Adams Country House Collections 10th October 2017

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Auction Tuesday 11th
October 2016
Est1887
Country House Collec tions
Auction Tuesday 10th
October 2017 at 11.ooam
At Townley Hall, Drogheda, Co.Louth
Live Auc tion

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COUNTRY HOUSE COLLECTIONS AT TOWNLEY HALL
Tuesday 10th
October 2017 at 11:00am

COUNTRY HOUSE COLLECTIONS AT TOWNLEY HALL
AUCTION
Tuesday 10th
October 2017 at 11:00am
Live auction lots 1 - 718
VENUE
Townley Hall, Slane Road, Drogheda, Co Louth, Ireland A92 R6WE
SALE CODE
This sale may be referred to as 9052 in all correspondence
COLLECTIONS
All lots must be paid for and collected before 12.00 noon on Thursday 12th at the purchaser’s risk
and expense, after which time items will be removed to commercial storage also at the purchaser’s
risk and expense and additional carriage and storage fees will apply.
VIEWING
Saturday 7th October 11:00am - 5:00pm
Sunday 8th October 11:00am - 5:00pm
Monday 9th October 10:00am - 5:00pm
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin 2 D02 X665
Tel +353 1 676 0261
info@adams.ie
www.adams.ie
CONTACT
During Viewing, Auction and Collection Days.
Phone: +353 (0)1 676 7922 Fax: +353 (0)1 662 4725
CATALOGUE
€20.00 (Plus postage & packaging)
Admission strictly by catalogue only - One catalogue admits two.

CONTACTS AT ADAM’S FOR THIS AUCTION
Brian Coyle FSCSI FRICS
CHAIRMAN
Nick Nicholson
CONSULTANT
n.nicholson@adams.ie
James O’Halloran BA FSCSI FRICS
MANAGING DIRECTOR
j.ohalloran@adams.ie
Stuart Cole MSCSI MRICS
DIRECTOR
s.cole@adams.ie
Ronan Flanagan
FINE ART DEPARTMENT
ronan@adams.ie
David Britton BBS ACA
DIRECTOR
d.britton@adams.ie
Adam Pearson BA
FINE ART DEPARTMENT
adam@adams.ie
Amy McNamara BA
FINE ART DEPARTMENT
amymcnamara@adams.ie
Katie McGale BComm Intl. MPhil
FINE ART DEPARTMENT
katie@adams.ie
Eamon O’Connor BA
DIRECTOR
e.oconnor@adams.ie
Niamh Corcoran BA
ADMINISTRATOR
niamh@adams.ie
Helena Carlyle BA
ADMINISTRATOR
helena@adams.ie

COUNTRY HOUSE COLLECTIONS AT TOWNLEY HALL 2017
As the year swings around again to this annual event thoughts turn to barrels, or more precisely the scraping of the
bottoms of same. Surely there is no more left down there to put together a credible sale of the works of art and ar-
tefacts that were in Irish country houses? However the immutability of matter and the transience of life give a fluidity
to the process. Collections form, are dispersed and houses are sold, collectors pursue objects that have lost their
context and reinstate them. The Madden armorial side table has been brought home (maybe to shoot off again?), the
long case clock from Ross House - that distillation of atmosphere of a rollicking, happy, sporting Ireland bottled by
Somerville & Ross, has been discovered. There is gleaming 18th century silver mostly Irish, that recalls companionable
dining rooms with Regency tables and brass bound buckets. The salver presented by the Corporation of Drogheda
to Montgomery Lyons. Was he a pleasant or pompous man? Likely the former as he turns up as a member of Lord
Mornington’s Glee Club and who is to say that the uisce beatha or the French wine did not make the meetings merrier
or the singing lustier. Did they play on a Southwell instrument, one of the most sophisticated in Europe?
The Preston ladies, deprived of their noble positions in Palladian Bellinter House, are available for re-housing, suitably,
in preference. Then the enigmatic architect from Rathescar, the hunting lodge of the Fosters; it became the fashion-
able Regency ‘seat’ for the speaker’s younger son but he overspent and it was taken on by a cadet branch of the Henry
family. Records were not kept and identities have been lost but these pictures and portraits were there for a reason;
probably diligent research will resolve some of this. In the interim, bloodstock and hunting had been the raison d’ être
as it had been for Eileen Mount Charles in her beautiful house designed by Francis Johnson and which reproduces in
miniature much of the architecture of Townley Hall and Slane Castle. Here are horses and dogs and the comfortable
furnishings of a hospitable house.
The landscape school of the 18th century is considered the high point of Irish Art of the period. The George Barret is a
tour de force of the genre. Why, looking out their windows and inevitably at the most wonderful views, did the gentry
have such a hankering for idealised southern landscapes? Classicism, the memories of formative trips to Italy, per-
haps not accepting the reality of their own intrusion into an older prospect? Escapism into a distant vista, as described
by Nicola Figgis in her piece on the wonderful Solomon Delane Roman landscape ‘silhouetted sensitively against the
cloud-filled sky’, could make the rain, trouble with the tenantry, demands of mortgagors, snubs from the Vice-Regal
toffs more bearable. This landscape tradition lingered on with John Henry Campbell until romanticism descended into
kitsch.
There is much of interest herein, mostly ephemeral; old warts-and-all who fastened these islands together in a sinister
embrace that has been a long time undoing, maybe Brexit will conclude the business? The treasonable vellum bestow-
ing a ‘union’ title, the faces of generations recorded in miniature of a once powerful family, the pretty Langham daugh-
ters who couldn’t find husbands (perhaps they had not wanted them)but if they had been brought to Ireland sooner,
chances are they would have (if, needless to say, that’s what they wanted) lots of mirrors to check the beauty spots,
lots of card tables to lose the demesne (it was going anyway,) books, maps and prints to study in front of the roaring
library fire. Nostalgia need not intervene here – where these items are classic in the true sense of the word, they are
timeless and as such, judiciously mixed with contemporary design, they will continue as worthy witnesses to whatever
you’re having and beyond.
N.N

Register for a My Adam’s Account

From Dublin: Follow the M1 going North. After the toll
station, continue on the M1 until you cross the Boyne
suspension bridge. Immediately North of the bridge, take
exit 10 signposted N51 - Navan - Drogheda North. At the
roundabout over the motorway take the Slane exit. After
about 1.5 miles, look for railings and gates on the right
hand side then follow the avenue through the woods.
Travelling time from Dublin airport: about 35mins.
From the North: Follow the M1 as far as the exit 10
turn-off just before the suspension bridge, signpost-
ed as N51 - Navan - Drogheda North. Cross over the
motorway and take the Slane exit. After about 1.5
miles, look for railings and gates on the right hand
side then follow the avenue through the woods. Trav-
elling time from Dundalk: about 30mins.
DIRECTIONS TO TOWNLEY HALL

IMPORTANT INFORMATION FOR PURCHASERS
ESTIMATES AND RESERVES
These are shown below each lot in this sale. All amounts shown are in
Euro. The figures shown are provided merely as a guide to prospective
purchasers. They are approximate prices which are expected, are not de-
finitive and are subject to revision. Reserves, if any, will not be any higher
than the lower estimate.
PADDLE BIDDING
All intending purchasers must register for a paddle number before the
auction. Please allow time for registration. Potential purchasers are
recommended to register on viewing days.
PAYMENT, DELIVERY AND PURCHASER’S PREMIUM
Wednesday 11th October 2017, 10.00am - 5pm. Under no circumstances
will delivery of purchases be given whilst the auction is in progress. All
purchases must be paid for and removed from the premises not later
than 12 noon on Thursday 12th October 2017 at the purchaser’s risk and
expense. After this time all uncollected lots will be removed to commercial
storage and additional charges will apply.
Auctioneer’s commission on purchases is charged at the rate of 20%
(exclusive of VAT). Terms: Strictly cash, bankers draft or cheque drawn
on an Irish bank. Cheques will take a minimum of five workings days to
clear the bank, unless they have been vouched to our satisfaction prior
to the sale, or you have a previous cheque payment history with Adam’s.
Purchasers wishing to pay by credit card (Visa & MasterCard) may do so,
however, it should be noted that such payments will be subject to an
administrative fee of 2% on the invoice total. American Express is subject
to a charge of 3.65% on the invoice total. Debit cards including laser card
payments are not subject to a surcharge, there are however daily limits
on Laser card payments. Bank Transfer details on request. Please ensure
all bank charges are paid in addition to the invoice total, in order to avoid
delays in the release of items.
Goods will only be released upon clearance through the bank of all
monies
due. Artists Resale Rights (Droit de Suite) is NOT payable by purchasers.
VAT REGULATIONS
All lots are sold within the auctioneers VAT margin scheme. Revenue
Regulations require that the buyers premium must be invoiced at a rate
which is inclusive of VAT. This is not recoverable by any VAT registered
buyer.
CONDITION REPORTS
Please ensure that condition report requests are submitted before 12
noon on Monday 9th October as we cannot guarantee that they will be
dealt with after this time.
It is up to the bidder to satisfy themselves prior to buying as to the con-
dition of a lot. Whilst we make certain observations on the lot, which are
intended to be as helpful as possible, references in the condition report
to damage or restoration are for guidance only and should be evaluated
by personal inspection by the bidder or a knowledgeable representative.
The absence of such a reference does not imply that an item is free from
defects or restoration, nor does a reference to particular defects imply the
absence of any others. The condition report is an expression of opinion
only and must not be treated as a statement of fact.
ABSENTEE BIDS
We are happy to execute absentee or written bids for bidders who are
unable to attend and can arrange for bidding to be conducted by tele-
phone. However, these services are subject to special conditions (see
conditions of sale in this catalogue). All arrangements for absentee and
telephone bidding must be made before 5pm on the day prior to sale.
Cancellation of bids must be confirmed before this time and cannot be
guaranteed after the auction as commenced.
Bidding by telephone may be booked on lots with a minimum estimate
of €500. Early booking is advisable as availability of lines cannot be
guaranteed.
All lots are being sold under the Conditions of Sale as printed in this
catalogue and on display in the salerooms
LOTS MADE OF / CONTAINING IVORY
Bidders should be advised that the importation regulations of several
countries, including the US, prohibits the importation of ivory, or any
goods containing ivory. Therefore Adam’s advises prospective purchas-
ers who intend to ship such lots to another country to familiarise them-
selves with the relevant importation regulations prior to bidding. Adam’s
will not be responsible for shipping items herein and the onus will be
on the buyer to organise shipping at their own behest. Items containing
ivory are marked with the following symbol: (*) E&OE
LOTS MADE OF / CONTAINING CORAL
Bidders should be advised that any lots containing or made of coral are
subject to USA Fish and Wildlife regulations if they are to be imported
into the USA. Therefore Adam’s advises prospective purchasers who
intend to ship such lots to another country to familiarise themselves with
the relevant importation regulations prior to bidding. Adam’s will not be
responsible for shipping items herein and the onus will be on the buyer
to organise shipping at their own behest. Items containing coral are
marked with the following symbol: (**) E&OE
ALL LOTS ARE BEING SOLD UNDER THE
CONDITIONS OF SALE AS PRINTED IN THIS
CATALOGUE AND ON DISPLAY IN OUR SALEROOMS.

