"Waterline" is the latest "slideshow sketchbook" in the alcohol ink drip playing series, started in January 2021 as a way to relieve stress in challenging times.
"Light Rain" is the latest slideshow in the alcohol ink drip playing series. I am hoping to move back to just the painting (without the photographs) in future slideshows. This run of trees and foliage has been delightful fun though.
"Immersion" is the latest in the alcohol ink drip playing series as an "escape" from the SARS-CoV-2 / COVID-19 pandemic. This work includes some small innovations from prior works. The world seems to be on track but just slow...to make the changes that can address this pathogen.
"Swell" is the latest in the beginner's experimentation in "common art" as a stress reliever in a time of the SARS-CoV-2 / COVID-19 pandemic (which some predict to end a year from now, so September 2022). This slideshow includes some new learning in terms of digital image editing.
"Aqua" is the latest in the alcohol ink drip playing series that was started a year ago as a coping mechanism for the stresses of the pandemic. These works are "common art" ones that are analog (on synthetic and non-synthetic paper) and analog-digital.
"Meanders" is the latest in the "alcohol ink drip playing" series as a means of living through the time of the SARS-CoV-2 / COVID-19 pandemic. In the U.S., thanks to the extraordinary vaccines, life is returning to some semblance of normal. This slideshow has some more light experimentation.
This slideshow is a continuation of the play in alcohol inks and digital image editing in a time of SARS-CoV-2/COVID-19 and working from home. The slideshow title is used lightly as are the textual labels applied to the various visuals. These do show my enjoyment of informal speech and colloquialisms. These works are by a novice and are mostly for handling stress in the present moment. Such a time of hope but with a need for continued biosafety measures (stay safe out there, all!)!
"Live Sea" is the latest in the alcohol ink drip playing series. This series was started as a way to relieve stress dealing the pandemic, which is ongoing. This work includes some digital re-do's on some older visuals in this series. This work is uploaded during the presenter's long-overdue vacation.
"Aquifer" is the latest work in the alcohol ink drip playing series, which was started in January 2021 as a way to manage stresses. This work includes fewer of the seeding analog images...and more of just the digital ones.
"Light Rain" is the latest slideshow in the alcohol ink drip playing series. I am hoping to move back to just the painting (without the photographs) in future slideshows. This run of trees and foliage has been delightful fun though.
"Immersion" is the latest in the alcohol ink drip playing series as an "escape" from the SARS-CoV-2 / COVID-19 pandemic. This work includes some small innovations from prior works. The world seems to be on track but just slow...to make the changes that can address this pathogen.
"Swell" is the latest in the beginner's experimentation in "common art" as a stress reliever in a time of the SARS-CoV-2 / COVID-19 pandemic (which some predict to end a year from now, so September 2022). This slideshow includes some new learning in terms of digital image editing.
"Aqua" is the latest in the alcohol ink drip playing series that was started a year ago as a coping mechanism for the stresses of the pandemic. These works are "common art" ones that are analog (on synthetic and non-synthetic paper) and analog-digital.
"Meanders" is the latest in the "alcohol ink drip playing" series as a means of living through the time of the SARS-CoV-2 / COVID-19 pandemic. In the U.S., thanks to the extraordinary vaccines, life is returning to some semblance of normal. This slideshow has some more light experimentation.
This slideshow is a continuation of the play in alcohol inks and digital image editing in a time of SARS-CoV-2/COVID-19 and working from home. The slideshow title is used lightly as are the textual labels applied to the various visuals. These do show my enjoyment of informal speech and colloquialisms. These works are by a novice and are mostly for handling stress in the present moment. Such a time of hope but with a need for continued biosafety measures (stay safe out there, all!)!
"Live Sea" is the latest in the alcohol ink drip playing series. This series was started as a way to relieve stress dealing the pandemic, which is ongoing. This work includes some digital re-do's on some older visuals in this series. This work is uploaded during the presenter's long-overdue vacation.
"Aquifer" is the latest work in the alcohol ink drip playing series, which was started in January 2021 as a way to manage stresses. This work includes fewer of the seeding analog images...and more of just the digital ones.
