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UTILIZING TALENT 
WITH THE 5 MAN MOTION OFFENSE
PHILOSOPHY 
 WANTED THE BASE OF OUR OFFENSIVE SYSTEM TO BE FLEXIBLE FROM YEAR TO YEAR. 
SOMETHING WHICH REGARDLESS OF THE TYPE/SKILLS OF THE PLAYERS WE HAD WE COULD 
TWEAK AS OPPOSED TO CHANGING. 
 DESIGNED TO ALLOW US TO CONTINUALLY APPLY PRESSURE TO THE DEFENSE 
 IT IS A READ AND REACT OFFENSE 
 DON’T HAVE TO TEACH DIFFERENT PLAYS TO CREATE SCORING OPPORTUNITIES 
 READ THE DEFENSE YOUR OPPONENT IS PLAYING 
 READ THE OTHER OFFENSIVE PLAYERS ON YOUR TEAM 
 REACT TO THE SITUATION. 
 WE CAN FLOW INTO THE MOTION OFFENSE FROM ANY SITUATIONS 
 TRANSITION 
 SETS 
 OUT OF BOUNDS PLAYS 
 ALLOWS US TO ALWAYS BE ON THE ATTACK. EVERY PASS, CUT, OR DRIBBLE CAN LEAD TO A SCORING 
OPPORTUNITY
PHILOSOPHY (Cont.) 
 TO EFFECTIVELY ATTACK THE DEFENSE PLAYERS MUST UNDERSTAND 
 THE INDIVIDUAL STRENGTHS OF EACH PLAYER ON OUR TEAM 
 THE OFFENSIVE STRENGTH OF THE TEAM 
 HOW WE ARE BEING DEFENDED BY OUR OPPONENTS 
 WHAT SCREENS NEED TO BE SET AND WHAT CUTS NEED TO BE MADE TO TAKE 
ADVANTAGE OF THE WAY WE ARE BEING GUARDED 
 HOW TO APPLY THE READS AND REACTIONS IN ORDER TO ACCENTUATE OUR 
INDIVIDAUL AND TEAM STRENGTHS
KEYS 
 SPACING: 15’-18’ APART UNLESS SETTING OR RECEIVING SCREENS 
 PLAY QUICK, NOT FAST: MUST BE ABLE TO SEE THE FLOOR AND READ THE 
PLAYS 
 UNDERSTAND STRENGTHS AND WEAKNESSES: KNOW YOUR GAME AND YOUR 
TEAMMATES 
 LIMIT DRIBBLES 
 SCREEN BODIES 
 POST BALANCE 
 LANE TOUCHES
KEYS (Cont.) 
 REVERSE THE BALL 
 UNSELFISHNESS 
 BALL SIDE “SLOT” IS RESERVED FOR THE PERIMETER BIG MAN(THE POST NOT 
POSTING). THE ONLY WAY GUARDS GET TO THAT SPOT, OR TO THE TOP OF THE 
KEY, IS IF THE BIG MAN ON THE PERIMETER SETS A SCREEN FOR THEM.
THE PASSER 
 THE MOST IMPORTANT PERSON IN THE OFFENSE 
 MUST BE ABLE TO SEE THE FLOOR 
 READ THE DEFENSE 
 DELIVER THE BALL TO THE RIGHT PLACE ON TIME 
 BEGINS THE NEXT SET OF MOVEMENTS BY THE OFFENSE 
 PASS AND CUT: FACE OR WEAKSIDE 
 SCREEN AWAY 
 DOWN SCREEN 
 RECEIVE A SCREEN 
 REPLACE HIMSELF
THE SCREENER 
 HEAD HUNT!!!- PUT YOUR BODY ON PEOPLE AND GET YOUR TEAMMATES OPEN 
 FEET ARE SHOULDER WIDTH APART WITH HANDS DOWN. DON’T STICK OUT 
ELBOWS. 
 TYPES OF SCREENS AND ANGLES 
 AWAY SCREEN: MIDDLE OF FLOOR TO EITHER SIDE LANE. SET WITH YOUR BACK TO 
THE BALL. 
 DOWN SCREEN: WING TO BLOCK WITH YOUR BACK TO THE WING 
 FLARE SCREEN: SET WITH YOUR BACK TO THE WING 
 BALL SCREEN: SET WITH YOUR BACK TO THE BASKET
THE SCREENER (Cont.) 