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Lot 92
The opening of a drawer and finding a makers stamp or looking under a table or behind a mirror and coming
across a trade label injects an extra frisson of excitement to the collector. This is not just merely because it becomes
possible to put a name to the piece in question but the added possibilities of discovering further knowledge of the
cabinet-makers style, workmanship and history. This knowledge allows us to connect directly to the world this cabi-
net-makers worked and lived in over 100/200 years ago. Cabinetmakers were well educated, managing their craft and
business though economic ups and downs as well as adapting to changes of taste and style. The Dublin street directo-
ries contain the names of many cabinet makers. These names represent the masters, who were employers, property
owners and the managers of the workshop and retail outlet. Cabinetmakers were adept at promotion, advertising
frequently and often illustrating trade cards with illustrations of the products for sale. Gillington’s, advertising the
acquisition of new designs, assured prospective clients that they ‘execute in style not inferior to any London house and
referred to the ‘superior quality of their own manufacture’. In this sale there are several pieces giving this insight and
connection to the makers involved. In 1812 Eggleso and Power, when promoting their ware-rooms referred to ‘The
numbers of artists and mechanics, as well as the large capital necessarily employed in their concern, together with the exten-
sive stock kept’. A cabinetmaker needed to be able ‘to write a good hand, understand arithmetic and have some notion
of drawing and designing’. In Dublin, many cabinetmakers attended the Dublin Society drawing schools, in particular
the school of landscape and ornament drawing.The apprenticeship system controlled entry into the trade and the
apprentice, who began to train when about fourteen years old, was bound to his master for a period of seven years.
Visitors to Ireland in the early nineteenth century continuously referred to the level of munificence in Irish houses. As
Prince von Puckler –Muskau noted ‘the stranger in Ireland soon notices the hospitality’. The dining room underwent a
change in interior style in the early nineteenth century with a taste for larger tables, ordered ensuite with sideboard,
serving table and wine cooler. Sideboards served a utilitarian purpose as well as providing an area for the display
of candelabra, china and silver which sparkled in candlelight. The cupboards were fitted to hold bottles of wine or
shelves for glasses and drawers for cutlery. The hour for dinner became later in London before it was delayed in the
country. When Maria Edgeworth visited Deepdene, the country house of the banker and furniture designer, Thomas
Hope, she was late for dinner as she had taken it for granted that ‘the Hopes dine at the same time in Town and Country’.
As the hour for serving dinner became established at a later hour it was eaten by candlelight allowing the use of dark-
er colours and the ability to create drama with the use of larger mirrors. The dining room served an important role in
a family’s social life and by the 1820s it had once again become an area for mixed-gender entertainment and family
sociability. When Margaret Harvey, visiting from Philadelphia in 1809, attended a dinner party at a relative’s house,
she was impressed and ‘astonished to see such style, such order and elegance in one family’ and at another evening

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she described the dining room having ‘one large table in the middle and two side tables laid. The furniture in the room
and the superb manner the tables were decorated exceeds anything I ever saw’. It is easy to imagine this monumental
sideboard (Lot 220) laden with serving dishes and silver candelabra. Wine coolers were another important element of
dining room furnishings. The very fine example here is stamped Mack, Williams & Gibton, Dublin. This partnership was
one of the most successful of the second and third decades of the nineteenth century, although they were individually
established as early as 1784. The firm supplied furnishings to Dublin Castle and the Vice Regal Lodge (now Aras an Uach-
terain) as well as many country houses being built or rebuilt, including Annesbrook, County Meath, Borris House, County
Carlow and Lissadell, County Sligo. Mack, Williams & Gibton also redecorated the rococo drawing room at Newbridge
House, County Dublin supplying elaborate curtain poles, heavy crimson curtains and heavily carved mahogany and
rosewood sofas and tables. The sofas in this sale are by Williams and Gibton, dating from circa 1835, of mahogany with
organic foliate carving.
The furniture produced by Mack, Williams & Gibton for Dublin Castle in the early nineteenth century was in the Greek
revival style, who worked closely with the architect Francis Johnston. This wine cooler (Lot no. ) is a sarcophagus shape
with a domed hinged lid and bears the best elements of the firms work using the finest mahogany and wonderful carving
of vine leaves and grapes on the front and in the lion’s paw feet. Wine coolers were lead lined and filled with crushed ice
to keep wine cold and day to day were placed under the sideboard. Designs and practicalities were discussed by the cabi-
netmaker with the client and the relationship between the customer, the seller and the manufacturer was of great im-
portance. As Gillington’s explained in an advertisement ‘Having engaged a person of great experience and superior abilities
to conduct the Manufacturing Department, they will be enabled to pay such personal attention to the needs of their customers,
that the minutest as well as the most extensive Orders shall be executed with a promptitude and care that will, they trust, ensure
general approbation.’
As the century progressed taste changed and the Victorian era ushered in a more eclectic taste with a revival of many
earlier styles. A resurgence of craftsmanship accompanied the great exhibitions of the mid-nineteenth century. The
desk in this sale (Lot 94) bears the label of Arthur Jones, Stephens Green. The term Carlton House derived from a desk
commissioned the the Prince of Wales, later George IV, in the 1790s for Carlton House, his London residence. The form
is a ‘bureau a gardin’ with a superstructure of drawers. Drawings of this desk’s design were included by Hepplewhite in
his design book and also published by Thomas Sheraton in The Cabinet-Maker and Upholsterer’s Drawing Book, issued
between 1891-4, popularizing the ‘Adam’ style. Sheraton’s designs promoted the fashionable Neo-classical taste, elegant
with an emphasis on the use of inlaid and painted satinwood. When this style was revived in the late Victorian/Edward-
ian era the use of painted decoration was favoured. The design remained popular though the nineteenth century and
this piece is decorated with rather charming characterful paintings. Arthur Jones is well known fro the elaborate pieces
he supplied for the Great Exhibition in 1851 in London followed by Dublin in 1853.The firm according to Arthur Jones
was established in 1765. As with other Dublin firms their history and the furniture they produced is not identifiable until
the early 19th century, when firms began in a more regular fashion to label or stamp their production. Arthur Jones
published a catalogue of the pieces made by the firm for the exhibition, Description of a Suite of Sculptured Decorative
Furniture, Dublin 1853. The firm moved from South King Street to 134 Stephen’s Green in 1835 and Arthur took over
the firm in 1840. A chair in the National Museum of Ireland has a back formed with a round tower and a harp and the
arms terminate in wolfhound heads (illustrated in his 1853 catalogue). A carved bog yew teapoy was sold by this auction
house in 2015. The Jones firm promoted their stock claiming to always have ‘a very fine collection of Chippendale, Sheraton,
Hepplewhite, Adams, &c. Furniture’ and they were prepared to produce furniture in the aforementioned styles or in the
‘modern styles’. Of course there is a connection to the present firm as James Adam came from Scotland to train as an
apprentice with Arthur Jones in the 1860s at 135, St. Stephens Green. Those who entered the cabinetmaking trade had
to be adaptable, open to new ideas and change in taste and often willing to travel. By the late 19th century the Machine
Age had arrived and the skill of these craftsmen was no longer required. Thus pieces which survive, labelled or stamped,
bring to our attention the characteristics of Irish furniture and the skill of the craftsmen who made it and underlines how
extensive the furniture trade was in Ireland.
Dr. Angela Alexander September 2017

Tuesday 10th October
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390 A PAIR OF 19TH CENTURY GEORGE III STYLE OVAL
MIRRORS,
the compartmented frames with bellflower banding surmounted
by a figure of a bird, its wings outstretched, clutched in its talons
a suspending ribbon tied swag flanked by scrolls and mirrored at
the base, set with a portrait medallion of Dante Alighieri. Each 160
x 85cm
€ 6,000 - 8,000
391 A PAIR OF IRISH ROSEWOOD FOLDING TOP CARD
TABLES, C.1840,
each with figured rectangular top and thumb moulded rim enclos-
ing a baise lined interior, with foliate carved frieze, turned centre
pillar and downswept legs, with shell feet and brass castors. Each
74cm high x 93cm wide x 46cm deep. (2)
€ 6,000 - 8,000

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392 A FRENCH GILTWOOD FRAMED SEVEN PIECE SALON SUITE IN THE LOUIS SEIZE TASTE, 19TH CENTURY,
comprising a three seater settee canape, four fauteuils and two side chairs, each with padded rectangular backs and seats covered in nee-
dlework upholstery, the gadrooned and reeded frames with spherical finials, and raised on turned fluted legs. (7)
€ 1,500 - 2,500
393 A 19TH CENTURY CONTINENTAL WALNUT
AND MARQUETRY SHAPED BOW END
LIBRARY TABLE,
the top profusely decorated with an inlaid central urn
flanked by angels, scrolls, swags etc within a continu-
ous border of foliate scrolls, edged with cast bronze
leaf banding above a similarly decorated frieze with
drawer, raised on a shaped octagonal centre column
and a star shaped quadruple base with flat bun feet
(associated). 133 x 78cm
€ 1,200 - 1,800
394 A PAIR OF 19TH CENTURY MAJOLICA DOULTON
LAMBETH JARDINIÈRE POTS AND STANDS,
decorated in yellow, green, turquoise and brown tones, the bombé
shaped jardinière pots applied with twin loop handles with scroll-
ing sides and central cartouches, on scroll feet, and supported
on fluted tapering pedestals and round feet, each piece with
impressed factory mark. Each 122cm high. (2)
€ 1,200 - 1,800

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395 PAUL SIEFFERT (1874-1957)
‘Reclining nude’
Oil on canvas, 54 x 70cm
Signed lower right
€ 6,000 - 8,000
Set against a backdrop of the Victorian era, the Aesthetic movement was a rebellion against the uniform precision and the mechanisation
of production. Aesthetes strove for a freedom of creative expression, seeking to bring art into the most banal of objects through a focus on
quality craftsmanship. With the use of machines allowing for elaborate and over the top decoration in furniture production, those, such as
James Lamb, who worked in accordance with this movement attempted to strip the pieces back to the basics. They relied on the formation
of the piece itself to be an ornament in its own right.
Lamb of Manchester created structurally bold pieces that drew on the simplicity and elegance of Japanese design and the incorporation of
geometric motifs. James Lamb’s furniture was highly praised and won medals at the world fairs of both London (1862) and Paris (1867). On
his death, the Journal of Decorative Art and British Decorators hailed him for his innovation, claiming that ‘His name was a synonym for the
best in everything he did... His name for fifty years stood as a landmark for all that was best in both spheres of industrial art.’
396 A BURR WALNUT, EBONY AND
IVORY INLAID SIDE CABINET IN THE
AESTHETIC TASTE, C.1870,
attributed to Lamb of Manchester, the
mirrored superstructure with a fine panel of
inlaid arabesques, above an arched balus-
trade cresting flanked by shelves supported
on ebony and ivory turned column, the top
with ivory inlaid Greek Key border above
glazed doors, shelved interior, the base with
corresponding balustrade, above a platform
stretcher with conforming inlay, on six
short turned legs. 198cm wide, 41cm deep,
172cm high
€ 2,000 - 3,000

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397 A MAHOGANY CASED GEORGE III BRACKET CLOCK, BY MCCABE OF LONDON, C.1790,
the white enamel dial behind glazed door signed ‘James McCabe, Royal Exchange, London’ with Roman numeral chapter ring and subsidiary
strike/silent dial, and quarter pull repeat, the domed case with brass carrying handle and fish scale grills to the sides, on short brass brack-
et feet. 47cm high
Few craftsmen are lucky enough to boast George Washington and Horatio Nelson as patrons, but James McCabe was such a man. Born in
1748 into the watch-making trade in Co. Armagh, McCabe went on to become one of the finest in his field. In 1775, he moved to London
where he set up his own company on Fleet Street. Six years later, he was made an honorary Freeman of the Clockmaker’s Company. Mov-
ing his premises to Royal Exchange in 1802, McCabe continued to be acknowledged by his peers, his career reaching its pinnacle in 1811
when he was awarded the position of Senior Warden. Unfortunately, he died soon after this accomplishment, leaving his workshop and its
good name in the hands of his son.
€ 6,000 - 8,000
398 A FINE SATINWOOD AND MARQUETRY INLAID
CYLINDER TOP BUREAU,
stamped ‘Edwards and Roberts, London’, the crossbanded top
with brass three quarter gallery, inlaid with a classical urn and
ribbon tied bows, the roll back panel similarly decorated with
musical trophies enclosing a pull out writing panel, pigeon holes,
short drawers and compartments above twin frieze drawers and
raised on squared tapering supports and castors. 112cm high x
106cm wide x 62cm deep
€ 10,000 - 15,000

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400 A SWISS ROSEWOOD, KINGWOOD AND MARQUETRY INLAID MUSIC BOX, LATE 19TH
CENTURY,
the rectangular case centred with a group of flowers and foliage within a quarter veneered border housing a single cylinder movement, an
outset base fitted with single drawer. 76cm wide, 33cm deep, 32cm high
Before recorded music, there was the music box, an instrument that has its origins in the intricate workings of clocks and pocket watches. As
timepieces advanced, clockmakers sought to bring sound from larger devices into small, handheld watches. In 1796, Antoine Favre perfected
this mechanism, using a small rotating disc to sound the time. This disc moved against pins which would reverberate to create the desired
tone. By mimicking this design and increasing the notches on the disc, a known melody could be brought to the ears of a willing listener by a
short and simple winding of a handle or knob. A long pin would create a high pitch, whilst a shorter one would allow for a lower note.
In the 1820s, the disc was switched out for the revolving cylinder which allowed for several compositions to be stored on the one piece. By
slightly altering the position of the cylinder, a different set of notes could be played. Music boxes soon became a great source of entertain-
ment within the house, reaching the peak of their popularity in the second half of the 19th century, when most large music boxes were
produced. For those who did not have the money to spare for their own music box, a single penny would suffice to enable them to play a
tune from a public box, often found nestled among the crowds at railway stations and other public places.
€ 4,500 - 6,500
399 JONATHAN PRATT (1835-1911)
A Shoemaker’s Shop, Brittany
Oil on board, 47 x 31cm
Signed and dated 1885
€ 1,500 - 2,500

256
401 IRISH SCHOOL (EARLY 18TH CENTURY)
Portrait of a Lady in a Red Dress, Seated, Three-Quarter Length.
€ 8,000 - 10,000

