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Why innovation happens when
       happy people
          fight ???

      By Robert I. Sutton
Who is Robert I. Sutton?
Professor of Organizational Behaviour in the
  Graduate School of Business, and Professor of
  Management Science and Engineering in the
  School of Engineering, Stanford University. He is
  the author of Weird Ideas That Work: 11 and ½
  Practices for Promoting, Managing, and
  Sustaining Innovation (The Free Press, 2002), on
  which this article is based.
His idea
If it's not if you win but how you play the game
                     then
playing - or working - with humour and an
upbeat, positive attitude is surely the right way
to play
Besides, these are the teams that usually
win
A growing body of research suggests that
  conflict over ideas is good, especially for
  groups and organizations that do creative
  work. Constant argument can mean that there
  is a competition to develop and test as many
  good ideas as possible, that there is wide
  variation in knowledge and perspectives.
What happens when everyone agrees
When everyone in a group always agrees, it may
 mean they don't have many ideas, or it may
 mean that avoiding conflict is more important
 to them than generating and evaluating new
 ideas. It may even mean that people who
 express new ideas are ridiculed, ostracized
 and driven out of the group.
What they say ?
• As Robert F. Kennedy said, "It is not enough to
  allow dissent. We must demand it." This is
  sound advice for any leader who wants a
  constant supply of new ideas. Or to
  paraphrase chewing-gum magnate
• William Wrigley Jr., "When two people in
  business always agree, one of them is
  unnecessary."
What conflict says ?
Conflict is a sign that there is a contest for ideas in
  the organization, that people are developing
  and assessing many possibilities. Even at this
  stage, however, not all conflict is constructive.
What argument says ?
Arguments are crucial to creativity, but people
  need to learn how and when to fight. In the
  very earliest stages of idea generation, conflict
  (and the criticism it entails) is damaging when
  it causes ideas to be rejected before they can
  be developed well enough to be evaluated.
When Conflict is bad?
Worse, when conflict rages, fear of ridicule or
  humiliation causes people to censor
  themselves before proposing silly or
  strange, but possibly useful, ideas.
         What is the Way out
Idea       generation       techniques,     like
  brainstorming, require participants to
  "withhold judgment" or "avoid criticism."
What they say?
Peter Skillman is a product designer and master
  brainstorming leader who works for
  Handspring, the maker of personal digital
  assistants. Skillman trains people not to attack
  others' ideas in brainstorming groups: "If
  somebody says that an idea sucks, when
  somebody says something nasty, I ring a little
  bell. I make a joke out of it, but it stops them
  from ripping apart ideas we need to build on
  and think about more."
Conflict is also destructive once the creative process
has run its course, and it is time to implement an idea.
Agreement is important once an idea has been
developed, tested and the right path has been chosen;
agreement helps assure that everyone will use the same
methods, in the same way, and are working toward the
same ends. If you were having a simple and proven
operation like an appendectomy, you wouldn't want an
argument in the operating room about how it should be
  done
• Research on group effectiveness distinguishes between
• two types of conflict: destructive and constructive. The
• destructive kind is "emotional," "interpersonal" or
• "relationship-based"-participants are not fighting over
• which ideas are best, but because they dislike each
  other
• or feel threatened by one another. Destructive conflict
• upsets and demoralizes people, and groups that fight
• this way are less effective in both creative and routine
• Constructive conflict-also referred to as "task,"
  or
• "intellectual" conflict- happens when people
  argue over
• ideas rather than personality or relationship
  issues.
• Some of the most creative groups and
  organizations in
• history were made up of people who
  respected each
• other, but fought mightily over ideas.
• Conflict is a sign that there is a contest for
  ideas in the organization, that people are
  developing and assessing many possibilities
• Intel, the leading semiconductor company, takes this
• idea more seriously that any company I know. All
  fulltime
• employees are required to take a home-grown, halfday
• class on "constructive confrontation," where people
• learn about and practise how to fight about ideas in an
• atmosphere of mutual respect.
•   Regardless of how you make your company a happy
•   place, there is a huge amount of literature on the
•   advantages of positive emotion, especially for creative
•   tasks. These studies have examined the differences
•   between happy and unhappy, optimistic and
    pessimistic
•   people; people who have a positive effect versus a
•   negative one; happiness versus sadness, and so on. No
•   matter what you call it, there is strong evidence that
•   travelling through life in a good mood is a good thing,
•   especially if you want to be creative.