 READING THE CUTTER – MUST BE ABLE TO REACT TO THE CUTTER AND THE 
DEFENDERS 
 CUTTER CURLS = POP BACK 
 CUTTER FADES = SLIP OR FILL FOR CATCH 
 BACK CUT = FILL FOR A CATCH 
 BALL SCREEN = ROLL OR HOLD BASED ON INDIVIDUAL SKILL SET 
 READ YOUR DEFENDER – IF THE SCREENERS DEFENDER SHOWS/HEDGES THE 
SCREENER SHOULD SLIP TO THE BASKET AND LOOK TO RECEIVE THE PASS.
THE CUTTER 
 MUST BE PATIENT 
 WAIT, WAIT, WAIT!!!!!!! 
 SET UP THE SCREEN – FORCE DEFENDER TO GO UNDER OR CHASE YOU BY GETTING 
JUST BELOW THE SCREEN. GET LOW AND STRONG 
 CHANGE SPEEDS 
 COME OFF THE SCREEN SHOULDER TO SHOULDER 
 READ THE DEFENDER 
 CHASE=CURL 
 SLIDE THROUGH=FADE 
 JUMPS SCREEN=BACK CUT
THE CUTTER (Cont.) 
 FLARE SCREEN 
 IF THE DEFENDER HITS THE SCREEN OR CHASES=SPRINT TO THE CORNER 
 IF THE DEFENDER GOES UNDER THE SCREEN=STEP BEHIND 
 BALL SCREEN 
 TIME IT TO COME OFF AS THE SCREENER PLANTS BOTH FEET 
 LOW AND TIGHT. SHOULDERS SHOULD BE BELOW THE SCREENERS WAIST. 
 DEFENDER HITS THE SCREEN=TURN THE CORNER 
 DEFENDER GOES UNDER THE SCREEN=STEP BEHIND 
 DEFENDER JUMPS THE SCREEN=REFUSE 
 ALSO MUST READ THE SCREENERS DEFENDER 
 STRETCH HIM OUT, HESITATE, SPLIT 
 MAKE PLAY ON THE SECOND DRIBBLE
POST PLAYERS 
 NEED A CONSTANT POST PRESENCE. IT DOESN’T NEED TO BE, NOR SHOULD IT 
BE THE SAME GUY THE ENTIRE POSSESSION 
 FORCE DEFENDERS TO DEFEND YOU IN DIFFERENT AREAS OF THE FLOOR, 
DOING DIFFERENT THINGS EACH POSSESSION. 
 WHEN IN THE POST YOU NEED TO POST VIOLENTLY FOR HIGH/LOWS. FIGHT TO 
HOLD YOUR SEAL. 
 WHEN STEPPING HIGH/BALL SCREENING, YOU MUST SPRINT. 
 THE MORE ACTIVE THEY ARE, THE BETTER THEY WORK TOGETHER, THE 
BETTER THE OFFENSE WILL FUNCTION.
POSITIONING 
 THE AREAS ON THE FLOOR THAT WE WILL HAVE OCCUPIED 
 POST – BLOCK ON EITHER THE STRONG OR WEAK SIDE 
 WINGS 
 SLOTS 
 PERIMETER SPOTS ARE 15 FEET APART 
 THE BALL ONLY GOES TO THE CORNER FOR A SCORING OPPORTUNITY 
 SHOT 
 DRIVE 
 POST FEED 
 BALL SIDE SLOT IS FILLED BY THE PERIMETER 4 OR 5 MAN. 
 THE SPOTS NEXT TO THE BALL NEED TO BE FILLED
PROPER POSITIONING
PLAYING OFF PENETRATION 
 It is vital that any offense creates opportunities to attack the lane off the 
dribble. 
 We have certain ways we will move off penetration to create shots. 
 Middle Penetration with the Post on the Weak Side Block 
 Baseline Penetration with the Post on the Weak Side Block 
 Middle Penetration with the Post on the Strong Side Block 
 Middle Penetration with the Post on the Weak Side Block 
 Penetration from the Slot with the Post on the Strong Side Block 
 Penetration from the Slot with the Post on the Weak Side Block
PENETRATION BASELINE
PENETRATION MIDDLE
SLOT PENETRATION
PLAYING OFF POST FEEDS 
 Post play and post touches are vital to having balance in the offense. When 
the ball enters the post there are several reads our players will make and cuts 
that will give the post player room to operate. 