257
402 JOHN JAMES MASQUERIER (1778-1835)
A portrait of Juliana, Lady Langham, d.1810, seated by a spinning
wheel, wearing a bonnet and cloak
Literature: Sée, Masquerier and His Circle, London 1922
Provenance: Cottesbrooke Hall, Tempo Manor, Sold HOK,
The Langham Collection at Slane Castle
€ 2,000 - 4,000
403 JOHN JAMES MASQUERIER (1778-1835)
Two boys, Francis Nathaniel, b.1841 and Herbert Hay Langham, b.1840 with a pet goat in the park at Cottesbrooke
Pastel;
together with;
A portrait of Laura Micklethwait, wearing a white dress and standing on a terrace at Cottesbrooke
Pastel, 25 x 21cm, arched top
In an elaborate gilt plaster frame
Laura Charlotte Micklethwait married Herbert Langham in 1839
Provenance: Cottesbrooke Hall, Tempo Manor, Sold HOK The Langham Collection at Slane Castle
Literature: Sée, Masquerier and His Circle, London 1922, p.210
€ 3,000 - 5,000

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404 A 19TH CENTURY BRASS BANDED RECTANGULAR
FUEL CONTAINER,
of coopered construction with brass side carrying handles. 60 x
42cm
€ 500 - 800
405 A VICTORIAN EBON RECTANGULAR CONSOLE
TABLE,
with black marble top on scroll legs with carved acanthus knees,
on paw feet and platform base. 86 x 44cm
€ 1,000 - 1,500
406 A VICTORIAN STYLE CARVED WOOD CIRCULAR
CONVEX MIRROR,
the frame in the form of bound oak leaf, with continuous banding
and interior ebon slip. 103cm diameter
€ 800 - 1000
407 A 19TH CENTURY CHINESE STAINED WOOD
RECTANGULAR ALTAR TABLE,
on turned supports with scroll terminals and double stretchers.
100 x 66cm
€ 300 - 500

259
408 A LARGE 19TH CENTURY MAHOGANY LIBRARY
STEPS,
of triangular form with tapering pole hand supports. 176cm tall
€ 1,000 - 1,500
409 A GEORGE III GILTWOOD OVAL MIRROR,
the double beaded frame with incised crosshatched border. 66 x
46cm
€ 1,000 - 1,500
410 A LARGE VICTORIAN MAHOGANY RECTANGULAR
BUTLER’S TRAY,
with raised side and integral handles, raised on a collapsible ‘X’
frame stand. 80 x 50cm
€ 600 - 1,000
411 A PAIR OF 19TH CENTURY STAINED WOOD DINING
CHAIRS,
in the Chippendale manner, with pierced splats, drop-in seats,
on square tapering legs
€ 200 - 300

260
412 AN EARLY VICTORIAN MAHOGANY FRAMED TUB
BACK BERGERE LOW CHAIR,
with cane back, raised on turned legs
€ 500 - 800
413 A VICTORIAN MAHOGANY FRAMED TUB BACK OFFICE
SWIVEL CHAIR,
the padded rail back on scroll supports and a circular seat on a
revolving centrepillar and outswept quadruped legs with castors
€ 800 - 1,000
414 A VICTORIAN MAHOGANY FRAMED LIBRARY
CHAIR,
with rail tub back and raised back rest on carved scrolls and turned
fluted tapering legs with castors
€ 600 - 1,000

261
415 A 19TH CENTURY YELLOW MARBLEISED PLAIN
COLUMN,
on white spreading foot base. 105cm tall
€ 1,000 - 1,500
416 A LARGE REGENCY CONVEX GILTWOOD
MIRROR WITH EAGLE,
of circurlar form surmounted by an eagle with out-
stretched wings, the glass plate with ebon slip contained
within a carved giltwood border and with a hanging laurel
swag below. 153cm high x 92cm diameter
€ 4,000 - 6,000
417 A MAHOGANY RECTANGULAR STOOL, IN THE 18TH
CENTURY IRISH STYLE,
on six rosette headed and leaf carved cabriole legs with claw and
ball feet, 52cm wide x 128cm long.
Sold by order of the Executors of Eileen, Countess of Mount
Charles
€ 800 - 1,200

262
418 CIRCLE OF ROBERT HEALY, C. 1760
A Portrait of a lady in a landscape, picking honeysuckle
and a portrait of a gentlemanan, in a tail-coat and a waistcoat,
standing by a mantelpiece;
A Pair, Gouaches each 15 x 9cm
Charles
€ 1,000 - 2,000
419 ENGLISH SCHOOL, C.1810
A Portrait of James West of Alscot Park, Gloucestershire, the bald
gentleman seated half length, holding a letter addressed to Mr
West; and the companion portrait of his wife Sarah, a daughter of
Christopher Wren of Wroxhall, seated half length, by a table with a
book.
A Pair, Pastels, Each 26 x 22cm
Charles
€ 500 - 1,000
420 ENGLISH SCHOOL, C.1840
A Profile Portrait of a Gentleman sketching, half length, wearing
a top hat
Watercolour, 13 x 10cm
In a 19th century carved giltwood pierced frame
Charles
€ 100 - 200
421 T. WALSH (19TH CENTURY)
A Study of a Grey Charger of the Second Dragoon Guards
Gouache, 35 x 44cm
Signed
Charles
€ 300 - 500

263
422 PHILIP REINAGLE RA (1775-
1862)
A Hunting Dog holding a cat at bay in a woodland
€ 3,000 - 5,000
423 A PAIR OF GILTWOOD AND GESSO SIDE
TABLES, 19TH CENTURY,
with moulded serpentine brocatelle marble tops, the
shaped friezes centred by cartouches, on cabriole
legs with scroll feet. Each 143cm wide
Sold by order of the Executors of Eileen, Countess of
Mount Charles
€ 3,000 - 5,000

264
424 FLEMISH SCHOOL (17TH CENTURY)
Nymphs and Bacchus Feasting
In carved wood parcel gilt frame
Provenance: Rathescar House, Co. Louth
€ 2,000 - 3,000
425 A SET OF TWELVE MAHOGANY INLAID DINING
CHAIRS, IRISH, 19TH CENTURY,
In Sheraton Revival Style, the rectangular backs with patera
inlaid back rials, the struts inlaid with husks suspended
from rosettes, hide covered seats on conforming tapering
legs joined by H-shaped stretchers.
Provenance; Lot 32 24/7/1980 Christies (cancelled) house sale
Coolattin, Co. Wicklow, illustrated in catalogue, acquired subse-
quently by lady Mount Charles for Galtrim
Charles
€ 5,000 - 8,000

265
426 COPY AFTER GUERCINO, 19TH
CENTURY
The Persian Sybil
In an Italian carved gilt wood frame
€ 1,500 - 2,500
427 A REGENCY MAHOGANY EXTENDING
IMPERIAL RECTANGULAR DINING TABLE,
EARLY 19TH CENTURY, IN THE STYLE OF
GILLOWS,
with grooved rim and rounded corners, the end sections
with plain conforming friezes, on ten tapering turned
grooved legs with brass socks and castors. 137cm wide x
480cm long (with three extra leaves)
Mount Charles
€ 6,000 - 10,000

266
428 GERMAN SCHOOL (17TH/18TH
CENTURY)
Ariadne at a Bacchanalia
€ 1,000 - 1,500
429 FOLLOWER OF PIETER CASTEELS III,
18TH CENTURY
Peacocks and Domestic Fowl in an Architectural Landscape
€ 2,000 - 3,000
A Fiddle Player in a Tavern
Oil on panel, 21 x 16cm
€ 2,000 - 3,000

267
431 JOSEF VAN AKEN (1699 - 1749)
Interior with Figures
A pair, oil on canvas, 42 x 58cm
signed
€ 2,000 - 3,000
432 A SMALL MAHOGANY FRAMED SERPENTINE
SOFA,
with close-nailed hump back, in the Hepplewhite style.
135cm wide
€ 1,000 - 2,000

268
433 A REGENCY CIRCULAR OCCASIONAL
TABLE,
with japanned decoration on a black ground, on concave
square pillar supports; on conforming platform base on bun
feet. 78cm high, 62cm diameter
€ 300 - 500
434 A GEORGE III MAHOGANY CROSSBANDED
BOXWOOD TRIMMED BOW FRONT CHEST,
C.1800,
of two short and three long drawers, with shaped apron on
splayed feet. 108cm high x 107cm wide, 54cm deep
€ 300 - 500
435 A WILLIAM IV IRISH MAHOGANY FRAMED
UPHOLSTERED LIBRARY CORNER
ARMCHAIR,
on turned toupie legs with castors.
€ 500 - 800
436 A GEORGE IV IRISH MAHOGANY FRAMED
STOOL,
the top upholstered in old tapestry, tapering top to a reeded
base with gadrooned apron, on bun feet. 46cm square
(See examples at Lissadell House which are stamped Williams
& Gibton)
€ 500 - 800

269
437 A GEORGE IV IRISH MAHOGANY FRAMED ARMCHAIR
IN THE STYLE OF WILLIAMS AND GIBTON,
the upholstered spoon shaped back with outscrolled arms, the
moulded frieze flanked by acanthus scrolls and lotus capped
tapering legs, with gilt brass castors.
€ 600 - 800
438 A REGENCY TALL MAHOGANY CHEST OF FIVE
GRADUATED LONG DRAWERS,
with rope twist moulding, on turned short feet. 95cm wide x
110cm high
€ 200 - 400
439 A GEORGIAN III MAHOGANY RECTANGULAR FOLDING
TOP CARD TABLE,
of rectangular form, having gate leg action support, raised on
slender tapering legs and pad feet. 76cm deep (open) x 84cm wide,
73cm high
€ 1,000 - 1,500
440 A PAIR OF REGENCY MAHOGANY RAIL BACK SINGLE
CHAIRS,
the curved tablet backs surmounted with carved scrolls, above a
carved and pierced scroll back rail, with drop-in seats
upholstered in striped fabric, raised on sabre legs; together with a
carver of the same set. (3)
€ 300- 500

270
441 ATTRIBUTED TO WILLIAM SADLER RHA (1782-
1839)
A Night Scene, Figures Rowing a Boat by a Wooded Mill
Oil on panel, 28 x 36cm (11 x 14¼’’)
€ 600 - 1,000
442 ENGLISH SCHOOL (19TH CENTURY)
A Wooded Pastoral Landscape with a distant castellated
house,
Oil on canvas, 77 x 63.5cm
€ 1,000 - 1,500
443 ATTRIBUTED TO WILLIAM SADLER II (1782-
1839)
River landscape with fishermen
Oil on panel, 17 x 24cms
€ 600 - 800
444 DUTCH SCHOOL
A Cobbler with Woman
Oil on panel
€ 400 - 600

271
445 WILLIAM SADLER II (1782-1839)
Tintern Abbey, Co. Wexford
€ 2,000 - 4,000
446 WILLIAM SADLER II (1782-1839)
The waterfall at Powerscourt
€ 2,000 - 4,000

272
448 AN IRISH REGENCY MAHOGANY AND CROSSBANDED SOFA TABLE, C.1820,
the fielded panelled frieze drawers with lozenge shaped bone lock plates and brass button handles to one side, the
other with conforming dummy drawers, twin ropetwist tapering end supports, on acanthus hipped downswept legs
with brass claw feet, joined by a turned ropetwist, acanthus centred stretcher, 152cm wide x 82cm deep.
Sold by order of the Executors of Eileen, Countess of Mount Charles
€ 2,000 - 3,000
447 OLIVIA MUSGRAVE (CONTEMPORARY)
Europa and the Bull
Bronze, numbered 1/9
Signed, 33cm wide
On a stained wood pediment
Charles
€ 2,000 - 3,000

273
449 RAOUL HYNCKES (1893 - 1973)
Game Still Life
Oil on canvas, 77.5 x 95.5cm
Provenance: ex collection J.W.Van Beuningen. Zeist, Netherlands, and hence by descent.
€ 25,000 - 30,000
Raoul Hynckes (1893 - 1973) was a Dutch painter of Belgian origin. Hynckes’ style was initially impression-
istic, but by the nineteen thirties he had begun to paint allegorical still-lifes in a super realist manner. In
keeping with this style he executed his work in an extremely fine and meticulous fashion. He is counted
among the artists loosely known as the ‘Magical Realists’.

