SlideShare a Scribd company logo
1 of 1
FM1 Assessment: Analysis of a Film Extract


Aims & Context guide lines

For this assignment you are required to create a film sequence or a complete short film that
demonstrates how the micro-features of film construct meaning and provoke response in a film extract.

This creative project will consist of three elements:

                                                 Aims & context
                                 Film Sequence or short film in one of three forms
                                               Reflective analysis
                                               (50 marks in total)

Aims and Context should contain the following:

        A clearly defined title for your project
        Genre of your film and how this is reflected in your sequence/film
        Narrative Structure – What devices will you use?
        Target Audience – How will your film target them specifically?
        How will you micro-elements in your film to generate meaning?

Identify the Micro-Elements

What do we mean by Micro-elements? Micro-elements are aspects of cinema that can be directly
manipulated by a filmmaker to ensure an audience is exposed to an intended meaning; there should be
nothing in a shot or sequence that is there accidently, as all these elements should have been within the
filmmakers’ control. Micro-elements to be considered:

        Mise-en-Scene
        Cinematography
        Editing
        Performance

The aims and context should not contain a synopsis of your sequence (brief summary of the
plot/narrative) but instead, should focus on your chosen micro-concepts and detail how you, as a
filmmaker, will apply each concept to your sequence in order to convey a specific meaning to your
target audience. If you are creating a film extract rather than a complete short film, you should offer
some sense of where the chosen sequence sits in the films timeline.

When working in groups it is required that each student identifies a micro-concept(s) that they will be
responsible for throughout the project. For example, one student will be in charge of direction, another
in charge of editing. It should be noted that each group member is required to create an individual set of
aims and context that relate to their own micro-concepts and intentions in relation to the final
sequence.

More Related Content

Viewers also liked

Macro elements
Macro elementsMacro elements
Macro elementsEilybily
 
8 evaluate research methods
8 evaluate research methods8 evaluate research methods
8 evaluate research methodsmrmarr
 
Narrative structure
Narrative structureNarrative structure
Narrative structureitsyourlife
 
Extended step complete and template
Extended step complete and templateExtended step complete and template
Extended step complete and templateSouth Sefton College
 
Extended Step Outline Template
Extended Step Outline TemplateExtended Step Outline Template
Extended Step Outline TemplateZoe Lorenz
 
Example Extended Step Outline
Example Extended Step OutlineExample Extended Step Outline
Example Extended Step OutlineZoe Lorenz
 
Micro and macro elements
Micro and macro elementsMicro and macro elements
Micro and macro elementsbeccacobb
 
AS Film Studies Reflective Analysis Guidance booklet
AS Film Studies Reflective Analysis Guidance bookletAS Film Studies Reflective Analysis Guidance booklet
AS Film Studies Reflective Analysis Guidance bookletNaamah Hill
 
L2 fm2 - gangster genre overview
L2   fm2 - gangster genre overviewL2   fm2 - gangster genre overview
L2 fm2 - gangster genre overviewmisshanks
 
Shot types in horror films
Shot types in horror filmsShot types in horror films
Shot types in horror filmshudahaid14
 

Viewers also liked (11)

Macro elements
Macro elementsMacro elements
Macro elements
 
As past paper easter homework
As past paper easter homeworkAs past paper easter homework
As past paper easter homework
 
8 evaluate research methods
8 evaluate research methods8 evaluate research methods
8 evaluate research methods
 
Narrative structure
Narrative structureNarrative structure
Narrative structure
 
Extended step complete and template
Extended step complete and templateExtended step complete and template
Extended step complete and template
 
Extended Step Outline Template
Extended Step Outline TemplateExtended Step Outline Template
Extended Step Outline Template
 
Example Extended Step Outline
Example Extended Step OutlineExample Extended Step Outline
Example Extended Step Outline
 
Micro and macro elements
Micro and macro elementsMicro and macro elements
Micro and macro elements
 
AS Film Studies Reflective Analysis Guidance booklet
AS Film Studies Reflective Analysis Guidance bookletAS Film Studies Reflective Analysis Guidance booklet
AS Film Studies Reflective Analysis Guidance booklet
 
L2 fm2 - gangster genre overview
L2   fm2 - gangster genre overviewL2   fm2 - gangster genre overview
L2 fm2 - gangster genre overview
 
Shot types in horror films
Shot types in horror filmsShot types in horror films
Shot types in horror films
 

Similar to Aims & Context Guide

FM1 Exploring Film Form
FM1 Exploring Film FormFM1 Exploring Film Form
FM1 Exploring Film FormBelinda Raji
 
