Sworders Modern British and 20th Century Art 20 October 2020

Modern British and 20th Century Art
Tuesday 20 October 2020

Modern British &
20th Century Art
April 2021
Amy Scanlon
amyscanlon@sworder.co.uk
01279 817778
Richard Eurich RA (1903-1992)
‘Hole in the Wall’
oil on board (detail)
30 x 62cm
£8,000-12,000
NOW INVITING ENTRIES

MODERN BRITISH AND 20TH CENTURY ART
Live Online – Tuesday 20 October 2020 at 10am
ORDER OF SALE
Lots 1 - 363 Modern British and
20th Century Art
MODERN BRITISH AND
20TH CENTURY ART – PART 2
Timed Auction online at www.sworder.co.uk
Friday 9 October - Sunday 1 November
ONLINE BIDDING
Bid live at www.sworder.co.uk
(0% surcharge)
To obtain more images and condition reports
for lots in this catalogue, please visit our
website www.sworder.co.uk
VIEWING TIMES
Due to current social distancing restrictions,
we will be offering viewing by appointment
only. You can book an appointment on our
website.
30-minute time slots will be available from:
Sunday 18 October 10am - 1pm
Monday 19 October 9am - 5pm
FURTHER INFORMATION
Contact:
Jane Oakley
Specialist
Amy Scanlon
Specialist
Telephone: 01279 817778
Email: auctions@sworder.co.uk

Patricia and Robin Pickard met on the Wirral in Cheshire where Robin was a research chemist. They moved to North
Essex in the mid-1960s, settling in Henham, later moving to Ashdon in 1988 to be closer to the Church Street Gallery,
Saffron Walden, which Pat established in 1983.
The Gallery was fired by Pat’s love of art and antiques, and opened with an exhibition of the works of Edward Bawden
(1903-1989), who became a personal friend. Edward designed a logo for the Gallery, promotional material and Christmas
cards, and the Gallery staged further exhibitions of his work and those of his son Richard.
In April 1987, the Gallery staged the first UK solo exhibition for Icelandic artist Karolina Larusdottir (1944-2019) who also
became a close friend.
The Church Street Gallery closed in 1990, however, Pat continued to pursue her love of the arts, successfully being
awarded a BA and then an MA by Anglia University. During their retirement, both Pat and Robin derived great pleasure
from their personal art collection, highlights from which are included in this auction.
The following thirteen lots are from the estate of Robin and Patricia Pickard. A further twenty-five lots from the estate
are to be sold by Sworders in the Modern British and 20th Century Art Sale Part 2, a timed online auction running from
9 October - 1 November 2020 .
LOTS 1-13
FROM THE ESTATE OF ROBIN AND PATRICIA PICKARD
Edward Bawden, close friend of the PickardsRobin and Patricia Pickard

1-363 MODERN BRITISH AND 20TH CENTURY ART
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Lot 1
*Edward Bawden RA (1903-1989)
‘Aesop’s Fables: The Gnat and the Lion’
linocut printed in colours, 1970, signed, titled and
numbered Artist’s Proof 7/50 in pencil, on wove paper,
with margins
image 42.5 x 56cm
£1,000 - 1,500
1

MODERN BRITISH AND 20TH CENTURY ART 1-363
6
Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20%
Lots marked * will be subject to an additional fee - please see ARR details on page 120
Lot 2
‘Merry Xmas’ - cat and three mice
linocut, signed and numbered 6/50
in pencil
sheet 54 x 47cm, unframed
£300 - 400
Lot 3
‘Why,’ said La Beale Isode, ‘are you
a knight are no lover?’
linocut, from ‘The Chronicles of
King Arthur’, signed, titled and
numbered 14/50 in pencil
24 x 29.5cm
£150 - 200
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Lot 4
‘Beechwood, Broomfield, Somerset’
signed l.r., watercolour
54 x 74cm
£3,000 - 5,000
Provenance: The Fine Art Society, London, December 1976.
4

8
Lot 5
‘Cairo The Citadel, Mohammed Ali Mosque 1940’
reproduction print, for ‘Edward Bawden: War Artist’, signed and
inscribed ‘To Pat Pickard’ in pencil
image 31 x 38cm
£200 - 300
Lot 6
‘Edward Bawden’ by Douglas Percy Bliss,
The Pendomer Press, First Edition 1979, signed by Edward Bawden,
with dust jacket, and
‘Edward Bawden, A Retrospective Survey’,
Combined Arts 1988 (2)
£100 - 200
Lot 7
Malcolm Yorke,
‘The Inward Laugh: Edward Bawden and His Circle’,
Upper Denbigh, The Fleece Press, 2005, and
nine further books relating to Edward Bawden (10)
£200 - 300
Lot 8
*Karolina Larusdottir RWS (Icelandic, 1944-2019)
‘View from Church Street Gallery’
aquatint in green, signed, titled, and numbered 4/45 in pencil
sheet 56.5 x 42cm, unframed
£100 - 150
Lot 9
*Karolina Larusdottir RWS (Icelandic, 1944-2019)
Summer planting
signed and dated 1989 l.r., watercolour
34 x 50cm
£300 - 500
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8
5
6
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1110 part lot
1312
Lot 10
*Edwin Smith (1912-1971)
‘Edge of a Cornfield’
photograph, artist’s stamp verso
39 x 29cm;
and two further photographs of
gardens, unframed (3)
£200 - 300
Lot 11
*Jenny Matthews (b.1964)
A vase of flowers
signed and dated 1986 l.l.,
watercolour
81 x 71cm
£300 - 500
Lot 12
Sir George Clausen RA
(1852-1944)
Summer landscape
24 x 30cm
£300 - 400
Lot 13
*Walter Hoyle (1922-2000)
‘French Landscape’
signed in pencil l.r., pen and ink,
watercolour and gouache
47 x 60cm
£300 - 500

10
OTHER PROPERTIES
Lot 14
The Boathouse;
wood engraving, signed in
pencil l.l.
6.2 x 12cm;
and another,
Abstract design
wood engraving, signed in
pencil l.l.
16.5 x 11cm, both unframed (2)
£300 - 500
Lot 15
‘Morris dancing at Thaxted,
Dunmow, Essex’
lithograph printed in colours,
signed in pen l.r.
68 x 47cm
£100 - 200
1817 part lot
14 part lot
Lot 16
Eric Ravilious (1903-1942)
‘Chanticleer’
wood engraving, for the
Golden Cockerel Press, signed in pencil l.r.
12 x 15.5cm
£150 - 250
Provenance: The Estate of Virginia Chapman, late
of Debden Manor.
Lot 17
*Clifford Webb (1895-1972)
Nursery frieze showing the arrival of animals to
Noah’s Ark
A rare eight-panel nursery frieze by Clifford Webb
lithograph, published by Frederick Warne Co. Ltd.,
undated but probably late 1940s or early 1950s
sheet 25.5 x 76.5cm (8)
£400 - 600
Lot 18
*John Northcote Nash RA (1893-1997)
Suffolk landscape study
signed l.r., pencil and pen and ink
25 x 35cm
£500 - 700
16
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Lot 19
*Edwin Smith (1912-1971)
‘The Mountain’
oil on canvas laid down on board
39.5 x 50cm
£200 - 300
Provenance: From the studio sale
of Olive Cook, 2001.
Lot 20
*Tessa Newcomb (b.1955)
‘Waiting For Customers’
signed with initials and dated ‘05 l.r., also
signed and titled verso, oil on board
17 x 18cm
£500 - 700
Provenance: With Crane Kalman Gallery,
London;
the property of a West Country
gentleman.
Lot 21
*Tessa Newcomb (b.1955)
Flowers in a glass
signed with initials and
dated ‘06 l.l., pencil and
watercolour
18.5 x 13.5cm
£150 - 200
Lot 22
*Mary Newcomb
(1922-2008)
‘Dandelion for Ben’
signed l.r., pencil and
gouache
10.8 x 6.2cm
£400 - 600
2019
2221

12
Lot 24
Paul Cesar Helleu (French, 1859-1927)
‘Ellen Helleu in a lace-trimmed hat’
Drypoint, circa 1902, from a small edition, signed in pencil l.l.,
plate mark 55 x 34cm
£800 - 1,200
Provenance: William Weston Gallery, London. (Label says it was
bought from the artist by the previous owner);
the collection of Margaret and David Beaton.
24
23
Lot 23
Paul-Cesar Helleu (French, 1859-1927)
Mme Helleu with her head in her hands, study for ‘Le Visage
Encadre’
drypoint, circa 1900, edition never publicly issued, signed and
inscribed ‘tire 20’ and ‘planche detruite’ in black chalk
plate mark 30 x 32.5cm
£1,200 - 1,800
Provenance: William Weston Gallery, London;
the collection of Margaret and David Beaton.

2827
2625
Lot 25
*Sir Cecil Beaton
(1904-1980)
Costume design
pen and ink
35.5 x 20cm
£600 - 800
Lot 26
*Marc Chagall (French/Russian, 1887-1985)
‘Fables’, from Jean de la Fontaine (Cramer 22)
etching with aquatint, signed in pencil l.r. and
numbered 77 l.l.
plate 29.5 x 23.75cm
£400 - 600
Lot 27
*Valerie Thornton
(1931-1991)
Blythburgh Church
signed l.r., pencil
18.5 x 34.5cm
£200 - 300
Lot 28
Winifred Knights (1899-1947)
Landscape with a cottage, circa 1920
coloured pencil
15.7 x 19.2cm
£300 - 500
Provenance: Paul Liss Gallery.

14
Lot 29
*Rowland Suddaby (1912-1972)
A country road, a farm beyond
signed l.r., pen and ink and watercolour
31 x 46.7cm, unframed
£300 - 500
3029
32
31
Lot 30
Farmland; verso, a coastal view
both sides signed and dated 47 and 46 respectively
l.r., pen and ink and watercolour, unframed
33.5 x 43cm
£300 - 500
Lot 31
Landscape with trees
signed l.r., pen and ink and watercolour
38 x 56cm, unframed
£300 - 500
Lot 32
Cape Cornwall
signed and dated ‘36 l.l., watercolour
37 x 40.5cm
£500 - 700

LOTS 33-44A
PROPERTY FROM THE ESTATE OF LUCY WERTHEIM (1882-1971)
The following fourteen lots belonged to the well-known art dealer and collector, Lucy Wertheim, and have remained with her family by descent.
Wertheim established her first gallery in Mayfair in 1930 after a decade of engagement with art, principally as a collector. She championed many
young British artists, including Henry Moore, Cedric Morris and, in the year prior to his tragic early death, Christopher Wood. Through her career,
she had galleries in Derbyshire, London and Brighton where she settled. She provided welcome support to many artists who we know well today.
Among her protégés were Phelan Gibb and Kenneth Hall, whose work she retained as part of her personal collection. The Towner Art Gallery,
Eastbourne will be celebrating her life with a forthcoming exhibition ‘Lucy Wertheim, Patron, Collector and Gallerist’ in 2022.
3635
3433
Lot 33
Phelan Gibb (1870-1948)
Delivering barrels
signed and dated 31 l.l., oil
on canvas
50.5 x 61cm
£350 - 450
Lot 34
Summer flowers
signed l.r., oil on canvas
61 x 46cm
£400 - 600
Lot 35
Autumn
oil on board
59.5 x 50cm
£400 - 600
Lot 36
Rhododendrons
56 x 61cm
£400 - 600

