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The Lewis Nash Jazz in AZ Center
    Education Programs Vision
introduction
“Jazz music is one of America’s most significant contributions
to world culture. It speaks to the universal need for
community, communication and self-expression.”
  —Wynton Marsalis
Jazz in AZ


Since 1977, Jazz in Arizona
has fulfilled its mission: to
support the art of live jazz
and cultivate interest in
the music through
education, scholarships
and community outreach.
Lewis Nash Jazz in AZ Center


               In Spring 2012, Jazz in Arizona
               will have a new home:
               the Lewis Nash Jazz in AZ Center.

               Named for the legendary
               musician and Phoenix native,
               the Center will celebrate the
               cultural treasure of American
               music and ensure the future of
               jazz for generations to come.
about this project
The Lewis Nash Jazz in AZ Center (“The Nash”) will be more than a
concert venue. The new facility offers Jazz in AZ the opportunity to
dramatically expand upon its educational programming.




The education committee of the Board of Directors has prepared this
document as a tool to help us visualize the various types of education
programs we intend to provide.
The goals of this visioning process are to:

     articulate our vision for jazz education;

     gather information and advice from the community;

     describe our long-term (5-year) program plans;

     establish guidelines for participating artists-educators; and

     identify key program objectives for our first year of
     operation. This is the stage we are in now. Year one objectives
     should be specific, measurable and attainable.
We solicited advice from three groups 1


                                  Jazz in AZ
                                  stakeholders


                                  Respected
                                  colleagues

     1
                                  Experts in
           2                      the field
                 3
We asked the following questions:

     What are our strengths, weaknesses, opportunities and
     threats?

     What kinds of jazz education programs are possible? What
     are other, similar organizations accomplishing nationally and
     around the world?

     What models should we study? What are the best practices
     in the field? What can we learn from other organizations’
     successes and failures?

     What kinds of programs are needed here in the Valley of the
     Sun? What resources currently exist? Which are lacking?

     What education programs would you, personally, like to see?
     What would be of benefit to you and your network?
executive summary
The Lewis Nash Jazz in AZ Center will offer a dynamic array of
jazz presentation and education programs for youth, adults,
artists and audiences in the concert hall, classroom and
community.

We envision a year-round calendar of intimate on-site events,
enhanced through strategic partnerships with regional an
national artists, schools and organizations, reaching a global
online audience.

The following values emerged as guiding principles to shape all
our programs:
Inclusivity — the conviction that jazz is for everyone: children,
adults, seniors, and families; musicians and non-musicians;
privileged and the under-served.

Diversity — a commitment to stylistically diverse programs and
culturally diverse artists and audiences. Freedom from jazz purism
and genre stagnation. A “both/and” approach to jazz preservation
and exploration.

Unity — educational programs should be fully integrated with
performance programs. We will be neither a jazz club that offers
workshops, nor a school that hosts shows, but a unified jazz
presentation and education organization.

Relevance — always fill real essential needs, never duplicate existing
programs, assist rather than compete, seek out effective strategic
partnerships.

Excellence — maintain the highest quality. Strive for all programs to
be informative, interactive, fun, regularly evaluated and improved.
program recommendations
1. Jazz in the Schools | introducing kids to jazz
2. Teacher Training Institute | in-service certification
3. Meet the Masters | workshops for musicians
4. Jazz in AZ Academy | after school & weekends
5. Jazz in AZ Camp | summer session
6. Jazz in AZ Scholarships | talent, merit & need-based
7. Private Instruction | rental & referral
8. Jazz in AZ Combo Lab | coaching & mentoring
9. Jazz After Hours | hosted jam sessions
10. Family Matinee Concerts | jazz for young people
11. Inside Jazz | pre-concert talks
12. Jazz Essentials | music appreciation course
13. Lewis Nash Jazz Fellowship | artist in residence
14. Arizona Jazz Summit | industry symposium
15. Jazz on Film Festival | features & documentaries
16. Member Listening Parties | guided listening & commentary
17. Jazz in AZ Career Center | technical assistance consulting
18. Online Learning | calendar, curricula & resources
Jazz in the Schools
                introducing kids to jazz




Based on the innovative model developed by ArtsVision 2, Jazz in
AZ will contract with, train and supervise ensembles of teaching
artists to lead Jazz in the Schools for 4th grade students and teachers.
Jazz in the Schools will incorporate some elements from, and
significantly expand upon, the existing How Cool is Jazz program.

