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Creative
Task:
My
Inspirations
Hi!
My name is Davide.
I'm a paleontologist.
I write, both nonfiction and fiction.
… And while there's the
Ten Commandments
on my cover...

… I believe nothing is cast in stone,
when it comes to storytelling.
It's more like cards,
being shuffled.
SO

IS
TH

L
IL
W

BE

KE
LI

DS
AR
-C
EE
HR
T

TE
ON
M
There's a lot of
inspirational stuff out
there, and I've a long list
of indispensible titles.
Books.
Movies.
Visual Art.
Music.
I'll just list three books.
One about WHAT I write - One about WHY I write - One about HOW I write
I'll just list three books.
One about WHAT I write - One about WHY I write - One about HOW I write
I'll just list three books.
One about WHAT I write - One about WHY I write - One about HOW I write
WHAT
I write about science, I write about the
future.
COSMOS, by Carl Sagan is a classic of
science popularization – one of the
first multi-media approaches to
communication.
There's the book.
There's a wonderful TV series.
There's a marvellous soundtrack.
But there's more – Cosmos is about a
vision, of the universe, and of
Humanity place in the universe.
It asks questions, and provides
alternatives.
Cosmos is certainly my book about
«What?»
WHAT
I write about science, I write about the
future.
COSMOS, by Carl Sagan is a classic of
science popularization – one of the
first multi-media approaches to
communication.
There's the book.
There's a wonderful TV series.
There's a marvellous soundtrack.
But there's more – Cosmos is about a
vision, of the universe, and of
Humanity place in the universe.
It asks questions, and provides
alternatives.
Cosmos is certainly my book about
«What?»
WHAT
I write about science, I write about the
future.
COSMOS, by Carl Sagan is a classic of
science popularization – one of the
first multi-media approaches to
communication.
There's the book.
There's a wonderful TV series.
There's a marvellous soundtrack.
But there's more – Cosmos is about a
vision, of the universe, and of
Humanity place in the universe.
It asks questions, and provides
alternatives.
Cosmos is book about «What?»
WHY
The works by James Burke are all
about structure: chains of events,
networks of influence, viral ideas.
That's absolutely great.
But there's more.
THE DAY THE UNIVERSE CHANGED
is a short course in scientific relativism
– worldviews are not «wrong» until we
find better explanations.
This is also a book about the
transformative power of knowledge –
sharing ideas changes the Universe.
That's «Why?» I write.
WHY
The works by James Burke are all
about structure: chains of events,
networks of influence, viral ideas.
That's absolutely great.
But there's more.
THE DAY THE UNIVERSE CHANGED
is a short course in scientific relativism
– worldviews are not «wrong» until we
find better explanations.
This is also a book about the
transformative power of knowledge –
sharing ideas changes the Universe.
That's «Why?» I write.
WHY
The works by James Burke are all
about structure: chains of events,
networks of influence, viral ideas.
That's absolutely great.
But there's more.
THE DAY THE UNIVERSE CHANGED
is a short course in scientific relativism
– worldviews are not «wrong» until we
find better explanations.
This is also a book about the
transformative power of knowledge –
sharing ideas changes the Universe.
That's «Why?» I write.
HOW
I collect writing handbooks – I've got
about 80 different books on my shelf,
from very general, to highly specialized.
THE ZEN OF CREATIVITY, by John Daido
Loori, who was a photographer and a
Zen master, does not talk about the
tools of the trade (dialogue, structure
etc), but about the attitude that is best
suited to the act of creation.
So, it's basically about the psychology
of creativity, but it uses a language I
can connect with, and offers some
great insight in those basic tools.
A good, pluralist approach to the
question of «How» to write.
HOW
I collect writing handbooks – I've got
about 80 different books on my shelf,
from very general, to highly specialized.
THE ZEN OF CREATIVITY, by John
Daido Loori, who was a photographer
and a Zen master, does not talk about
the tools of the trade (dialogue,
structure etc), but about the attitude
that is best suited to the act of creation.
So, it's basically about the psychology
of creativity, but it uses a language I
can connect with, and offers some
great insight in those basic tools.
A good, pluralist approach to the
question of «How» to write.
HOW
I collect writing handbooks – I've got
about 80 different books on my shelf,
from very general, to highly specialized.
THE ZEN OF CREATIVITY, by John Daido
Loori, who was a photographer and a
Zen master, does not talk about the
tools of the trade (dialogue, structure
etc), but about the attitude that is best
suited to the act of creation.
So, it's basically about the psychology
of creativity, but it uses a language I
can connect with, and offers some
great insight in those basic tools.
A good, pluralist approach to the
question of «How» to write.
And this is it.
Cheers!