 Ball Side Wing Defender “Digs, Stays, or Backs Off” = Basket Cut 
 Low if passer is below the mid-post 
 High if passer is above the mid-post 
 Post Double from Ball Side Wing = Spot Up, Screen Away, or Cut Through 
 Post Double from Weak Side = Ball Side Post Dive on the Rim and Everyone Rotate 
Over
CUTTING VERSUS DIGS FROM BALL SIDE 
WING
CUTTING OFF THE WEAKSIDE POST 
DOUBLE
BASE ACTIONS IN MOTION 
 These are the actions that will take place most of the time in our motion. 
They are the foundation for what we will do in our motion 
 High/Low – Basis of creating shots for everyone. 
 Away Screens 
 Flare Screens 
 Big to Big Screens 
 Big to Guard Baseline Screens
HIGH/LOW
AWAY SCREEN
FLARE SCREEN
BIG TO GUARD BASELINE SCREEN
BIG TO BIG SCREENS
BIG TO BIG SCREEN CONTINUED
TWO AND THREE MAN GAMES 
 Offense is broken down into a series of 2 and 3 man games. 
 These are actions happening simultaneously on each side of the floor based 
on what each player reads from the offense and the defense and their 
strengths. 
 Each action will dictate where the ball should go and what each player will do 
next.
2 AND 3 MAN GAMES 
STRONG SIDE 3 MAN GAME WEAK SIDE 2 MAN GAME
CONCEPTS 
 Uses 
 These are supplements to the base actions. They are advanced actions to further 
enhance our players abilities and team strengths. 
 Players will use them as possessions progress 
 Use them to take advantage of our opponents defensive weaknesses 
 Use them to force ourselves to screen when our screening isn’t up to par 
 Dribble-At 
 Freak 
 Jazz 
 Triple 
 Screen the Screener
DRIBBLE-AT 
BACK CUT 1 STEP OFF THE LANE
FREAK 
BACKSCREEN RE-SCREEN
JAZZ
TRIPLE 
BALL SIDE CUT & WEAK SIDE 
EXCHANGE 
BALL SCREEN WITH ROLL AND 
LIFT. WEAKSIDE FLARE 
SCREEN
SCREEN THE SCREENER 
STAGGER SCREEN 
SCREEN FOR SECOND 
SCREENER
PLAYING TO STRENGTHS 
 Don’t ask players to do things they are not capable of doing 
 Flare Screening for non-shooters 
 Ball Screening for players who can’t use them. 
 Isolations for players who can’t create a shot 
 Don’t shoot 3’s if you can’t make at least 33% 
 There are ways each player can use each action/concept to play to their 
strengths 
 Non-Shooters 
 Screen for shooters 
 Dribble-At 
 Jazz
PLAYING TO STRENGTHS(Cont.) 
 Exchange on the weak side 
 Cut through 
 Shooters 
 Excel at using screens 
 Excel at reading screens 
 Posts 
 If you aren’t a physical post guy then step off the block and use your skill and athleticism. 
 If you are aren’t a physical post, look to screen the better post guy back into the post. 
 If you have range on your jump shot, Jazz and hold or dribble-at and hold. If you don’t, then 
roll. 
 If you are more comfortable around the basket than in the post get yourself back in the post as 
soon as possible. 
 Away Screen, Down Screen 
 Ball Screen and Roll, Freak
PUTTING IT ALL TOGETHER
PUTTING IT ALL TOGETHER (CONT.)
PUTTING IT ALL TOGETHER (CONT.)
PLAYING VERSUS SWITCHING MAN TO 
MAN 
 Try to set your screens big to guard and guard to big 
 Force mismatches and stay away. Don’t give them an opportunity to switch back. 
 On “like” screens – slip and don’t run to the defense 
 After reversals attack the lane. 