274
451 A SET OF SIX WILLIAM IV SATINWOOD ELBOW
CHAIRS,
with carved rail backs and splat rails with lotus head ter-
minals, the cane seats with loose squab cushions, raised
on sabre legs
€ 3,000 - 4,000
450 A REGENCY GILTWOOD CONVEX
MIRROR,
the reeded frame with ebon slip and bound with foliate
collars surmounted by a carved deer beneath a bough
with flanking floral scrolls. 106 x 76cm
€ 3,000 - 4,000

275
452 A GEORGE III GILTWOOD MIRROR,
the open pierced frame of naturalistic carved branches
and foliage surmounted by a basket of flowers, and
mirrored by an open cartouche to the back. 134cm high,
72cm wide
€ 6,000 - 8,000
453 A FINE MID 18TH CENTURY CARVED
MAHOGANY FRAMED UPHOLSTERED WING
ARMCHAIR,
probably Irish, with beaded and scrolled apron and sides
on channelled and beaded legs
€ 3,000 - 5,000

276
454 A GEORGE III MAHOGANY RECTANGULAR BLANKET CHEST,
the lift top hinged lid with gadroon banding above a frieze with applied carved figures of putti
holding a fabric swag between them, the base with a frieze carved with a central female mask
and horns of plenty, raised on short cabriole legs with claw and ball feet, having brass carrying
handles. 86cm tall x 122cm widex 61cm deep
€ 5,000 - 8,000

277
455 A PAIR OF WALNUT POLE SCREENS, C.1830,
on turned carved tripod supports with scroll feet, the elaborately carved oval screens with flower and
cartouche crestings and filled with contemporary heraldic embroideries. 136cm high
The armorials are for West of Alscot Park
€ 1,500 - 2,500

278
456 A BRASS FOUR POST CANOPY BED,
C.1900, PROBABLY FRENCH,
the brass domed canopy with finial hung with green
silk, the vine scroll friezes centred by putti
Mount Charles
€ 500 - 1,000
457 19TH CENTURY COPYIST
Portrait of Sir Henry Brooke
With inscription verso ‘Sir Henry Brooke Bart Son of Francis
Brooke, Major of 18th ... of Hannah, Sister of 1st Lord
Dunally. He married Harriott Butler, granddaughter of Earl
Lainsborough. He rebuilt the House of Colebrooke in 1822.
Died at Colebrooke, 24th March 1834, aged 63 years.’
Provenance: Colebrook House Sale.
€ 600 - 1,000
458 A PAIR OF GEORGE III CARVED GILTWOOD
WALL BRACKETS,
in the form of rococo scrolls, hung with icicles. 30cm high
€ 1,000 - 1,500

279
459 A FINE PAIR OF MASSIVE MID 19TH
CENTURY ORMOLU MOUNTED SEVRES
PORCELAIN VASES,
Napoleon III, of circular baluster form, the remov-
able necks and flared rims decorated in deep ce-
rise and gilt, the polychrome painted bodies with
extensive continuous classical landscapes with
figures among ruins and statuary, within wooded
valleys, having applied twin organic fashioned
handles, raised on circular socle bases with brass
shaped square platforms, stamped with marks:
‘S.63’ in a lozenge and ‘Decoré a Sevres, 67’ flanking
a crowned capital ’N’. 96cm high, 54cm wide over
handles;
raised on associated ‘rosso antico’ pedestals, the
square tops above tapering columns and platform
bases. 33cm square, 108cm high
€ 7,000 - 10,000

280
460 DUTCH SCHOOL, 17TH CENTURY
Portrait of a lady, three-quarter length, wearing an elaborate ruff and black dress
with matching lace trim with a pearl necklace
€ 3,000 - 5,000

281
461 ENGLISH PROVINCIAL SCHOOL, LATE 17TH CENTURY
A lady in a red dress, seated by a fountain, three-quarter length
€ 3,000 - 5,000

282
463 ENGLEHARDT / IRISH SCHOOL, C.1850
Portrait of a cab driver called Larry Doolin, with top hat and
whip, smoking a pipe and wearing his permit medallion
Gouache on grey paper, 70 x 56cm
Provenance: Bellinter House, Co. Meath
€ 1,000 - 1,500
464 HERALDIC SCHOOL (19TH CENTURY)
The Armorial Achievements of Preston Lord Tara
Gouache, 31 x 40cm
€ 500 - 1,000
Scene in a Tavern, Playing Cards
€ 500 - 1,000
462 ROMAN SCHOOL (C.1800)
A Capriccio Landscape with Classical Ruins and with a Peasant
in the Foreground
Oil on panel, 29.5 x 35cm
€ 400 - 800

283
466 INDIAN SCHOOL (19TH CENTURY)
A set of six miniatures each depicting important individual
landmarks, including Sunehri Masjid (The Golden Mosque); Rumi
Darwaza (The Turkish Gate); Bara Imambara (The Grand Mosque);
the Tomb of Makhdum Shah Daulat; The Golden Temple Amritsar;
and Jama Masjid Mosque (c.1860)
Oval, gouache on ivory, glazed panel, each 2 x 2.6cm. (6)
The tradition of miniature painting in India can be dated back
to the 9th century when they used palm leaves as their surface
material, the space itself only allowing for small images. Miniature
painting was brought into the form that we recognise now with
the arrival of the Mughal Empire in 1526. These emperors brought
with them their court artists from Persia who quickly spread their
style throughout India, the school of painting flourishing well into
the 1700s and beyond.
These particular miniatures date to the 19th century and can be
equated to those souvenirs that we more commonly see with the
European Grand Tour. At this time, India was gripped by British
power. A rebellion against the tyranny of the East India Trading
Company led to the establishment of crown rule in 1858. Where
once the navy held sway, India was now subjected to a flood of
British nobles who looked to assert themselves overseas, often
through quite questionable means. In the 1870s, the Marquess of
Salisbury, the then Secretary of State for India, is recorded as stat-
ing that ‘India is to be bled’ and, indeed, it quickly became Britain’s
greatest source of revenue. Unfortunately, whilst these foreigners
flitted from place to place, collecting their mementos and making
memories for their diaries, the Indian population fell further into
poverty and social division. These beautiful images thus only show
one side to the Britain’s 19th century ‘Jewel in the crown’ - that of
luxury, wealth and exoticism.
€ 1,500 - 2,500
467 A RARE SWISS MUSIC BOX
with organ accompaniment and with 15cm cylinder, the
lid retaining its original chromlithograph coral no. 8742,
inscribed “Flutinos, Double Celestial...- 6 airs”, inlaid box
with musical trophies. 42cm wide x 28cm high
€ 600 - 1,000
468 A PAIR OF ENGLISH YELLOW AND TURQUOISE
GLAZED JARDINIÈRE POTS, C.1900,
modelled in the form of oriental toads, the base impressed
with monogram and numerals “583”. 20cm wide, 16cm high
From Chinese folklore tradition is that during the night, Liu
Hai’s three-legged toad produces a pearl that, when eaten,
can change a person into a Xian immortal or can restore a
corpse to life.
€ 200 - 300

284
469 A PAIR OF IRISH MAHOGANY FRAMED
UPHOLSTERED SHIELD BACK CHAIRS, MID 18TH
CENTURY;
and another. (3)
€ 1,000 - 1,500
470 A REGENCY STYLE CONVEX MIRROR,
the frame set with spheres and flanked by twin sconces,
surmounted by an eagle, with label Bregazzi & Sons, Merrion
Row, Dublin. 105cm high
€ 1,000 - 2,000
471 AN IRISH SQUARE BACK SOFA IN THE 18TH CENTURY STYLE,
on carved cabriole legs, with claw and ball feet. 175cm wide
€ 1,000 - 2,000

285
472 ANTONIO JACOBSEN (1850 - 1921)
The steam-assisted four mast ship ‘Egypt’ in American
waters
Signed and inscribed
€ 6,000 - 10,000
473 AN EBONISED AND PARCEL GILT CENTRE TABLE,
19TH CENTURY,
the white marble top inlaid with central roses, guilloche
banding, the frieze with a green jasper neo-classical tablet, the
cross-over stretcher with an urn. 127 x 63cm
€ 6,000 - 8,000

286
474 A FINE IRISH WILLIAM IV ROSEWOOD STOOL
C.1830
the square stuffed seat above a carved frieze supported on
carved cabriole legs, numbered and stamped Williams and
Gibton. 36 x 36cm
€ 600 - 700
475 A GEORGE IV MAHOGANY LIBRARY ARM CHAIR,
C.1820,
the lyre shaped carved arms above a moulded frieze sup-
ported on turned fluted front legs with brass castors
€ 1,400 - 1,600
476 A PAIR OF 19TH CENTURY CAST IRON GARDEN
URNS
of campagna form, the bodies with continuous foliate
banding and with twin handles, raised on square pedestal
with applied wreaths on plinth bases.
€ 1,000 - 1,500
477 A PAIR OF 19TH CENTURY CAST IRON GARDEN
URNS
of compressed campagna form, the lobed bodies with
applied rope twist decoration, raised on pedestal stands
with applied urn and swag motifs, painted green. 90cm high,
53cm wide
€ 1,500 - 2,000

287
478 A RARE PAIR OF MASON’S IRONSTONE
POT-POURRI VASES AND COVERS, 19TH CENTU-
RY,
of Chinese inspiration, the pierced domed covers with knob finials,
the rich blue bodies with polychrome decoration of birds and
foliage flanked by gilt rams’ heads, each stamped underneath
“MASON’S PATENT IRONSTONE CHINA”. Each 34cm high
€ 1,000 - 1,500
479 A SET OF FOUR ‘JACOBEAN’ CARVED BLACK
STAINED OAK HIGH BACK CHAIRS, BASICALLY 17TH
CENTURY
€ 400 - 800
480 AN IRISH REGENCY GILTWOOD PIER
MIRROR,
the blocked square and moulded cornice flanked by a rosette
wrapped and reeded frame. 193cm high, 96cm wide
Provenance: Rathescar House, Co. Louth, supplied to William
Foster who had inherited Rathescar from his father who and
enlarged the mid-18th century hunting lodge with fashionable
regency wings.
€ 1,000 - 1,500
481 A PAIR OF GEORGE IV IRISH MAHOGANY FRAMED
LIBRARY ARMCHAIRS,
with upholstered spoon backs, upright outscrolled arms, on beaded
hexagonal legs, with brass castors.
€ 1,000 - 1,500

288
482 A CARVED GILTWOOD COMPARTMENTED OVERMANTLE, IRISH 19TH CENTURY,
with scroll pilaster and rockwork frame. 155cm wide x 82cm high
€ 2,000 - 3,000
483 A GEORGE III STYLE CARVED MAHOGANY FRAMED
RECTANGULAR STOOL,
on cabriole legs. 38 x 52cm
€ 1,000 - 1,500

289
484 A PAIR OF VICTORIAN OAK HALL SEATS, BY JAMES
SHOOLBRED,
the low rail backs with brass gallery above a plain panel seat and
rounded arms with brass bosses, raised on slender cabriole legs
with stretchers, stamped with design registration. 54cm wide
€3,000 – 5,000
485 AN IRISH MAHOGANY DOUBLE DROP LEAF HUNT
TABLE, 19TH CENTURY,
on square gate leg supports. 246cm long, 138cm wide
€ 2,000 - 3,000

290
486 A VICTORIAN OAK CIRCULAR DRUM LIBRARY
TABLE,
the top inset with tooled leather scriver, above frieze drawers
and raised on square panelled pedestal. 122cm diameter
€ 1,000 - 1,500
487 A GEORGIAN STYLE MAHOGANY RECTANGULAR
CONSOLE TABLE,
with moulded top above a continuous frieze of Greek key
banding, concealing a central drawer, raised on scroll tapering legs
with carved foliage. 114 x 53cm
€ 1,000 - 1,500
488 AN IRISH GEORGE III MAHOGANY RECTANGULAR
SILVER TABLE,
with raised dish top above a plain shaped apron, raised on cabriole
legs with acanthus leaf carved knees, on carved paw feet with
feathered hocks. 77 x 50cm
€ 2,000 - 3,000

291
489 A DUTCH LATE 17TH WALNUT AND BRASS MOUNTED CABINET,
the arched top above twin panel doors enclosing shelves and three drawers, raised on a serpentine fronted chest, the
cabinet profusely decorated with engraved and inked brass plaques depicting peasants in coastal landscapes in the
manner of Teniers. 201cm high x 118cm wide
€ 5,000 - 8,000

292
490 A VERY FINE ENGLISH PORCELAIN TEA SET, EARLY
19TH CENTURY,
probably Davenport, painted with botanical specimens on fluted
salmon ground, with gilt highlights throughout and gilt medallion
to the interior. Pattern No.5/4870. the 12 cups 9cm high
€ 1,000 - 1,500
491 A VICTORIAN IRONSTONE BLUE AND WHITE PRINTED
FOOT BATH,
flanked by handles. 50cm wide
€ 300 - 500
492 A CHINESE CARVED IVORY FAN FOR THE EUROPEAN
MARKET, 19TH CENTURY,
with central monogram, the sticks finely carved in imitiation of
lace, decorated pagoda contained within reserves against a lotus
floral ground, mounted in a glazed ebony case. 53cm wide *
€ 300 - 500
493 A FINE PAIR OF PORCELAIN AND ORMOLU OIL
LAMPS,
with cut glass bowls on top triform stems and rococo bases. 68cm
high (converted to electricity)
€ 1,000 - 1,500