Offered free to public schools throughout the academic year, the
program will be expanded (as funding permits) to encompass several
ensembles serving different 4th grade classes on multiple campuses.

Teaching artists will be selected annually by invitation and competitive
audition, across a variety of musical styles and sub-genres. In the
interest of access and diversity, participating ensembles will change
from year to year.

Program highlights include classroom visits, school assemblies, field
trips to the Nash, a Teacher Training Institute, student workbooks,
vocabulary, and other pre- and post-visit activity resources for teachers
and students to use throughout the year.
Program content will follow government curriculum guidelines and
district content standards, and will be informed by the most current
arts education research.

Our teaching methodology will confer skills to help students negotiate
this important transitional period in their lives. Drawing on the
fundamental elements of jazz, students will be immersed in the jazz
concepts of collaboration and improvisation.

Curriculum-based residencies, developed in consultation with district
personnel, will link jazz with classroom subjects. For example, Blues &
Poetry to language arts, Oral Tradition to social studies, Jazz & The
American Spirit to history, Syncopated Rhythm to mathematics.

Annual program evaluation and revision will ensure ongoing program
improvement and student achievement.
Teacher Training Institute
                 in-service certification



Twice annually (one Saturday
afternoon each academic
semester), Jazz in AZ will host a
Teacher Training Institute for Jazz
in the Schools teachers (and
interested others), providing
special training, resources and
in-service participation
certification for bringing jazz
into the classroom.
Meet the Masters
               workshops for musicians


5 to 10 times annually, Jazz in AZ
will host Meet the Masters
workshops for musicians,
featuring prominent regional and
touring artists (in association
with partner presenters) at the
Lewis Nash Jazz in AZ Center.
Offered free to Jazz in AZ
members and students, most
workshops will be open to the
public for a nominal fee.
Meet the Masters workshops will include:

Informances — informal performances, aka “concerts with
conversation,” in which teaching artists present a mini-concert on
stage followed by a moderated Q&A session with attendees;

Open Rehearsals — in which aspiring musicians have the opportunity
to go behind-the-scenes and witness the creative processes of masters
as they develop new work and prepare a performance;

Clinics — interactive and topical lecture/demonstrations, often vocal-
or instrument-specific, in which master musicians offer training in the
finer nuances of specific techniques; and

Master Classes — ensemble instruction based on the conservatory
model, in which an exceptional student/ensemble performs for and is
critiqued by a master musician, before an audience of fellow students.
Jazz in AZ Academy
after school & Weekends


         The Jazz in AZ Academy will offer
         instrumental jazz instruction to
         middle school students throughout
         the academic year.

         Interested students must submit an
         application, letter of recommendation
         from a band director or teacher, and
         attend a live audition. The moderately
         priced program will be offered tuition
         free to selected students based on
         household income verification.
Modeled after successful programs in San Francisco and New York 3,
the Jazz in AZ Academy will meet weekly from October through May,
with a culminating public performance at the close of each semester.
Each student will receive Private Instruction after school during the
week in addition to Saturday Academy group classes at the Lewis Nash
Jazz in AZ Center in downtown Phoenix.

During the Saturday Academy, students will be taught to play jazz,
with an emphasis on teamwork, creativity and self-expression.
Academy faculty will be accomplished artists and educators from the
region.

Participating students will have the opportunity to participate in
Meet the Masters workshops with legendary musicians each semester.

Students will also receive free and discounted tickets to evening and
weekend Family Matinee Concerts.
Jazz in AZ Camp
                     summer sessions



Modeled on leading national 4
programs, Jazz in AZ Camp will
be a week-long intensive day
camp during the summer
months which expands upon
our Jazz in AZ Academy
offerings during the school
year with additional listening,
learning, study and
performance opportunities.
Jazz in AZ Scholarships
             talent, merit & need-based


5 to 10 Jazz in AZ Scholarships
will be offered annually to
aspiring musicians of all
ages, to assist with expenses
associated with jazz studies.
Scholarships may be offered
over a range of amounts up
to several thousand dollars
in value, and may be
awarded based on talent,
merit and/or need.
The existing Jazz in AZ Scholarships program will be enhanced as
follows:

Deadlines — Annual application and award deadlines will be
established, driven by the rhythm of the academic year, planning
timetables of students and parents, and the Jazz in AZ fundraising
calendar/fiscal year. Scholarships will only be awarded once annually
after segregated funds have been raised and allocated. Annual
deadlines will be established for completion of fundraising,
application, adjudication, notification, awards and award ceremonies.