• People in good moods are
• "more cognitively flexible-more able to make
• associations, to see dimensions, and to see
  potential
• relationships among stimuli-than are persons in a
  neutral
• state." In other words, they generate more varied
  ideas
• and combinations of those ideas, which are
  crucial
• Humour, joking and laughter are among the
  main tools that effective
• groups use to keep people focused on
  facts, rather than have the
• situation degenerate into personal conflict
Case Study
•   Innovative companies generate many unsuccessful
•   ideas. Consider the example of Skyline, a group of toy
•   designers at IDEO Product Development in Palo Alto,
•   California. Skyline keeps close tabs on its ideas because
•   it sells and licenses concepts for toys that are made and
•   marketed by big companies like Mattel. Brendan Boyle,
•   founder and head of Skyline, said that in 1998, the group
•   (which had fewer than 10 employees) generated about
•   4,000 ideas for new toys. Of these 4,000 ideas, 230
•   were thought to be promising enough to develop into a
•   nice drawing or working prototype. Of these 230, 12
•   were ultimately sold. This "yield" rate is only about
•   one-third of one per cent of total ideas, and five per
•   cent of ideas that were thought to have potential. As
•   Boyle says, "You can't get any good new ideas without
•   having a lot of dumb, lousy and crazy ones. Nobody in
•   my business is very good at guessing which are a waste
•   of time and which will be the next Furby."
• You might hire a few grumpy people
• because there is evidence that they are less likely to
• take risks than upbeat people, and better at finding
  things
• wrong with ideas. One study -- a simulated decision
• about whether or not to race a car given a substantial
• risk that the engine would fail -- found that MBAs and
• engineers with less upbeat personalities were better at
• unearthing negative information and took fewer risks.
Using Happy Warriors to Spark
              Innovation
• Avoid conflict of any kind during the earliest stages of
  the creative process, but encourage people to fight
  over ideas in the intermediate stages.
• Encourage-and teach-people to use tasteful jokes to
  release tension when arguments over ideas start
  becoming too tense and personal.
• Teach people how to recognize the differences
  between interpersonal conflict and intellectual conflict.
  Use classes and mentoring, and your own actions, to
  teach them the right (and wrong) way to fight.
• Find examples of how fighting the right way
  led to more innovation in your company, and
  tell stories about these successes.
• Senior managers need to set the right
  example, by openly arguing about ideas and
  avoiding nasty interpersonal conflict
• If people, including senior managers, continue
  to engage in nasty personal conflict despite
  efforts to teach them not to, punish them. If
  all else fails, fire them.
• Hire upbeat people and do everything
  possible to keep them that way. Emotions are
  contagious, so make sure upbeat people
  interact a lot with others in the company.
• Teach people-through classes, mentoring and setting a
  good example-to build resistance to rejection and
  failure.
• Hire a few grumpy people, but keep them away from
  other people in the company most of the time because
  emotions are so contagious. When you need their
  expertise, bring them out briefly and then send them
  back into isolation.
• If people are upbeat and optimistic, but can't learn
  how to fight over ideas, they might be better off doing
  routine rather than creative work.

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Why innovations happens when happy people fight

  • 1. Why innovation happens when happy people fight ??? By Robert I. Sutton
  • 2. Who is Robert I. Sutton? Professor of Organizational Behaviour in the Graduate School of Business, and Professor of Management Science and Engineering in the School of Engineering, Stanford University. He is the author of Weird Ideas That Work: 11 and ½ Practices for Promoting, Managing, and Sustaining Innovation (The Free Press, 2002), on which this article is based.
  • 3. His idea If it's not if you win but how you play the game then playing - or working - with humour and an upbeat, positive attitude is surely the right way to play Besides, these are the teams that usually win
  • 4. A growing body of research suggests that conflict over ideas is good, especially for groups and organizations that do creative work. Constant argument can mean that there is a competition to develop and test as many good ideas as possible, that there is wide variation in knowledge and perspectives.
  • 5. What happens when everyone agrees When everyone in a group always agrees, it may mean they don't have many ideas, or it may mean that avoiding conflict is more important to them than generating and evaluating new ideas. It may even mean that people who express new ideas are ridiculed, ostracized and driven out of the group.
  • 6. What they say ? • As Robert F. Kennedy said, "It is not enough to allow dissent. We must demand it." This is sound advice for any leader who wants a constant supply of new ideas. Or to paraphrase chewing-gum magnate • William Wrigley Jr., "When two people in business always agree, one of them is unnecessary."
  • 7. What conflict says ? Conflict is a sign that there is a contest for ideas in the organization, that people are developing and assessing many possibilities. Even at this stage, however, not all conflict is constructive.
  • 8. What argument says ? Arguments are crucial to creativity, but people need to learn how and when to fight. In the very earliest stages of idea generation, conflict (and the criticism it entails) is damaging when it causes ideas to be rejected before they can be developed well enough to be evaluated.
  • 9. When Conflict is bad? Worse, when conflict rages, fear of ridicule or humiliation causes people to censor themselves before proposing silly or strange, but possibly useful, ideas. What is the Way out Idea generation techniques, like brainstorming, require participants to "withhold judgment" or "avoid criticism."