16
Lot 41
‘Tiger’
gouache
23 x 50cm
£150 - 250
Lot 37
A thatched cottage before a
church
signed l.l., pen and ink,
watercolour and pastel
36 x 50.5cm
£200 - 300
Lot 38
‘Cathedral’
pen and ink and watercolour
39.5 x 48cm
£200 - 300
Lot 39
A country landscape with
cottages in the distance
signed with initials l.l., pastel
33 x 51cm
£200 - 300
Lot 42
A summer wood, Hamden
signed and inscribed verso, oil on canvas
56.5 x 46cm
£500 - 700
Lot 40
Vase of flowers;
with another still life and a landscape
three, the first signed and dated 1945, the second signed and dated 1931
watercolour
52.5 x 39cm, unframed (3)
£200 - 300
42
41
40 part lot39
3837

Lot 43
*Doris Vaughan (1894-1974)
Boats
signed l.r., pencil and
watercolour
34.5 x 44.5cm
£200 - 300
Lot 43A
Kenneth Hall (1913-1946)
Train
signed l.r., painted 29.9.37,
inscribed ‘to Adam for his
second birthday from Gran’
verso, watercolour
25 x 35.5cm
£200 - 300
45
44A44
43A43
OTHER PROPERTIES
Lot 45
*Keith Purser (b.1944)
‘Wind and Rain’
signed with initials and dated ‘95 l.r., oil on paper
55 x 49cm
£300 - 500
Lot 44
SS Juniper
25 x 35cm
£200 - 300
Lot 44A
Fish
24 x 34.5cm
£200 - 300

18
Lot 46
*Eric Henri Kennington RA (1888-1960)
Sleeping sailor, circa 1915
signed on paper below drawing, charcoal
26 x 32cm
£600 - 800
Lot 47
Leon Bakst (Russian, 1866-1924)
Study of a nurse, full length
signed and dated ‘18 l.l., pencil
28 x 16cm
£300 - 400
Lot 48
*Mary Newcomb (1922-2008)
Seated nude
pencil
19 x 13.5cm
£300 - 500
Provenance: Crane Kalman Gallery.
4847
46

Lot 49
Christopher Richard Wynne Nevinson ARA (1889-1946)
Windy morning
signed l.l., watercolour
26 x 36cm
£2,000 - 3,000
Provenance: The Fine Art Society, 148 New Bond Street, London, W1, October 1967, No. 5 of 20,
where purchased by the vendor.
Exhibited: Alex Reid and Lefevre, 28 April - 21 May 1927, No. 22, ‘Watercolours, drawings and
etchings by C R W Nevinson’, no.22.
The present watercolour will be included in Christopher Martin’s forthcoming catalogue raisonné
of the artist.
Lot 50
Spare lot
49

20
Lot 51
*Sir William Russell Flint RA PRWS (1880-1969)
A riverside town in France
24.5 x 33cm
£1,500 - 2,000
51

Lot 53
*Dame Laura Knight RA RWS
(1877-1970)
Seated figure in a kitchen
signed with initials l.l., pencil
31.5 x 24cm
£250 - 350
Lot 52
(1877-1970)
Study of a tree
signed and dated 1958 l.r., pencil
23.5 x 32cm
£250 - 350
5554
53
52
Lot 54
(1877-1970)
The rehearsal
pen and ink and watercolour
24.3 x 38cm, unframed
£300 - 400
Lot 55
(1877-1970)
Circus Horses;
verso, an acrobat doing a handstand
signed ‘Laura Knight’ in red pencil
over initials l.l., black pencil
23.5 x 31cm
£300 - 500

22
Lot 56
*Bennett Oates (1928-2009)
A still life of flowers in a glass vase on a ledge
signed l.c., oil on board
61 x 53cm
£1,500 - 2,000
Lot 57
*Bennett Oates (1928-2009)
A still life of flowers in a glass vase on a ledge
signed l.r., oil on board
61 x 53cm
£1,500 - 2,000
Lot 58
*Alfred Wolmark (1877-1961)
Tulips in a vase
signed l.l., oil on board
47 x 38cm
£1,000 - 1,500
Lot 59
*Alfred Wolmark (1877-1961)
Pansies and candlesticks
signed and indistinctly dated l.l., oil on board
44 x 33cm
£1,000 - 1,500
Lot 60
*(Robert) Robin Wallace (1897-1952)
‘White gladioli’
signed l.r., titled on artist’s label verso, oil on canvas
76.5 x 64.5cm
£300 - 500
Exhibited: ‘Paintings by Robin Wallace’, Abbot Hall
Art Gallery, Kendal, 1976, no.54.
Lot 61
*Gerald A Cooper (1897-1975)
A still life summer flowers in a glass vase
signed and dated 1946 l.r., oil on canvas
76 x 63cm
£1,000 - 1,500
57
56

6160
5958

24
Lot 62
A Norfolk Farm
signed l.l., oil on canvas
31 x 43cm
£300 - 500
Lot 63
*Samuel John Lamorna Birch
(1869-1955)
Swimming off rocks, Cornwall
signed l.l., oil on panel
33 x 40.5cm
£1,200 - 1,800
Lot 65
*Ronald Ossory Dunlop
(Irish, 1894-1973)
Boating on the Thames, Kingston
signed, l.r., oil on canvas
28 x 38cm
£300 - 500
63
62
6564
Lot 64
*Stephen Bone (1904-1958)
‘Aber Mawr, Pembrokeshire’
signed l.r., also signed and titled
verso, oil on board
25.5 x 35.5cm
£400 - 600

Lot 66
*Edward Seago RWS (1910-1974)
A Norfolk farmhouse
27 x 36cm
£3,000 - 5,000
66

26
Lot 69
*Gertrude Harvey (1879-1966)
A still life of a bowl of fruit and a hyacinth
signed l.l., with artist’s label verso, oil on
canvas
46 x 46cm
£400 - 600
Lot 67
*Louis Augustus Sargent (1881-1965)
Three melons
38 x 45cm
£300 - 500
Lot 68
*Gertrude Harvey (1879-1966)
A still life of a vase of summer flowers
51 x 41cm
£500 - 700
69
68
67

Lot 70
*Cedric Morris (1889-1982)
French landscape
45.5 x 55cm
£15,000 - 20,000
Provenance: Sotheby’s London, 26 September 1984, lot 274.
Cedric Morris had an enduring interest in landscape painting stretching
back to his early years as a painter. Before the late 1920s, although
interested in nature, he was yet to develop his passion for horticulture
and so his output was varied in its scope and comprised of many
portraits, landscapes and also birds. He lived for two years between
1918 and 1920 in Newlyn, and then along with his partner Lett Haines
moved more permanently to Paris towards the end of 1920, using
it as a base for the majority of the decade to come. From here, he
could travel widely and he spent the summers throughout Europe
in pursuit of new landscapes for inspiration. He spent time in Italy,
the Dordogne, and Normandy where Margaret Morris, wife of the
colourist J D Fergusson held her summer school. Like many artists,
he was drawn to the south of France, in particular to the vallée
de l’Ouvèze, where he remarked of his work there: ‘I think the
landscapes are the best I have ever done, rather like the Newlyn
ones, the colour suits me’ (Hugh St. Clair, ‘A Lesson in Art and
Life’ Pimpernel Press Ltd., 1919, p.48).
In his Mediterranean works we can see a difference in colours
as Cedric responds to the drier landscape - the heavy, rich
greens and browns that saturate his British and Welsh views are
still present, but toned more sparsely amongst ochres, Naples
yellow and raw umbers, punctuated with accents of pale blues
and pinkish hues. In our picture we can feel the difference in
climate, the dry arid sandy soil and rocks of the foreground
and the lighter-coloured olive trees beyond. The work is typical
of his painting style - richly impastoed, with clearly defined
brush strokes applied in varying angles across the surface. The
work is impressionistic; he manages in a few gestural stokes to
depict a startling variety of trees and shrubs, indicating his huge
appreciation of the variety of flora around him.
70

28
Lot 71
Hungarian School, 20th century
Glassmakers
oil on canvas
81 x 61cm
£300 - 500
Lot 72
Attributed to Arthur Ambrose McEvoy
(1878-1927)
Portrait of Luisa Casati Stampa si Soncino,
bust length
indistinctly dated 1919(?) l.l., pastel
61 x 51cm
£300 - 500
Lot 73
*Charles McCall (1907-1989)
‘The start of the day’
signed and dated ‘65-’82 u.r., oil on canvas
77 x 63cm
£300 - 400
73
7271

Lot 76
*Frank Owen Salisbury (1874-1962)
‘Grapevine’
signed l.r., titled verso, oil on canvas
91.5 x 71cm
£1,000 - 2,000
Lot 75
*Frank Owen Salisbury (1874-1962)
A 13th century bridge, Lucerne, Switzerland;
St Marks, Venice
a pair, both signed l.l., oil on canvas laid on
board
36 x 49cm (2)
£500 - 700
Lot 74
*Frank Owen Salisbury
(1874-1962)
‘The Puppet’
signed l.l., titled verso, oil on canvas
76 x 60cm
£1,000 - 2,000
75
7674

30
Lot 77
Abel Faivre (French, 1867-1945)
A nude in a salon chair
signed l.l., oil on canvas laid down on board
24.5 x 20cm
£400 - 600
80
79
7877
Lot 78
Bernhard Sickert (1862-1932)
At the opera
31 x 26cm
£300 - 500
Lot 79
*Bernard Meninsky (1891-1950)
Cagnes-sur-Mer, France
36 x 46.5cm
£300 - 500
Lot 80
*Bernard Meninsky (1891-1950)
A view across the garden
38 x 54cm
£300 - 500

Lot 81
*Ruskin Spear RA
(1911-1990)
‘In the club’
61.5 x 51cm
£2,000 - 3,000
Provenance:
Christie’s London, 23 March
1995, lot 115.
Literature: Martin Levy,
‘Ruskin Spear’, The Royal
Academy Painters and
Sculptors, pl.8, p.16.
8382
81
Lot 82
*Adrian Daintrey
(1902-1988)
Interior
oil on canvas
40.5 x 40.5cm
£400 - 600
Lot 83
Dorothy A Cadman
(fl.1914-1927)
In the bathroom
oil on board
45.5 x 60.5cm
£600 - 800

32
Lot 84
*Milo Martinet
(Belgian, 1904-1988)
Trench coat
signed and dated 36 l.r.,
oil on canvas
100 x 80cm
£500 - 700
Lot 85
Attributed to Percy William Gibbs (1894-1937)
The Karsino, Tagg’s Island on the Thames
oil on canvas board
26 x 45.5cm
£300 - 500
The Karsino was a hotel built by Fred Karno in 1912. It
was a popular and glamorous destination up to the First
World War. Gibbs painted the subject several times and
the present lot appears to be a sketch for a larger work.
Lot 86
*Edward Morgan (b.1933)
The Sorting Office
oil on canvas
56 x 76cm
£250 - 350
Lot 87
English School, c.1940
Bedtime during the war
oil on board
24 x 17cm
£250 - 350
Lot 88
Stephen Sims
(20th century)
‘Trafalgar Square, with
National Gallery and
St Martins’
signed l.r, oil on canvas
38 x 49.5cm
£300 - 500
8887
86
85
84

Lot 89
Allan Douglas Davidson (1873-1932)
Portrait of a woman, bust length in a green coat
signed and dated 1931 l.r., oil on board
59 x 49cm
£500 - 800
Lot 90
*Rodrigo Moynihan RA (1910-1990)
Portrait of a girl with a garnet necklace
signed and dated 1949 u.r., oil on canvas
51 x 41cm
£800 - 1,200
Lot 91
*Bernard Fleetwood-Walker RA (1893-1965)
Seated nude
signed on stretcher, oil on canvas
49 x 29cm
£300 - 500
91
90
89