Named Scholarships — Jazz in AZ will adopt a donor-designated
named scholarship fund model to allow for greater specificity with
regard to award amounts and individual scholarship objectives.
Scholarships may be named after historic jazz masters (for example,
Illinois Jacquet, Lewis Nash or Art & Addison Farmer), after donors
making multi-year gift commitments (an excellent naming opportunity
for donors who express interest in jazz education), after community
leaders or artist-educators of special significance to the organization,
or in memory of a donor who makes a generous bequest to the
scholarship program. An annual concert may also be created to raised
funds for a named memorial scholarship (the James Williams/William
Patteron University model).

Application & Adjudication — The Jazz in AZ education committee
will recruit a jazz education advisory council to recommend applicants
each cycle by telephone or email. Jazz in AZ will actively seek out
students recommended by this group and encourage them to apply.
The education committee of the Jazz in AZ Board of Directors will
serve as the Scholarship Adjudication Committee, evaluating
applications in an ad-hoc meeting each cycle. Existing application
requirements may be enhanced with the addition of required audio/
video samples. Final award decisions will be at the discretion of the
Executive Director.
Private Instruction
                  rental & referral



Jazz in AZ will assist
musicians seeking Private
Instruction by offering studio
rentals to regional artist-
educators and by maintaining
a preferred teacher referral
list, including teachers who
may reside outside the
Phoenix area and offer
lessons by Skype.
Jazz in AZ Combo Lab
                  coaching & mentoring

Open to student musicians of
all ages, at all levels of ability,
the Jazz in AZ Combo Lab will
be an ongoing, year-round
program, helping aspiring
jazz players meet up with
others of comparable skill,
form combos, jam together
and learn the nuances of
small ensemble playing.
Experienced bandleaders will
guide these sessions and
serve as coaches and mentors.
Jazz After Hours
hosted jam sessions

           Jazz A(er Hours will be a series
           of jam sessions at the Nash,
           held frequently as part of the
           venue’s year-round schedule of
           events. In addition to regular
           evening sessions, special late-
           night “after hours” sessions
           will be offered so that regional
           and touring artists can come
           together after performances to
           jam. Sessions will be
           supervised by a rotating series
           of “host” musicians.
Family Matinee Concerts
                jazz for young people


As part of each season of
concert offerings, Jazz in AZ
will include one or more
Family Matinee Concerts
designed for kids and families.
Fun-filled, educational and
interactive, these one-hour
shows on weekend afternoons
will feature lively performance,
audience participation and
Q&A with the artists.
Inside Jazz
pre-concert talks



        At select performances during
        each concert season, Jazz in AZ
        will offer intimate, moderated
        discussions with featured
        performing artists one hour prior
        to show time. Free to ticket
        holders, Inside Jazz pre-concert
        talks will provide insight into the
        performer’s music and creative
        process.
Jazz Essentials
music appreciation course

           Modeled on leading national 5
           programs and presented twice
           annually, each five-week Jazz
           Essentials course will offer an in-
           depth look at jazz in all its forms.
           Taught be top regional artists and
           lecturers, these classes will
           combine discussion, deep
           listening, live performance, guest
           musicians, and classic audio and
           video clips to offer the most
           distinctive jazz appreciation
           course available for adults.
Lewis Nash Jazz Fellowship
                   artist in residence

The Lewis Nash Jazz Fe)owship
is a cash award and residency,
awarded annually to an artist-
educator, who works with
young musicians participating
in Jazz in AZ programs. The
artist-in-residence serves as a
clinician and mentor to
students, while developing his
or her own new work for a
premiere performance at the
Lewis Nash Jazz in AZ
Center.
Arizona Jazz Summit
                  industry symposium

Hosted by Jazz in AZ and
attended by musicians and
industry professionals, the
Arizona Jazz Summit will be
an annual symposium, town
meeting and panel discussion
to discuss the current state of
jazz in the region. Moderately
priced and free to members,
the Summit will explore
solutions to shared challenges
while introducing peers to
Nash programs and resources.
Jazz on Film Festival
features & documentaries



              Presented annually over
              several consecutive evenings,
              the Jazz on Film Festival will
              invoke jazz as a visual medium.
              Hosted by guest archivists and
              curators, the annual event will
              include historic footage of jazz
              legends in performance,
              documentaries on jazz subjects
              and feature films with jazz
              soundtracks.
Member Listening Parties
guided listening & commentary


