Daniel, A., Gibson, M. (2010) Creative Industries in Australian Suburbs – Who is Out There? Paper presented at Creative Suburbia Symposium, 29-30 September 2010, Creative Industries Faculty, QUT, Brisbane.
Het Filosofie Magazine van juli/augustus 2015 opent met: “Misschien worstelen wij meer met seksualiteit dan onze voorouders – wij hebben meer vrijheid, en dat geeft vrijwel altijd meer lastige kwesties.” Hoe ziet onze liefde eruit anno 2015?
Hoe zit met het zielsliefde, zoals tweelingzielen en soulmates? Wat als je deze ontmoet? Welke consequenties heeft dit en hoe ga je daarmee om? En hoe zit het met het begrip monogamie en polyamorie dat steeds meer in de media opduikt? Leonie Linssen, inwoner uit onze eigen Den Bosch, zet polyamorie op de kaart. En hoe! Ze wordt zowel door kranten als televisie regelmatig benaderd om haar verhaal te doen. Ze heeft diverse manieren gevonden om “werkelijk liefdevol in het leven te staan”, ook al betekent dit dat de éne partner monogaam is en de andere partner polygaam. Is dat werkelijk de liefde van deze tijd? En wat zijn dan de verschillen tussen ‘vreemdgaan’ en polyamorie?
Tot slot komen steeds meer professoren van de liefde in opmars, zoals professor Barbara Fredrickson met haar nieuwe boek Liefde 2.0. Fredrickson bekijkt liefde niet alleen vanuit de emotiepsychologie, maar geeft ook handvatten hoe we onze fysieke processen kunnen beïnvloeden om ervoor zorgen dat we liefde als ‘voedingsstof’ in ons kunnen opwekken, ongeacht de omstandigheden. Op deze manier kunnen we de Liefde in ons ervaren, vergroten en vermeerderen.
Daniel, A., Gibson, M. (2009) ‘Boganvillea: Creative Industries in Outer Suburbia’. Presentation to ‘Regions, Regionality, Regionalism: Australian Perspectives’ Symposium, Institute for Regional Studies Association UK, Melbourne, December 2009, < http://www.slideshare.net/AnnaMDaniel/boganvillea>.
Daniel, A., Gibson, M. (2009) Space for Creativity: Creative Industries in Outer Suburbia. Presentation to ‘City Growth, Sustainability, Vitality and Vulnerability’, State of Australian Cities Conference, University of Western Australia Perth, November 2009, < http://www.slideshare.net/AnnaMDaniel/space-for-creativity-creative-industries-in-outer-suburbia>.
Presentatie van Elizabeth Currid bij Creative Cities Amsterdam Area (CCAA). Haar boek The Warhol Economy omvat een onderzoek naar de schijnbaar toevallige samenloop van omstandigheden in de creatieve industrie in New York die tot briljante samenwerking leidde (zoals Stephen Sprouse voor Louis Vuitton).
Het Filosofie Magazine van juli/augustus 2015 opent met: “Misschien worstelen wij meer met seksualiteit dan onze voorouders – wij hebben meer vrijheid, en dat geeft vrijwel altijd meer lastige kwesties.” Hoe ziet onze liefde eruit anno 2015?
Hoe zit met het zielsliefde, zoals tweelingzielen en soulmates? Wat als je deze ontmoet? Welke consequenties heeft dit en hoe ga je daarmee om? En hoe zit het met het begrip monogamie en polyamorie dat steeds meer in de media opduikt? Leonie Linssen, inwoner uit onze eigen Den Bosch, zet polyamorie op de kaart. En hoe! Ze wordt zowel door kranten als televisie regelmatig benaderd om haar verhaal te doen. Ze heeft diverse manieren gevonden om “werkelijk liefdevol in het leven te staan”, ook al betekent dit dat de éne partner monogaam is en de andere partner polygaam. Is dat werkelijk de liefde van deze tijd? En wat zijn dan de verschillen tussen ‘vreemdgaan’ en polyamorie?