293
494 FOLLOWER OF WOUWERMAN, 17TH
CENTURY
A fashionable hunting party setting out, a Palace in the
background
€1,000 - 1,500
495 A VICTORIAN SHAPED ROSEWOOD
CENTRE TABLE,
with moulded rim, on twin facetted and bulbous
carved supports, on lobed platform bases and
tripod scrolled feet. 160 x 92cm
€ 1,000 - 1,500
496 AN IRISH MAHOGANY RECTANGULAR TEA
TABLE, C.1760,
the dished top above shaped apron, on moulded leaf
carved cabriole legs, on square paw feet. 78 x 51 x 71cm
high
€ 1,000 - 1,500

294
498 A GEORGE III MAHOGANY SHAPED
RECTANGULAR FOLDING TOP CARD
TABLE,
the hinged top with gateleg support opening to
reveal a baise lined interior with sunken counter
wells and circular candle stands, the shaped apron
centred by a scallop shell, raised on cabriole legs
and pad feet. 89 x 49cm
€ 2,000 - 3,000
497 A GEORGE III INLAID SATINWOOD
SEMI-ELLIPTICAL FOLDING TOP CARD
TABLE,
with baise lined interior, the top decorated with
fan and radial veneers banded in bird’s eye maple,
above a frieze
centred by Prince of Wales feathers, on turned and
fluted
tapering legs with lotus gallery. 102 x 42cm
€ 4,000 - 6,000

295
499 VICTORIAN SCHOOL
A Lesson
€ 1,500 - 2,000
500 AN IRISH GEORGE III MAHOGANY RECTANGULAR
SIDE TABLE,
the plain top with moulded rim above a shaped apron centred
by a carved scallop shell, raised on cabriole legs with shell
carved knees on panelled pad feet. 145 x 72cm
€ 8,,000 - 12,000

296
501 19TH CENTURY SCHOOL
Dominican Missionaries at work
€ 1,000 - 1,500
Portrait of a Girl, Seated with a Spaniel in her Lap
€ 800 - 1,200
503 CHARLES HEATH WILSON ARSA (1809-
1882)
Fountain of Neptune, Piazza della Signoria, Florence
In an ornate Italian frame with cartouche
€ 1,000 - 1,500

297
504 A PAIR OF MEISSEN PORCELAIN FIGURAL
CANDELABRA, 19TH CENTURY,
modelled as Ganymede and Hebe, each standing against
palm fronds and a gilded eagle, dressed in loose classical
robes, decorated in turquoise, puce and gilt tones and stand-
ing on a beaded circular base, factory cross swords mark to
base, model number K49/50. Each 38cm high
€ 1,500 - 2,000
506 WILLEM RATHJENS (1842–1882)
Christmas roses and other flowers in a vase
Signed
Provenance: With Thos. Angew & Sons Manchester; Saul
Baerter; Mrs. Holden, Llandudno; Jane, Lady Abdy, The Bury
Street Gallery; Anon. Sale, Sotheby’s 2 June 1994, lot 347
Exhibited: Machester City Art Gallery, The Royal Jubilee
Exhibition, 1887
€ 4,000 - 6,000
505 AN EXCEPTIONAL PAIR OF IRISH MAHOGANY
SIDEBOARD STANDS C. 1820,
in the manner of Mack Williams & Gibton with panelled strut
backs, on box bases with deep panelled friezes with egg and dart
border. 31 x 15 x 46cm high
€ 2,000 - 3,000

298
507 A 19TH CENTURY INLAID SPECIMEN MARBLE
CIRCULAR OCCASIONAL TABLE,
the top radially inlaid with coloured specimen marbles in graduat-
ed bands, on an oak fluted column base. 77cm diameter
€ 1,000 - 1,500
508 A 19TH CENTURY MAHOGANY HALF CIRCULAR SIDE
TABLE,
with applied pierced gallery rail above a tambour front, twin cup-
board above a shallow serpentine apron, raised on fluted square
tapering legs. 75 x 38cm
€ 800 - 1,000
509 A VICTORIAN MAHOGANY RECTANGULAR WRITING
TABLE,
single frieze drawer, with turned wooden handles, on reeded side
supports with clustered turned spindle splats. 76 x 43cm
€ 600 - 800
510 A REGENCY INLAID ROSEWOOD RECTANGULAR SIDE
CABINET,
in the Egyptian taste, the single frieze drawer with cast lion mask
and ring handles above a twin door cupboard with panels flanked
by ebonised pilasters with stylised Egyptian themes, the entire
decorated with satinwood banding, with cast gilt lion head side
carrying handles, raised on toupie feet. 92 x 42cm
€ 1,500 -2,000

299
511 A GEORGIAN MAHOGANY BEDSIDE COM-
MODE,
with split hinged-top opening to reveal a compartment, above twin
cock beaded drawers, with brass handles and raised on square
legs
€ 400 - 600
512 AN OAK CORNER UMBRELLA STAND,
19TH CENTURY,
with carved and pierced decoration and with scrollwork and
rosettes on shaped base
€ 150 - 250
513 A GEORGIAN INLAID MAHOGANY HALF MOON CARD
TABLE,
the folding top opening to reveal a baise lined interior, the square
tapering legs headed with paterae
€ 400 - 600
514 AN EARLY JAPANESE LACQUER CABINET,
of plain rectangular form with twin fielded panel doors and single
drawer on square legs
€ 800 - 1,200

300
515 ETIENNE MERCIER (LATE 19TH / EARLY 20TH
CENTURY)
A French bronze and gilt bronze group of a parrot
perched on a tree stump holding a French eight day
ball clock supported on a Sienna marble base. 24cm
high, 22cm wide.
€ 1,800 - 2,200
517 A PAIR OF REGENCY ROSEWOOD JARDINIERE
STANDS,
the circular tops with fluted banded rims, raised on turned
and fluted tapering columns with collars, on circular platform
bases carved with acanthus leaves in low relief, with scroll
feet. 36cm diameter x 91cm tall
€ 2,000 - 3,000
516 A FRENCH BRONZE GROUP OF A YOUNG
GIRL
with water carrier seated on a rocky mound. 24cm high, 27cm wide
€ 2,000 - 3,000

301
518 A 19TH CENTURY OAK AND BRASS MOUNTED
HALL STAND BY JAMES SHOOLBRED & CO.,
C.1880,
with raised gallery back and single frieze drawer with vacant
undertier flanked by zinc lined stick stand compartments,
impressed with maker’s stamp. 100cm high x 102cm wide; to-
gether with a hat stand and mirror en suite, fitted with bevelled
glass plate above a lift top glove compartment and with turned
brass hooks and finials. 93cm high x 76cm high
€ 3,000 - 5,000
519 A 19TH CENTURY FRENCH MAHOGANY
RECTANGULAR COMMODE,
the white marble top with applied brass gallery above a
three-drawer frieze, with brass handles flanked by fluted
pilasters, raised on turned tapering legs
€ 1,500 - 2,000
520 A VICTORIAN POLISHED STEEL CLUB FENDER,
the seat upholstered in green hide, raised on spiral turned supports, on platform base. 186 x 67cm
€ 1,000 - 1,500

302
521 A WILLIAM IV MAHOGANY FRAMED
ARMCHAIR,
upholstered in green fabric, raised on turned fluted tapering legs
with castors
€ 800 - 1,200
522 A VICTORIAN WALNUT FRAMED LONG
RECTANGULAR STOOL,
with gros-point tapestry floral seat raised on short cabriole legs
with scroll feet and castors. 98 x 55cm
€ 600 - 1,000
523 A GEORGE III WALNUT SLOPEFRONT
BUREAU,
the interior fitted with pigeon holes and drawers, above a chest of
four long cockbeaded drawers with brass handles and decorated
with herring bone banding, raised on bracket feet. 92 x 52cm
€ 1,500 - 2,000

303
524 A REGENCY GILTWOOD CONVEX MIRROR,
the circular frame with ball banding and surmounted with carved
scrollwork and eagle with outstreched wings
145cm high x 79cm diameter
€ 4,000 - 6,000
525 A GEORGIAN MAHOGANY SIDE TABLE,
with later green marble top, raised above a plain shaped frieze
with wave crest apron, on clam shell carved knees and cabriole
legs, with claw and ball feet. 155 x 73cm
€ 5,000 - 7,000

304
526 JOHN CALCOTT HORSLEY RA (1817-1903)
A court musician hiding from ladies
Oil on canvas, 82 x 63cms
€ 1,500 - 2,500
528 A SET OF EIGHT 19TH CENTURY GEORGE III STYLE MAHOGANY DINING CHAIRS,
comprising six single chairs and two carvers, the flat carved crest rails above an open pierced entwined splat,
raised on square legs.
€ 1,000 - 1,500
527 A 19TH CENTURY MAHOGANY LONG CASED CLOCK,
BY WARREN, CANTERBURY,
the shaped arched hood, the single glazed door flanked by fluted
pilasters, enclosing a painted dial surmounted by demi-lune paint-
ed panel of a bird perched on a branch, the waisted case raised on
bracket feet.
€ 1,000 - 2,000

305
529 ATTRIBUTED TO MATTHEW WILLIAM PETERS
(1742-1814)
Portrait of a Girl Standing in Blue Dress
Oval, 76 x 60cm
€ 2,000 - 3,000
530 A GEORGE IV MAHOGANY DRUM TABLE,
C.1825,
baize top, crossbanded, the frieze with real and alter-
nate dummy drawers, on spiral fluted urn support,
triform inlaid base with carved feet. 124cm diameter
€ 1,500 - 2,500

306
531 ENGLISH SCHOOL 19TH CENTURY
Portrait of Samuel Boydell sitting in a library, his elbow resting on
a pamphlet inscribed ‘Agriculture 1815’ & by a silver cup inscribed
‘Sir Steph. Glynn to Sam Boydell. Manor House Chester’ and with
volumes of Boydell’s Shakespeare in the background, a landscape
to the left.
The Boydell family acted as agents for the landed Glynn family
who had grown wealthy through banking. The subjects uncle also
Samuel, had gained success through the print business in London,
culminating with ‘Boydell’s Shakespeare Gallery’, enormous folios
with engravings after the best contemporary artists, two colour
plates of which can be seen in the background of this interesting
study.
€ 1,500 - 3,000
532 AN IRISH GEORGE III MAHOGANY LONG CASE CLOCK
BY JOHN DALRYMPLE,
the swan neck pediment with carved rosettes above a central
carved lion mask surmounting the engraved brass dial, the waisted
case with fluted pilasters
€ 3,500 - 4,500
533 AN IRISH REGENCY MAHOGANY WRITING CABINET
C.1820,
with graduated shelf superstructure, the base with fitted writing
drawer above panelled doors, on tapering turned feet with brass
castors. 72cm wide x 137cm high x 38cm deep
€ 1,000 - 1,500

307
534 AN IRISH REGENCY TALL COMPARTMENTED PIER
GLASS,
the flat moulded frieze set with spheres above a reeded panel with
centred rosette, reeded columns. 80cm wide x 218cm high
Provenance: Rathescar House, Co. Louth, supplied to William Foster
who had inherited Rathescar from his father and who had enlarged
the mid-18th century hunting lodge with fashionable regency wings.
€ 3,000 - 5,000
535 AN IRISH CUT GLASS LANTERN BOWL, EARLY 19TH
CENTURY,
with gilt metal mounts. 36cm diameter
Charles
€ 1,000 - 1,500
536 A SET OF TEN IRISH PROVINCIAL
MAHOGANY DINING CHAIRS,
C.1760 (one converted to an open armchair), the
shaped and carved crest rails above open splats
gathered by rosettes, on square grooved legs, joined by
stretchers, now upholstered in close nailed red hide.
€ 2,000 - 3,000

308
539 A PAIR OF GEORGE IV MAHOGANY LONG RECTANGULAR STOOLS,
with loose squab cushions, on cane seats raised on turned tapering legs. 82cm
€ 4,000 - 6,000
537 A GEORGE II MAHOGANY RECTANGULAR
ARCHITECT’S TABLE,
the adjustable lift top with thumb moulded rim and
crossbanded border, above a base with fitted end drawers
and pen drawer, raised on slender leaf capped legs with pad
feet. 91 x 55cm
€ 1,500 - 2,000
538 AN EARLY VICTORIAN INLAID MAHOGANY
RECTANGULAR PARTNER’S DESK,
the chequered marquetry top double-sided with thumb
moulded rim, above twin pedestals with fitted drawers and
pigeon holes. 160 x 85cm
€ 3,000 - 4,000

