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Equivalents project 
Rhiannon McToal 
Still life observation using Chalk, 
charcoal, ink and paper.
Primary... Secondary... 
In both examples I used artists and my 
own materials. 
For the first example I demonstrated a 
primary resource, with a photograph of 
the object I worked on, which later 
inspired my compositions page. 
In the second example I showed 
a secondary resource, 
demonstrating the use of artist 
photos (David Hockney) to 
produce piece of art or a study. 
By using artists visual language I 
was able to interpret the tone, 
depth and colourful elements of 
the piece
Formalities?
In the style of... 
In many of my works (including artist 
studies) I try and recreate and interpret 
the visual language as best as I can. 
In my Juan Gris study 
I used the tone in the background to push 
back certain areas, such as the black. 
Juan Gris uses this method i his original 
work ‘Bottle of Banyuls’. 
When creating my Pablo Picasso sculpture 
I made sure that I kept the areas such as 
the mouth and eyes very deep, this was 
to create texture to a very smooth 
Sculpture, this was influenced by 
Picasso’s original work 
‘Head of a woman’.
Technique, quote, materials 
For the collage I used cardboard, 
paint, ink and string. 
For my model I used cardboard, 
tape and gum tape. I found it 
extremely difficult to use it, as it 
wasn't malleable and would not 
bend into the shapes I needed. To 
create the bowl like shape I used 
tape to pull it taught. To create 
texture I ripped cardboard and 
smoothed out tape.
Safety first 
Safety is key when working in the classroom. 
When creating my model I was using scalpel 
blades to cut straight lines; to keep safe it’s 
important to cut away. From this I created my 
3D model 
When printmaking we were 
using large, heavy machinery. 
To create the print correctly we 
needed to be careful when 
printing. The end result was 
exactly as planned (with a little 
t too much ink)
Evaluation 
My use of visual language has significantly improved since starting the 
course, I am now able to look at others work and interpret and 
evaluate their use of visual language. On my studies such as Eduardo 
Paolozzi I focused on his use of tone to accentuate my study. 
However to improve upon my use of visual language I could use more 
of the artists techniques e.g. Application of paint 
. 
For many of my works I have used a range 
of materials. When creating a Picasso 
sculpture I used clay and when making a 
still life model I used cardboard and tape; I 
found both materials challenging in their 
own ways... The clay was easier to move 
and bend but was difficult to handle when 
trying to join two pieces... The cardboard 
was better for making flat surfaces, but 
when working on the 3D elements it was 
much harder to manoeuvre and ‘sculpt. 
To improve upon my use of materials 
I aim to use a wider variety of 
materials, in a manner of different 
ways.

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Art

  • 1. Equivalents project Rhiannon McToal Still life observation using Chalk, charcoal, ink and paper.
  • 2. Primary... Secondary... In both examples I used artists and my own materials. For the first example I demonstrated a primary resource, with a photograph of the object I worked on, which later inspired my compositions page. In the second example I showed a secondary resource, demonstrating the use of artist photos (David Hockney) to produce piece of art or a study. By using artists visual language I was able to interpret the tone, depth and colourful elements of the piece
  • 4. In the style of... In many of my works (including artist studies) I try and recreate and interpret the visual language as best as I can. In my Juan Gris study I used the tone in the background to push back certain areas, such as the black. Juan Gris uses this method i his original work ‘Bottle of Banyuls’. When creating my Pablo Picasso sculpture I made sure that I kept the areas such as the mouth and eyes very deep, this was to create texture to a very smooth Sculpture, this was influenced by Picasso’s original work ‘Head of a woman’.
  • 5. Technique, quote, materials For the collage I used cardboard, paint, ink and string. For my model I used cardboard, tape and gum tape. I found it extremely difficult to use it, as it wasn't malleable and would not bend into the shapes I needed. To create the bowl like shape I used tape to pull it taught. To create texture I ripped cardboard and smoothed out tape.
  • 6. Safety first Safety is key when working in the classroom. When creating my model I was using scalpel blades to cut straight lines; to keep safe it’s important to cut away. From this I created my 3D model When printmaking we were using large, heavy machinery. To create the print correctly we needed to be careful when printing. The end result was exactly as planned (with a little t too much ink)
  • 7. Evaluation My use of visual language has significantly improved since starting the course, I am now able to look at others work and interpret and evaluate their use of visual language. On my studies such as Eduardo Paolozzi I focused on his use of tone to accentuate my study. However to improve upon my use of visual language I could use more of the artists techniques e.g. Application of paint . For many of my works I have used a range of materials. When creating a Picasso sculpture I used clay and when making a still life model I used cardboard and tape; I found both materials challenging in their own ways... The clay was easier to move and bend but was difficult to handle when trying to join two pieces... The cardboard was better for making flat surfaces, but when working on the 3D elements it was much harder to manoeuvre and ‘sculpt. To improve upon my use of materials I aim to use a wider variety of materials, in a manner of different ways.