Tot slot komen steeds meer professoren van de liefde in opmars, zoals professor Barbara Fredrickson met haar nieuwe boek Liefde 2.0. Fredrickson bekijkt liefde niet alleen vanuit de emotiepsychologie, maar geeft ook handvatten hoe we onze fysieke processen kunnen beïnvloeden om ervoor zorgen dat we liefde als ‘voedingsstof’ in ons kunnen opwekken, ongeacht de omstandigheden. Op deze manier kunnen we de Liefde in ons ervaren, vergroten en vermeerderen.
Daniel, A., Gibson, M. (2009) ‘Boganvillea: Creative Industries in Outer Suburbia’. Presentation to ‘Regions, Regionality, Regionalism: Australian Perspectives’ Symposium, Institute for Regional Studies Association UK, Melbourne, December 2009, < http://www.slideshare.net/AnnaMDaniel/boganvillea>.
Daniel, A., Gibson, M. (2009) Space for Creativity: Creative Industries in Outer Suburbia. Presentation to ‘City Growth, Sustainability, Vitality and Vulnerability’, State of Australian Cities Conference, University of Western Australia Perth, November 2009, < http://www.slideshare.net/AnnaMDaniel/space-for-creativity-creative-industries-in-outer-suburbia>.
Presentatie van Elizabeth Currid bij Creative Cities Amsterdam Area (CCAA). Haar boek The Warhol Economy omvat een onderzoek naar de schijnbaar toevallige samenloop van omstandigheden in de creatieve industrie in New York die tot briljante samenwerking leidde (zoals Stephen Sprouse voor Louis Vuitton).
Check out what participants at the May 23, 2013 Open House and Public Forum had to say about What's Next for Downtown Lynn. This presentation is a virtual representation of comments made during the open house/poster gallery portion of the evening. The audience participation presentation made by Manisha Bewtra, with keypad polling questions and responses, is in a separate document.
This pamphlet by Linda Carroli & JM John Armstrong captures scenes from our locality which show some of the nuances and subtleties of suburban environments. While there has been a blossoming of engagement with DIY and tactical urbanism, it tends to overlook the complexity and difficulty of suburban contexts. It also tends to overlook the activity that is already part of the suburban environment. This project endeavours to present personal accounts and narratives as a counter to the sometimes anti-suburban tone of current design, planning and academic discourse. It presents small scale encounters that indicate the suburbs operate at multiple scales and offer a diverse palette of engagements and actions.
This document may be edited, altered and updated from time to time. So please check back to redownload and re-read.
Dublin: A Sense of Place research presentation June 26, 2014JanetCooper
Dublin: A Sense of Place was a research project designed to obtain information from the community to identify values, characteristics, resources and assets that communicate the character of Dublin, Ohio. The research will be used to inform themes for public artwork, projects, initiatives and infrastructure in the community and in grant opportunities for creative placemaking
The City Conversation, organised by Oxford City Council, included representatives from Oxfordshire’s homelessness organisations, health and mental health providers, faith groups, public bodies, local councillors, and people with lived experience of rough sleeping.
It was the largest conversation of its kind to take place in Oxford.
The aim of the conversation was to start to find a common understanding of what causes rough sleeping and street homelessness in Oxford – and find the means to tackle the issue.
From the Dirty Trenches our Culture GrowsAnnaMDaniel
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It is a sample of an interview for a business english class for pre-intermediate and intermediate english students with emphasis on the speking ability.
RMD24 | Debunking the non-endemic revenue myth Marvin Vacquier Droop | First ...BBPMedia1
Marvin neemt je in deze presentatie mee in de voordelen van non-endemic advertising op retail media netwerken. Hij brengt ook de uitdagingen in beeld die de markt op dit moment heeft op het gebied van retail media voor niet-leveranciers.
Retail media wordt gezien als het nieuwe advertising-medium en ook mediabureaus richten massaal retail media-afdelingen op. Merken die niet in de betreffende winkel liggen staan ook nog niet in de rij om op de retail media netwerken te adverteren. Marvin belicht de uitdagingen die er zijn om echt aansluiting te vinden op die markt van non-endemic advertising.