34
Lot 92
Yuri Gusev
(Russian, 1928-2012)
Standing male nude
signed and dated ‘54 l.r.,
pencil
58 x 43cm
£500 - 700
Lot 93
Yuri Gusev
(Russian, 1928-2012)
Seated nude
signed and dated ‘51,
pencil
66 x 48cm
£500 - 700
Lot 94
Petr Krokhonyatkin
(Russian, 1929-2018)
Study of a male model
signed u.l and inscribed l.r.,
pencil
56 x 35cm
£500 - 700
Lot 95
Arkadi Martirosov
(Russian, 1927-2015)
Study of two male nudes,
1955
signed u.r., pencil
76 x 56cm
£500 - 700
9594
9392

Lot 96
Valeri Komarov (Russian, b.1947)
Female model
signed and dated 2005 l.r., red pencil on paper
45 x 34cm, 48 x 35cm
£300 - 500
Lot 97
Randolph Schwabe (1885-1948)
Nude studies
six, three dated 1944, pencil and chalk
various sizes, largest 42 x 21cm, all unframed (6)
£400 - 600
Provenance: Thomas A Deans, Atlanta, Georgia,
USA, where acquired by Hugh Belsey on
12 January 2013.
Lot 98
Randolph Schwabe (1885-1948)
Nude studies
six, two dated 1944, one dated 1948, pencil, charcoal,
chalk and washes
various sizes, largest 30 x 44cm, one framed, five
unframed (6)
£400 - 600
Provenance: Thomas A Deans, Atlanta, Georgia,
USA, where acquired by Hugh Belsey on
12 January 2013.
98 part lot97 part lot
96

36
Lot 99
*Marc Chagall
(Russian-French, 1887-1985)
‘L’ivrogne et sa femme’, for La
Fontaine’s ‘Fables’
etching and aquatint with hand
colouring, numbered 53/85
plate 29.5 x 24cm
£500 - 800
Lot 100
*Maqbool Fida Husain
(Indian-British, 1915-2011)
Mother Theresa
Two lithographs, each signed
and numbered 21/250 in pencil
67 x 56cm, unframed (2)
£300 - 500
Lot 101
*Dietz Edzard
(German, 1893-1963)
Téte de femme
Signed and indistinctly dated l.r.,
titled on exhibition label verso,
pastel
38.5 x 29.5cm
£300 - 500
Exhibited: The Leicester Galleries,
July 1935.
100
10199

Lot 104
*Emvin Cremona (Maltese, 1919-1987)
Four Knights
signed and dated ‘Malta ‘74’ l.r., mixed media
63.5 x 50.5cm
£5,000 - 7,000
Lot 103
A knight and a longboat
63 x 50cm
£5,000 - 7,000
Lot 102
The Bishops
62.5 x 50cm
£4,000 - 6,000
104
103
102

38
Lot 105
Patrick Morgan
(American, 1904-1982)
‘Dejeuner sur l’herbe, New York,
1937’
77 x 92cm
£250 - 350
Lot 106
*Paul Lucien Maze
(French, 1887-1979)
An Italian village
signed twice l.r., once with
initials, watercolour over pencil
20 x 33cm
£300 - 500
Lot 107
*Ursula McCannell (1923-2015)
‘A Storm is Coming’
signed with initials and indistinctly
dated l.r., oil on board
75 x 59cm
£3,000 - 5,000
Provenance: The Kirkwood Dixon
Collection, 4 October
2017, where purchased
by the present owner.
107
106105

Lot 110
*Maurice Prou (French, 1883-1954)
A still life of assorted flowers
61 x 50cm
£400 - 600
Lot 109
*Uriel Eekhoff (Dutch, 1923-2014)
A still life of fruits on the table
59 x 81cm
£300 - 500
Exhibited: Portal Gallery, London.
Lot 108
*Hans Schwarz (Austrian, 1922-2003)
‘Market, Vallon Pont d’Arc’
91 x 123cm
£300 - 400
109108
110

40
111
Lot 111
Maurice Asselin
(French, 1882-1947)
A still life of a coffee pot,
herrings and eggs
38.5 x 46.5cm
£300 - 400
Lot 112
Spare lot
Lot 113
Victor Marais-Milton
(French, 1872-1947)
Portrait of Mauricette Beaumont
signed, inscribed and
dated 1935 l.r., oil on board
63 x 51cm
£500 - 700
Lot 114
*Matteo Sarno
(Italian, 1894-1957)
Capri
51 x 60cm
£300 - 500
Lot 115
*Attributed
to Giuseppe
Sexto Canegallo
(Italian, 1892-1966)
New Dawn, circa 1920
oil on canvas laid down
on board
100 x 69cm
£2,000 - 3,000
115
113
114

Lot 116
*Octave Denis
Victor Guillonnet
(French, 1872-1967)
Picking Poppies
signed l.r., oil on canvas board
167 x 98cm
£2,000 - 3,000
116

42
118
117
Lot 117
*Roger Bezombes (French, 1913-1994)
‘Le champ de fleurs a St Remy’
signed l.r., also signed and inscribed with title verso, oil on board
55 x 65cm
£1,250 - 1,500
Lot 118
*Jean Vollett (French, b.1935)
‘Panorama a Montauroux’;
signed l.r., also signed and titled verso, oil on canvas
46 x 65cm;
‘Panorama pres de Grasse’
51 x 73cm (2)
£500 - 700

Lot 119
*Sir Frank Brangwyn RA RWS
(1867-1956)
Eastern figures round the fire
36 x 51cm
£1,000 - 1,500
Lot 120
Italian School, circa 1920
Discussing the new ship
oil on canvas
120 x 160cm, unframed
£400 - 600
120
119

44
124123
122121

Lot 121
Anatoly Demenko
(Ukrainian, contemporary)
Boys in a rockpool
79 x 59cm
£700 - 900
Lot 122
Vladimir Chernov
(Ukrainian, b.1978)
‘Hot Day’
signed and dated 2017 verso, oil on
canvas
70 x 25cm
£500 - 700
Lot 123
Yevgeny Troshev (Russian, b.1928)
Portrait of a boy
signed and dated ‘57 l.r., pencil
45 x 33cm
£300 - 500
Lot 124
Valeri Masyukov (Russian, b.1947)
In the artist’s studio
signed l.l., gouache
53 x 42cm
£300 - 500
Lot 125
Roman Nogin (Ukrainian, b.1976)
‘Rainy Day’
signed l.r., also signed, inscribed and
dated 2012 verso, oil on canvas
61 x 121cm
£700 - 900
Lot 126
Yuri Lysenko (Russian, 1957-2008)
‘Waiting for the Friends’
signed, inscribed and dated 2004
verso, oil on canvas
70 x 95cm
£400 - 600
Lot 127
Yuri Gusev (Russian, 1928-2012)
‘Women with the Catch of the Day’
signed and dated ‘61 l.l., oil on board
40 x 65cm
£400 - 600
127
126
125

46
129
128
Lot 128
Aydemir Saidov
(Russian, b.1979)
‘Sweet Dreams’
signed and dated ‘11
l.r., inscribed verso,
oil on canvas
45 x 100cm
£800 - 1,000
Lot 129
Marina Marina
(Russian, b.1970)
‘Awakening’
signed l.r., also
signed verso, oil
on canvas
54 x 100cm
£2,500 - 3,500
Lot 130
Natalia Velikaya
(Russian, contemporary)
‘The Game’
signed l.l., inscribed and
dated 2014 verso, oil on
canvas
70 x 85cm
£800 - 1,000
Lot 131
Anatoly Demenko
‘By Stealth’
76 x 51cm
£700 - 900
Lot 132
Evgeni Handusenko
‘Fashion Day’
63 x 54cm
£400 - 600

132131
130

48
Lot 135
Vladimir Burdin (Russian, 20th/21st century)
‘Still Life with Fish’
signed and dated ‘99 l.r., also inscribed and
dated verso, oil on canvas
80 x 85cm
£600 - 800
Lot 134
Valeri Skuridin (Russian, 1917-1983)
‘Still Life with Watermelon’
signed l.l, inscribed and dated 1965 verso,
oil on board
49 x 69cm
£500 - 700
Lot 133
Viktor Ivanov (Russian, b.1931)
‘Still Life with Flowers’, 1965
oil on board
80 x 60cm
£500 - 700
135
134
133

Lot 136
Sergei Patikovski (Ukrainian, b.1962)
‘Colourful Landscape’
65 x 155cm
£700 - 900
Lot 137
Sergei Patikovski (Ukrainian, b.1962)
Purple Mist
80 x 50cm
£400 - 600
Lot 138
Artashes Abraamyan (Armenian, 1921-2003)
‘Orange House by the Mountains’
signed and dated ‘71 l.r., also signed and inscribed verso, oil on canvas
57 x 80cm
£1,000 - 1,500
138
137
136

50
Lot 139
Artashes Abraamyan (Armenian, 1921-2003)
Still life with snowdrops
signed and dated ‘80 l.r., oil on canvas
58 x 42cm
£300 - 500
Lot 140
Valeri Masyukov (Russian, b.1947)
Blue trolleybus, 1990
signed l.r., gouache
47 x 54cm
£300 - 500
140139
Lot 141
Viktor Koshevoi (Ukrainian, 1924-2006)
‘The Village Street’, 1980s
45 x 50cm
£300 - 500
Lot 142
Armen Atoyan (Armenian, b.1922)
Sunflowers
signed l.r. and inscribed verso, oil on
canvas
59 x 48cm
£300 - 500
142141

144143
Lot 143
Vitaly Baranenko (Ukrainian, b.1965)
‘Spring is Coming’
signed l.r. and inscribed, signed and dated 2018 verso, oil on
canvas
22 x 50cm
£300 - 500
Lot 144
Roman Leonidovich Podobelov (Russian, 1920-2000)
‘Winter Kiosk’
signed with initials l.r., also signed and dated 1966 verso, oil
on board
50 x 71cm
£400 - 600
Lot 145
Anatoli Shapovalov (Ukrainian, b.1949)
The sunflower field
65 x 100cm
£600 - 800
Lot 146
Mikhail Zharov (Ukrainian, b.1974)
The poppy field
signed l.r., indistinctly inscribed verso, oil on canvas
99 x 74cm
£600 - 800
146
145

52
Lot 148
*David Tindle RA (1912-1972)
View of a garden
signed with initials l.r., gouache
37 x 47cm
£300 - 400
Lot 147
Bato Dugarzhapov (Russian b.1966)
‘The Calm’
inscribed in Cyrillic verso, oil on canvas
41 x 51cm
£600 - 800
Dugarzhapov studied and perfected his art at the Moscow Tomskiy
Art School. He graduated from the Sukikov Art Institute in Moscow
and is a well respected member of the Moscow Artist Union.
Lot 149
*Margaret Pullee (1910-2003)
‘Edge of the Wood’
signed l.l., titled on exhibition label verso, gouache
44 x 55cm
£300 - 500
Lot 150
*John Humphrey Spender (1910-2005)
A Suffolk landscape
signed and dated 1966 l.r., watercolour
49 x 67.5cm
£300 - 500
Lot 151
*Stanley Orchart (1920-2005)
The Ouse, Bedfordshire
52 x 76cm
£300 - 400
151150
149
148147

Lot 154
*Ken Moroney
(Irish, b.1949)
Figures on a beach
21 x 25.5cm
£400 - 600
Lot 153
*Norman Wilkinson (1878-1971)
Gravesend
46 x 60cm
£800 - 1,200
Provenance: With the Fine Art Society, June 1957.
Lot 152
*Trevor Chamberlain (b.1933)
Broadstairs Harbour
signed l.l., titled verso, oil on board
16.5 x 21cm
£300 - 400
154152
153