                Member Listening Parties
                feature a jazz recording artist
                in conversation, playing
                excerpts from favorite
                albums and sharing insights
                and anecdotes about the
                music. Offering a behind-
                the-scenes perspective in an
                intimate setting, this annual
                event will be one of several
                unique programs offered only
                to Jazz in AZ members.
Jazz in AZ Career Center
technical assistance consulting

                 The Jazz in AZ Career Center
                 will provide professional
                 musicians with access to a
                 national database of industry
                 professionals for technical
                 assistance consultations on
                 an hourly basis. Counseling
                 will be available in such areas
                 as publicity, grantwriting,
                 contract negotiation, music
                 publishing & licensing,
                 bookings and more.
Online Learning
        calendar, curricula & resources


Jazz in AZ will offer Online
Learning through its website,
which will include (a) live
streaming and audio/video of
Nash Center programs, (b) a
comprehensive master
calendar of Arizona jazz
events, and (c) links to top
national online curricula for
students and teachers: Jazz
in America, Jazz for Young
People and Jazz in the Schools.
other considerations
PARTNERSHIPS




Our success will be depend on our ability to form strong
strategic partnerships with other nonprofit arts and community
organizations, boys and girls clubs, art museums and galleries,
arts magnet and charter schools, area restaurants, hotels, resorts
and merchants, churches, musical instrument manufacturers
and technology companies.
ATMOSPHERE


Our venue should be a
vibrant and informal “third
place,” more gallery than
museum, more coffeehouse
than concert hall. The
atmosphere should be a
welcoming one of
experimentation, discovery,
interaction, participation and
fun. A place where all ages,
but especially young people,
will feel comfortable just
hanging out.
TECHNOLOGY


      In addition to free, wireless high
      speed internet, the facility
      should have turnkey access to
      state-of-the-art technology,
      including a midi digital
      keyboard, computer, monitor,
      music software, video camera,
      projection, public address and
      sound equipment. Simulcasting
      capability is key, both for live
      streaming of our events, and on-
      site viewing of important jazz
      events happening elsewhere.
conclusion
Life-Long Engagement



          The Lewis Nash Jazz in AZ Center
          will offer a richly diverse array of
          listening and learning experiences
          that serve artists, build audiences
          and foster life-long engagement with
          jazz.
The Louis Nash Jazz in AZ Center
jazz happens here.
FOOTNOTES


1 For Jazz in AZ, Board President Steve Douglass, Executive Director Joel Goldenthal, and Education
Committee members Jeff Libman, Dmitri Matheny and Stu Siefer. Arizona-based artist/educators consulted
include Fred Forney, Jeremy Lappitt, Nick Manson, Eric Rasmussen, Adam Roberts and Raul Yanez. Experts in
the field (studied and/or interviewed) include Marty Ashby, Manchester Cra(smen’s Guild (Pittsburgh PA); Ed
Dunsavage, Siskiyou Institute (Ashland OR); Earshot Jazz (Seattle WA); Bruce Forman, Jazz Masters Workshop
(Carmel CA); Interlochen Center for the Arts (Interlochen MI); Jazz at Lincoln Center (New York NY); Jazz Camp
West (Loma Mar CA); Jazzschool (Berkeley CA); Kennedy Center Jazz (Washington DC); Mitchell Korn, ArtsVision
(Nashville TN); Monterey Jazz Festival (Monterey CA); National Jazz Service Organization (Washington DC); Tom
Guralnick, Outpost Performance Space (Albuquerque NM); New Mexico Jazz Workshop (Albuquerque NM);
SFJAZZ | San Francisco Jazz Organization (San Francisco CA); Stanford Jazz Workshop (Stanford CA); Thelonious
Monk Institute of Jazz (Los Angeles CA); Villy Wang, Bay Cat (San Francisco CA); and Young Musicians Program
(Berkeley CA).