Putting the SPARK into Virtual Training.pptxCynthia Clay
This 60-minute webinar, sponsored by Adobe, was delivered for the Training Mag Network. It explored the five elements of SPARK: Storytelling, Purpose, Action, Relationships, and Kudos. Knowing how to tell a well-structured story is key to building long-term memory. Stating a clear purpose that doesn't take away from the discovery learning process is critical. Ensuring that people move from theory to practical application is imperative. Creating strong social learning is the key to commitment and engagement. Validating and affirming participants' comments is the way to create a positive learning environment.
Enterprise Excellence is Inclusive Excellence.pdfKaiNexus
Enterprise excellence and inclusive excellence are closely linked, and real-world challenges have shown that both are essential to the success of any organization. To achieve enterprise excellence, organizations must focus on improving their operations and processes while creating an inclusive environment that engages everyone. In this interactive session, the facilitator will highlight commonly established business practices and how they limit our ability to engage everyone every day. More importantly, though, participants will likely gain increased awareness of what we can do differently to maximize enterprise excellence through deliberate inclusion.
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A way to engage all in creating Inclusive Excellence. Lessons from the US military and their parallels to the story of Harry Potter. How belt systems and CI teams can destroy inclusive practices. How leadership language invites people to the party. There are three things leaders can do to engage everyone every day: maximizing psychological safety to create environments where folks learn, contribute, and challenge the status quo.
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Dr. William Harvey is a seasoned Operations Leader with extensive experience in chemical processing, manufacturing, and operations management. At Michelman, he currently oversees multiple sites, leading teams in strategic planning and coaching/practicing continuous improvement. William is set to start his eighth year of teaching at the University of Cincinnati where he teaches marketing, finance, and management. William holds various certifications in change management, quality, leadership, operational excellence, team building, and DiSC, among others.
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Kseniya Leshchenko: Shared development support service model as the way to make small projects with small budgets profitable for the company (UA)
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Sustainability has become an increasingly critical topic as the world recognizes the need to protect our planet and its resources for future generations. Sustainability means meeting our current needs without compromising the ability of future generations to meet theirs. It involves long-term planning and consideration of the consequences of our actions. The goal is to create strategies that ensure the long-term viability of People, Planet, and Profit.
Leading companies such as Nike, Toyota, and Siemens are prioritizing sustainable innovation in their business models, setting an example for others to follow. In this Sustainability training presentation, you will learn key concepts, principles, and practices of sustainability applicable across industries. This training aims to create awareness and educate employees, senior executives, consultants, and other key stakeholders, including investors, policymakers, and supply chain partners, on the importance and implementation of sustainability.
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1. Introduction and Key Concepts of Sustainability
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Creative Industries in Australian Suburbs – Who is Out There?
1. Creative Industries in in
Australian Suburbs –
Who is out there?
Anna Daniel & Mark Gibson
School of Journalism and Australian Studies,
Monash University
Presentation to the Creative Suburbia Symposium,
QUT Creative Industries Precinct, September 2010
Punch 4Aug09
2. Project description
• Are creative industries necessarily inner urban?
The need to rethink of suburbia:
– Growth of suburban SMEs
– SMEs a key driver of economic growth
– Suburbanisation of employment
• Both an ‘industry development’ and ‘place-
making’ premise
• Aimed to listen to creative workers in the outer
suburbs
• Caveats
– Sample is indicative not representative
– Typologies
3. Is Creative Work your Primary Income?
Who we spoke with
- 140 interviews, 55 in Frankston
- 500 identified out of a maximum
pool of ca1400
-Educated
-Not hobbyists
Attained Education Level
4. in peak earning career stage…
not hobbyists, but artisanal industries
5. Suburban Creatives as Placemakers
• Low transience amongst participants
(Dandenong average = 15 years)
• Best of city and rural life
• CBD perceived as an entertainment destination
• 80% do NOT commute a long distance to work
• What are the satisfaction levels of suburban
creative workers?
