again, this time with the
fullness distributed evenly around the entire
circumference.
This style, known as the "cuirass" or "princess"
silhouette, eliminated the need for a separate
bustle.
Bodices featured lower necklines, often with
square or V-shaped designs, and long, fitted
sleeves.

5. 1 Silhouette
defined by a slim waist and a full skirt
the use of corsets, which cinched the waist,
and
crinolines, which created volume in the skirt.
2. Wide Sleeves:
wide and bell-shaped, creating a dramatic
look.
They were typically fitted at the shoulder
and gradually flared out towards the wrist.
KEY CHARACTERISTICS

6. 3. High Necklines:
Generally high, covering the collarbone
and sometimes extending up to the chin.
Lace or ruffled collars were popular
embellishments.
4. Rich Fabrics:
Fashion in the 1860s favored luxurious
fabrics such as silk, satin, and velvet.
These materials added a sense of
opulence to the garments. (SILK)

7. 5. Ornate Trimmings:
Dresses were often adorned with intricate
trimmings, including lace, ribbons, and
embroidery.
These details added texture and visual
interest to the garments.
6. Bonnets and Hats:
They were essential accessories in women's
fashion during this time.
They provided both style and sun protection.

8. CLOTHING TEXTILES
The textile commonly used in 1860s
fashion was predominantly cotton.
Dresses and shirts were often made from
lightweight cotton fabrics, such as
muslin or calico.
Silk was also a popular choice for more
formal garments, like evening gowns.
Additionally, wool was used for
outerwear and heavier garments during
the colder months.
(WOOL)
(SILK)

9. Silhouette details:
Bell-shaped
Colour Palette
Daytime colors: Mauve, violet, deep brown, rich green, blue,
pink, white, buff, “tea” colored.
Evening Colors: Delicate white, sky blue, gray, lilac, pink and
pale gold-brown.
Rich royal blue, emerald green, crimson for married women.
Patterns: Small floral patterns, thin stripes, small checks

10. Bib, Peter pan, puritan
and Pointed flat collar
style
Long, Pagoda sleeves
Natural waistline
Day dress, 1860-1862.
Progression Rhythm
Emphasis
Emphasis
Formal balance
Formal balance
Emphasis
Emphasis
Emphasis Emphasis
Rhythm and repetition
Emphasis

11. Decolletage, Off
shoulder sleeves
Basque waistline
Bodice
Emphasis
Emphasis
Emphasis
Emphasis
Emphasis

12. Round neck
Shirt sleeves
Natural waistline
Bustle shaped
Informal balance
In unity
Vertical lines
Emphasis
Emphasis
Emphasis
Emphasis
Rhythm and repetition

13. BONNET
(made from various materials like
straw, silk, or velvet, and often
adorned with ribbons, flowers, or
feather)
SNOODS
(for women with longer hair)
HATS
(Often decorated with feathers,
flowers, or bows)
HEAD GEAR

14. CAMEOS
MOURNING JEWELERY
CHATELAINES
BROOCHES AND PINS
(variety of designs, including floral motifs,
animals, or intricate patterns.)
JEWELLERY

15. Balmoral Boots
( often worn with day dresses and
walking outfits.
CLOGS
(working-class women
and were suitable for
everyday wear.)
EVENING SHOES
(made of satin or silk)
BUTTON
BOOTS
(features a row
of button and
ankle or mid-
calf length)

16. RETICULES
(silk or velvet, featured a
drawstring closure)
CARPET BAGS
(used for traveling or carrying belongings)
MISER’S PURSE
( designed to hold coins, made of
fabric or mesh, carried discreetly
inside a woman's pocket or tied to a
belt.)
CLUTCH BAGS
(made of fabric or leather and had no
straps or handles)

17. In everyday life, it was more common for
women to focus on skincare and natural
beauty, with minimal use of makeup.
Complexion
Pale skin - ingredients like
borax or starch
Face powders
Rouge (blush)
Eye makeup
Minimal eye makeup
Natural-Looking Eyebrows
Lips
Natural Lip Color -using fruit juices or beetroot
Lip Salves - Beeswax based lip balm.
MAKE-UP

18. GIBSON GIRL
(FEATURED A HIGH BUN)
MARCEL WAVE
(DEEP S SHAPED WAVE USING
HEATED CURLING COIL)
SAUSAGE CURLS
(SMALL TIGHTLY RINGLETS
FRAMED THE FACE)
HAIRSTYLE
GRECIAN KNOT
(TWISTING HAIR INTO A LOW BUN
OR KNOT)

19. OTHER ACCESSORIES
Gloves
Pocket watch Parasols

20. FAMOUS PERSONALITIES
EMPRESS ELISABETH
(AUSTRIA)
QUEEN VICTORIA EMPRESS EUGIENE
(FRANCE)

21. QUEEN VICTORIA
DETERMINED, STRONG-WILLED, AND DEDICATED
TO HER ROLE AS QUEEN.
KNOWN FOR HER STRICT MORAL VALUES AND
CONSERVATIVE BELIEFS.
HAD A STRONG SENSE OF DUTY AND TOOK HER
RESPONSIBILITIES AS A MONARCH SERIOUSLY.
QUEEN VICTORIA WAS KNOWN FOR HER DEEP
LOVE AND DEVOTION TO HER HUSBAND, PRINCE
ALBERT, AND HER GRIEF OVER HIS DEATH
GREATLY INFLUENCED HER REIGN.

23. Known for her beauty and grace. Her captivating presence
charmed those around her and made her a prominent figure in
the French court.
Strong personality and was involved in political affairs.
She was intelligent, assertive, and exerted her influence in
various aspects of governance.
A loyal and supportive wife to Emperor Napoleon III. She
actively participated in his political decisions and provided
counsel when needed.
Genuine compassion for charitable causes, actively engaging
in philanthropy to support the less fortunate. She championed
initiatives that aimed to improve the lives of people in need.
Demonstrated a strong sense of duty towards her position,
dedicating herself to her role as Empress and representing
the French Empire with grace and dignity.
EMPRESS
EUGIENE

25. M O O D B O A R D

26. L
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27. https://www.instagram.com/reel/C0wg8l0hDql_NXhZxZEwF-
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28. “Women’s Clothing - 1860s - Clothing - Dating - Landscape Change Program.”
Glcp.uvm.edu,
glcp.uvm.edu/landscape_new/dating/clothing_and_hair/1860s_clothing_women.php.
Accessed 7 Dec. 2023.
“1860s in Western Fashion.” Wikipedia, 17 Dec. 2019,
en.wikipedia.org/wiki/1860s_in_Western_fashion. Accessed 6 Dec. 2023.
“Pinterest.” Pinterest, in.pinterest.com/search/pins/?q=1860s%20fashion&rs=typed.
Accessed 6 Dec. 2023.
Franklin, Harper. “1860-1869 | Fashion History Timeline.” Fashionhistory.fitnyc.edu, 27
Dec. 2019, fashionhistory.fitnyc.edu/1860-1869/. Accessed 7 Dec. 2023.
“All about 1860’S Fashion // What Did Civil War-Era Fashion Look Like?”
Www.youtube.com, www.youtube.com/watch?v=0PLu18-Y0rM. Accessed 8 Dec. 2023.
References

29. Thank
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