309
541 AN IRISH GEORGE III MAHOGANY
RECTANGULAR SILVER TABLE,
the raised dished top above a plain frieze centred by a
carved scallop shell, raised on cabriole legs with shell
carved knees and paw feet. 81 x 52cm
€ 1,500 - 2,000
540 JAMES FRANCIS DANBY, ARA (1816-
1875)
Picturesque coastal landscape at twilight, with fishing boats
€ 2,000 - 4,000

310
542 A PAIR OF GEORGIAN STYLE OVAL
STANDS,
each with shallow gallery rim and supported on collapsible
tapering legs . 36cm wide
€ 800 - 1,200
543 JEAN JACQUES PRADIER (FRENCH, 1790–
1852)
A French bronze model of a classical lady sitting with a lyre
by her side, signed. 29cm long
€ 1,200 - 1,800
544 A PAIR OF FRENCH RENAISSANCE REVIVAL
CANDELABRA,
each fitted with adjustable candle arm with raised loop handle
above a winged figure of Fortune, sitting on a ionic capital and
squared platform base. Each 27cm high
€ 1,200 - 1,800
545 A CONTINENTAL CANDLESTICK GROUP,
formed as a dragon crouched amongst lotus leaves with
raised candle socket styled as a flower head. 23cm wide
€ 600 - 800

311
547 A GEORGE III MAHOGANY SLOPEFRONT
BUREAU BOOKCASE, 18TH CENTU-
RY,
the upper section with moulded cavetto cornice,
above twin astragal glazed panel doors, enclosing
adjustable shelves, the lower section with a fall front
concealing a fitted interior, above four long graduated
drawers, each fitted with oval brass bracket handles
on bracket feet. 95cm wide
€ 2,000 - 3,000
549 A FINE 19TH CENTURY ROSEWOOD,
BURR WALNUT AND ORMOLU MOUNTED
OCCASIONAL TABLE,
of octagonal form, the hinged top opening to reveal a
baise lined interior, with ebon trim, on panelled centre
column and base, with ebonised paw feet. 77cm high x
49.5cm diameter
€ 2,200 - 3,200
546 A CONTINENTAL BRONZE CAT AND MOUSE
GROUP.
10.5cm high
€ 550 - 650

312
550 HIBERNO/BRETON SCHOOL
Portrait of an Old Breton Woman, Three Quarter Length,
Seated under a Tree
Oil on canvas, 61 x 45cm (24 x 17¾’’)
€ 800 - 1,200
551 A MAGNIFICENT SHEFFIELD PLATE FIVE
LIGHT CANDELABRUM,
19TH CENTURY,
with four scroll branches, on tapering acanthus
wrapped stem and gadrooned circular base on square
stepped pediment. 83cm high
€ 1,500 - 2,500
552 A REGENCY MAHOGANY WASH-STAND,
IN THE MANNER OF GILLOWS,
with shelved three-quarters high gallery, the frieze
as dummy drawers, with outset fluted corners
above reeded tapering legs, on brass castors. 127
wide x 64 deep x 111cm high
€ 1,000 - 1,500

313
553 A PAIR OF GEORGE IV FLAME MAHOGANY COMPACT
SIDE CABINETS,
of rectangular form, the plain tops with rounded corners above
figured panel doors flanked by fluted pillar supports, with shelved
interiors, on turned feet. each 90cm high x 61cm wide x 33cm
deep. (2)
€ 3,000 - 5,000
554 A PAIR OF MEISSEN STYLE POLYCHROME PORCELAIN
ALLEGORICAL FIGURES OF THE SEASONS,
‘Summer’ and ‘Autumn’, formed as seated cherubs with draped
robes, one holding summer flowers, the other with a bunch of
grapes. Each approx. 50cm high.
€ 3,000 - 5,000

314
555 A BLACK AND RED MARBLE PEDIMENT MANTLE
CLOCK, 19TH CENTURY,
with white enamel dial. 42cm high
€ 400 - 800
556 A FLORENTINE CARVED GILTWOOD FRAME,
19TH CENTURY.
Outside measurements 57 x 68cm
€ 300 - 500
557 AN ANGLO-INDIAN CARVED WOOD
BACKGAMMON TABLE, C.1900,
on barley twist supports, the removable top revealing a
cloth lined pull-out interior.
€ 500 - 800
558 A VICTORIAN MICRO-MOSAIC EASEL
PHOTOGRAPH FRAME,
decorated with flower heads, 26cm ; together with another.
€ 300 - 500
559 A GERMAN PORCELAIN LARGE BASKET,
with ribbon tied handles and encrusted with flower heads.
48cm x 34cm high
€ 300 - 500
560 A CARVED WHITE MARBLE MODEL OF THE
VENUS DE MILO, 19TH CENTURY
with amorini. 58cm
€ 500 - 800
555
557
560
558
559

315
561 AN IRISH MAHOGANY NIGHT TABLE, EARLY 19TH
CENTURY, BY WILLIAMS & GIBTON,
of rectangular form, moulded top with rounded corners above a
fall front panel with opposing dummy drawers, on slender and
fluted tapering legs, ending in brass castors, stamped Williams
& Gibton 23414. 53 x 38 x 76cm
Provenance: Perceval-Maxwell Family, Co. Down
€ 1,000 - 1,500
562 A LARGE WILLIAM IV MAHOGANY FRAMED RECTANGULAR
STOOL,
the padded seat on a moulded frame and raised on turned reeded bulbous
tapering legs. 168 x 65cm
€ 1,000 - 1,500
563 A WILLIAM IV IRISH MAHOGANY AND EXOTIC WOODS
PARQUETRY INLAID LINEN PRESS,
the top with deep cornice set with roundels below a scrolled shell
cresting, above a pair of flush doors, centred with stars, the interior
fitted with shelves and drawer, on a moulded outset base, with long
frieze drawer, above a pair of cupboard doors, with uniform decora-
tions flanked by bold corbels, with emphatic scrolled base centred
by a shell and raised on outset double paw feet. 125cm wide, 66cm
deep, 223cm high
€ 1,500 - 2,500
564 AN IRISH MAHOGANY WARDROBE, 18TH
CENTURY,
with a Greek key cornice, above a pair of panel doors, the base
with twin frieze drawers, having apron with central shell, on
carved acanthus scroll legs and square paw feet. 197cm high,
132cm wide, 64cm deep
€ 1,000 – 1,500
560560
561
562
563
564

316
565 A GEORGE III MAHOGANY AND BOXWOOD
BANDED CELLARET,
on short turned legs, with brass drop handles and on brass
castors. 48cm wide x 58cm high
€ 400 - 600
566 A GEORGE III SECRETAIRE CABINET,
C.1770,
with cavetto moulded cornice above dentil frieze, above a
pair of doors with shaped fielded panelled interior later
converted to linen press, above a pull-out fitted writing
drawer fitted with serpentine drawers and tray with blind
fret facades, the chest base with two short and two long
drawers, with outset ogee bracket feet, apparently retaining
its gilt brass furniture. 205cm high x 122cm wide x 63cm
deep
€ 1,000 - 2,000
567 AFTER GEORGE MORLAND, 19TH
CENTURY
The Cottage Door (The Last Litter)
€ 500 - 1,000
568 A REGENCY FIGURED MAHOGANY BREAKFAST
TABLE,
the rectangular top with rounded corners and ebony
banding, on turned centre pillar, with quadripartite hipped
downswept ebony inlaid legs, on square brass castors.
€ 500 - 1,000

317
569 A RARE VICTORIAN ROSEWOOD CASED CABINET
PIANO BY THOMAS TOMKISON, LONDON,
C.1830,
of upright form with architectural pediment above silk pleated
curtain concealing vertical strings, the roll top case enclosing
ivory keys and labelled with makers mark and retail stamp ‘M.
Moses, 4. Westmorland Street, Dublin’, with fluted upright sup-
ports and brass castors. 125cm wide, 188cm high*
€ 800 - 1,200
570 DERMOD O’BRIEN PRHA (1865-1945)
Portrait of Sir Henry Grattan Bellew
Oil on canvas, 94.5 x 76cm
Exhibited: RHA 1912
Henry Grattan Bellew, 3rd Baronet, b.1860, married Sophia Forbes,
daughter of the Earl of Granard. He represented one of the few
Catholic aristocratic families who survived Cromwellian deporta-
tion to Connaught. Mount Bellew was an architecturally significant
house with a fine library of books; the former destroyed, the latter
dispersed.
€ 800 -1000
571 AN IRISH MAHOGANY AND SATINWOOD BEDSIDE
COMMODE, LATE 18TH CENTURY,
in the style of William Moore, the tray top with central shell inlay,
satinwood, boxwood and ebony banding, the side and drawers
with similar inlay, and with tambour front (the tambour present but
dismantled). 78cm high, 49cm wide, 44cm deep
€ 1,000 - 1,500
572 A WALNUT CROSS AND FEATHER BANDED SLOPE-
FRONT BUREAU, EARLY 18TH CENTURY,
with fitted interior, two shelves and two graduated drawers
with fitted shaped apron, on bracket feet. 97cm wide
€ 600 - 1,000
569
570

318
577 A GEORGIAN STYLE STAINED WALNUT FRAMED
RECTANGULAR STOOL,
on cabriole legs with pointed pad feet. 50 x 40cm
€ 300 - 400
318
573 A VICTORIAN MAHOGANY RECTANGULAR
BUTLER’S TRAY,
with integral handles, raised on a collapsible ‘X’ frame
support. 75 x 50cm
€ 400 - 500
574 A PAIR OF AESTHETIC MOVEMENT FRUITWOOD
FRAMED SIDE CHAIRS,
with spindle rail back, upholstered seats and ring turned
tapering legs
€ 400 - 600
575 A VICTORIAN OAK LIBRARY STEPS, BY
STRAHAN
of triangular form with raised hand rail
€ 400 - 600
576 A GEORGE IV MAHOGANY RECTANGULAR
CANTERBURY,
the open slats with turned and block corners above a frieze
drawer, on turned tapering legs with castors. 47 x 33cm
€ 600 - 1,000
578 A BRONZE EGYPTIAN FIGURE,
modelled standing holding staff, in Egyptian garb on a
square plinth base.
€ 200 -300

319
579 AN IRISH MAHOGANY TALL BOY CHEST, 18TH
CENTURY,
with cavetto moulded corners, above seven graduated drawers,
apparently retaining its original central brass handles, on
moulded base with bracket feet. 165cm high, 45cm deep, 72cm
wide
€ 2,000 - 3,000
580 AN ITALIANATE GILTWOOD WRITING TABLE OF
SHAPED RECTANGULAR FORM,
the top with inset green leather scriver raised above a frieze
with carved bas relief lattice work and foliage, fitted end draw-
ers and raised on cabriole legs and hoof feet. 109 x 75cm
Provenance: Humewood Castle, Co. Wicklow
€ 1,500 - 2,000
581 A CONTINENTAL GILTWOOD AND
SATINWOOD SHAPED RECTANGULAR WRITING
TABLE,
the rim with stylized anthemion banding and raised on twin
lyre style end supports and cross stretcher with scroll feet.
135 x 72cm
Provenance: Humewood Castle, Co. Wicklow
€ 1,500 - 2,000
582 A GEORGE III MAHOGANY RECTANGULAR
CHEST,
of four long graduated drawers, with brushing slide and fitted
brass handles, raised on bracket feet. 93 x 49cm
€ 800 - 1,000

320
583 CONTINENTAL SCHOOL,
C.1840
Figures resting in an alpine landscape
Oil on canvas, 45.5 x 61cm
Unframed
€ 1,600 - 1,800
584 GEORGE FINCH MASON (1850-
1915)
The Derby 1898, Jeddah Wins
Signed
€ 400 - 600
1915)
The Two Thousand 1906 - Gorgos Wins!
Watercolour, 22.5 x 31cm
Signed
€ 300 - 500
1915)
The One Thousand 1896 - Thais Wins!
Signed
€ 300 - 500

321
587 LEO RAUTH (1884 - 1913)
“Schwoof-Two Step” & “Windhund”
A pair, gouache stencil, 37 x 37cm
Signed, dated and inscribed, 1911
€ 800 – 1,200
588 AFTER THE ORIGINAL SWISS SCHOOL (17TH
CENTURY), MODERN
Portrait of Kaspar Jodock von Stockalper (a Swiss salt merchant of
reknown)
€ 500 - 1,000
589 AN IRISH MAHOGANY INLAID CORNER CABINET, LATE
18TH CENTURY,
with broken swan neck pediment above astragal glazed door, the
cupboard base with satinwood banding and central shell medal-
lion, on tall canted bracket feet. 240cm high
€ 600 – 1,000
590 AN EDWARDIAN WHITE MARBLE BUST OF A
MOUSTACHIOED MAN,
on socle. 80cm high
€ 600 - 1,000

