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Camera operator job qualifications 
What is the job? 
Camera Operators usually begin work at the end of pre-production and, if the budget allows, attend 
the technical recces with other Heads of Department. They work closely with the Director of 
Photography (DoP), Director and Grip, and are responsible for the 1st Assistant Camera (AC), 2nd 
Assistant Camera (AC) and the Camera Trainee. 
After the Director and DoP have rehearsed and blocked the shots, the Camera Operator and DoP 
decide where to position the camera, and what lenses and supporting equipment to use. Camera 
Operators liaise with the Grip and other Heads of Department, and keep them informed about how 
the position and movement of the camera might impact on their work load. They oversee the 
preparation and checking of camera equipment. During shooting, Operators are responsible for all 
aspects of camera operation, enabling the DoP to concentrate intensively on lighting and overall 
visual style. 
Camera Operators ensure that the camera and associated equipment are prepared for the required 
set-ups, always keeping alert for any last-minute changes. They must be able to multi-task, and to 
watch, listen and think on their feet while carrying out complex technical tasks. They liaise closely 
with the Director, fine-tuning the exact details of each shot, which often involves suggesting creative 
improvements or alternatives. They supervise the logistics of moving the camera, and oversee the 
Camera maintenance work carried out by the Focus Puller and the 2nd AC. 
Camera Operators work closely with performers, guiding them on what can and cannot be seen by 
the camera. As it is now common for DoPs to also operate the camera on smaller films, many 
Camera Operators specialise in the operation of other precision equipment, such as Remote Heads 
or Steadicam, and most also work on commercials, promos and television drama. On bigger budget 
films, the role of the Camera Operator remains a crucial link between the creative ambitions of the 
Director, the DoP, and other major departments, including Art, Hair and Make-Up and Costume. 
Essential knowledge and skills 
Camera Operators need advanced technical abilities, combined with creative skills, and must know 
how to operate the camera to achieve the desired result . They need a good working knowledge of all 
camera systems, lenses and camera support equipment; of available accessories such as remote 
focus systems, video senders and receivers, and of any other regularly used equipment. Creative 
input and artistic ability are vital. As the decision-making process may take some time, patience is 
also essential.
Courses that support these qualifications 
Colleges 
 New York Film Academy 
 A level media studies (Ringwood school) 
 S/A level Media Studies Sixth Form course (Brockenhurst college) 
Universities 
 Digital Media Design BA (Bournemouth University) 
 BA Media Production (Southampton Solent University)

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Camera operator job qualificationsbtgrebwtrewby

  • 1. Camera operator job qualifications What is the job? Camera Operators usually begin work at the end of pre-production and, if the budget allows, attend the technical recces with other Heads of Department. They work closely with the Director of Photography (DoP), Director and Grip, and are responsible for the 1st Assistant Camera (AC), 2nd Assistant Camera (AC) and the Camera Trainee. After the Director and DoP have rehearsed and blocked the shots, the Camera Operator and DoP decide where to position the camera, and what lenses and supporting equipment to use. Camera Operators liaise with the Grip and other Heads of Department, and keep them informed about how the position and movement of the camera might impact on their work load. They oversee the preparation and checking of camera equipment. During shooting, Operators are responsible for all aspects of camera operation, enabling the DoP to concentrate intensively on lighting and overall visual style. Camera Operators ensure that the camera and associated equipment are prepared for the required set-ups, always keeping alert for any last-minute changes. They must be able to multi-task, and to watch, listen and think on their feet while carrying out complex technical tasks. They liaise closely with the Director, fine-tuning the exact details of each shot, which often involves suggesting creative improvements or alternatives. They supervise the logistics of moving the camera, and oversee the Camera maintenance work carried out by the Focus Puller and the 2nd AC. Camera Operators work closely with performers, guiding them on what can and cannot be seen by the camera. As it is now common for DoPs to also operate the camera on smaller films, many Camera Operators specialise in the operation of other precision equipment, such as Remote Heads or Steadicam, and most also work on commercials, promos and television drama. On bigger budget films, the role of the Camera Operator remains a crucial link between the creative ambitions of the Director, the DoP, and other major departments, including Art, Hair and Make-Up and Costume. Essential knowledge and skills Camera Operators need advanced technical abilities, combined with creative skills, and must know how to operate the camera to achieve the desired result . They need a good working knowledge of all camera systems, lenses and camera support equipment; of available accessories such as remote focus systems, video senders and receivers, and of any other regularly used equipment. Creative input and artistic ability are vital. As the decision-making process may take some time, patience is also essential.
  • 2. Courses that support these qualifications Colleges  New York Film Academy  A level media studies (Ringwood school)  S/A level Media Studies Sixth Form course (Brockenhurst college) Universities  Digital Media Design BA (Bournemouth University)  BA Media Production (Southampton Solent University)