2 ArtsVision has designed many of the nation’s most important and sustainable arts education initiatives for
San Francisco Symphony, New York City Annenberg Initiative, Chicago Arts Partnerships in Education, Cleveland
Orchestra Learning Through Music, San Francisco Ballet, Hart School of Music, Carnegie Hall, North Carolina
Blumenthal Performing Arts Center, Bushnell Center for the Performing Arts, Baltimore Symphony, Orange County
Performing Arts Center, SFJAZZ and others.
3 The Young Musicians Program of UC Berkeley and the Middle School Jazz Academy of Jazz at Lincoln Center
in New York City.
4 National Music Camp at Interlochen Center for the Arts (Interlochen MI), Stanford Jazz Workshop (Stanford CA)
and Jamey Aebersold Summer Jazz Workshop (Louisville KY).
5 Swing University (Jazz at Lincoln Center), Discover Jazz (SFJAZZ) and Jazz 101 (Kennedy Center).
Jazz in Arizona, Inc.
     PO Box 2913
Scottsdale AZ 85252-2913
   www.jazzinaz.org

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The nash education v2.0

  • 1. The Lewis Nash Jazz in AZ Center Education Programs Vision
  • 3. “Jazz music is one of America’s most significant contributions to world culture. It speaks to the universal need for community, communication and self-expression.” —Wynton Marsalis
  • 4. Jazz in AZ Since 1977, Jazz in Arizona has fulfilled its mission: to support the art of live jazz and cultivate interest in the music through education, scholarships and community outreach.
  • 5. Lewis Nash Jazz in AZ Center In Spring 2012, Jazz in Arizona will have a new home: the Lewis Nash Jazz in AZ Center. Named for the legendary musician and Phoenix native, the Center will celebrate the cultural treasure of American music and ensure the future of jazz for generations to come.
  • 7. The Lewis Nash Jazz in AZ Center (“The Nash”) will be more than a concert venue. The new facility offers Jazz in AZ the opportunity to dramatically expand upon its educational programming. The education committee of the Board of Directors has prepared this document as a tool to help us visualize the various types of education programs we intend to provide.
  • 8. The goals of this visioning process are to: articulate our vision for jazz education; gather information and advice from the community; describe our long-term (5-year) program plans; establish guidelines for participating artists-educators; and identify key program objectives for our first year of operation. This is the stage we are in now. Year one objectives should be specific, measurable and attainable.
  • 9. We solicited advice from three groups 1 Jazz in AZ stakeholders Respected colleagues 1 Experts in 2 the field 3
  • 10. We asked the following questions: What are our strengths, weaknesses, opportunities and threats? What kinds of jazz education programs are possible? What are other, similar organizations accomplishing nationally and around the world? What models should we study? What are the best practices in the field? What can we learn from other organizations’ successes and failures? What kinds of programs are needed here in the Valley of the Sun? What resources currently exist? Which are lacking? What education programs would you, personally, like to see? What would be of benefit to you and your network?
  • 12. The Lewis Nash Jazz in AZ Center will offer a dynamic array of jazz presentation and education programs for youth, adults, artists and audiences in the concert hall, classroom and community. We envision a year-round calendar of intimate on-site events, enhanced through strategic partnerships with regional an national artists, schools and organizations, reaching a global online audience. The following values emerged as guiding principles to shape all our programs:
  • 13. Inclusivity — the conviction that jazz is for everyone: children, adults, seniors, and families; musicians and non-musicians; privileged and the under-served. Diversity — a commitment to stylistically diverse programs and culturally diverse artists and audiences. Freedom from jazz purism and genre stagnation. A “both/and” approach to jazz preservation and exploration. Unity — educational programs should be fully integrated with performance programs. We will be neither a jazz club that offers workshops, nor a school that hosts shows, but a unified jazz presentation and education organization. Relevance — always fill real essential needs, never duplicate existing programs, assist rather than compete, seek out effective strategic partnerships. Excellence — maintain the highest quality. Strive for all programs to be informative, interactive, fun, regularly evaluated and improved.
  • 15. 1. Jazz in the Schools | introducing kids to jazz 2. Teacher Training Institute | in-service certification 3. Meet the Masters | workshops for musicians 4. Jazz in AZ Academy | after school & weekends 5. Jazz in AZ Camp | summer session 6. Jazz in AZ Scholarships | talent, merit & need-based 7. Private Instruction | rental & referral 8. Jazz in AZ Combo Lab | coaching & mentoring 9. Jazz After Hours | hosted jam sessions 10. Family Matinee Concerts | jazz for young people 11. Inside Jazz | pre-concert talks 12. Jazz Essentials | music appreciation course 13. Lewis Nash Jazz Fellowship | artist in residence 14. Arizona Jazz Summit | industry symposium 15. Jazz on Film Festival | features & documentaries 16. Member Listening Parties | guided listening & commentary 17. Jazz in AZ Career Center | technical assistance consulting 18. Online Learning | calendar, curricula & resources