"Slow Melt" is the latest slideshow sketchbook in the alcohol ink drip playing series to help alleviate some of the stresses of the current pandemic and historical moment.
"Deluge" is the latest in the "alcohol ink drip playing" series, created to cope starting in the second year of the SARS-CoV-2 / COVID-19 pandemic. This work includes one that uses one watercolor pencil...
"Turbid" is the latest slideshow in the alcohol ink drip playing series to recognize the pandemic moment. So glad to see the progress being made with the vaccines...even as there are slower spots around the world.
"Tides" is the latest in the alcohol ink drip playing series. Sorry, this is the second posting because I misnamed a tree that I thought was a sycamore but is actually a London Planetree.
"Stain" is the latest in the alcohol ink drip playing series started in the second year of the SARS-CoV-2 / COVID-19 pandemic. Here's to hoping humanity keeps advancing against today's challenges. This will be the last of the slideshows this year.
"Mist" is the latest in the alcohol ink drip playing series, which was started a year into the COVID-19 pandemic as a form of stress relief and play. This series is also about learning more of the skills related to digital image editing, for work purposes.
"Overwater" is the latest slideshow collection in the alcohol ink drip playing series as a response to the SARS-CoV-2 / COVID-19 pandemic. While there is a lot of good news on the medical front and on the inoculation front, there is much more work that needs to be done. Anyway, this was a lot of fun!
This slideshow is comprised of a larger set of visuals that involve 3D and 2D digital versions of the various paintings and some more applications of light fx. This is about learning about the art materials and digital editing...in a time of work-from-home and social distancing and being careful until the SARS-CoV-2 vaccines are more fully distributed.
This slideshow "Trickle" continues the play with alcohol inks and synthetic paper, this time with the addition of paint brushes to apply some of the inks. The results do not look that different. I will be wearing gloves for future applications though so as not to stain my hands with drips from the bottle onto the brush and elsewhere. This work is part of the series related to using "common art" to deal with the SARS-CoV-2 / COVID-19 pandemic. As people are getting vaccinated, the return to a pseudo-normal is under way...gradually...reasonably. Many of us are engaging in the home improvements and repairs that were put off. This work does not have a visual that is called "Trickle," but that may be for sometime later.
"Waterway" is the latest in the alcohol ink drip playing series started in January 2021, as a way to relieve stresses from the pandemic. There do seem to be positive signs stateside for the next (short or long) while.
This slideshow "Teardrop" is the latest in the alcohol ink drip playing series started in Jan. 2021 as a relief from the pressures of the pandemic. This work is likely the last in the series. I plan to keep on experimenting with common art.
"Overflow" is the latest in the alcohol ink drip playing series. This was started in January 2021, a year and a month into the COVID-19 pandemic. Going to "common art" is a salve in a time of stress. These have helped in the transition to back-to-work in F2F settings (since late April 2021). I am hopeful that public health authorities and others can keep working this issue for all the world's peoples.
This slideshow "Dry Spell" contains various exploratory visuals as an escape from WFH (working from home) in a time of a hopefully waning pandemic...and to learn features of the digital image editing software used. The use of acrylic ink on the synthetic papers was a total #fail, but perhaps those might be better used on different paper and with actual paintbrushes. Alcohol inks play well themselves but not so much with acrylic. Or perhaps the experiment did not work because there was not enough focus or forethought.
"Drift" is the latest in the alcohol ink drip playing series. After reaching the first learning plateau a year and a half in, I am finding second wind. This is all still fun.
"False Light" is the latest in the series dealing with coping through "common art" during a pandemic. The works are those created using alcohol ink drip playing on synthetic paper and then digital image editing of those visuals seeded with the alcohol ink pieces. The idea of "false light" is not derogatory here. It is about visual illusions and human visual systems...and the artificial enablements of digital image editing (but also the artificial enablements of digital ink on synthetic paper).
"Froth" is part of the common art series started in January 2021 around the SARS-CoV-2 / COVID-19 pandemic. What a difference a half-year makes! This only has a few alcohol ink drip paintings, a few digital variants, and the rest are visuals created from born-digital imagery (often from social network graphs). In the spirit of going with the inspiration, I created a lot of visuals from these other works and tried a few new things.