They said:
it’s still got a very sort of rural feel about it and the thing that I really
like is its proximity to the bay, to the water … which is one of the main
reasons I initially set up business here rather than closer to the city
(Frankston Graphic Designer).
I always thought that it would make the perfect artist’s colony ... young
people gravitate towards Frankston the way young people used to
gravitate towards St Kilda (Frankston Author)
6. Satisfied
(%)
Indifferent
(%)
Dissatisfied
(%)
Satisfaction as a
place to work 81 8 11
Satisfaction as a
place to live 68 2 30
Current Satisfaction in the Suburbs
(percent of interview responses)
Ideally, Where Would You Prefer to Live?
(percent of interview responses)
All sites Redcliffe Frankston Dandenong
(% of responses)
No change 61 83 56 43
Rural 19 0 23 37
Inner City 19 17 21 17
Indifferent 1 0 0 3
7. Spacious Suburbia
• Headspace - absence of distractions
• Physical
• Environmental
They said:
they’re very open, they’re a bit slow, they have time, you know,
they’re not … as stressed. …And they bring all that to the public
realm and sometimes they, like we all do, they step outside of
that. They step outside of their own limitations for reasons
which are quite unexpected. …. Sometimes they even engage in
conversation
(Frankston Street Artist)
I’m free in this area (Frankston Visual Artist)
8. Cosmopolitan Suburbia
They said:
this is a fascinating place to work … you’re really forced to pay
attention and think.… there’s a lot more that unites people than
divides them .. they’ve got so much culture at their fingertips … but
you mightn’t see it. But it’s there and it’s IN them, a lot of these
people are carrying it in them like a flame that they’re keeping
burning and all they need is a venue to express it in and off they go. …
Dandenong I think the energy comes because they’re all thrown
together, I think that’s what it is and it sort of percolates. You’ll get
people here like Italians saying “isn’t it” at the end of sentences like
Indians tend to do … there’s a sort of a cross over thing happening
(Dandenong Librarian)
• Perception of the suburbs as a ‘struggletown’,
monoculture
• Diverse: 25% of participants born overseas
• Dandenong was highly multicultural, with high
proportion of new immigrants
• Importance of ‘hubs’ in multiculturalism
9. Networking in Suburbia?
• Low levels of professional networking
– CBD centricity of professional networks
– E-networking
• Stronger informal local networks
• Importance of physical ‘hubs’
• Hubs of outer suburbs differ to CBD
They said:
if I lived closer to the city, you might find people dropping in or they
know you’re close so you can pop around and maybe…… you talk
about work and you may get a job…. the lack of networking has
definitely inhibited the work coming in. (Frankston Illustrator)
there’s a lot of people moved here that then lost their anchors …
there was obviously nothing here and I said ‘let’s go for it’ so we
started and we’re still going. (Caroline Springs Craftsperson)
10. Degree of Formal and Informal Networking amongst Outer Suburban Creative Workers
The Correlation between Networking and Satisfaction in the Outer Suburbs
Degree of Networking Activity
High Medium Low
Prefer to live closer to city (%) 7 33 60
Prefer to live further from city (%) 41 18 41
Prefer to stay in current location (%) 31 38 31
11. Concluding Points
• Significant numbers of creative industry practitioners in the
outer suburbs. They are ‘not just hobbyists’.
• Economic importance: most participants were at a lifestage
of peak earning potential and with families.
• High degree of artisanal workers who value ‘space’.
• Low networking – how can this improve and be connected
with employment opportunities?
• Suburban creative practitioners seem to be less transient and
potentially important 'place-makers'.
• A reminder that the outer suburbs are not an amorphous
homogenous monoculture, but dynamic, evolving
communities. ‘Cookie cutter’ approaches to suburban
development do not apply.
Reg Mombassa
12. 3 bands, a film maker and studio
owner at a studio in an industrial
park ……
and just down the street from the
headquarters of a bikie gang.
(photo use consent given)