 Teams that switch tend to worry more about their switches than where the ball is 
and their help side responsibilities
PLAYING VS. SWITCHING
PLAYING VS. SWITCHING
BASELINE PENETRATION WITH BALL SIDE 
POST
TRIPLE
BASELINE DRIVE WITH WEAKSIDE POST
POST FEED CUT BELOW MIDPOST
TWO MAN GAME ON WEAKSIDE WITH 
FLARE DURING DRIVE
HIGH/LOW
FREAK
BIG TO BIG UPSCREEN WITH CUTTING 
OFF THE POST
HIGH/LOW WITH WEAK SIDE FLARE
BIG TO BIG UPSCREEN
BASELINE PENETRATION
Utilizing Talent 
- With The 5 Man Motion Offense 
 Questions 
 Email- Nathandavis@rmc.edu 
 Office- 804.752.4733

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Utilizing talent with the 5 man motion offense

  • 1. UTILIZING TALENT WITH THE 5 MAN MOTION OFFENSE
  • 2. PHILOSOPHY  WANTED THE BASE OF OUR OFFENSIVE SYSTEM TO BE FLEXIBLE FROM YEAR TO YEAR. SOMETHING WHICH REGARDLESS OF THE TYPE/SKILLS OF THE PLAYERS WE HAD WE COULD TWEAK AS OPPOSED TO CHANGING.  DESIGNED TO ALLOW US TO CONTINUALLY APPLY PRESSURE TO THE DEFENSE  IT IS A READ AND REACT OFFENSE  DON’T HAVE TO TEACH DIFFERENT PLAYS TO CREATE SCORING OPPORTUNITIES  READ THE DEFENSE YOUR OPPONENT IS PLAYING  READ THE OTHER OFFENSIVE PLAYERS ON YOUR TEAM  REACT TO THE SITUATION.  WE CAN FLOW INTO THE MOTION OFFENSE FROM ANY SITUATIONS  TRANSITION  SETS  OUT OF BOUNDS PLAYS  ALLOWS US TO ALWAYS BE ON THE ATTACK. EVERY PASS, CUT, OR DRIBBLE CAN LEAD TO A SCORING OPPORTUNITY
  • 3. PHILOSOPHY (Cont.)  TO EFFECTIVELY ATTACK THE DEFENSE PLAYERS MUST UNDERSTAND  THE INDIVIDUAL STRENGTHS OF EACH PLAYER ON OUR TEAM  THE OFFENSIVE STRENGTH OF THE TEAM  HOW WE ARE BEING DEFENDED BY OUR OPPONENTS  WHAT SCREENS NEED TO BE SET AND WHAT CUTS NEED TO BE MADE TO TAKE ADVANTAGE OF THE WAY WE ARE BEING GUARDED  HOW TO APPLY THE READS AND REACTIONS IN ORDER TO ACCENTUATE OUR INDIVIDAUL AND TEAM STRENGTHS
  • 4. KEYS  SPACING: 15’-18’ APART UNLESS SETTING OR RECEIVING SCREENS  PLAY QUICK, NOT FAST: MUST BE ABLE TO SEE THE FLOOR AND READ THE PLAYS  UNDERSTAND STRENGTHS AND WEAKNESSES: KNOW YOUR GAME AND YOUR TEAMMATES  LIMIT DRIBBLES  SCREEN BODIES  POST BALANCE  LANE TOUCHES
  • 5. KEYS (Cont.)  REVERSE THE BALL  UNSELFISHNESS  BALL SIDE “SLOT” IS RESERVED FOR THE PERIMETER BIG MAN(THE POST NOT POSTING). THE ONLY WAY GUARDS GET TO THAT SPOT, OR TO THE TOP OF THE KEY, IS IF THE BIG MAN ON THE PERIMETER SETS A SCREEN FOR THEM.
  • 6. THE PASSER  THE MOST IMPORTANT PERSON IN THE OFFENSE  MUST BE ABLE TO SEE THE FLOOR  READ THE DEFENSE  DELIVER THE BALL TO THE RIGHT PLACE ON TIME  BEGINS THE NEXT SET OF MOVEMENTS BY THE OFFENSE  PASS AND CUT: FACE OR WEAKSIDE  SCREEN AWAY  DOWN SCREEN  RECEIVE A SCREEN  REPLACE HIMSELF
  • 7. THE SCREENER  HEAD HUNT!!!- PUT YOUR BODY ON PEOPLE AND GET YOUR TEAMMATES OPEN  FEET ARE SHOULDER WIDTH APART WITH HANDS DOWN. DON’T STICK OUT ELBOWS.  TYPES OF SCREENS AND ANGLES  AWAY SCREEN: MIDDLE OF FLOOR TO EITHER SIDE LANE. SET WITH YOUR BACK TO THE BALL.  DOWN SCREEN: WING TO BLOCK WITH YOUR BACK TO THE WING  FLARE SCREEN: SET WITH YOUR BACK TO THE WING  BALL SCREEN: SET WITH YOUR BACK TO THE BASKET
  • 8. THE SCREENER (Cont.)  READING THE CUTTER – MUST BE ABLE TO REACT TO THE CUTTER AND THE DEFENDERS  CUTTER CURLS = POP BACK  CUTTER FADES = SLIP OR FILL FOR CATCH  BACK CUT = FILL FOR A CATCH  BALL SCREEN = ROLL OR HOLD BASED ON INDIVIDUAL SKILL SET  READ YOUR DEFENDER – IF THE SCREENERS DEFENDER SHOWS/HEDGES THE SCREENER SHOULD SLIP TO THE BASKET AND LOOK TO RECEIVE THE PASS.