  • 10. What they say? Peter Skillman is a product designer and master brainstorming leader who works for Handspring, the maker of personal digital assistants. Skillman trains people not to attack others' ideas in brainstorming groups: "If somebody says that an idea sucks, when somebody says something nasty, I ring a little bell. I make a joke out of it, but it stops them from ripping apart ideas we need to build on and think about more."
  • 11. Conflict is also destructive once the creative process has run its course, and it is time to implement an idea. Agreement is important once an idea has been developed, tested and the right path has been chosen; agreement helps assure that everyone will use the same methods, in the same way, and are working toward the same ends. If you were having a simple and proven operation like an appendectomy, you wouldn't want an argument in the operating room about how it should be done
  • 12. • Research on group effectiveness distinguishes between • two types of conflict: destructive and constructive. The • destructive kind is "emotional," "interpersonal" or • "relationship-based"-participants are not fighting over • which ideas are best, but because they dislike each other • or feel threatened by one another. Destructive conflict • upsets and demoralizes people, and groups that fight • this way are less effective in both creative and routine
  • 13. • Constructive conflict-also referred to as "task," or • "intellectual" conflict- happens when people argue over • ideas rather than personality or relationship issues.
  • 14. • Some of the most creative groups and organizations in • history were made up of people who respected each • other, but fought mightily over ideas.
  • 15. • Conflict is a sign that there is a contest for ideas in the organization, that people are developing and assessing many possibilities
  • 16. • Intel, the leading semiconductor company, takes this • idea more seriously that any company I know. All fulltime • employees are required to take a home-grown, halfday • class on "constructive confrontation," where people • learn about and practise how to fight about ideas in an • atmosphere of mutual respect.
  • 17. Regardless of how you make your company a happy • place, there is a huge amount of literature on the • advantages of positive emotion, especially for creative • tasks. These studies have examined the differences • between happy and unhappy, optimistic and pessimistic • people; people who have a positive effect versus a • negative one; happiness versus sadness, and so on. No • matter what you call it, there is strong evidence that • travelling through life in a good mood is a good thing, • especially if you want to be creative.
  • 18. • People in good moods are • "more cognitively flexible-more able to make • associations, to see dimensions, and to see potential • relationships among stimuli-than are persons in a neutral • state." In other words, they generate more varied ideas • and combinations of those ideas, which are crucial
  • 19. • Humour, joking and laughter are among the main tools that effective • groups use to keep people focused on facts, rather than have the • situation degenerate into personal conflict
  • 20. Case Study • Innovative companies generate many unsuccessful • ideas. Consider the example of Skyline, a group of toy • designers at IDEO Product Development in Palo Alto, • California. Skyline keeps close tabs on its ideas because • it sells and licenses concepts for toys that are made and • marketed by big companies like Mattel. Brendan Boyle, • founder and head of Skyline, said that in 1998, the group • (which had fewer than 10 employees) generated about • 4,000 ideas for new toys. Of these 4,000 ideas, 230 • were thought to be promising enough to develop into a • nice drawing or working prototype. Of these 230, 12
  • 21. were ultimately sold. This "yield" rate is only about • one-third of one per cent of total ideas, and five per • cent of ideas that were thought to have potential. As • Boyle says, "You can't get any good new ideas without • having a lot of dumb, lousy and crazy ones. Nobody in • my business is very good at guessing which are a waste • of time and which will be the next Furby."
  • 22. • You might hire a few grumpy people • because there is evidence that they are less likely to • take risks than upbeat people, and better at finding things • wrong with ideas. One study -- a simulated decision • about whether or not to race a car given a substantial • risk that the engine would fail -- found that MBAs and • engineers with less upbeat personalities were better at • unearthing negative information and took fewer risks.
  • 23. Using Happy Warriors to Spark Innovation • Avoid conflict of any kind during the earliest stages of the creative process, but encourage people to fight over ideas in the intermediate stages. • Encourage-and teach-people to use tasteful jokes to release tension when arguments over ideas start becoming too tense and personal. • Teach people how to recognize the differences between interpersonal conflict and intellectual conflict. Use classes and mentoring, and your own actions, to teach them the right (and wrong) way to fight.
  • 24. • Find examples of how fighting the right way led to more innovation in your company, and tell stories about these successes. • Senior managers need to set the right example, by openly arguing about ideas and avoiding nasty interpersonal conflict
  • 25. • If people, including senior managers, continue to engage in nasty personal conflict despite efforts to teach them not to, punish them. If all else fails, fire them. • Hire upbeat people and do everything possible to keep them that way. Emotions are contagious, so make sure upbeat people interact a lot with others in the company.
  • 26. • Teach people-through classes, mentoring and setting a good example-to build resistance to rejection and failure. • Hire a few grumpy people, but keep them away from other people in the company most of the time because emotions are so contagious. When you need their expertise, bring them out briefly and then send them back into isolation. • If people are upbeat and optimistic, but can't learn how to fight over ideas, they might be better off doing routine rather than creative work.