54
Lot 155
*Judith Cain (b.1944)
Water and trees
mixed media on paper
56 x 62cm
£300 - 400
Lot 156
*Liam Hanley (1933-2019)
‘The Farmer’s Hedge’
signed and dated ‘77 l.r., inscribed with title and artist’s address in pencil
on stretcher, oil on canvas
46 x 61cm
£400 - 600
Lot 157
*Liam Hanley (1933-2019)
‘The Hedge’
signed and dated ‘77 l.l., titled on frame verso, oil on canvas
66 x 51cm
£400 - 600
159158
155
Lot 158
*Feliks Topolski
(Polish-British, 1907-1989)
‘My Fair Lady, New York’
signed, inscribed and dated ‘56 l.l.,
pencil, pen and ink and wash
24 x 30.5cm
£400 - 600
Lot 159
Paul Nash (1889-1946)
‘The Raider of the Moors’
lithograph printed in colours, 1940,
signed and inscribed in the plate
image 38.5 x 56.5cm
£400 - 600
157
156

Lot 160
*Sir Peter Blake RA (b.1932)
Venice Suite
twenty silkscreen prints, each signed and
numbered 16/75 in pencil, 2009
each sheet 40.7 x 30.5cm, in slipcase
£4,000 - 6,000
160 part lot

56
Lot 161
*Henry Moore OM CH (1898-1986)
‘Female torso and sculptural ideas I’, 1979 (Cramer: 534)
lithograph, signed l.r., and numbered 12/25 in pencil l.l.,
printed at Curwen Studio
image 30.5 x 42.5cm
£600 - 800
Provenance: The property of a West Country gentleman.
Lot 162
*Lucian Freud OM CH (1922-2011)
‘Wanted, Portrait of Francis Bacon’, 2001
poster printed in black and red
85 x 60cm
£300 - 500
In 1988, Freud’s portrait of Francis Bacon was stolen from
a Lucian Freud retrospective at the Neue Nationalgalerie
in Berlin. Freud created a ‘Wanted’ poster featuring plain
lettering, a black and white image of the stolen work and a
generous reward. Only 2500 were printed and posted around
Berlin in 2002. It is not known now how many survive.
The property of a West Country gentleman.
Lot 163
*John Piper CH (1903-1992)
Willington Dovecote, Bedfordshire (Levinson 286)
lithograph printed in colours, signed and numbered 1/120 in
pencil, printed at the Curwen Studio, published by Christie’s
Contemporary Art and The National Trust, on wove paper
42 x 55cm;
with original Christie’s certificate and pamphlet
£600 - 800
Lot 164
*Anthony Gross RA (1905-1984)
‘The Cricket Match’, circa 1950
Lithograph, series 2, no 5, published by J Lyons Co. Ltd.,
printed 1951
69 x 93cm
£300 - 500
164
163
161 162

Lot 165
*Richard Smith (1931-2016)
‘Folded Paperclip’
lithograph printed in colours, signed and dated ‘75 and numbered 39/42 in pencil
69 x 69cm
£400 - 600
Lot 166
*Graham Sutherland OM (1903-1980)
‘The Snake’, from ‘The Bestiary or the Procession of Orpheus’, 1978-9
Etching and aquatint in colours, signed and numbered 69/75 in pencil
image 51 x 38.5cm
£300 - 500
Provenance: With Thomas Agnew Sons Limited, London.
Lot 167
*Graham Sutherland OM (1903-1980)
‘The Flea’, from ‘The Bestiary or the
Procession of Orpheus’
etching and aquatint in colours, signed
and numbered 60/75 in pencil
image 50 x 38cm
£300 - 500
Lot 168
*Albert Irvin RA (1922-2015)
‘Simone II’
lithograph, signed, dated ‘92 and numbered
in pencil 235/275, with Advanced Graphics
blindstamp
plate 19.5 x 28.5cm
£300 - 500
Lot 169
*Albert Irvin RA
(1922-2015)
Untitled
screenprint, signed
and dated ‘04
20.5 x 14.5cm
£300 - 500
Lot 170
*Anthony Gross RA
(1905-1984)
‘Valley no.1’,1956
etching, signed,
titled and numbered
36/50 in pencil
image 44 x 60cm
£250 - 350
170 169
168
167166
165

58
172
171

Lot 171
*Laurence Stephen Lowry RA (1887-1976)
‘Britain at Play’
offset lithograph, signed in pencil with blind
stamps
image 44.5 x 60cm
£2,000 - 3,000
Lot 172
*Laurence Stephen Lowry RA (1887-1976)
‘The Pond’
offset lithograph in colours, signed in pencil
with blind stamps
image 43 x 57.5cm
£2,000 - 3,000
Lot 173
Vito Acconci (American, 1940-2017)
‘The Broken Father’
etching printed in colours, signed, and
dated ‘86 in pencil, numbered 10/50
sheet 83 x 68cm
£400 - 500
Lot 174
*Maggi Hambling (b.1945)
‘Clown 8’
signed, titled and dated ‘76 in pencil l.r.,
mixed media on paper
45.5 x 32.5cm
£800 - 1,200
Lot 175
*Donald Hamilton Fraser RA (1929-2009)
‘Fishing boat deck - Gulf of Volos’, Greece
signed l.l., also signed and titled verso,
watercolour and gouache
40 x 27.5cm
£500 - 800
173
175 174

60
Lot 176
*John Piper CH (1903-1992)
Still Life with a Gargoyle, circa 1981
signed upside down u.l., titled verso, pen and ink, watercolour and gouache
56 x 78.5cm
£3,000 - 5,000
Provenance: Sir David Tang, Hong Kong.
The dark colours and bold juxtaposition of foreground subjects can be found in several works executed in the early 1980s - a period when
Piper experimented with new compositions, drawing from his existing painting and work in other media, such as photography and ceramics.
The sculpted head relates to similar female forms found notably in ‘Girl’s head with flowers’ (1981) and ‘A Window at North Moreton’ (1982),
which both introduce a woman’s face into the artist’s more familiar subject matter. Similar dog-like gargoyles appear in one of Piper’s
photographs now held at the Tate Gallery, (ref: TGA 8728/1/21/115), while the background figures are drawn from a large screenprint,
‘Eye and Camera: Blue to Ochre’ (c.1977), also at the Tate. For further details and illustration of related work in this period, see D F Jenkins
and H Fowler-Wright, ‘The Art of John Piper’ (Unicorn/Portland Gallery: 2016, pp.397-400).
176

179178
177
Lot 177
*Sir Eduardo Paolozzi RA (1924-2005)
Untitled, circa 1980s
gouache over a photocopied base
26.5 x 34.5cm
£600 - 800
Provenance: The artist’s estate;
thence by descent.
Lot 178
Untitled
pencil
29 x 22cm
£300 - 500
thence by descent.
Lot 179
Untitled
pencil
29 x 22.5cm
£300 - 500
thence by descent.

62
Lot 180
*John Virtue (b.1947)
Landscape
signed and dated 1975
l.r., pencil
53 x 76.5cm
£700 - 900
Lot 181
*John Virtue (b.1947)
‘Landscape no.256’
ink, gouache and
acrylic on canvas
16 x 22cm
£2,500 - 3,500
180
181

Lot 182
*Dame Elisabeth Frink RA (1930-1993)
Running man and baboon
signed and dated ‘85 l.r., pencil
70 x 99cm
£5,000 - 8,000
182

64
Lot 183
*Roger Hilton (1911-1975)
Nude and a chair
signed with initials and dated ‘74 l.l., felt-tip pen
30 x 20.5cm
£1,200 - 1,800
Provenance: Waddington Galleries Ltd, London.
Lot 184
*Mary Fedden RA (1915-2012)
Figures in a wooded landscape
signed and dated 1971 l.l., pencil
65 x 46cm
£500 - 700
Lot 185
*Roy Turner Durrant (1925-1998)
‘Lavenham Halls’
signed and dated ‘74 and numbered 72/80 l.r., watercolour
over pencil
57.5 49cm
£500 - 800
185184
183

Lot 186
*Ken Kiff RA (1935-2001)
‘Rocky Landscape’, 1983
signed l.l., gouache
20 x 23cm
£800 - 1,200
Provenance: Nicola Jacobs Gallery, London.
Exhibited: Arts Council of Great Britain
‘Ken Kiff: 1965-85’.
189188
187
186
Lot 187
*Steven Campbell (Scottish, 1953-2007)
‘Study for Allegory’, 1986
acrylic on paper
30 x 40cm
£600 - 800
Provenance: Marlborough Fine Art, London.
Lot 188
*David Nash RA (b.1945)
‘Sheep Space, Blaenau Ffestiniog’
signed l.r., inscribed with title and dated 1981 l.l.,
mixed media
17.5 x 27cm
£200 - 300
Lot 189
*David Tindle RA (b.1932)
Artist’s studio
signed with initials l.r., pencil and pastel
40 x 56cm
£500 - 700

66
Lot 190
Robert Bevan (1865-1925)
Peasant returning home
charcoal, with studio stamp verso
image 33 x 43cm
£500 - 800
Lot 191
Henri Gaudier-Brzeska
(French, 1891-1915)
Rotten Row
pen and ink
25.5 x 40cm
£1,000 - 1,500
Provenance: With Victor Waddington,
London.
192
190
Lot 192
*Augustus Edwin John OM RA
(1878-1961)
Three women in a rocky landscape
signed and dated 1917, pen and ink
and brown washes
19 x 12.5cm;
and another,
Study of a young woman in a shawl
with added signature in window in
mount, pen and ink and brown washes
19 x 12cm (2)
£800 - 1,200
Lots 193-194
Spare lots
191

Lot 195
*John Bratby RA (1928-1992)
St Mark’s from a gondola, Venice
signed u.l., oil on canvas
61 x 92cm, unframed
£2,500 - 3,500
Lot 196
‘Jean reading’, 1953-4
oil on board
42 x 35cm
£700 - 1,000
Lot 197
Portrait of Anne Kirkbride,
Deirdrie Barlow from Coronation
Street
43 x 38.5cm
£400 - 600
Lot 198
Study of sleeping child, possibly
the artist’s son Jason
signed and dated ‘19 June 61’ l.l.,
pencil
29 x 48cm, unframed
£200 - 300
198
197
196
195

68
Lot 199
*Margaret Green (1925-2003)
Figures by a table in a garden
20.5 x 25.5cm
£250 - 350
Lot 200
*Lionel Bulmer (1919-1992)
‘Marsh Harrier, Suffolk’, 1979
oil on board
40 x 51cm
£300 - 500
Lot 201
‘Reed beds, Walberswick’
51 x 76cm
£400 - 600
Lot 202
‘Golden Evening, Walberswick’
signed l.r., acrylic on board
61 x 51cm
£500 - 700
202201
200
199

205
204
203
Lot 203
*Richard Sorrell
(b.1948)
Sunbathing by a stream
signed verso, oil on board
£400 - 600
Lot 204
*Gwyneth Johnstone (1915-2010)
Organic forms
signed and dated 60 l.c., oil on board
50 x 61cm
£300 - 500
Lot 205
*Rosamond Burnett (1904-1997)
Orange tree
51 x 40.5cm
£500 - 800
Provenance: With the Irving Galleries,
Leicester Square.