Production intro
Production intro   Production intro
Production intro MrPerrins
 
Film analysis launch gcse
Film analysis launch gcseFilm analysis launch gcse
Film analysis launch gcseSimon Gummer
 
Film practical coursework project
Film practical coursework projectFilm practical coursework project
Film practical coursework projectJenniferAnnTrimnell
 
Short film Assignment 1) theory essay
Short film Assignment 1) theory essayShort film Assignment 1) theory essay
Short film Assignment 1) theory essayiain bruce
 
Practical coursework project
Practical coursework projectPractical coursework project
Practical coursework projectNaamah Hill
 
Writing your micro essay
Writing your micro essayWriting your micro essay
Writing your micro essayBelinda Raji
 
Unit 10 film production (fiction) assignment brief 1
Unit 10 film production (fiction)   assignment brief 1Unit 10 film production (fiction)   assignment brief 1
Unit 10 film production (fiction) assignment brief 1PatchCarter
 

Similar to Aims & Context Guide (20)

Fm1 creative project booklet
Fm1 creative project bookletFm1 creative project booklet
Fm1 creative project booklet
 
Film Studies Coursehand Book
Film Studies Coursehand BookFilm Studies Coursehand Book
Film Studies Coursehand Book
 
FM1 Exploring Film Form
FM1 Exploring Film FormFM1 Exploring Film Form
FM1 Exploring Film Form
 
Production intro
Production intro   Production intro
Production intro
 
Film analysis launch gcse
Film analysis launch gcseFilm analysis launch gcse
Film analysis launch gcse
 
Film practical coursework project
Film practical coursework projectFilm practical coursework project
Film practical coursework project
 
Fm1 intro ppt
Fm1 intro pptFm1 intro ppt
Fm1 intro ppt
 
Short film Assignment 1) theory essay
Short film Assignment 1) theory essayShort film Assignment 1) theory essay
Short film Assignment 1) theory essay
 
Design and plan 2.5
Design and plan 2.5Design and plan 2.5
Design and plan 2.5
 
The essay
The essayThe essay
The essay
 
The Essay
The EssayThe Essay
The Essay
 
Design and plan 3.5
Design and plan 3.5Design and plan 3.5
Design and plan 3.5
 
Anatomy of a scene
Anatomy of a sceneAnatomy of a scene
Anatomy of a scene
 
Reflective analysis outline
Reflective analysis outlineReflective analysis outline
Reflective analysis outline
 
The Essay 2015
The Essay 2015The Essay 2015
The Essay 2015
 
IG1 Assignment Brief
IG1 Assignment BriefIG1 Assignment Brief
IG1 Assignment Brief
 
Practical coursework project
Practical coursework projectPractical coursework project
Practical coursework project
 
Writing your micro essay
Writing your micro essayWriting your micro essay
Writing your micro essay
 
Unit 10 film production (fiction) assignment brief 1
Unit 10 film production (fiction)   assignment brief 1Unit 10 film production (fiction)   assignment brief 1
Unit 10 film production (fiction) assignment brief 1
 
Lesson 2 Film as Consumption
Lesson 2 Film as ConsumptionLesson 2 Film as Consumption
Lesson 2 Film as Consumption
 

More from South Sefton College

Film analysis of_blue_is_the_warmest_col
Film analysis of_blue_is_the_warmest_colFilm analysis of_blue_is_the_warmest_col
Film analysis of_blue_is_the_warmest_colSouth Sefton College
 
Ethnicity and race intro to film studies
Ethnicity and race intro to film studiesEthnicity and race intro to film studies
Ethnicity and race intro to film studiesSouth Sefton College
 
Lesbian and gay cinema intro to film studies
Lesbian and gay cinema intro to film studiesLesbian and gay cinema intro to film studies
Lesbian and gay cinema intro to film studiesSouth Sefton College
 
50 shades of grey good until it's not
50 shades of grey good until it's not50 shades of grey good until it's not
50 shades of grey good until it's notSouth Sefton College
 
Projecting h itler representations of adolf hitler in english language gilms
Projecting h itler   representations of adolf hitler in english language gilms Projecting h itler   representations of adolf hitler in english language gilms
Projecting h itler representations of adolf hitler in english language gilms South Sefton College
 
Downfall and beyond hitler films from germany
Downfall and beyond   hitler films from germanyDownfall and beyond   hitler films from germany
Downfall and beyond hitler films from germanySouth Sefton College
 
Erin Heath - Theories of Film Spectatorship
Erin Heath - Theories of Film SpectatorshipErin Heath - Theories of Film Spectatorship
Erin Heath - Theories of Film SpectatorshipSouth Sefton College
 