  • 9. THE CUTTER  MUST BE PATIENT  WAIT, WAIT, WAIT!!!!!!!  SET UP THE SCREEN – FORCE DEFENDER TO GO UNDER OR CHASE YOU BY GETTING JUST BELOW THE SCREEN. GET LOW AND STRONG  CHANGE SPEEDS  COME OFF THE SCREEN SHOULDER TO SHOULDER  READ THE DEFENDER  CHASE=CURL  SLIDE THROUGH=FADE  JUMPS SCREEN=BACK CUT
  • 10. THE CUTTER (Cont.)  FLARE SCREEN  IF THE DEFENDER HITS THE SCREEN OR CHASES=SPRINT TO THE CORNER  IF THE DEFENDER GOES UNDER THE SCREEN=STEP BEHIND  BALL SCREEN  TIME IT TO COME OFF AS THE SCREENER PLANTS BOTH FEET  LOW AND TIGHT. SHOULDERS SHOULD BE BELOW THE SCREENERS WAIST.  DEFENDER HITS THE SCREEN=TURN THE CORNER  DEFENDER GOES UNDER THE SCREEN=STEP BEHIND  DEFENDER JUMPS THE SCREEN=REFUSE  ALSO MUST READ THE SCREENERS DEFENDER  STRETCH HIM OUT, HESITATE, SPLIT  MAKE PLAY ON THE SECOND DRIBBLE
  • 11. POST PLAYERS  NEED A CONSTANT POST PRESENCE. IT DOESN’T NEED TO BE, NOR SHOULD IT BE THE SAME GUY THE ENTIRE POSSESSION  FORCE DEFENDERS TO DEFEND YOU IN DIFFERENT AREAS OF THE FLOOR, DOING DIFFERENT THINGS EACH POSSESSION.  WHEN IN THE POST YOU NEED TO POST VIOLENTLY FOR HIGH/LOWS. FIGHT TO HOLD YOUR SEAL.  WHEN STEPPING HIGH/BALL SCREENING, YOU MUST SPRINT.  THE MORE ACTIVE THEY ARE, THE BETTER THEY WORK TOGETHER, THE BETTER THE OFFENSE WILL FUNCTION.
  • 12. POSITIONING  THE AREAS ON THE FLOOR THAT WE WILL HAVE OCCUPIED  POST – BLOCK ON EITHER THE STRONG OR WEAK SIDE  WINGS  SLOTS  PERIMETER SPOTS ARE 15 FEET APART  THE BALL ONLY GOES TO THE CORNER FOR A SCORING OPPORTUNITY  SHOT  DRIVE  POST FEED  BALL SIDE SLOT IS FILLED BY THE PERIMETER 4 OR 5 MAN.  THE SPOTS NEXT TO THE BALL NEED TO BE FILLED
  • 14. PLAYING OFF PENETRATION  It is vital that any offense creates opportunities to attack the lane off the dribble.  We have certain ways we will move off penetration to create shots.  Middle Penetration with the Post on the Weak Side Block  Baseline Penetration with the Post on the Weak Side Block  Middle Penetration with the Post on the Strong Side Block  Middle Penetration with the Post on the Weak Side Block  Penetration from the Slot with the Post on the Strong Side Block  Penetration from the Slot with the Post on the Weak Side Block
  • 18. PLAYING OFF POST FEEDS  Post play and post touches are vital to having balance in the offense. When the ball enters the post there are several reads our players will make and cuts that will give the post player room to operate.  Ball Side Wing Defender “Digs, Stays, or Backs Off” = Basket Cut  Low if passer is below the mid-post  High if passer is above the mid-post  Post Double from Ball Side Wing = Spot Up, Screen Away, or Cut Through  Post Double from Weak Side = Ball Side Post Dive on the Rim and Everyone Rotate Over
  • 19. CUTTING VERSUS DIGS FROM BALL SIDE WING
  • 20. CUTTING OFF THE WEAKSIDE POST DOUBLE
  • 21. BASE ACTIONS IN MOTION  These are the actions that will take place most of the time in our motion. They are the foundation for what we will do in our motion  High/Low – Basis of creating shots for everyone.  Away Screens  Flare Screens  Big to Big Screens  Big to Guard Baseline Screens
  • 25. BIG TO GUARD BASELINE SCREEN
  • 26. BIG TO BIG SCREENS
  • 27. BIG TO BIG SCREEN CONTINUED
  • 28. TWO AND THREE MAN GAMES  Offense is broken down into a series of 2 and 3 man games.  These are actions happening simultaneously on each side of the floor based on what each player reads from the offense and the defense and their strengths.  Each action will dictate where the ball should go and what each player will do next.