  • 16. Jazz in the Schools introducing kids to jazz Based on the innovative model developed by ArtsVision 2, Jazz in AZ will contract with, train and supervise ensembles of teaching artists to lead Jazz in the Schools for 4th grade students and teachers.
  • 17. Jazz in the Schools will incorporate some elements from, and significantly expand upon, the existing How Cool is Jazz program. Offered free to public schools throughout the academic year, the program will be expanded (as funding permits) to encompass several ensembles serving different 4th grade classes on multiple campuses. Teaching artists will be selected annually by invitation and competitive audition, across a variety of musical styles and sub-genres. In the interest of access and diversity, participating ensembles will change from year to year. Program highlights include classroom visits, school assemblies, field trips to the Nash, a Teacher Training Institute, student workbooks, vocabulary, and other pre- and post-visit activity resources for teachers and students to use throughout the year.
  • 18. Program content will follow government curriculum guidelines and district content standards, and will be informed by the most current arts education research. Our teaching methodology will confer skills to help students negotiate this important transitional period in their lives. Drawing on the fundamental elements of jazz, students will be immersed in the jazz concepts of collaboration and improvisation. Curriculum-based residencies, developed in consultation with district personnel, will link jazz with classroom subjects. For example, Blues & Poetry to language arts, Oral Tradition to social studies, Jazz & The American Spirit to history, Syncopated Rhythm to mathematics. Annual program evaluation and revision will ensure ongoing program improvement and student achievement.
  • 19. Teacher Training Institute in-service certification Twice annually (one Saturday afternoon each academic semester), Jazz in AZ will host a Teacher Training Institute for Jazz in the Schools teachers (and interested others), providing special training, resources and in-service participation certification for bringing jazz into the classroom.
  • 20. Meet the Masters workshops for musicians 5 to 10 times annually, Jazz in AZ will host Meet the Masters workshops for musicians, featuring prominent regional and touring artists (in association with partner presenters) at the Lewis Nash Jazz in AZ Center. Offered free to Jazz in AZ members and students, most workshops will be open to the public for a nominal fee.
  • 21. Meet the Masters workshops will include: Informances — informal performances, aka “concerts with conversation,” in which teaching artists present a mini-concert on stage followed by a moderated Q&A session with attendees; Open Rehearsals — in which aspiring musicians have the opportunity to go behind-the-scenes and witness the creative processes of masters as they develop new work and prepare a performance; Clinics — interactive and topical lecture/demonstrations, often vocal- or instrument-specific, in which master musicians offer training in the finer nuances of specific techniques; and Master Classes — ensemble instruction based on the conservatory model, in which an exceptional student/ensemble performs for and is critiqued by a master musician, before an audience of fellow students.
  • 22. Jazz in AZ Academy after school & Weekends The Jazz in AZ Academy will offer instrumental jazz instruction to middle school students throughout the academic year. Interested students must submit an application, letter of recommendation from a band director or teacher, and attend a live audition. The moderately priced program will be offered tuition free to selected students based on household income verification.
  • 23. Modeled after successful programs in San Francisco and New York 3, the Jazz in AZ Academy will meet weekly from October through May, with a culminating public performance at the close of each semester. Each student will receive Private Instruction after school during the week in addition to Saturday Academy group classes at the Lewis Nash Jazz in AZ Center in downtown Phoenix. During the Saturday Academy, students will be taught to play jazz, with an emphasis on teamwork, creativity and self-expression. Academy faculty will be accomplished artists and educators from the region. Participating students will have the opportunity to participate in Meet the Masters workshops with legendary musicians each semester. Students will also receive free and discounted tickets to evening and weekend Family Matinee Concerts.
  • 24. Jazz in AZ Camp summer sessions Modeled on leading national 4 programs, Jazz in AZ Camp will be a week-long intensive day camp during the summer months which expands upon our Jazz in AZ Academy offerings during the school year with additional listening, learning, study and performance opportunities.
