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SHORT FILM ANALYSIS 2
  Jaspreet Hanspal
iCandy Productions
   This production company presents to us a romantic
    comedy film which features just one character. There
    is no speech/dialogue, instead, the narrative is told
    through the actor’s actions and gestures.
   The environment again, is a home environment, to
    create a domestic feel, so that audiences are likely to
    relate to what is being shown.
   It involves a young man waiting and preparing for a
    date that is due to come in the evening.
   A recurring and prominent theme is that of time, the
    lack/importance of time, and proves to be something
    that is original to add to a storyline when involving a
    romance.
First frame- impressions
  The title is displayed
in a frame which is an
extreme close-up of a
bubbling pot, which
gives an indication that
tension is brewing. This is quite creative in the sense that we would
   normally expect a black screen with the font in the centre of the screen,
   however this makes the film more interesting from start to end.
This is significant as the first frame does not give us any clues about the
   main character in terms of who he is, how old he is etc.
The simple short text connotes a snappy feel, highlighting the idea that the
   film is concise and quick to the point. In other words, a simple linear
   narrative which is not over complicated at any point.
The scene also sets up a kitchen scene, as we are now made aware that
   there will be cooking involved in the preparation of this date.
 The close-up shots of
the food that is being pr-
epared encompass the
Man chopping the food
In a rhythmic way in
Unison with the background music. The opening
  setting being a kitchen shows the character to
  be mature, as we do not normally associate
  young males to be experienced in the kitchen.
The warmth of the orange and yellow in the
  scene give a sense of homeliness as these
  warm colours create a domestic and
  comfortable experience as the actor is not in
  an environment he would feel uncomfortable
  in.
  The repetition of the
Chopping is done to create
a rhythmic and continuous
sense of momentum, mim-
icking a clock ticking. This
is a subtle but effective way of keeping the
   audience constantly entertained and drawn into
   the action of the film, as it can become quite
   dreary watching a film with no dialogue. This
   also mirrors the anticipation for the date, and
   the non-diegetic score music changes as per
   the character’s mood. Furthermore, it is
   blended to create a smooth transition from one
   scene to another.
  The cinematography in this
segment is used to draw attention
To the action, the camera pans
down to the chopping of the onion
showing that things are running
smoothly so far, and that there is
harmony in the equilibrium so far.
The character’s costume suggests
he is quite young as he is dressed
casually and is sporting an urban
t-shirt, suggesting he is a teenager
or in his early adult years.
 There is mixed use of
camera angles to create
a dynamic and interesting
viewing experience for
the audience, and in a way
the director is making up for the lack of dialogue in
  the whole production. The swift movement of the
  sheet being repeatedly set into place signifies the
  character’s attention to detail;
and his caring attitude to provide
a good night for him and his date
  His caring person-
ality is further explored
in this scene as he
scatters pettles and
candles across the table,
these things connote romance, as well as the wine
   which is a symbol of elegance and fine dining,
   as well as intoxication and lust. The well set
   table is
finished off with a red
rose in the centre, and the
rose is the epitome of the
romantic genre as it sym-
bolises attraction and love.
  The comic element of the
film is added here, as there
is a typical conventon of
comedy, suggested nudity
and the actor doing a funny
dance in the shower, miming singing. This
   creates a sense of humour and stability in the
   equilibrium as everything is running smoothly
   so far. We can tell
the actor is very concerned
with his appearance and
wants to ensure that he is
looking his best for his date in
order to impress her.
   A mid shot is used in this scene to suggest that
    there is nudity but not actually show it all, this
    creates humour as the audience can identify
    he is naked.
   This allows for the audience to have their own
    interpretation when it comes to watching the
    film, as everything is not given away directly,
    the director has allowed the audience to
    engage with the film in this manner, which
    heightens the entertainment factor.
  The comical element
Is extended in the bath
-room scene as the
Actor is doing things
To make him appear
Better on his date. These things are uncomfortable
And entertaining for the
Audience to watch as
They provide a light-hea
Rted insight into people’s
Insecurities.