  • 29. 2 AND 3 MAN GAMES STRONG SIDE 3 MAN GAME WEAK SIDE 2 MAN GAME
  • 30. CONCEPTS  Uses  These are supplements to the base actions. They are advanced actions to further enhance our players abilities and team strengths.  Players will use them as possessions progress  Use them to take advantage of our opponents defensive weaknesses  Use them to force ourselves to screen when our screening isn’t up to par  Dribble-At  Freak  Jazz  Triple  Screen the Screener
  • 31. DRIBBLE-AT BACK CUT 1 STEP OFF THE LANE
  • 33. JAZZ
  • 34. TRIPLE BALL SIDE CUT & WEAK SIDE EXCHANGE BALL SCREEN WITH ROLL AND LIFT. WEAKSIDE FLARE SCREEN
  • 35. SCREEN THE SCREENER STAGGER SCREEN SCREEN FOR SECOND SCREENER
  • 36. PLAYING TO STRENGTHS  Don’t ask players to do things they are not capable of doing  Flare Screening for non-shooters  Ball Screening for players who can’t use them.  Isolations for players who can’t create a shot  Don’t shoot 3’s if you can’t make at least 33%  There are ways each player can use each action/concept to play to their strengths  Non-Shooters  Screen for shooters  Dribble-At  Jazz
  • 37. PLAYING TO STRENGTHS(Cont.)  Exchange on the weak side  Cut through  Shooters  Excel at using screens  Excel at reading screens  Posts  If you aren’t a physical post guy then step off the block and use your skill and athleticism.  If you are aren’t a physical post, look to screen the better post guy back into the post.  If you have range on your jump shot, Jazz and hold or dribble-at and hold. If you don’t, then roll.  If you are more comfortable around the basket than in the post get yourself back in the post as soon as possible.  Away Screen, Down Screen  Ball Screen and Roll, Freak
  • 38. PUTTING IT ALL TOGETHER
  • 39. PUTTING IT ALL TOGETHER (CONT.)
  • 40. PUTTING IT ALL TOGETHER (CONT.)
  • 41. PLAYING VERSUS SWITCHING MAN TO MAN  Try to set your screens big to guard and guard to big  Force mismatches and stay away. Don’t give them an opportunity to switch back.  On “like” screens – slip and don’t run to the defense  After reversals attack the lane.  Teams that switch tend to worry more about their switches than where the ball is and their help side responsibilities
  • 44. BASELINE PENETRATION WITH BALL SIDE POST
  • 46. BASELINE DRIVE WITH WEAKSIDE POST
  • 47. POST FEED CUT BELOW MIDPOST
  • 48. TWO MAN GAME ON WEAKSIDE WITH FLARE DURING DRIVE
  • 50. FREAK
  • 51. BIG TO BIG UPSCREEN WITH CUTTING OFF THE POST
  • 52. HIGH/LOW WITH WEAK SIDE FLARE
  • 53. BIG TO BIG UPSCREEN
  • 55. Utilizing Talent - With The 5 Man Motion Offense  Questions  Email- Nathandavis@rmc.edu  Office- 804.752.4733