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Going Mobile!


 Using Mobile
 Interpretation to
 Strengthen Preservation
 Communities

 Larry Cebula
 Washington State Archives
 Eastern Washington University
 LarryCebula@Gmail.com
How do you curate a city?
Multiple Eras
Multiple Stories
Some Are Right in Front of You

                   Tadajiro Muramatsu was born on
                   September 24, 1875 in Ueno village,
                   Nishi-Yatsusiro county, Yamanashi
                   Prefecture, Japan. For generations,
                   his family engaged in farming. He was
                   easy-going, enjoyed drinking, and had
                   many friends. He loved ancient poems
                   and would recite them when he had
                   been drinking . . . He married a woman
                   from the Aoki family, and they had a
                   boy named Tadao. This tomb was built
                   in his memory and on it, his overall life
                   story was told. January 7, 1919 Tadao
                   built this tomb.
How do we tell these stories?

 • Maps and Guides
How do we tell these stories?

 • Plaques and Monuments
How do we tell these stories?

 • Walking
   Tours
Enter the mobile revolution
There are two platforms
What can you do with mobile interpretation?


 • Interpret any
   site
 • Geolocation
 • Text, images
 • Copy any
   physical
   interpretation
What else can you do with mobile?


 •   Multimedia
 •   Oral histories
 •   Low cost per site
 •   Multiple stories per site
 •   Changing interpretation
 •   Partnerships
 •   QR Codes
 •   Web presence
Choices When Going Mobile



 •   Make your own or join a project?
 •   Who is your audience?
 •   Commercial or non-profit partnerships?
 •   Native app or optimized website?
 •   Multimedia?
 •   Which platforms?
 •   Reuse content or develop fresh?
 •   Images and copyright?
A Few Best Practices



 •   Own your content
 •   Build a database
 •   Don’t reinvent the wheel
 •   Partner promiscuously
 •   Form an editorial board
 •   Use blogs as rough drafts
 •   Eschew perfection
A few Do-Nots



 •   Don’t repeat historical errors!
 •   Don’t scrape a database
 •   Don’t be boring
 •   Don’t get stale
 •   Don’t replicate a
     paper tour
Spokane Historical
How does it work?



 •   Supported by Public History program at EWU
 •   Omeka database
 •   Android, iOS, and associated website
 •   Currently work of EWU students
 •   Research from Northwest Museum of Arts &
     Culture, Spokane Public Library, Spokane Valley
     Heritage Museum, Washington State Archives,
     etc., etc.
Difficulties and Lessons Learned



 •   Some students are smarter than others
 •   Copyright and images
 •   Audio is better from professionals
 •   Stops can be built in stages
 •   It takes a village, or at least a team
 •   Promotion is almost another project
 •   Steady funding
 •   Huge public interest!
Contact Us



                 Larry Cebula

               LarryCebula@Gmail.com

             NorthwestHistory.Blogspot.com

                 SpokaneHistorical.org

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Spokane historical

  • 1. Going Mobile! Using Mobile Interpretation to Strengthen Preservation Communities Larry Cebula Washington State Archives Eastern Washington University LarryCebula@Gmail.com
  • 2. How do you curate a city?
  • 5. Some Are Right in Front of You Tadajiro Muramatsu was born on September 24, 1875 in Ueno village, Nishi-Yatsusiro county, Yamanashi Prefecture, Japan. For generations, his family engaged in farming. He was easy-going, enjoyed drinking, and had many friends. He loved ancient poems and would recite them when he had been drinking . . . He married a woman from the Aoki family, and they had a boy named Tadao. This tomb was built in his memory and on it, his overall life story was told. January 7, 1919 Tadao built this tomb.
  • 6. How do we tell these stories? • Maps and Guides
  • 7. How do we tell these stories? • Plaques and Monuments
  • 8. How do we tell these stories? • Walking Tours
  • 9. Enter the mobile revolution
  • 10. There are two platforms
  • 11. What can you do with mobile interpretation? • Interpret any site • Geolocation • Text, images • Copy any physical interpretation
  • 12. What else can you do with mobile? • Multimedia • Oral histories • Low cost per site • Multiple stories per site • Changing interpretation • Partnerships • QR Codes • Web presence
  • 13. Choices When Going Mobile • Make your own or join a project? • Who is your audience? • Commercial or non-profit partnerships? • Native app or optimized website? • Multimedia? • Which platforms? • Reuse content or develop fresh? • Images and copyright?
  • 14. A Few Best Practices • Own your content • Build a database • Don’t reinvent the wheel • Partner promiscuously • Form an editorial board • Use blogs as rough drafts • Eschew perfection
  • 15. A few Do-Nots • Don’t repeat historical errors! • Don’t scrape a database • Don’t be boring • Don’t get stale • Don’t replicate a paper tour
  • 17. How does it work? • Supported by Public History program at EWU • Omeka database • Android, iOS, and associated website • Currently work of EWU students • Research from Northwest Museum of Arts & Culture, Spokane Public Library, Spokane Valley Heritage Museum, Washington State Archives, etc., etc.
  • 18. Difficulties and Lessons Learned • Some students are smarter than others • Copyright and images • Audio is better from professionals • Stops can be built in stages • It takes a village, or at least a team • Promotion is almost another project • Steady funding • Huge public interest!
  • 19. Contact Us Larry Cebula LarryCebula@Gmail.com NorthwestHistory.Blogspot.com SpokaneHistorical.org