322
591 A SMALL OVAL GILTWOOD MIRROR, 18TH
CENTURY,
in open work scroll frame. 53cm tall
€ 500 - 800
592 A LACE AND MOTHER OF PEARL FAN,
in a giltwood ribbon tied case. 65cm wide
€ 200 - 400
593 IRISH SCHOOL, 19TH CENTURY
River landscape
€ 200 - 300
594 VAN HIEZ, DUTCH SCHOOL 19TH
CENTURY
Figures in a winter landscape
Signed
€ 500 - 700
595 WILLIAM FOY (1791-1859)
Portrait of Mrs James Greer in her 73rd year, 1859
Oil on canvas, 76 x 62.5cms
Inscribed verso
€ 300 - 500
596 VICTORIAN SCHOOL
Portrait of an elderly gentleman; an allegory of age
€ 200 - 400

323
597 ENGLISH SCHOOL, EARLY 19TH CENTURY
A Man in Feathered Beret and Renaissance clothes
Oil on canvas
In a guilloche carved wood frame
€ 2,000 - 3,000
598 A FINE VICTORIAN CAST IRON GARDEN
BENCH,
with timber slatted seat. 130cm wide
€ 1,000 - 1,500
599 TWO CARVED MAHOGANY SIDE CHAIRS BY
BUTLER OF DUBLIN,
one with pierced vase shaped splat above padded upholstered
seat and raised on square legs and stretcher, the other with
pierced splat, raised on cabriole legs
€ 500 - 700
600 ATTRIBUTED TO JOHANN SPRINGER (19TH
CENTURY)
Figures on a country lane with goat
€ 600 - 800

324
601 A GEORGE III STYLE MAHOGANY BLANKET
CHEST,
with hinged lift-top, on a base fitted with twin frieze drawers,
with lion mask ring handle, above a carved apron, and raised on
cabriole legs, terminating in paw feet.
€ 300 - 500
602 A GEORGE III MAHOGANY BOWED CORNER
WASHSTAND C.1800,
with gallery back and cut-out platforms, the lower one with a
drawer above a flat stretcher on splayed legs, now fitted with
a later Staffordshire transfer printed toilet seat. 92cm high
€ 200 - 300
603 A SMALL OAK BRASS BOUND SPIRIT
CASQUE,
fitted with a spiggot (on stand), 38cm long; together with another
smaller; and two WWI brass shell cases (4)
€ 100 - 200
604 A BRASS AND WOOD POCKET TELESCOPE,
EARLY 19TH CENTURY.
42cm (extended); together with a brass and mahogany
microscope, 19th Century, the lidded box base fitted with
lenses etc. 15.5cm wide
€ 300 - 500
605 A GEORGE IV MAHOGANY CANTERBURY,
the turned scroll gallery on spindle supports, with frieze drawers
on turned legs with castors. 56cm wide x 57cm high
€ 500 - 800
606 A CARVED GILTWOOD FLORENTINE
FRAME,
with pierced scroll and shell border, the inner moulding
with pendants of husks, arched top. Now as a mirror, 19th
Century. 95 x 83cm
€ 600 - 1,000
601
604
603

325
607 SWISS SCHOOL, EARLY 19TH CENTURY
A panorama of lake and mountains from a village with figures in
the foreground
€ 600 - 1,000
608 ENGLISH SCHOOL, EARLY 19TH
CENTURY
A pair of pantry Still Lives of dead game
Oil on panels, One 13 x 10.5cm, Other 14.5 x 12cm
In contemporary giltwood frames
€ 600 - 1,000
609 A MAHOGANY GRADUATED DUMB WAITER
ATTRIBUTED TO GILLINGTONS OF DUBLIN, EARLY
19TH CENTURY,
on turned rope twist columns, and legs. 107cm wide, 104cm
high
€ 1,500 - 2,000
610 A GEORGE III MAHOGANY LINEN PRESS,
the upper section with dentil and cavetto cornice, above twin
fielded panel doors fitted with four linen shelves, over a chest
of four short drawers on paw feet. 210cm high, 135cm wide
€ 1,000 - 1,500

326
611 NEAPOLITAN SCHOOL (19TH CENTURY)
Vesuvius erupting, from the Bay; a day scene, a night scene
A pair, each 33 x 44cm
In maple wood frames
€ 300 - 500
612 A SET OF SEVEN 19TH CENTURY COPPER
HAYSTACK MEASURES,
of graduating sizes, each with beaked rim and scroll
handle, struck with corresponding inspection marks, the
largest 31cm high
€ 300 - 500
613 A GILT METAL BRASS MANTEL CLOCK, FRENCH,
C.1900,
in glazed case with engaged cornithian column corners, the
enameled dial painted with floral swagging and with mercury
compensated pendulum, on plinth base, 26 x 16.5cm.
Charles
€ 600 - 800
614 A BUTTON BACKED TUB ARMCHAIR, 19TH
CENTURY,
on short turned mahogany legs.
Mount Charles
€ 150 - 200
615 A BRASS GALLERY FENDER, C.1800,
with ropetwist rim centred by an anthemion pierced panel with
conforming corners, surmounted by urns, 150cm wide, and
a set of three brass fireirons, late 18th century, with knobbed
finials, the shovel with engraved pierced blade.
Charles
€ 400 - 800

616 A BRASS CORINTHIAN COLUMN LAMP,
on plinth base, 52cm high.
Mount Charles
€ 400 - 800
611
613
615
614
612
616

327
617 AN IRISH OVAL CUT GLASS TURNOVER FRUIT
BOWL, EARLY 19TH CENTURY,
with cut overlaid flutes and oval facets on a moulded glass
spreading foot. 30cm wide x 21cm tall
€ 400 - 500
618 A GEORGE III MAHOGANY SHAPED
TABLE,
the hinged top with gateleg support, the interior baise lined
with square candle stands, raised on carved cabriole legs
with leaf carved knees and rosette terminals, with claw and
ball feet. 95 x 45cm
€ 1,500 - 2,000
619 A VICTORIAN MAHOGANY CIRCULAR BREAKFAST
TABLE,
raised on shaped square tapering centrepillar with quadruped
platform base. 154cm
€ 2,000 - 3,000
FOLDING TOP CARD TABLE,
the hinged top with baise lined interior, with single frieze
drawer, raised on square supports carved with blind trac-
ery. 82 x 45cm
€ 1,000 - 1,500
617
618
620619

328
621 A MAHOGANY SLOPEFRONT BUREAU,
C.1770,
the slopefront revealing a fitted interior with centre pineapple
carved door, flanked by canted columns, above two short and
three long drawers, on ogee bracket feet, with an associated
panelled cabinet top with dentil cornice, 107cm wide.
Charles
€ 500 - 1,000
622 A CARVED GILTWOOD FIRESCREEN, MID-18TH
CENTURY,
of rococo outline, the cresting centred by a shell on carved
trestle scrolll supports, 117cm high x 85cm wide.
Charles
€ 500 - 1,000
623 A MAHOGANY SQUARE DOUBLE DROP-LEAF
SUTHERLAND TABLE, 19TH CENTURY,
on solid trestle end supports, 87cm wide.
Charles
€ 300 - 400
624 A BLACK MARBLE PLINTH MANTEL CLOCK,
19TH CENTURY,
inlaid with pietra dura panels with birds, the black dial
signed, Aird & Thompson, Glasgow. 52.5cm x 20cm high
Mount Charles
€ 100 - 200
625 A PAIR OF SEVEN STAGE GILT-PLASTER
GADROONED CORNER BRACKETS, 19TH
CENTURY,
suspended from ribbon tied pendants and with ribbon tied
aprons. 95cm high
Charles
€ 600 - 800
626 A MAHOGANY AND STAINED WOOD BUTLERS
TRAY,
on trestle supports.
Charles
€ 100 - 200
621
622
623
626
624

329
627 GEORGE ROMNEY(1734-1802)
Figure Studies in Lazaretto
Pencil, 11.5 x 18.5cm
Provenance: Sabin Galleries
Provenance: From the collection of Anne Crookshank and
thence by family descent.
While at the Courtauld Institute in London, Anne Crookshank
did a major study of the drawings of George Romney and wrote
an article on them for The Burlington Magazine, published in
February 1957, pages 42-48.
€ 1,000 - 1,500
628 GEORGE ROMNEY(1734-1802)
Figure Studies in Lazaretto
Pencil, 13 x 18cm
Provenance: Sabin Galleries
Provenance: From the collection of Anne Crookshank and
thence by family descent.
€ 1,000 - 1,500
629 A VICTORIAN STAINED OAK RECTANGULAR SIDE
TABLE,
with thumb moulded rim above twin frieze drawers, raised
on pairs of column side supports, with turned stretcher and
castors. 99 x 60cm
€ 800 - 1200
630 A 19TH CENTURY STAINED OAK SIDE TABLE, IN
THE MANNER OF AUGUSTUS PUGIN,
of rectangular form, with thumb moulded rim, on flat side
supports, with stretcher and arched supports. 101 x 59cm
€ 800 - 1,200

330
631 A GILT PLASTER OVAL ROPE TIED GIRANDOLE
MIRROR, 19TH CENTURY,
58cm high.
Charles
€ 200 - 400
632 A CONTINENTAL CARVED WOOD AND PLASTER
GIRANDOLE DRESSING TABLE MIRROR,
C.1900,
in the Rococo style 72cm wide x 80cm high
€ 300 - 400
633 A WALNUT FRAMED UPHOLSTERED STOOL, 19TH
CENTURY,
on cabriole legs. 62cm
Charles
€ 300 - 500
634 A FRUITWOOD LOW-BOY, BASICALLY EARLY
18TH CENTURY,
the moulded top fitted with one long drawer above two
short drawers, with shaped apron on tapering legs with
pad feet, 76cm wide.
Mount Charles
€ 100 - 200
635 A MAHOGANY BOWED SECTION CHEST, EARLY
19TH CENTURY,
of four graduated long drawers, on ring turned feet, 109cm
wide.
Charles
€ 300 - 500

331
637 A PAIR OF VICTORIAN WALNUT FRAMED
UPHOLSTERED AND SPRUNG RECTANGULAR
STOOLS,
on bobbin turned supports with ‘X’ frame stretchers. 52 x 46cm
€ 1,000 - 1,500
638 A GEORGE IV INLAID ROSEWOOD
TABLE,
decorated with brass stringing, the swivel top with baise
lined interior, raised on two scroll supports, with quadru-
ped outswept legs with brass toecaps and castors. 92 x
45cm
€ 1,500 - 2,000
639 A VICTORIAN STYLE CARVED WOOD CIRCULAR
CONVEX MIRROR,
the frame in the form of bound oak leaf, with continuous band-
ing and interior ebon slip. 88cm diameter
€ 800 -1000
640 A GEORGE IV MAHOGANY FRAMED BERGERE
ARMCHAIR,
the reeded frame with fluted arm supports and tapering
legs, with cane back and seat
€ 300 - 400

332
641 INDIAN SCHOOL C.1870
A set of six oval miniatures, each painted with various monu-
mental landmarks including:
(i) The Taj Mahal in Agra
(ii) The Jama Masjid of Delhi
(iii) View of a fort on Jodphor
(iv) The Dewan Am Fort, Delhi
(v) An alterior view of the Jama Mosque Delhi
(vi) Entrance of the King’s Palace, Delhi;
together with a small collection of Indian and Persian miniatures
(21) *
€ 400 - 600
642 A VICTORIAN CAST IRON LION MASK,
mid-19th Century, applied to a white painted timber panel.
The mount 28cm high
€ 100 - 200
643 AN ITALIAN EBON AND PIETRA DURA TOBACCO
CASKET, 19TH CENTURY,
of rectangular form, the hinged cover decorated with coloured
matchbox and other related items, with timber lined interior
and raised on bun feet.
€ 300 - 400
644 A MAHOGANY COLLECTORS TABLE CABINET,
19TH CENTURY,
with moulded drawer concealing eight drawers, on plinth
base, 53cm high.
Mount Charles
€ 100 - 200
645 ATTRIBUTED TO SAMUEL DIXON (FIRST HALF OF
EIGHTEENTH CENTURY)
Ornithological Study with Foliage and Butterfly
Basso relievo, 30 x 40cm
€ 400 - 600
646 A LARGE TWO HANDLED SILVER PLATED
TRAY,
the reeded handles to a gadroon border, the plain central
reserve engraved with a crest contained within a laurel
wreath. 73cm wide over handles
€ 200 – 300
641
643
645
646
644
642

333
647 A LARGE WILLIAM IV MAHOGANY WINE
COOLER,
of sarcophagus form with hinged flat dome lid opening to reveal
a fitted interior, above a tapering body with cast brass ring
carrying handles, raised on carved paw feet. 93 x 57cm
€ 2,000 - 3,000
CHEST,
of four long graduated drawers beneath a pull out brush-
ing slide, with brass handles and raised on bracket feet. 95
x 50cm
€ 600 - 1,000
CHEST,
of four long graduated drawers beneath a pull out brushing
slide, with brass handles and raised on ogee bracket feet. 95 x
50cm
€ 1,000 - 1,500
650 A ROSEWOOD FOLDING TOP CARD TABLE,
C.1830,
with rounded corners, the green baize interior with gilded greek key
border, the plain frieze with central tablet, on central obelisk support,
and gadrooned plinth, concave platform base on scrolled feet (the top
with a spilt), 89cms wide.
€ 500 - 800