  • 25. Jazz in AZ Scholarships talent, merit & need-based 5 to 10 Jazz in AZ Scholarships will be offered annually to aspiring musicians of all ages, to assist with expenses associated with jazz studies. Scholarships may be offered over a range of amounts up to several thousand dollars in value, and may be awarded based on talent, merit and/or need.
  • 26. The existing Jazz in AZ Scholarships program will be enhanced as follows: Deadlines — Annual application and award deadlines will be established, driven by the rhythm of the academic year, planning timetables of students and parents, and the Jazz in AZ fundraising calendar/fiscal year. Scholarships will only be awarded once annually after segregated funds have been raised and allocated. Annual deadlines will be established for completion of fundraising, application, adjudication, notification, awards and award ceremonies. Named Scholarships — Jazz in AZ will adopt a donor-designated named scholarship fund model to allow for greater specificity with regard to award amounts and individual scholarship objectives. Scholarships may be named after historic jazz masters (for example, Illinois Jacquet, Lewis Nash or Art & Addison Farmer), after donors
  • 27. making multi-year gift commitments (an excellent naming opportunity for donors who express interest in jazz education), after community leaders or artist-educators of special significance to the organization, or in memory of a donor who makes a generous bequest to the scholarship program. An annual concert may also be created to raised funds for a named memorial scholarship (the James Williams/William Patteron University model). Application & Adjudication — The Jazz in AZ education committee will recruit a jazz education advisory council to recommend applicants each cycle by telephone or email. Jazz in AZ will actively seek out students recommended by this group and encourage them to apply. The education committee of the Jazz in AZ Board of Directors will serve as the Scholarship Adjudication Committee, evaluating applications in an ad-hoc meeting each cycle. Existing application requirements may be enhanced with the addition of required audio/ video samples. Final award decisions will be at the discretion of the Executive Director.
  • 28. Private Instruction rental & referral Jazz in AZ will assist musicians seeking Private Instruction by offering studio rentals to regional artist- educators and by maintaining a preferred teacher referral list, including teachers who may reside outside the Phoenix area and offer lessons by Skype.
  • 29. Jazz in AZ Combo Lab coaching & mentoring Open to student musicians of all ages, at all levels of ability, the Jazz in AZ Combo Lab will be an ongoing, year-round program, helping aspiring jazz players meet up with others of comparable skill, form combos, jam together and learn the nuances of small ensemble playing. Experienced bandleaders will guide these sessions and serve as coaches and mentors.
  • 30. Jazz After Hours hosted jam sessions Jazz A(er Hours will be a series of jam sessions at the Nash, held frequently as part of the venue’s year-round schedule of events. In addition to regular evening sessions, special late- night “after hours” sessions will be offered so that regional and touring artists can come together after performances to jam. Sessions will be supervised by a rotating series of “host” musicians.
  • 31. Family Matinee Concerts jazz for young people As part of each season of concert offerings, Jazz in AZ will include one or more Family Matinee Concerts designed for kids and families. Fun-filled, educational and interactive, these one-hour shows on weekend afternoons will feature lively performance, audience participation and Q&A with the artists.
  • 32. Inside Jazz pre-concert talks At select performances during each concert season, Jazz in AZ will offer intimate, moderated discussions with featured performing artists one hour prior to show time. Free to ticket holders, Inside Jazz pre-concert talks will provide insight into the performer’s music and creative process.
  • 33. Jazz Essentials music appreciation course Modeled on leading national 5 programs and presented twice annually, each five-week Jazz Essentials course will offer an in- depth look at jazz in all its forms. Taught be top regional artists and lecturers, these classes will combine discussion, deep listening, live performance, guest musicians, and classic audio and video clips to offer the most distinctive jazz appreciation course available for adults.
  • 34. Lewis Nash Jazz Fellowship artist in residence The Lewis Nash Jazz Fe)owship is a cash award and residency, awarded annually to an artist- educator, who works with young musicians participating in Jazz in AZ programs. The artist-in-residence serves as a clinician and mentor to students, while developing his or her own new work for a premiere performance at the Lewis Nash Jazz in AZ Center.
  • 35. Arizona Jazz Summit industry symposium Hosted by Jazz in AZ and attended by musicians and industry professionals, the Arizona Jazz Summit will be an annual symposium, town meeting and panel discussion to discuss the current state of jazz in the region. Moderately priced and free to members, the Summit will explore solutions to shared challenges while introducing peers to Nash programs and resources.