70
Lot 206
*Hubert Finney (1905-1991)
Mother and Child
signed u.l., oil on canvas
78 x 62cm
£300 - 400
Lot 207
Attributed to John Duncan
(1866-1945)
Guinevere
oil on board
23.5 x 19.5cm
£300 - 500
Lot 208
*George F Campbell RHA RUA
(Irish, 1917-1979)
Cockerel
60 x 77cm
£1,500 - 2,500
208
206 207

Lot 209
*Albert Herbert (1925-2008)
‘In the Garden’
signed, titled and dated 1997 verso, oil on board
27.5 x 35.5cm
£200 - 300
Provenance: England Co, London.
Lot 210
*Fred Yates (1922-2008)
‘Wedding day’
27.5 x 19cm
£600 - 900
Lot 211
*Ken Howard RA (b.1932)
‘Sarah, Daffodils and Honesty’, 1989
35.5 x 25.5cm, unframed
£1,000 - 1,500
Exhibited: Galeria Internacional de Arte, Portugal.
209 210
211

72
Lot 212
*Gerald Davis
(Irish, 1938-2005)
Man wearing a hat
signed and dated ‘70 in
pencil l.l., oil on board
42.5 x 19.5cm
£400 - 600
Provenance: Barrenhill
Gallery, Dublin.
Lot 213
*David Abercrombie
Donaldson (1916-1996)
A boat out to sea at sunset
signed, l.r., oil on canvas
25 x 29.5cm
£300 - 500
Lot 214
*Alan Furneaux (b.1953)
Newlyn
£300 - 400
Lot 215
*Linda Weir (b.1951)
‘May Tulips and Happy Elm’
signed l.r., titled and dated 2000 verso, oil on board
40.3 x 50.5cm
£300 - 500
Lot 216
*Linda Weir (b.1951)
‘High Summer, Majestic Harbour’
signed with initials and dated 2000 l.r., oil on board
30 x 40cm, unframed
£200 - 300
213
212 214
216215

Lot 217
Waves
signed and dated 2011 verso, oil on board
16 x 10.5cm
£2,000 - 3,000
Lot 218
‘Wave Crest I’
signed and dated 2012 verso, oil on board
9.3 x 13.3cm
£2,000 - 3,000
Provenance: With Flowers Gallery, London.
Lot 219
‘Sunrise III’
signed and dated ‘08 verso, oil on board
7.2 x 13.8cm
£1,500 - 2,000
219
218217

74
Lot 220
*Lucy Harwood (1893-1972)
A still life of flowers in a jug
signed verso, oil on board
50.5 x 33cm
£1,000 - 1,500
Lot 221
*Margaret Thomas (1916-2016)
‘Roof garden, Rotherhythe’
inscribed with title on artist’s label verso
25.5 x 37.5cm
£300 - 500
Lot 222
*Guy Taplin (b.1939)
Miniature Crow Family
carved and painted driftwood
10cm high
£500 - 700
221
220
222

Lot 223
*Donald McIntyre (1923-2009)
‘Portscatho’
signed l.l., oil on canvas board
41 x 51cm
£3,000 - 5,000
Exhibited: Society of Marine Artists, 1950.
223

76
Lot 224
*Olwyn Bowey RA (b.1936)
‘The Seed Collection’
61 x 56cm
£1,500 - 2,000
Exhibited: Royal Academy, Summer
Exhibition, 1994.
Lot 225
*John Bellany RA
(Scottish, 1942-2013)
Red jug
signed with monogram on
the jug, oil on canvas
41 x 30cm
£800 - 1,000
225
224

Lot 226
*John Bellany RA
(Scottish, 1942-2013)
Accordion
signed upside down verso,
oil on canvas
92 x 75cm
£1,500 - 2,000
Lot 227
*John Bellany RA
(Scottish, 1942-2013)
Apron
oil on canvas
77 x 63cm
£1,000 - 1,500
Lot 228
*Ian Grant (1904-1993)
‘Tree trunks in a bog’
signed and dated 1943 l.r., also
signed and inscribed with title verso,
oil on canvas
72 x 91cm
£400 - 600
228
226
227

78
Lot 229
*Bryan Organ (b.1935)
Portrait of Dee Shipman
signed and dated 1972 l.r., also signed and dated verso,
acrylic on canvas
127 x 127cm
£1,000 - 1,500
Lot 230
*Prunella Clough (1919-1999)
‘Fluted’, 1997
signed verso, oil on canvas
20 x 25.3cm
£800 - 1,200
Provenance: Annely Juda Gallery, London.
Lot 231
*Richard Eurich RA (1903-1992)
‘The Bathroom’
signed l.l., also signed, titled and dated 1989 verso,
oil on board
11.2 x 30.5cm
£800 - 1,200
Provenance: Acquired from the artist.
231
230
229

Lot 232
*Sir Terry Frost RA (1915-2003)
‘Blue Figure’, 1957
titled verso, also signed and dated on artist’s label verso, oil on board
75 x 57cm;
£10,000 - 15,000
With a letter from the artist to the current owner attached verso:
‘Sunday Thoughts, ‘57. My thoughts are crowded out by nostalgia, imagination to the almost complete destruction of memory. All that comes
to me is a battle about figuration verbally and in letters with my great friend Roger Hilton. At that time in Leeds I had attempted to use a kind
of ‘figure’ shape either horizontally or vertically but it had to have no resemblance to Picasso figure distortion. Remember Moore’s reclining
figures were dominating British Sculpture. I used the rythm [sic] I liked the linear drawing that finished up with chevron used for structural
reasons and very often a submerged ripple delight, sensuality being a very important feeling on top of a good structure. That’s all this Sunday
morning, Terry’.
232

80
Lot 233
*Maurice Cockrill RA (1935-2013)
‘Four Signs’
signed, inscribed and dated 1987 verso,
oil on canvas
£200 - 300
Provenance: With Bernard Jacobson
Gallery, London.
Lot 234
*Karolina Larusdottir RWS
(Icelandic, 1944-2019)
‘Feeding the swans’
signed l.l., also signed, inscribed and
dated 1995 verso, oil on canvas
25.5 x 30.5cm
£600 - 800
234
233

Lot 235
*Anthony Green RA (b.1939)
‘16th Wedding Anniversary’
signed and dated ‘77 l.l., oil on shaped board
225 x 187cm (irregular)
£5,000 - 7,000
Exhibited: Buckingham University, Lecture Hall, Chandos Road
(long term loan from 2002 to 2019).
235

82
Lot 236
*Mick Rooney RA (b.1944)
‘The Shipwrecked Sailors’
signed with initials and dated ‘97 l.l., oil on canvas
61 x 76cm
£3,000 - 5,000
Provenance: Portal Gallery, London.
Lot 237
*Linda Sutton (b.1947)
‘Perseus and Andromeda’
218 x 198cm
£700 - 1,000
Exhibited: Royal Academy, Summer Exhibition, 1985.
237
236

Lot 238
*Carel Weight CH RA (1908-1997)
‘Conversation piece’
oil on canvas
67 x 46cm
£3,000 - 4,000
Exhibited: ‘Carel Weight, Retrospective Show’,
Bankside, 2000.
Lot 239
*Lawrie Williamson (b.1932)
‘Last Year’s Winner’
signed and dated ‘92 l.l., titled verso, oil on canvas
64 x 76cm
£1,000 - 2,000
239
238

84
245244
241240
243242

Lot 240
*Fred Uhlman (1901-1985)
Table with cards and flowers
Inscribed and signed verso,
oil on canvas board
24 x 30cm
£400 - 600
Lot 241
Church
Signed l.r., oil on board
30.5 x 25cm
£400 - 600
Lot 242
Winter landscape
26.5 x 35.5cm
£350 - 450
Lot 243
‘Grey Sky’
Signed l.r., oil on canvas board
25.5 x 30cm
£500 - 700
Lot 244
‘Orange Lights’
25 x 30.5cm
£500 - 700
Lot 245
‘Winter’
25 x 30.5cm
£400 - 600
Provenance:
With Abbott Holder.
Lot 246
*Edward Noott (b.1965)
‘A Sunny Crop’
51 x 61cm
£300 - 400
Lot 247
*Edward Noott (b.1965)
Still life of fruit and wine
oil on canvas
64 x 76cm
£400 - 600
Lot 248
*Geoffrey Humphries (b.1945)
‘Venetian model’
40 x 30cm
£500 - 800
Exhibited:
Royal Academy Summer
Exhibition 1993.
Lot 249
Spare lot
248
247246

86
250
My mother, Pamela Chard, née Bloomfield
(1926-2003) won a scholarship to Chelsea School
of Art when she was seventeen, in the mid-1940s.
My father, William Chard (b.1923), after a spell in
prison for six months as a conscientious objector,
arrived at Chelsea a year after her. They had
glimpsed each other at the art school, but actually
first met at the Redfern Gallery in Cork Street, and
as soon as it became possible for foreigners to visit
Europe in the wake of the Second World War, the
two of them hitch-hiked around France together.
Pamela had been educated in convent schools,
but the liberatory atmosphere of art school - and
no doubt her affection for my father, who was
agnostic - led her to question her faith for the
first time, and prompted her to experiment with
a wide range of media and techniques. Her work
was mainly figurative, and she had a particular
penchant and talent for drawing, cultivating an
easy, flowing line. An enviable talent of hers was
the ability to produce a rapid thumbnail sketch of
a painting, which would seize the principal lines of
the composition in a lively, dynamic way.
William, at art school, produced a number of large paintings that were executed in life drawing
classes - mainly of female nudes - and some figurative or semi-figurative paintings that took as
subject-matter a scene, such as figures at a wedding, and used these to explore patterns and
play of colour. He was experimenting with sculpture and was also making reliefs - an art form
with which he continued to engage throughout his life.
When she was 21 or 22, Pamela, still a student, left her parents’ home to marry William, and
they moved into a small flat in Chelsea. Pamela described their life there as impoverished, but
socially delightful, since friends from among their fellow-students, lecturers and other artists
and intellectuals who happened to be around at the time, would often call by. A particular
friend of my mother was Marie Parmeter (some of whose work is included in this sale).
Other friends were Prunella Clough (1919-99), the sculptor Shelley Fausset (1920-94),
who worked as Henry Moore’s assistant from 1946 to 1948, and the painter and sculptor
John Lavrin, who married Suncana, the daughter of the well-known Croatian sculptor Ivan
Meštrović, and worked as an assistant for him.
Of the artists who taught William and Pamela, those whom they mentioned most often
were Henry Moore (1898-1986), Ceri Richards (1903-1971) and the painter Vivian Pitchforth
(1895-1982), of whom William spoke especially warmly, having valued Pitchforth’s ability to
help him define what he wished to achieve in his painting.
After finishing their degrees, William and Pamela went to Bristol to do a teacher training
course. William had been offered part-time teaching at Chelsea, and was very tempted to
rely on this and on selling work, but financial caution prevailed. They both took up a series
of teaching jobs in London, and exhibited in group exhibitions: for example, in the ‘open
submission’ shows of the London Group. From stories that they told of this period, their life
continued to have a fairly bohemian, free and easy flavour, even after I was born at the end of
1955 and my brother in 1959.
Around this time, William began to paint abstract works that made use of oil paint (usually on
wood), but that were in some ways more reliefs than paintings: he often thickened the paint
with filler, and he would make use of nails, hammered into the wood to different depths, and
of found objects, such as a chair seat. Pamela, by the mid-1960s, was painting mainly portraits
and landscapes - perhaps drawn towards the latter by her intense passion for gardening -
although she also produced more quirky jeux d’esprit in her drawings and prints.
In 1965, William took a job as the head of a foundation course at Barnet College of Further
Education, where he remained until his retirement. My parents moved to Finchley, choosing
to live there because it was an area in which they could afford a house with plenty of studio
space. They acquired an etching press, and took classes in etching, producing a number of
inventive and playful prints. My father exhibited works at the Drian Gallery and the Comedy
Gallery. Pamela took up part-time adult teaching, initially for the local authority; much later,
when her classes were axed by Barnet Borough Council, her students were so incensed that
they set up their own collective, Studio N3, and she continued to teach there until her final
illness.
In the 1960s, both my parents became interested in developments in graphic design. In
William’s case, this interest was manifested in his use of blocks of clear, bright colour and
geometric shapes, and by the early 1970s, he started to work with acrylic paint. He was
entertained by the more witty and ludic forms of Pop Art; although none of his works could be
situated within this genre, he enjoyed inventing titles with a ‘pop’ flavour, such as ‘Whoosh!’.
He and Pamela warmed to Arte Povera, although in his use of found objects he was less
interested in exploring the relation between the ‘natural’ and the ‘artificial’ than proponents
of that movement were: rather, he liked to assemble arrays of plastic objects, such as bottle
tops, and to bring their improbably saturated colours into proximity with each other. He also
increasingly focused on collage as a way of pursuing his interest in effects of colour.
During the 1970s, Pamela became involved with the local branch of the Arts Council of
Great Britain; by the 1980s, she was running a small Arts Council gallery in Totteridge. She
continued to paint until her final illness. William continued to paint and make objects until he
entered a nursing home at the end of 2018.
While researching for this essay, I found a clipping from a local paper of a review by Ray Rushton
of a joint show by my parents at St Mary’s Arts Centre, Colchester - I think from the 1970s.
He says of my mother: ‘like all expressionists, Pamela Chard is…hit and miss in composition,
wild in colour and instant [sic] inspirational in feeling’. Another review, by Margaret Richards,
from the Barnet Press of 1 July 1977, considering an exhibition by William at a local gallery,
discerns in his paintings ‘a kind of tipsy gaiety, with nothing quite what it seems at first glance’.
Chloe Chard, the artists’ daughter
LOTS 250-265
WILLIAM AND PAMELA CHARD
The following sixteen lots are from the Studio of William and Pamela Chard. A further fifty lots from the studio are to be sold by
Sworders in the Modern British and 20th Century Art Sale Part 2, a timed online auction running from 9 October - 1 November 2020.

