The Poetics Of Museum Display

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The document discusses how museums construct narratives about culture through the curation and display of objects. It notes that while museums aim to educate the public, the process of classifying and presenting objects is culturally specific and can convey implicit messages about what cultures are seen as "civilized" versus "primitive." It also describes current trends in museums toward incorporating multiple cultural perspectives and using new technologies to improve intercultural communication and engagement with visitors.

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This presentation has been prepared for CMA 2014, the Canadian Museums Association's yearly meeting taking place in Toronto from 7-11 April 2014. It focuses on inclusion of audience as co-curators and co-creators of added value to museums collections, on digital engagement (Jasper Visser & Jim Richardson) and "stepping down" from curators as opinion makers/leaders, to focus towards museums (and museum professionals) as enzymes of under-the-surface-lying creativity in the communities they wish to address, facilitators for new values and new visions to emerge. The presentation, quoting case studies from Uzbekistan, Afghanistan, and Italy (the Visual Arts Research and Documentation Centre at MACRO Contemporary Art Museum), was discussed on April 10, 2014 at the Fairmont Royal York Hotel (Imperial Room).

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"This presentation has been prepared for CMA 2014, the Canadian Museums Association's yearly meeting taking place in Toronto from 7-11 April 2014. It focuses on inclusion of audience as co-curators and co-creators of added value to museums collections, on digital engagement (Jasper Visser & Jim Richardson) and "stepping down" from curators as opinion makers/leaders, to focus towards museums (and museum professionals) as enzymes of under-the-surface-lying creativity in the communities they wish to address, facilitators for new values and new visions to emerge. The presentation, quoting case studies from Uzbekistan, Afghanistan, and Italy (the Visual Arts Research and Documentation Centre at MACRO Contemporary Art Museum), was discussed on April 10, 2014 at the Fairmont Royal York Hotel (Imperial Room)." (Courtesy of Dr. Alessandro Califano)

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Teksten in musea en tentoonstellingen. Niets nieuws onder de zon. Toch? Maar … hoe bewust gaat u als curator, communicatiemedewerker of publiekswerker met zaalteksten om? Hoe kunnen we meer halen uit het (educatieve en zelfs ontspannende) potentieel van tekstbordjes en algemene, oriënterende teksten? Zit de toon juist? En hoe zorgt u voor vlotte teksten die de lezer uitnodigen om (beter) te kijken en die ook de (kunst)historische inhoud correct weergeven? Deze studiedag wil de staat opmaken van het tekstgebruik in musea en bij tentoonstellingen. Wie doet wat, en waarom? FARO nodigt een aantal ervaringsdeskundigen uit, uit binnen- en buitenland.

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