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Davide Mana: My Inspirations (Future of Storytelling Creative Task 4)

  • 2. Hi! My name is Davide. I'm a paleontologist. I write, both nonfiction and fiction.
  • 3. … And while there's the Ten Commandments on my cover... … I believe nothing is cast in stone, when it comes to storytelling.
  • 4. It's more like cards, being shuffled.
  • 6. There's a lot of inspirational stuff out there, and I've a long list of indispensible titles. Books. Movies. Visual Art. Music.
  • 7. I'll just list three books. One about WHAT I write - One about WHY I write - One about HOW I write
  • 8. I'll just list three books. One about WHAT I write - One about WHY I write - One about HOW I write
  • 9. I'll just list three books. One about WHAT I write - One about WHY I write - One about HOW I write
  • 10. WHAT I write about science, I write about the future. COSMOS, by Carl Sagan is a classic of science popularization – one of the first multi-media approaches to communication. There's the book. There's a wonderful TV series. There's a marvellous soundtrack. But there's more – Cosmos is about a vision, of the universe, and of Humanity place in the universe. It asks questions, and provides alternatives. Cosmos is certainly my book about «What?»
  • 11. WHAT I write about science, I write about the future. COSMOS, by Carl Sagan is a classic of science popularization – one of the first multi-media approaches to communication. There's the book. There's a wonderful TV series. There's a marvellous soundtrack. But there's more – Cosmos is about a vision, of the universe, and of Humanity place in the universe. It asks questions, and provides alternatives. Cosmos is certainly my book about «What?»
  • 12. WHAT I write about science, I write about the future. COSMOS, by Carl Sagan is a classic of science popularization – one of the first multi-media approaches to communication. There's the book. There's a wonderful TV series. There's a marvellous soundtrack. But there's more – Cosmos is about a vision, of the universe, and of Humanity place in the universe. It asks questions, and provides alternatives. Cosmos is book about «What?»
  • 13. WHY The works by James Burke are all about structure: chains of events, networks of influence, viral ideas. That's absolutely great. But there's more. THE DAY THE UNIVERSE CHANGED is a short course in scientific relativism – worldviews are not «wrong» until we find better explanations. This is also a book about the transformative power of knowledge – sharing ideas changes the Universe. That's «Why?» I write.
  • 14. WHY The works by James Burke are all about structure: chains of events, networks of influence, viral ideas. That's absolutely great. But there's more. THE DAY THE UNIVERSE CHANGED is a short course in scientific relativism – worldviews are not «wrong» until we find better explanations. This is also a book about the transformative power of knowledge – sharing ideas changes the Universe. That's «Why?» I write.
  • 15. WHY The works by James Burke are all about structure: chains of events, networks of influence, viral ideas. That's absolutely great. But there's more. THE DAY THE UNIVERSE CHANGED is a short course in scientific relativism – worldviews are not «wrong» until we find better explanations. This is also a book about the transformative power of knowledge – sharing ideas changes the Universe. That's «Why?» I write.
  • 16. HOW I collect writing handbooks – I've got about 80 different books on my shelf, from very general, to highly specialized. THE ZEN OF CREATIVITY, by John Daido Loori, who was a photographer and a Zen master, does not talk about the tools of the trade (dialogue, structure etc), but about the attitude that is best suited to the act of creation. So, it's basically about the psychology of creativity, but it uses a language I can connect with, and offers some great insight in those basic tools. A good, pluralist approach to the question of «How» to write.
  • 17. HOW I collect writing handbooks – I've got about 80 different books on my shelf, from very general, to highly specialized. THE ZEN OF CREATIVITY, by John Daido Loori, who was a photographer and a Zen master, does not talk about the tools of the trade (dialogue, structure etc), but about the attitude that is best suited to the act of creation. So, it's basically about the psychology of creativity, but it uses a language I can connect with, and offers some great insight in those basic tools. A good, pluralist approach to the question of «How» to write.
  • 18. HOW I collect writing handbooks – I've got about 80 different books on my shelf, from very general, to highly specialized. THE ZEN OF CREATIVITY, by John Daido Loori, who was a photographer and a Zen master, does not talk about the tools of the trade (dialogue, structure etc), but about the attitude that is best suited to the act of creation. So, it's basically about the psychology of creativity, but it uses a language I can connect with, and offers some great insight in those basic tools. A good, pluralist approach to the question of «How» to write.
  • 19. And this is it. Cheers!