255254
253252
251
Lot 250
*William Chard (b.1923)
Self Portrait
oil on canvas
25 x 15cm
£100 - 150
Lot 251
‘Relief with eddies’
painted wood
65 x 72cm
£150 - 200
Lot 252
‘Calm and intrigue’
oil on board
87 x 70cm, unframed
£250 - 350
Lot 253
‘Field of colour’
inscribed on label verso, oil on board
82 x 65cm
£250 - 350
Lot 254
‘Fizzy flotsam’
oil on board
82 x 119cm
£250 - 350
Lot 255
‘Paler fields’
titled on label verso, oil on board
69 x 90cm
£250 - 350

88
Lot 256
*Pamela Chard (1926-2003)
‘Riverside scene at St Albans’
oil on canvas
£200 - 300
Lot 257
‘Landscape, Wheatley’
oil on board
£150 - 250
Lot 258
Seascape
oil on board
51 x 61cm;
and three further landscapes and coastal views (4)
£400 - 600
Lot 259
Still life
oil on board
£150 - 250
259258 part lot
257
256

Lot 260
Marie Parmeter (20th century)
Recumbent figure
stained wood
61cm long, 19cm high
£100 - 150
Lot 261
Marie Parmeter (20th century)
Cat
stone
35cm long, 25cm wide,16cm high
£100 - 150
261
260

90
Lot 262
*Julian Trevelyan RA (1910-1988)
‘Low Tide’
etching with aquatint printed in colours, signed, inscribed
with title and numbered 46/52 in pencil
£400 - 600
Lot 263
*Julian Trevelyan RA (1910-1988)
‘Near Miss’
etching with aquatint printed in colours, signed, inscribed
with title and numbered 5/52 in pencil
£300 - 400
Lot 264
*After Julian Trevelyan RA (1910-1988)
Harbour, 1946
lithograph printed in colours, for the School Prints series,
published by the Baynard Press
image 41 x 68cm
£100 - 150
Lot 265
*Ceri Richards (1903-1971)
‘The Broken Rose’,
lithograph, signed and dated ‘65 in pencil
£300 - 500
265
264
263
262

Lot 269
Linda McCartney (American, 1941-1998)
‘Monsters’
signed and dated 1980 u.l., also signed by the artist verso,
pen and ink and crayon
27 x 35.5cm
£500 - 700
Provenance: Stars Art Auction, Phillips, London,
20 October 1981 (donated by the artist
for charity auction).
Lot 266
*David Remfry RA
(b.1942)
‘The Encounter’
l.r., watercolour
152 x 103cm
£400 - 600
Lot 267
*Katia Bourdarel
(French, b.1969)
Annunciation
signed and dated
2002 l.r., pencil and
embroidery on paper
31.5 x 23.5cm
£300 - 500
Lot 268
*Andrew Stahl
(b.1954)
Head and fireworks
verso, acrylic on paper
59 x 41.5cm
£300 - 400
269268
267266
OTHER PROPERTIES

92
Lot 270
*James McNaught (b.1948)
‘Girl on Rue Quincampoix’, 2007-2008
signed with initials l.l., gouache
35 x 13cm
£400 - 600
Provenance: With Portal Gallery, London.
Lot 271
*James McNaught (b.1948)
‘The Mistress of the Palazzo’
signed with initials and dated 2004 l.r.,
gouache
22.5 x 26cm
£400 - 600
Provenance: With Portal Gallery, London.
Lot 272
*Neal Tait (b.1965)
Untitled, 1999
pencil and gouache
23 x 17cm
£300 - 500
Provenance: White Cube, London.
Lot 273
*Sarah Adams (b.1962)
‘Seascape 2’
signed and dated 2002 l.r., oil on linen
51 x 76cm
£300 - 500
271
273272
270

277 278
Gabriel Summers, painter, etcher and dealer-researcher, was born in Dorset, the grandson of the artists Gerald and Nora Summers.
Summers’ interest in art was encouraged as a child and he won an art scholarship to Canford School, 1975-80, where he was taught
by Robin J Noscoe. He graduated in the history of art at Reading University, 1980-83 and gained his masters in that subject at the
Courtauld Institute, 1983-84, concentrating on British romantic art, a continuing interest. In 1990, Summers was featured in the
episode ‘In Search of Bohemia’, part of the BBC television ‘Abroad in Britain’ series, with Jonathan Meades. Group shows included
‘Nudes for St Valentine’, Bartley Drey Gallery, 1996; ‘Contemporary British Art’, The Millinery Works, 2003; and ‘Little Venice Drawing
Group’, The Clifton Gallery, 2003. He had solo exhibitions at Odd Fellows Hall, Wimborne, 1997, and Canford School Library, 1999.
276275274
Lot 274
*Gabriel Summers
(b.1962)
‘Cherub Feeder - Hey!
Don’t clip her wings!’
signed and dated 89 l.r.,
oil on canvas
92 x 71cm
£300 - 500
Lot 275
*Gabriel Summers
(b.1962)
‘Tea with Eve’
signed and dated 2008 l.l.,
inscribed verso, oil on board
86.5 x 60cm, including
brick-painted frame
£500 - 700
Lot 276
*Gabriel Summers
(b.1962)
‘Fortune Teller’
signed and indistinctly
dated l.r., oil on board
69 x 51cm
£300 - 400
Lot 277
*Gabriel Summers
(b.1962)
‘Boudoir Scene’
l.l., oil on board
41 x 61.5cm
£200 - 300
Lot 278
*Gabriel Summers
(b.1962)
‘Palladium’
signed and
dated Jan/Feb 20 verso,
oil on canvas
61 x 51cm
£300 - 500

94
Lot 279
Jenny Franklin (South
African-British, b.1949)
‘Antipodean Land:
Reflection’, 1993
signed, inscribed and
dated verso, oil on canvas
107 x 122cm
£500 - 700
Exhibited:
Royal Academy Summer
Exhibition, 1994.
Lot 280
*Jean Field (b.1939)
The Nativity
137 x 103cm
£400 - 600
Jean Field began painting
seriously in her mid-thirties,
when she studied at the
Hammersmith College of
Art in 1973. Her first solo
exhibition was in 1979 for
the Federation of British
Artists.
This work was an exercise
in group painting as Jean
Field felt this was lacking
in contemporary painting.
The composition for this
work was inspired by The
Adoration of the Shepherds
by the Le Nain Brothers in
the National Gallery.
Lot 281
*Jean Field (b.1939)
‘Symphony of Heads’
65 x 95cm
£300 - 400
This work was inspired
by a row of wig stands in
Woolworths. Jean Field
describes the heads as
‘gradually developing
personalities of their
own as the changing
light constantly affected
the subject’.
Lot 282
*Michael Randall
(1947-2000)
‘Summer Garden’
signed, titled and
dated 1991 verso,
oil on canvas
£400 - 600
283
281
282
280279

Lot 283
*Michael Randall (1947-2000)
‘Figures in the Garden’
signed with initials l.r., also signed, titled
and dated 1993 verso, oil on board
62 x 51cm
£400 - 600
Lot 284
Highcliffe, Dorset
signed and dated ‘93 l.r., oil on board
45 x 64cm
£300 - 500
Lot 285
‘Red Hat’
oil on board, 1994
46.5 x 56cm
£300 - 500
Lot 286
*Anthony John Gray (b.1946)
‘Wrapping it Up’
inscribed and signed verso, acrylic on
canvas
122 x 91.5cm
£700 - 900
Lot 287
*Emi Avora (Greek, b.1978)
Untitled
signed and dated 2006 verso,
oil on canvas
£300 - 500
Lot 288
*Emi Avora (Greek, b.1978)
‘Outdoors II’
signed, inscribed and dated 2005 verso,
oil on canvas
£300 - 500
285284
288287
286

96
Lot 289
*Annabel Emson (b.1975)
‘Leo’
signed and dated ‘02 on right
edge of canvas, oil and mixed
media on canvas
£300 - 500
Lot 290
*Annabel Emson (b.1975)
‘Love Me Forever’
signed, titled and dated ‘02 on
upper edge of canvas, oil and
mixed media on canvas
152 x 213cm
£400 - 600
Lot 291
*Christian Hidaka (Christian
Ward) (b.1977)
‘Delta’
signed ‘Christian Ward’ on
stretcher, oil on canvas
£700 - 1,000
Exhibited: Royal Academy,
London, 2002.
290289
291

Lot 292
*David Studwell (contemporary)
‘Elton John: Home Run - Dodger
Stadium 1975’
screenprint in colours with hand
embellished diamond dust, signed
and numbered 4/50 in pencil, created
in collaboration with Sir Elton John
and Terry O’Neill, on wove paper,
with margins
sheet 48.7 x 67.1cm, unframed
£500 - 700
Lot 293
*Julian Opie (b.1958)
‘Woman taking off a man’s shirt’
(Cristea 244)
screenprint in colours, 2003, from
an edition of an unknown size,
published by K21 Kunstammlung
Nordrhein-Westfalen, with full margins
£400 - 600
Lot 294
Bob Dylan (American, b.1941)
‘Truck’
giclée print, signed and numbered
132/295 in pencil
image 80.5 x 61 cm
£2,500 - 3,000
294
293292

98
298
297296295
Lot 295
Keith Haring (American, 1958-1990)
Green Montreux, 1983
screenprint
£250 - 350
Lot 296
Pink Montreux, 1983
screenprint
£250 - 350
Lot 297
Yellow Montreux, 1983
screenprint
£250 - 350
Lot 298
Yellow Montreux; Green Montreux; Pink Montreux, Jazz
Festival Posters, 1983
set of three screenprints in colours on smooth wove
100 x 70cm, unframed (3)
£800 - 1,200

Lot 299
Su Xinping (Chinese, b.1960)
‘Netted Sheep’
A set of three lithographs, each signed and
dated 1992, numbered 2/30, 4/30 and
15/20 in pencil
image 59 x 42cm (3)
£3,000 - 5,000
Provenance: Red Gate Gallery, Beijing.
299