The use of a close-up illus
Trates the phrase ‘up close
And personal’
  A longshot is used here
to capture the whole body
from head to toe, which
shows the actor as almost
nude, which in essence
translates as comical.
character positioning sugg
ests he wants to be a mas-
culine figure and holds his
stance as a superhero,
showing what men would
like to be, but must accept
themselves the way they are.
effectively representing the
‘real man’ and subverting the expectations of how men
   are presented
  This is further shown in
the frame above as the
actor is tensing his body
to show his muscles but we
as an audience see a lean
and regular guy.
Now we see the actor in
attire that is formal and
sophisticated, showing
that he has transformed
from silly and immature
to mature and suave in
order to impress the girl.
This is a stereotype that has
been followed.
  An unusual but effective
addition has been made
in the frame to draw atten
tion to the importance of
time, and a disruption in
the equillibrium as his date is late and has not
   shown up regardless of the
slow passing of time. We
see a glum and solemn
look on the actors face as
he tries to call her, and to
no avail, begins to resort
to cleaning and waiting.
The highlighted blue areas
   These are all major elements of the
    climax/attempted resolution of the film. The
    actor becomes disappointed and eats his own
    plate of food, then later moves on to eat his
    date’s dinner also in anger. He then drinks the
    whole bottle of wine to intoxicate himself and
    make him fall out of his senses, creating more
    humour. We feel sympathy for the character as
    we see through a range of angles he is
    drinking his sorrows away by finishing the
    wine. The last frame is upside down to mirror
    his life now also being upside down.
 The symbolism of his hand
On his head shows his dismay
And loneliness, this shot en-
Compasses the table with just
Him sat on it, highlighting his failed date.

The extreme close-up on the phone delivers to the
Audience a shock, as
We see his date has
Sent him a message
To say she is late and
Will be over extremely
Shortly.
Last scene
  The audience lastly see
the shocked and confused
expression on the actors face
as he is now unaware of
what he can do, and is hor-
rified at what he has done in anger waiting for
   his date. This creates sympathy toward him
   but also comedy as this is an unfortunate but
   comic ending which is short and sudden.
Summary
   The film cuts to black and we hear a doorbell
    to identify the fact that his date has arrived and
    there is no food or drink left. All his efforts have
    gone to waste. The use of personal space e.g.
    The bedroom could connote a sense of
    security when you want to escape from the
    daily troubles, and this is where the character
    goes whilst calling and waiting for his date.
    The loud and bold music used when the actor
    is convinced his date has stood him up
    amplifies his anger further.

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Short film analysis 2

  • 1. SHORT FILM ANALYSIS 2 Jaspreet Hanspal
  • 2. iCandy Productions  This production company presents to us a romantic comedy film which features just one character. There is no speech/dialogue, instead, the narrative is told through the actor’s actions and gestures.  The environment again, is a home environment, to create a domestic feel, so that audiences are likely to relate to what is being shown.  It involves a young man waiting and preparing for a date that is due to come in the evening.  A recurring and prominent theme is that of time, the lack/importance of time, and proves to be something that is original to add to a storyline when involving a romance.
  • 3. First frame- impressions  The title is displayed in a frame which is an extreme close-up of a bubbling pot, which gives an indication that tension is brewing. This is quite creative in the sense that we would normally expect a black screen with the font in the centre of the screen, however this makes the film more interesting from start to end. This is significant as the first frame does not give us any clues about the main character in terms of who he is, how old he is etc. The simple short text connotes a snappy feel, highlighting the idea that the film is concise and quick to the point. In other words, a simple linear narrative which is not over complicated at any point. The scene also sets up a kitchen scene, as we are now made aware that there will be cooking involved in the preparation of this date.
  • 4.  The close-up shots of the food that is being pr- epared encompass the Man chopping the food In a rhythmic way in Unison with the background music. The opening setting being a kitchen shows the character to be mature, as we do not normally associate young males to be experienced in the kitchen. The warmth of the orange and yellow in the scene give a sense of homeliness as these warm colours create a domestic and comfortable experience as the actor is not in an environment he would feel uncomfortable in.
  • 5.  The repetition of the Chopping is done to create a rhythmic and continuous sense of momentum, mim- icking a clock ticking. This is a subtle but effective way of keeping the audience constantly entertained and drawn into the action of the film, as it can become quite dreary watching a film with no dialogue. This also mirrors the anticipation for the date, and the non-diegetic score music changes as per the character’s mood. Furthermore, it is blended to create a smooth transition from one scene to another.