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...South Sefton College
 
Perception of mental illness based upon its portrayal in film
Perception of mental illness based upon its portrayal in filmPerception of mental illness based upon its portrayal in film
Perception of mental illness based upon its portrayal in filmSouth Sefton College
 
Lesson 8 past papers and first drafts
Lesson 8   past papers and first draftsLesson 8   past papers and first drafts
Lesson 8 past papers and first draftsSouth Sefton College
 

More from South Sefton College (20)

Fellowship handout
Fellowship handoutFellowship handout
Fellowship handout
 
Film analysis of_blue_is_the_warmest_col
Film analysis of_blue_is_the_warmest_colFilm analysis of_blue_is_the_warmest_col
Film analysis of_blue_is_the_warmest_col
 
Ethnicity and race intro to film studies
Ethnicity and race intro to film studiesEthnicity and race intro to film studies
Ethnicity and race intro to film studies
 
Lesbian and gay cinema intro to film studies
Lesbian and gay cinema intro to film studiesLesbian and gay cinema intro to film studies
Lesbian and gay cinema intro to film studies
 
50 shades of grey good until it's not
50 shades of grey good until it's not50 shades of grey good until it's not
50 shades of grey good until it's not
 
Projecting h itler representations of adolf hitler in english language gilms
Projecting h itler   representations of adolf hitler in english language gilms Projecting h itler   representations of adolf hitler in english language gilms
Projecting h itler representations of adolf hitler in english language gilms
 
Downfall and beyond hitler films from germany
Downfall and beyond   hitler films from germanyDownfall and beyond   hitler films from germany
Downfall and beyond hitler films from germany
 
Bruno gantz on playing hitler
Bruno gantz on playing hitlerBruno gantz on playing hitler
Bruno gantz on playing hitler
 
The dangers of portraying hitler
The dangers of portraying hitlerThe dangers of portraying hitler
The dangers of portraying hitler
 
Erin Heath - Theories of Film Spectatorship
Erin Heath - Theories of Film SpectatorshipErin Heath - Theories of Film Spectatorship
Erin Heath - Theories of Film Spectatorship
 
Oakley theory filmspectator
Oakley theory filmspectatorOakley theory filmspectator
Oakley theory filmspectator
 
Artefacts of disability
Artefacts of disabilityArtefacts of disability
Artefacts of disability
 
Disney's disabled characters
Disney's disabled charactersDisney's disabled characters
Disney's disabled characters
 
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
 
Perception of mental illness based upon its portrayal in film
Perception of mental illness based upon its portrayal in filmPerception of mental illness based upon its portrayal in film
Perception of mental illness based upon its portrayal in film
 
Lesson 17 women and aco (ob)
Lesson 17 women and aco (ob)Lesson 17 women and aco (ob)
Lesson 17 women and aco (ob)
 
Assimilation 2015
Assimilation 2015Assimilation 2015
Assimilation 2015
 
Spr homework
Spr homeworkSpr homework
Spr homework
 
Film politics and ideology
Film politics and ideologyFilm politics and ideology
Film politics and ideology
 
Lesson 8 past papers and first drafts
Lesson 8   past papers and first draftsLesson 8   past papers and first drafts
Lesson 8 past papers and first drafts
 

Aims & Context Guide

  • 1. FM1 Assessment: Analysis of a Film Extract Aims & Context guide lines For this assignment you are required to create a film sequence or a complete short film that demonstrates how the micro-features of film construct meaning and provoke response in a film extract. This creative project will consist of three elements: Aims & context Film Sequence or short film in one of three forms Reflective analysis (50 marks in total) Aims and Context should contain the following: A clearly defined title for your project Genre of your film and how this is reflected in your sequence/film Narrative Structure – What devices will you use? Target Audience – How will your film target them specifically? How will you micro-elements in your film to generate meaning? Identify the Micro-Elements What do we mean by Micro-elements? Micro-elements are aspects of cinema that can be directly manipulated by a filmmaker to ensure an audience is exposed to an intended meaning; there should be nothing in a shot or sequence that is there accidently, as all these elements should have been within the filmmakers’ control. Micro-elements to be considered: Mise-en-Scene Cinematography Editing Performance The aims and context should not contain a synopsis of your sequence (brief summary of the plot/narrative) but instead, should focus on your chosen micro-concepts and detail how you, as a filmmaker, will apply each concept to your sequence in order to convey a specific meaning to your target audience. If you are creating a film extract rather than a complete short film, you should offer some sense of where the chosen sequence sits in the films timeline. When working in groups it is required that each student identifies a micro-concept(s) that they will be responsible for throughout the project. For example, one student will be in charge of direction, another in charge of editing. It should be noted that each group member is required to create an individual set of aims and context that relate to their own micro-concepts and intentions in relation to the final sequence.