100
Lot 302
*Sir Anish Kapoor RA (b.1954)
‘Breathing Blue’
digital print in colours on 350gsm
paper, numbered 2/100, published
by the Hospital Rooms, London
£600 - 800
Lot 303
Mary Miss (American, b.1944)
Untitled
gelatin silver print collage
151.5 125.7cm
£300 - 500
Lot 304
Emerson Woelffer
(American, 1914-2003)
‘Orange Over Blue with O’, 1979
signed and inscribed ‘Orange over
blue with O Woelffer’ (on the
reverse) Including frame, paper
collage and pencil
153 x 102.3cm
£600 - 800
Lot 300
Ronald Brooks Kitaj RA (American, 1932-2007)
‘Truman in the White House’
screenprint,1966, signed and numbered 44/70 in pencil
68 x 102cm
£400 - 600
Lot 301
*The Connor Brothers (b.1968)
‘I can resist everything except temptation’
giclée print on wove, signed in pencil l.r. and numbered 166/250
£300 - 500
300 301
302
304303

Lot 305
*Colin Self (b.1941)
‘Cinema Study no. 7’;
‘Cinema Study no. 30’
Four, each signed, titled and dated ‘19th and 20th’, ‘21st’, ‘22nd’
and ‘28th’ July 1969 respectively verso, ink and watercolour
16 x 21cm (4)
£1,500 - 2,000
305

102
310309
308
307
306
Lot 306
*Paul Neagu
(British-Romanian, 1938-2004)
‘Hyphen’
signed, titled and dated 1980 u.l.,
pencil and coloured crayon
25.5 x 35cm
£500 - 800
Provenance:
Contemporary Art Society Market.
Lot 307
*Nigel Hall (b.1943)
‘Drawing No. 468’
signed, dated ‘85 and
numbered #468 l.l., charcoal
and gouache on paper
76 x 56.5cm
£400 - 600
Provenance:
Juda Rowan Gallery, London;
Contemporary Art Society
Market.
Lot 308
*Derek Boshier
(b.1937)
Study for Indian
painting, circa 1963
charcoal and
gouache
46.5 x 65cm
£600 - 800
Lot 309
*Derek Boshier
(b.1937)
Rainbow
signed and
dated 1965 l.r.,
coloured pencil
57 x 79cm
£600 - 800
Lot 310
*Patrick Hughes
(b.1939)
Untitled (Rainbow Vase)
screenprint in colours,
signed l.r. and numbered
14/25 l.l. in pencil
image 27.5 x 18.5cm
£300 - 500

Lot 311
*Patrick Hughes (b.1939)
Rainbow and cloud
signed and dated 19 l.r., mixed media on card
20.5 x 29cm
£2,500 - 3,500
Lot 312
Untitled (Sad Face)
signed in pencil l.r., also signed and dated 2016
on stretcher, acrylic on canvas
20 x 20cm, unframed
£1,000 - 1,500
Lot 313
‘Banksy’, 2018
hand-painted multiple with archival inkjet, artist’s proof, signed
and numbered edition of 20
102cm wide, 16.5cm deep, 45cm high
£4,000 - 6,000
313
312311

104
Lot 314
*John Hitchens
(b.1940)
Landscape
inscribed in pencil
verso, oil on
board
46 x 91cm
£400 - 600
Lot 315
*Peter Denmark
(1950-2014)
Interior scene with
table and chair
acrylic on canvas
122 x 122cm
£300 - 500
Lot 317
*Robert Sadler
(1909-2001)
Untitled
signed and dated ‘83
l.l., acrylic on board
50 x 61cm
£600 - 800
Exhibited:
Art Space, 2018.
Lot 318
*Robert Sadler
(1909-2001)
Blonde Girl
signed l.r., acrylic on
board
28 x 17.5cm
£250 - 350
Lot 316
*Robert Sadler
(1909-2001)
No. 2 Untitled
signed l.l., and
dated 1971 verso,
oil on board
77 x 104.5cm
£750 - 1,000
Provenance:
Hugh Pilkington Gallery,
Orford.
318317
316315
314

Lot 319
*Robert Sadler (1909-2001)
‘Girl in a Wood’
20.5 x 25.5cm
£250 - 350
Lot 320
‘Hill Landscape II’
signed and dated ‘98 l.l., also signed and
titled verso, acrylic on board
20.5 x 20.5cm
£250 - 350
Exhibited: Studio exhibition, 1995.
Lot 321
Seated woman in an orange dress
signed with initials l.l., acrylic on board
18.5 x 14cm
£200 - 300
Lot 322
Untitled
signed and dated ‘82 l.l., acrylic on board
40.5 x 30cm
£350 - 450
Exhibited: Edge Gallery, 2008;
Art Space, 2018.
Lot 323
‘The Walk’
13.5 x 20cm
£200 - 300
323
320319
322
321

106
Lot 324
‘Red landscape’
acrylic on board
11 x 11cm;
Untitled
acrylic on board
13 x 10cm;
‘Red sun’
signed with initials and indistinctly
dated l.l., acrylic on board
13.5 x 11cm (3)
£200 - 300
Lot 325
‘Girl in a long dress’
28 x 15.5cm
£200 - 300
Provenance: Studio Exhibition,
1970.
Lot 326
‘Girl and haystack’
indistinctly signed l.r., acrylic on
board
23 x 28cm
£250 - 350
Provenance: Studio exhibition,
1978.
Lot 327
‘Girl and yellow cup’
signed l.l., acrylic on board
40 x 30cm
£300 - 500
Provenance: Studio exhibition,
1973.
Lot 328
‘Girl with Flowers’
signed and dated ‘85 l.l., acrylic on
board
41 x 30.5cm
£300 - 500
328327
325
324
326

Lot 330
‘Landscape with blue’
signed and inditinctly dated l.l., acrylic on board
31 x 35.5cm
£250 - 350
Provenance: Studio exhibition, 1989.
332
329 330
331
Lot 329
*Robert Sadler
(1909-2001)
‘Red landscape’
28 x 38cm
£300 - 500
Lot 331
‘Landscape 2’
signed and dated ‘85 l.l., acrylic on board
24 x 52cm
£400 - 600
Provenance: Studio exhibition, 1986.
Lot 332
*Robert Sadler
(1909-2001)
‘Girl in a wood’
17 x 19.5cm;
‘Small landscape’
signed l.l., acrylic on board
15 x 13.5cm;
Standing girl
watercolour
12.5 x 9.5cm (3)
£300 - 500
Lot 333
Spare lot

108
Lot 334
*John Blackburn (b.1936)
‘Three Forms’
mixed media on canvas laid on board
21 x 29cm
£1,000 - 1,500
Provenance: Osborne Samuel Ltd., London.
Lot 335
*John Blackburn (b.1936)
‘Purple Pyramid’
signed and dated ‘11 l.r., mixed media
24 x 29cm
£500 - 700
Provenance: Osborne Samuel Ltd., London.
334
335

Lot 336
*Zebedee Helm (b.1970)
Cartoon Abstract, circa 2001
Enamel and gold on glass
89.5 x 140cm
£300 - 500
Zebedee Helm is a noted cartoonist
in newspapers and magazines such
as Private Eye, the Financial Times
and the Spectator. He illustrates
and co-authors books such as
‘The Middle Class ABC’.
Lot 338
Ai Weiwei (Chinese, b.1957)
‘Declaration of the Rights of Man and the
Citizen’
signed poster from Cahiers d’Art
17 October-21 December 2019, one of
27 signed copies
£300 - 500
Lot 339
*Javier Calleja (Spanish, b.1971)
Face mask
polyester with accompanying image
on card, signed and numbered 67/250
total packaging 21 x 15cm
£400 - 600
Lot 337
*Simon Bill (b.1958)
‘The Japs’
signed, titled and
dated 2000 verso, acrylic
on board, oval
127 x 97.3cm,
unframed
£600 - 800
Provenance:
Christie’s London,
Post War and
Contemporary Art,
12 February 2010,
Lot 268.
339
338
337
336

110
Lot 340
*Mary McCartney (b.1969)
‘Darcey’
photograph, signed and inscribed
‘A/P Darcy’ [sic] verso
47 x 32cm
£1,000 - 1,500
Lot 341
*Julian Opie (b.1958)
Set of seven Australian statuettes
laser-cut acrylic, two-part statuettes in a series of
standing figures drawn in Australia in 2018
varying slightly in size, each is approximately
24.8 x 8 x 0.4cm (7)
£800 - 1,200
341
340

Lot 342
*Damien Hirst (b.1965)
‘Spot Clock Large’, 2009
wall clock, with printed signature
35cm diameter
£600 - 800
Lot 343
Rainbow Heart (large), 2020
laminated giclée print on aluminium
composite panel, from an edition of
1698 published by Heni Editions, London,
contained in the original packaging
70 x 72.7cm
£2,000 - 3,000
343
342

112
Lot 344
‘Butterfly Rainbow’
laminated giclée print on aluminium composite panel, 2020,
number 999/1497, with printed signature on label verso, published
by Heni Editions
48.2 x 100cm, in original packaging
£2,500 - 3,500
Lot 345
*Grayson Perry RA
(b.1960)
‘In the same boat’
mixed media
20 x 29cm
£2,000 - 3,000
Accompanied by an
envelope from the artist
inscribed ‘to Kate, Happy
Birthday, Phil Gray xx’.
344
345

Lot 346
*Grayson Perry RA (b.1960)
‘Alien Baby’
glazed ceramic, 2008, stamped and numbered 11 to the reverse, from an edition of 12
27 x 17cm
£4,000 - 6,000
Provenance: This work was given by the artist to one of the nurses featured in the programme.
‘Alien Baby’ was created during his time making the BAFTA nominated ‘Rites of Passage’, a four episode series exploring the topics of Death,
Marriage, Birth and Coming of Age. Perry travelled the world exploring rituals across different cultures before returning home to England, to
discuss his findings with British families, drawing parallels with seminal moments in their own lives and helping to devise secular rituals to help
them make sense of the landmark moments they were experiencing.
He described witnessing the slow motion modern miracle that sees the babies being nurtured into the world by the dedicated team of nurses
who help them survive and thrive against all odds. He sees the nurses as the crew of a spaceship, employing modern technology with a
sympathetic touch, the twinkling lights of the monitors reminiscent of the light-up controls of the flight deck of a spaceship. Inspired by this
cosmic scene and believing there to be a need for the NHS to be ritualised as one of the pillars of modern society, Grayson produced a range
of 12 ‘Alien Babies’, each a celebration of the NHS, the technology and, above all, the humanity of the neonatal nurses. The works, each
unique and executed in pottery with a metallic gilt glaze, were gifted by the artist to every member of the neonatal team at the Broomfield,
as well as to the couples featured in the show. He states ‘each sculpture represents the spirit of all the little lives bought into the earth by the
nursing team’.
346

114
Lots 347-353
The following seven lots comprise a collection of Momart Christmas gifts.
Provenance: The property of a West Country gentleman.
348
349
350
347
Lot 347
1997, ‘Christmas Greetings
from Momart and Damien
Hirst, Ho, Ho, Ho’
screenprint on perspex in
acrylic, edition of 1700,
signed on the perspex in
white crayon l.r., acrylic
encapsulation by Krylix,
London, with leaflet
6.7 x 7.6cm
£400 - 600
Lot 348
*Ben Langlands (b.1955)
and Nikki Bell (b.1959)
‘Frozen Sky’, 1998
A wristwatch, limited
edition of 1000, signed,
boxed
Mark Wallinger (b.1959)
‘It’s the Thought that
counts, 2001’
a coloured paper and
cardboard cracker with
ribbon, signed on attached
card, boxed (2)
£100 - 200
Lot 349
Catherine Yass (b.1963)
2009, ‘Bike’
printed in colours on folding card,
boxed;
Toby Ziegler (b.1972) and Joel
Peers (b.1981)
2010, ‘Jesus Sandals’
boxed;
Gavin Turk (b.1967)
2011, ‘Find a penny, pick it up,
and all day you’ll have good luck’;
Glenn Brown (b.1966)
2013,’Memorabillia 2013’
acrylic lenticular lens and pigment
over card, in a portfolio
25 x 20cm;
Claire Woods (b.1972)
2015, ‘Last Laugh
lithographic print mounted on
folding card
23.5 x 18.5cm (5)
£200 - 400
Lot 350
*Tracey Emin RA (b.1963)
1999, ‘Be Faithful To Your Dreams’
embroidered handkerchief, with
accompanying folded card and
clear plastic box
40.6 x 40.6cm
£300 - 500

