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Woman Holding a Balance: a SymbolicAnalysis Estibaliz Vivanco Ramírez
Woman Holding a Balance Othertitles: WomanWeighingGold/WomanTesting a Balance/WomanWeighingPearls Date of composition: c. 1662-1665 Material:Oiloncanvas Size: 42.5 cm x 38 cm Currentlocation: TheNationalGallery, Washington D.C.
Inspiredorinspirer? Pieter de Hooch’sGoldWeigher(c. 1664) Neither of thepaintings are dated, so: whoinfluencedwho? De Hoochwas at the time living and working in Amsterdam, butlived in Delftforsomeyears. Exchange of ideas betweenbothartists? Itseemsthat De Hooch’spaintingoriginallycontained a second figure seatedonthefarside of thetable
WhoPosedforthe Young Lady? Familymember? Vermeer’swifeCatharina? Thesamewomanalsoposed in TheGirl Reading a Letterbyan Open WindowandWoman in Blue Reading a Letter Isthewomanpregnant? Itseemsthat Dutch fashion in themid 17th centuryencouragedbulkysilhouettes
ThePainting and the Balance Picture-within-a-picture: LastJudgment Theartist has remainedan enigma. ProbablyJacob de Backer Peculiar characteristic: theimage of Christwithbothhandsraised TheLastJudgment: theWeighing of thesouls Relatedtothesymbolism of thebalance
TheMirror Mirrorsappear4 times in Vermeer’soeuvre. A smalleronehangs in thesame position as in theWomanwith a PearlNecklace. Numerousiconographicassociations: Pride Vanity (theVanitastheme) Prudence (Prudenza) Self-knowledge and truth
SeveralInterpretations A warningthatthewomanshouldnotbedistractedbyweighingearthlygoodsbutshouldfocuson eternal values. A secularizedimage of theVirgin Mary standingbeforetheLastJudgment. The balance, anemblem of justice, denotes thewoman’sresponsabilityto balance and weighherownactions.
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Woman Holding a Balance

  • 1. Woman Holding a Balance: a SymbolicAnalysis Estibaliz Vivanco Ramírez
  • 2. Woman Holding a Balance Othertitles: WomanWeighingGold/WomanTesting a Balance/WomanWeighingPearls Date of composition: c. 1662-1665 Material:Oiloncanvas Size: 42.5 cm x 38 cm Currentlocation: TheNationalGallery, Washington D.C.
  • 3. Inspiredorinspirer? Pieter de Hooch’sGoldWeigher(c. 1664) Neither of thepaintings are dated, so: whoinfluencedwho? De Hoochwas at the time living and working in Amsterdam, butlived in Delftforsomeyears. Exchange of ideas betweenbothartists? Itseemsthat De Hooch’spaintingoriginallycontained a second figure seatedonthefarside of thetable
  • 4. WhoPosedforthe Young Lady? Familymember? Vermeer’swifeCatharina? Thesamewomanalsoposed in TheGirl Reading a Letterbyan Open WindowandWoman in Blue Reading a Letter Isthewomanpregnant? Itseemsthat Dutch fashion in themid 17th centuryencouragedbulkysilhouettes
  • 5. ThePainting and the Balance Picture-within-a-picture: LastJudgment Theartist has remainedan enigma. ProbablyJacob de Backer Peculiar characteristic: theimage of Christwithbothhandsraised TheLastJudgment: theWeighing of thesouls Relatedtothesymbolism of thebalance
  • 6. TheMirror Mirrorsappear4 times in Vermeer’soeuvre. A smalleronehangs in thesame position as in theWomanwith a PearlNecklace. Numerousiconographicassociations: Pride Vanity (theVanitastheme) Prudence (Prudenza) Self-knowledge and truth
  • 7. SeveralInterpretations A warningthatthewomanshouldnotbedistractedbyweighingearthlygoodsbutshouldfocuson eternal values. A secularizedimage of theVirgin Mary standingbeforetheLastJudgment. The balance, anemblem of justice, denotes thewoman’sresponsabilityto balance and weighherownactions.