334
651 A PAIR OF BEECHWOOD LOUIS XV STYLE
FAUTEUIL,
upholstered in pink silk fabric
€ 300 - 500
652 AN EDWARDIAN INLAID SATINWOOD
WARDROBE
fitted twin panel doors above three long drawers flanked
by mirror panel doors and raised on turned legs. 213cm
wide, 215cm high
€ 400 - 600
654 AN IRISH FADED MAHOGANY TOILET
TABLE, C.1790,
with lift-up and fold-out triple top, the frieze as a
dummy drawer on square tapering legs with raised
banding. 85 x 51 x 78cm (lacks fittings)
€ 400 - 800
653 A FRENCH VERDURE STYLE HANGING TAPESTRY
PANEL,
of rectangular form, the central field woven with romantic 18th
century figures in a garden setting, to a lush leafy and foliate
border. 183 x 225cm
€ 750 - 1,000

335
666 A FRENCH 19TH MAHOGANY BRASS BOUND
BEDROOM SUITE,
in the Empire Style, comprising
€ 1,500 - 2,000
668 A MAHOGANY CLOSE STOOL, C.1840,
the interior with turned lid and white pottery bowl, on baluster
turned legs and castors. 49 wide x 42 deep x 45cm high; togeth-
er with a mahogany frame for a foot bath and cover, c.1840 on
ring-turned tapering legs. 60 x 36 x 46cm high
€ 300 - 500
669 AN EDWARDIAN MAHOGANY AND
SATINWOOD BANDED FOLDING TOP BRIDGE
TABLE,
on splayed square tapering legs joined by stretchers. 50 x
36 x 72cm high (closed)
€ 200 - 300
670 A MAHOGANY DRESSING TABLE MIRROR,
C.1840,
attributed to Williams and Gibton, the arched plate within a
moulded acanthus scrolled altar-shaped frame, supported on a
shell, the serpentine base with central oval lidded compartment.
67cm wide, 88cm high
€ 500 - 800
671 A FLAME MAHOGANY DRESSING-TABLE
MIRROR, C.1850,
the arched frame on scroll supports with hinged gilt-brass
candle sconces on a moulded bowed break-front platform
base. 64cm wide, 80cm high
€ 300 - 500
655 AMATEUR SCHOOL (C.1832)
Continental Landscapes
A set of three, oil on canvas, each 13 x 17cm
one inscribed verso and dated october 1832 in Contemporary
gilt gesso frames
Provenance: Ballinter House, Co. Meath
€ 150 - 300
655
670
671
666

336
672 A PAIR OF GILT BRASS VANITY MIRRORS,
French 19th century, the circular plates supported on amorni-
ni caryatids, flanked by candle sconces, black marble bases.
45.5cm high, the plates 17cm diameter
€ 300 - 500
673 A 19TH CENTURY INLAID MAHOGANY
RECTANGULAR SECRETAIRE BOOKCASE,
the moulded and reeded cornice above twin astragal glazed
panel doors, enclosing a shelved interior, above a fitted secre-
taire drawer with applied brass ring handles and twin panel
door cupboard and raised on bracket feet. 130cm high x 58cm
wide
€ 600 - 800
674 A VICTORIAN MAHOGANY BREAKFRONT
WARDROBE, BY J.J.BYRNE OF DUBLIN
with bold moulded cornice above a central mirror, front door,
flanked by slender pillar and twin arch top panel doors, on a
platform base, the interior well fitted. stamped, 225cm wide x
227cm high
€ 600 - 800
675 A VICTORIAN WALNUT FRAMED DOUBLE
BED,
the raised headboard with green buttoned velvet, the
curved footboard, with moulded crest rail and shaped oval
panel on bracket feet. 157cm
€ 600 - 800
676 A PAIR OF GLASS COLUMN TABLE LAMPS,
the spiral turned columns with cast oxidised collars and raised
on circular platform bases with square platform feet. 48cm high
€ 200 - 400
677 VICTOR GILBERT (1847-1933)
Lady with parasol, with cat by feet
€ 6,000 - 10,000
672 674
675
676

337
Tuesday 10th OctoberTuesday 10th October
678 AN IRISH MAHOGANY INLAID FOLDING TOP HALF
MOON CARD TABLE, C.1790,
the fan inlaid top centred on a half patera. 85cm wide x 47cm
deep
€ 800 - 1,400
679 A HEXAGONAL ARAB TABLE AND TWO OTHER
EASTERN TABLES (3)
€ 150 - 250
680 A REGENCY MAHOGANY DROP LEAF
TABLE,
on rope twist legs; and another. (2)
€ 200 - 300
681 A PAIR OF CHIPPENDALE REVIVAL MAHOGANY
SIDE CHAIRS,
€ 300 - 500
682 AN EBONISED SIDE CABINET 19TH
CENTURY,
with glazed doors, gilt metal mounts on plinth base.
107cm high, 107cm wide, 33cm deep
€ 200 - 400
683 ENGLISH SCHOOL (EARLY 19TH
CENTURY)
Castle on a riverside outcrop
€ 600 - 800
681
678
679
682
683

338
Still life with fruit
Oil on canvas, 51 x 77cms;
together with four miscellaneous oil paintings and a large print
“The Huntsman’s Dream”
(6)
€ 300 - 500
685 AN IRISH MAHOGANY TILT-TOP BREAKFAST
TABLE, EARLY 19TH CENTURY,
the plain top on turned central supports, on plain tripod
splayed base, with brass castors. Stamped with serial no.
17838. 90cm diameter
€ 400 - 800
686 A MAHOGANY FOLDING TOP WRITING TABLE IN
EARLY GEORGIAN STYLE,
with a harlequin action writing cabinet, with deep plain frieze
on tapering frieze, on tapering legs. 77cm wide (closed), 38cm
deep, 17cm high
€ 600 - 1,000
687 A GEORGE III MAHOGANY, EBONY AND BONE
INLAID WORK TABLE, C.1800,
with outset rounded and reeded corners, the lidded top
revealing a lift-up scriber, drawer with ??? to the sides, on
elegant tapering ring turned legs with castors. 54 x 46 x
72cm high
€ 500 - 800
688 A LARGE SILVER PLATED DOMED MEAT-DISH
COVER,
with heavy beaded ring handle, and gadrooned rim, the plain
body with Neo-Classical engraving, containing crest. 31cm
high, 49.5cm wide; together with a large oval silver plated dish
warmer, with gadrooned rim and twin carrying handles, raised
on four leaf capped claw and ball feet. 66 x 45cm. (2)
€ 300 - 500
689 A LATE 18TH CENTURY CAST LEAD BEGGING
BADGE,
of oval form with a shield motif impressed with a flower.
11 x 8cm; together with a late 19th century photograph of
Benjamin Disraeli, 1st Earl of Beaconsfield
€ 300 - 500
688
684
687
689
686

339
Tuesday 10th OctoberTuesday 10th October
690 AN IRISH ELM WOOD TRIPOD TABLE,
early 18th Century, altered. 69cm high, 54cm squared
€ 250 - 350
691 AN IRISH GEORGE III MAHOGANY SIDE
TABLE
the shaped top above an apron centered with a shell and
with rounded ends and raised on cabriole legs
€ 500 - 700
692 CONTINENTAL SCHOOL C.1900
Farm horse in a stable
Signed with initials, A.C
€ 800 - 1,200
693 ENGLISH SCHOOL, 19TH CENTURY
Portrait of John Christie, half-length, seated wearing a blue
coat
Inscribed verso “John Christie was an engraver and printer,
Newcastle-on-Tyne, Born in Lieith, Died at Newcastle 22
January 18”
€ 400 - 600
692A ATTRIBUTED TO BARTHOLOMEUS BREENBERGH,
17TH CENTURY
Figures in an architectural capriccio landscape
Provenance: With the Gorry Gallery, 1970’s
€ 400 - 600
694 A FRENCH 19TH CENTURY KINGWOOD AND
ORMOLU MOUNTED TABLE CABINET,
the crossbanded domed top above a glazed fall front panel
with shelved interior and acanthus capped scroll supports.
71cm high x 76cm wide x 33cm deep
€ 1,400 - 1,800

340
697 FOLLOWER OF MULVANY, C.1830
The Village School
€ 300 - 500
698 A WILLIAM IV MAHOGANY FRAMED
ARMCHAIR,
the back seat and armrests upholstered in geometric
tapestry pattern fabric on scroll arm supports and turned
baluster legs with lotus carved collars and brass castors.
€ 600 - 1,000
699 A MID EASTERN TWO SEAT SETTEE,
inlaid in bone. 147cm wide
€ 800 - 1,000
700 TAXIDERMY
A 19TH CENTURY HAWKSBILL TURTLE. 62cm long
€ 100 - 200
701 A MAHOGANY AND MARQUETRY INLAID VITRINE
TABLE, C.1900,
with rectangular glazed top and velvet lined interior, on
square tapering legs with crossover stretchers, 62cm wide.
Charles
€ 200 - 400
695 CONTINENTAL SCHOOL, 19TH
CENTURY
Doves over heather and hayfields
€ 1,000 - 1,500
695
699
700

341
702 A ROSEWOOD STOOL, 19TH CENTURY,
with shaped moulded apron, on cabriole legs with scroll feet,
upholstered in old embroidery, 45cm wide; together with a Vic-
torian papier-mache and mother-of-pearl inlaid chair, with open
back, serpentine seat, on cabriole legs. (2)
Charles
€ 200 - 400
703 A ROSEWOOD AND PARCEL GILT CONSOLE TABLE,
C.1820,
with veined rectangular white marble top, on leaf capped scroll legs with
claw feet and solid concvae platform base, 107cm wide x 38cm deep.
€ 600 - 1,000
706 A REGENCY MAHOGANY SIDEBOARD, C.1815,
with shaped three-quarter gallery, with grooved, indented
front with a long dummy drawer, flanked by deep drawers/cup-
boards, divided by reeded engaged column and on ring turned legs,
€ 400 - 600
707 A GEORGIAN MAHOGANY CROSSBANDED CHEST
of two short and three long graduated drawers on bracket feet.
87cm wide
€ 200 - 300
704 A PAIR OF GILT BRONZE OXIDIZED METAL URNS AND
COVERS, 19TH CENTURY,
on feet, the cylindrical bodies with continuous bacchic friezes, the
lids applied with putti, 35cm high;
together with a pair of gilt brass andirons, 19th century, the curved
galleries surmounted by flambeaux topped urns and applied with
lion masks, each 36cm high; a pair of machined brass candlesticks,
gilt metal centrepiece with cupid carrying a glass cornucopia. (6)
€ 200 - 400
705 AN IRISH MAHOGANY, BOXWOOD INLAID AND SATINWOOD
BANDED SIDEBOARD, EARLY 19TH CENTURY,
with three quarter arched galleried back, the centre fitted with a long
drawer flanked by short drawers above cupboards, interspersed with shell
inlays, the apron inlaid to either side, on husk inlaid tapering blocked legs,
260cm wide.
€ 1,000 - 2,000
702 703 707
705 706

342
708 A MAHOGANY WRITING TABLE, MID 19TH CENTURY,
the moulded top with embossed leather inset, the frieze fitted with two drawers, on grooved twin column trestle end supports, joined by a stretcher,
106cm wide.
€ 300 - 500
709 A MAHOGANY CHAMBER TABLE, C.1800,
with line inlaid frieze drawer, on ring turned slender legs with canted
small brass claw feet, joined by a low H-shaped stretcher. 71cm wide
€ 200 - 400
710 A MOULDED WARDROBE, 19TH CENTURY,
with rounded corners and arched doors, the interior fitted with
drawers, on plinth base. 140cm wide
€ 400 - 800
711 AN IRISH MAHOGANY PRESS, MID 18TH
CENTURY,
with moulded corners, the fretwork apron above panelled doors, on
a moulded stand fitted with two drawers, on square chamfered legs,
127cm wide.
€ 500 - 800
712 SIR KENELM DIGBY (1603-1665), AFTER SIR ANTHONY
VAN DYCK
Portrait of a Gentleman, three quarter length
Oil on canvas, c.74 x 62cm
Inscribed ‘Rt Hon Earl Dunraven’ on stretcher verso
Provenance: Christie’s House Sale, Adare Manor.
€ 600 - 1,000
708
711
712 710
709

Adams Country House Collections 10th October 2017

Adams Country House Collections 10th October 2017

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Adams Country House Collections 10th October 2017