351
Lot 351
*David Hockney OM CH RA
(b.1937)
‘Composition Red and Blue’,
2007
lithograph printed in colours
on wove paper, housed in the
original blue card portfolio with
embossed cover, original letter
from Momart
sheet 14 x 28cm
£200 - 300
Lot 352
Ron Mueck (Australian, b.1958)
2006, ‘It’s A Girl’
a limited edition, mixed media keyring, impressed mark
10cm, and accompanying card;
Richard Hughes (b.1974)
2008, ‘Joyful Sorrow’
Mixed media, stamped verso ‘Momart 2008’ and with artist’s
signature and accompanying letter from Momart
10.5cm (4)
£200 - 300
Lot 353
*Sarah Lucas (b.1962)
2007, ‘Percival’
offset lithograph in colours on thick card,
a further lithograph
with instructions on wove paper, title and text page, needle,
wire and box
£100 - 200
353352

116
OTHER PROPERTIES
Lot 354
*Banksy (b.1974)
Peckham Rock Wooden postcard
within box frame overall 36 x 36 x 3.5cm
£300 - 400
Lot 355
*Banksy (b.1974)
‘Walled Off Hotel’ - ‘Dove’
five-part souvenir wall section from the ‘Defeated’
series, hand-painted resin sculpture with West Bank
Separation Wall base, numbered on the base
13cm high overall,
with original ‘Walled Off Hotel’ numbered receipt
£800 - 1,000
Lot 356
*Banksy (b.1974)
Welcome mat
in collaboration with Love Welcomes,
Gross Domestic Product, numbered
41 x 61cm
£1,500 - 2,000
355
356
354

Lot 357
*Banksy (b.1974)
Think Tank poster
offset lithographic poster, 2003, a Parlophone Records Company
promotional poster for the release of Blur’s ‘Think Tank’ album
£250 - 350
Lot 358
*Banksy (b.1974)
GDP rat
screenprint
image 35 x 40.5cm
£700 - 900
Lot 359
*Banksy (b.1974)
‘Save or Delete’
lithograph printed in
colours
image 41 x 58cm
£500 - 700
359
358357

118
Lot 360
*Thomas Hoepker (German, b.1936)
9/11 (World Trade Center)
photograph, signed on reverse
15.2 x 15.1cm, unframed
£300 - 500
Lot 361
*Ben Eine (b.1970)
‘Oranges and Lemons’
screenprint in colours with screenprinted varnish,
2012, signed, dated and numbered 140/300 in
pencil, on wove paper, with margins
£300 - 500
Lot 362
*Ben Eine (b.1970)
‘Scary’
screenprint in colours, signed and dated 2008 l.l.
and numbered 125/200 l.r. in pencil
image 20 x 70cm
£300 - 500
Lot 363
*Harland Miller (b.1964)
‘York, So Good They Named it Once’, 2020
offset lithograph in colours, for Harland Miller
exhibition at York Art Gallery, 14 February-
31 May 2020
sheet 84 x 55.5cm, unframed
£600 - 800
363362
361
360

119
INDEX OF ARTISTS
Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price.
This royalty, where applicable, will be charged to the purchaser.
A
Abraamyan, Artashes 138, 139
Acconci, Vito 173
*Adams, Sarah 273
Asselin, Maurice 111
Atoyan, Armen 142
*Avora, Emi 287, 288
B
*Banksy354-359
Bakst, Leon 47
Baranenko, Vitaly 143
*Bawden, Edward 1-5
*Beaton, Sir Cecil 25
*Bellany, John 225-227
Bevan, Robert 190
*Bezombes, Roger 117
*Bill, Simon 337
*Birch, Samuel John Lamorna 63
*Blackburn, John 334-335
*Blake, Sir Peter 160
*Bone, Stephen 64
*Boshier, Derek 308, 309
*Bourdarel, Katia 267
*Bowey, Olwyn 224
*Brangwyn, Sir Frank 119
*Bratby, John 195-198
Brown, Glenn 349
*Bulmer, Lionel 200-202
Burdin, Vladimir 135
*Burnett, Rosamond 205
C
Cadman, Dorothy A 83
*Cain, Judith 155
*Calleja, Javier 339
*Campbell, Steven 187
*Campbell, George F 208
*Canegallo,, Attributed to
Giuseppe Sexto 115
Cesar, Paul 24
*Chagall, Marc 26, 99
*Chamberlain, Trevor 152
*Chard, William 250-255
*Chard, Pamela 256-259
Chernov, Vladimir 122
Clausen, Sir George 12
*Clough, Prunella 230
*Cockrill, Maurice 233
*Connor Brothers, The 301
*Cooper, Gerald A 61
*Cremona, Emvin 102-104
D
*Daintrey, Adrian 82
Davidson, Allan Douglas 89
*Davis, Gerald 212
Demenko, Anatoly 121, 131
*Denmark, Peter 315
*Donaldson, David Abercrombie
213
Dugarzhapov, Bato 147
Duncan, Attributed to John 207
*Dunlop, Ronald Ossory 65
*Durrant, Roy Turner 185
Dylan, Bob 294
E
*Edzard, Dietz 101
*Eekhoff, Uriel 109
*Eine, Ben 361, 362
*Emin, Tracey 350
*Emson, Annabel 289, 290
English School 87
*Eurich, Richard 231
F
Faivre, Abel 77
*Fedden, Mary 184
*Field, Jean 280, 281
*Finney, Hubert 206
*Fleetwood-Walker, Bernard 91
*Flint, Sir William Russell 51
Franklin, Jenny 279
*Fraser, Donald Hamilton 175
*Freud, Lucian 162
*Frink, Dame Elisabeth 182
*Frost, Sir Terry 232
*Furneaux, Alan 214
G
Gaudier-Brzeska, Henri 191
Gibb, Phelan 33-42
Gibbs, Attributed to Percy William
85
*Grant, Ian 228
*Gray, Anthony John 286
*Green, Margaret 199
*Green, Anthony 235
*Gross, Anthony 164, 170
*Guillonnet, Octave Denis Victor
116
Gusev, Yuri 92, 93, 127
H
Hall, Kenneth 43A, 44, 44A
*Hall, Nigel 307
*Hambling, Maggi 174, 217-219
Handusenko, Evgeni 132
*Hanley, Liam 156, 157
Haring, Keith 295-298
*Harvey, Gertrude 68, 69
*Harwood, Lucy 220
Helleu, Paul-Cesar 23
*Helm, Zebedee 336
*Herbert, Albert 209
*Hidaka, Christian 291
*Hilton, Roger 183
*Hirst, Damien 342-344, 347
*Hitchens, John 314
*Hockney, David 351
*Hoepker, Thomas 360
*Howard, Ken 211
*Hoyle, Walter 13-15
*Hughes, Patrick 310-313
Hughes, Richard 352
*Humphries, Geoffrey 248
Hungarian School 71
*Husain, Maqbool Fida 100
I
*Irvin, Albert 168, 169
Italian School 120
Ivanov, Viktor 133
J
*John, Augustus Edwin 192
*Johnstone, Gwyneth 204
K
*Kapoor, Sir Anish 302
*Kennington, Eric Henri 46
*Kiff, Ken 186
Kitaj, Ronald Brooks 300
*Knight, Dame Laura 52-55
Knights, Winifred 28
Komarov, Valeri 96
Koshevoi, Viktor 141
Krokhonyatkin, Petr 94
L
*Langlands, Ben 348
*Larusdottir, Karolina 8, 9, 234
*Lowry, Laurence Stephen 171,
172
*Lucas, Sarah 353
Lysenko, Yuri 126
M
Marais-Milton, Victor 113
Marina, Marina 129
*Martinet, Milo 84
Martirosov, Arkadi 95
Masyukov, Valeri 124, 140
*Matthews, Jenny 11
*Maze, Paul Lucien 106
*McCall, Charles 73
*McCannell, Ursula 107
McCartney, Linda 269
*McCartney, Mary 340
McEvoy, Attributed to Arthur
Ambrose72
*McIntyre, Donald 223
*McNaught, James 270, 271
*Meninsky, Bernard 79, 80
*Miller, Harland 363
Miss, Mary 303
*Moore, Henry 161
*Morgan, Edward 86
Morgan, Patrick 105
*Moroney, Ken 154
*Morris, Cedric 70
*Moynihan, Rodrigo 90
Mueck, Ron 352
N
*Nash, John Northcote 18
Nash, Paul 159
*Nash, David 188
*Neagu, Paul 306
Nevinson, Christopher Richard
Wynne49
*Newcomb, Tessa 20, 21
*Newcomb, Mary 22, 48
Nogin, Roman 125
*Noott, Edward 246, 247
O
*Oates, Bennett 56, 57
*Opie, Julian 293, 341
*Orchart, Stanley 151
*Organ, Bryan 229
P
*Paolozzi, Sir Eduardo 177-179
Parmeter, Marie 260, 261
Patikovski, Sergei 136, 137
Peers, Joel 349
*Perry, Grayson 345, 346
*Piper, John 163, 176
Podobelov, Roman Leonidovich144
*Prou, Maurice 110
*Pullee, Margaret 149
*Purser, Keith 45
R
*Randall, Michael 282-285
Ravilious, Eric 16
*Remfry, David 266
*Richards, Ceri 265
*Rooney, Mick 236
S
*Sadler, Robert 316-332
Saidov, Aydemir 128
*Salisbury, Frank Owen 74-76
*Sargent, Louis Augustus 67
*Sarno, Matteo 114
Schwabe, Randolph 97, 98
*Schwarz, Hans 108
*Seago, Edward 66
*Self, Colin 305
Shapovalov, Anatoli 145
Sickert, Bernhard 78
Sims, Stephen 88
Skuridin, Valeri 134
*Smith, Edwin 10, 19
*Smith, Richard 165
*Sorrell, Richard 203
*Spear, Ruskin 81
*Spender, John Humphrey 150
*Stahl, Andrew 268
*Studwell, David 292
*Suddaby, Rowland 29-32, 62
*Summers, Gabriel 274-278
*Sutherland, Graham 166, 167
*Sutton, Linda 237
T
*Tait, Neal 272
*Taplin, Guy 222
*Thomas, Margaret 221
*Thornton, Valerie 27
*Tindle, David 148, 189
*Topolski, Feliks 158
*Trevelyan, Julian 262, 263
*Trevelyan, After Julian 264
Troshev, Yevgeny 123
Turk, Gavin 349
U
*Uhlman, Fred 240-245
V
*Vaughan, Doris 43
Velikaya, Natalia 130
*Virtue, John 180, 181
*Vollett, Jean 118
W
*Wallace, (Robert) Robin 60
Wallinger, Mark 348
*Webb, Clifford 17
*Weight, Carel 238
*Weir, Linda 215, 216
Weiwei, Ai 338
*Wilkinson, Norman 153
*Williamson, Lawrie 239
Woelffer, Emerson 304
*Wolmark, Alfred 58, 59
Woods, Claire 349
X
Xinping, Su 299
Y
Yass, Catherine 349
*Yates, Fred 210
Z
Zharov, Mikhail 146
Ziegler, Toby 349

Sworders Modern British and 20th Century Art 20 October 2020

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