  • 36. Jazz on Film Festival features & documentaries Presented annually over several consecutive evenings, the Jazz on Film Festival will invoke jazz as a visual medium. Hosted by guest archivists and curators, the annual event will include historic footage of jazz legends in performance, documentaries on jazz subjects and feature films with jazz soundtracks.
  • 37. Member Listening Parties guided listening & commentary Member Listening Parties feature a jazz recording artist in conversation, playing excerpts from favorite albums and sharing insights and anecdotes about the music. Offering a behind- the-scenes perspective in an intimate setting, this annual event will be one of several unique programs offered only to Jazz in AZ members.
  • 38. Jazz in AZ Career Center technical assistance consulting The Jazz in AZ Career Center will provide professional musicians with access to a national database of industry professionals for technical assistance consultations on an hourly basis. Counseling will be available in such areas as publicity, grantwriting, contract negotiation, music publishing & licensing, bookings and more.
  • 39. Online Learning calendar, curricula & resources Jazz in AZ will offer Online Learning through its website, which will include (a) live streaming and audio/video of Nash Center programs, (b) a comprehensive master calendar of Arizona jazz events, and (c) links to top national online curricula for students and teachers: Jazz in America, Jazz for Young People and Jazz in the Schools.
  • 41. PARTNERSHIPS Our success will be depend on our ability to form strong strategic partnerships with other nonprofit arts and community organizations, boys and girls clubs, art museums and galleries, arts magnet and charter schools, area restaurants, hotels, resorts and merchants, churches, musical instrument manufacturers and technology companies.
  • 42. ATMOSPHERE Our venue should be a vibrant and informal “third place,” more gallery than museum, more coffeehouse than concert hall. The atmosphere should be a welcoming one of experimentation, discovery, interaction, participation and fun. A place where all ages, but especially young people, will feel comfortable just hanging out.
  • 43. TECHNOLOGY In addition to free, wireless high speed internet, the facility should have turnkey access to state-of-the-art technology, including a midi digital keyboard, computer, monitor, music software, video camera, projection, public address and sound equipment. Simulcasting capability is key, both for live streaming of our events, and on- site viewing of important jazz events happening elsewhere.
  • 45. Life-Long Engagement The Lewis Nash Jazz in AZ Center will offer a richly diverse array of listening and learning experiences that serve artists, build audiences and foster life-long engagement with jazz.
  • 46. The Louis Nash Jazz in AZ Center
  • 48. FOOTNOTES 1 For Jazz in AZ, Board President Steve Douglass, Executive Director Joel Goldenthal, and Education Committee members Jeff Libman, Dmitri Matheny and Stu Siefer. Arizona-based artist/educators consulted include Fred Forney, Jeremy Lappitt, Nick Manson, Eric Rasmussen, Adam Roberts and Raul Yanez. Experts in the field (studied and/or interviewed) include Marty Ashby, Manchester Cra(smen’s Guild (Pittsburgh PA); Ed Dunsavage, Siskiyou Institute (Ashland OR); Earshot Jazz (Seattle WA); Bruce Forman, Jazz Masters Workshop (Carmel CA); Interlochen Center for the Arts (Interlochen MI); Jazz at Lincoln Center (New York NY); Jazz Camp West (Loma Mar CA); Jazzschool (Berkeley CA); Kennedy Center Jazz (Washington DC); Mitchell Korn, ArtsVision (Nashville TN); Monterey Jazz Festival (Monterey CA); National Jazz Service Organization (Washington DC); Tom Guralnick, Outpost Performance Space (Albuquerque NM); New Mexico Jazz Workshop (Albuquerque NM); SFJAZZ | San Francisco Jazz Organization (San Francisco CA); Stanford Jazz Workshop (Stanford CA); Thelonious Monk Institute of Jazz (Los Angeles CA); Villy Wang, Bay Cat (San Francisco CA); and Young Musicians Program (Berkeley CA). 2 ArtsVision has designed many of the nation’s most important and sustainable arts education initiatives for San Francisco Symphony, New York City Annenberg Initiative, Chicago Arts Partnerships in Education, Cleveland Orchestra Learning Through Music, San Francisco Ballet, Hart School of Music, Carnegie Hall, North Carolina Blumenthal Performing Arts Center, Bushnell Center for the Performing Arts, Baltimore Symphony, Orange County Performing Arts Center, SFJAZZ and others. 3 The Young Musicians Program of UC Berkeley and the Middle School Jazz Academy of Jazz at Lincoln Center in New York City. 4 National Music Camp at Interlochen Center for the Arts (Interlochen MI), Stanford Jazz Workshop (Stanford CA) and Jamey Aebersold Summer Jazz Workshop (Louisville KY). 5 Swing University (Jazz at Lincoln Center), Discover Jazz (SFJAZZ) and Jazz 101 (Kennedy Center).
  • 49. Jazz in Arizona, Inc. PO Box 2913 Scottsdale AZ 85252-2913 www.jazzinaz.org