  • 6.  The cinematography in this segment is used to draw attention To the action, the camera pans down to the chopping of the onion showing that things are running smoothly so far, and that there is harmony in the equilibrium so far. The character’s costume suggests he is quite young as he is dressed casually and is sporting an urban t-shirt, suggesting he is a teenager or in his early adult years.
  • 7.  There is mixed use of camera angles to create a dynamic and interesting viewing experience for the audience, and in a way the director is making up for the lack of dialogue in the whole production. The swift movement of the sheet being repeatedly set into place signifies the character’s attention to detail; and his caring attitude to provide a good night for him and his date
  • 8.  His caring person- ality is further explored in this scene as he scatters pettles and candles across the table, these things connote romance, as well as the wine which is a symbol of elegance and fine dining, as well as intoxication and lust. The well set table is finished off with a red rose in the centre, and the rose is the epitome of the romantic genre as it sym- bolises attraction and love.
  • 9.  The comic element of the film is added here, as there is a typical conventon of comedy, suggested nudity and the actor doing a funny dance in the shower, miming singing. This creates a sense of humour and stability in the equilibrium as everything is running smoothly so far. We can tell the actor is very concerned with his appearance and wants to ensure that he is looking his best for his date in order to impress her.
  • 10. A mid shot is used in this scene to suggest that there is nudity but not actually show it all, this creates humour as the audience can identify he is naked.  This allows for the audience to have their own interpretation when it comes to watching the film, as everything is not given away directly, the director has allowed the audience to engage with the film in this manner, which heightens the entertainment factor.
  • 11.  The comical element Is extended in the bath -room scene as the Actor is doing things To make him appear Better on his date. These things are uncomfortable And entertaining for the Audience to watch as They provide a light-hea Rted insight into people’s Insecurities. The use of a close-up illus Trates the phrase ‘up close And personal’
  • 12.  A longshot is used here to capture the whole body from head to toe, which shows the actor as almost nude, which in essence translates as comical. character positioning sugg ests he wants to be a mas- culine figure and holds his stance as a superhero, showing what men would like to be, but must accept themselves the way they are. effectively representing the ‘real man’ and subverting the expectations of how men are presented
  • 13.  This is further shown in the frame above as the actor is tensing his body to show his muscles but we as an audience see a lean and regular guy. Now we see the actor in attire that is formal and sophisticated, showing that he has transformed from silly and immature to mature and suave in order to impress the girl. This is a stereotype that has been followed.
  • 14.  An unusual but effective addition has been made in the frame to draw atten tion to the importance of time, and a disruption in the equillibrium as his date is late and has not shown up regardless of the slow passing of time. We see a glum and solemn look on the actors face as he tries to call her, and to no avail, begins to resort to cleaning and waiting.
  • 15.
  • 16. The highlighted blue areas  These are all major elements of the climax/attempted resolution of the film. The actor becomes disappointed and eats his own plate of food, then later moves on to eat his date’s dinner also in anger. He then drinks the whole bottle of wine to intoxicate himself and make him fall out of his senses, creating more humour. We feel sympathy for the character as we see through a range of angles he is drinking his sorrows away by finishing the wine. The last frame is upside down to mirror his life now also being upside down.
  • 17.  The symbolism of his hand On his head shows his dismay And loneliness, this shot en- Compasses the table with just Him sat on it, highlighting his failed date. The extreme close-up on the phone delivers to the Audience a shock, as We see his date has Sent him a message To say she is late and Will be over extremely Shortly.
  • 18. Last scene  The audience lastly see the shocked and confused expression on the actors face as he is now unaware of what he can do, and is hor- rified at what he has done in anger waiting for his date. This creates sympathy toward him but also comedy as this is an unfortunate but comic ending which is short and sudden.
  • 19. Summary  The film cuts to black and we hear a doorbell to identify the fact that his date has arrived and there is no food or drink left. All his efforts have gone to waste. The use of personal space e.g. The bedroom could connote a sense of security when you want to escape from the daily troubles, and this is where the character goes whilst calling and waiting for his date. The loud and bold music used when the actor is convinced his date has stood him up amplifies his anger further.