This is in the next of the slideshow series of creating alcohol ink and digital "common art" as a coping mechanism during the SARS-CoV-2 / COVID-19 pandemic. This set uses visuals from prior alcohol ink scans...to create new shapes based on the learning of how to apply vector masks in Adobe Photoshop 2021. Ideally, unique shapes would have been used, but at this moment of busyness, those will have to be created and applied in another time.
"Waves" is the latest in the "alcohol ink drip playing" series as a coping mechanism for facing an ongoing COVID-19 pandemic. This work includes more digital image editing with both Adobe Photoshop 2021 and Adobe Illustrator 2021. There is some new learning in both tools...and a little new learning about alcohol inks and synthetic papers.
Long nonfiction chapters are not in-style and may never have been. Where average chapter lengths of nonfiction book chapters are about 4,000 – 7,000 words in length, some may be several times that max range number. The explanation is that there is some irreducible complexity that that chapter addresses that cannot be addressed in shorter form. This slideshow explores some methods for writing longer chapters while still maintaining coherence, focus, and reader interest…and while using some technological tools to write and edit more efficiently.
Overcoming Reluctance to Pursuing Grant Funds in AcademiaShalin Hai-Jew
Starting as an organization’s new grant writer can be a challenge, especially in a case where there has been a time lapse since the last one left. People get out of the habit of pursuing grant funds. This slideshow addresses some of the reasons for such reluctance and proposes some ways to mitigate these.
"Slow Melt" is the latest slideshow sketchbook in the alcohol ink drip playing series to help alleviate some of the stresses of the current pandemic and historical moment.
"Deluge" is the latest in the "alcohol ink drip playing" series, created to cope starting in the second year of the SARS-CoV-2 / COVID-19 pandemic. This work includes one that uses one watercolor pencil...
"Turbid" is the latest slideshow in the alcohol ink drip playing series to recognize the pandemic moment. So glad to see the progress being made with the vaccines...even as there are slower spots around the world.
"Tides" is the latest in the alcohol ink drip playing series. Sorry, this is the second posting because I misnamed a tree that I thought was a sycamore but is actually a London Planetree.
"Stain" is the latest in the alcohol ink drip playing series started in the second year of the SARS-CoV-2 / COVID-19 pandemic. Here's to hoping humanity keeps advancing against today's challenges. This will be the last of the slideshows this year.
"Mist" is the latest in the alcohol ink drip playing series, which was started a year into the COVID-19 pandemic as a form of stress relief and play. This series is also about learning more of the skills related to digital image editing, for work purposes.
"Overwater" is the latest slideshow collection in the alcohol ink drip playing series as a response to the SARS-CoV-2 / COVID-19 pandemic. While there is a lot of good news on the medical front and on the inoculation front, there is much more work that needs to be done. Anyway, this was a lot of fun!
This slideshow is comprised of a larger set of visuals that involve 3D and 2D digital versions of the various paintings and some more applications of light fx. This is about learning about the art materials and digital editing...in a time of work-from-home and social distancing and being careful until the SARS-CoV-2 vaccines are more fully distributed.
This slideshow "Trickle" continues the play with alcohol inks and synthetic paper, this time with the addition of paint brushes to apply some of the inks. The results do not look that different. I will be wearing gloves for future applications though so as not to stain my hands with drips from the bottle onto the brush and elsewhere. This work is part of the series related to using "common art" to deal with the SARS-CoV-2 / COVID-19 pandemic. As people are getting vaccinated, the return to a pseudo-normal is under way...gradually...reasonably. Many of us are engaging in the home improvements and repairs that were put off. This work does not have a visual that is called "Trickle," but that may be for sometime later.
"Waterway" is the latest in the alcohol ink drip playing series started in January 2021, as a way to relieve stresses from the pandemic. There do seem to be positive signs stateside for the next (short or long) while.
This slideshow "Teardrop" is the latest in the alcohol ink drip playing series started in Jan. 2021 as a relief from the pressures of the pandemic. This work is likely the last in the series. I plan to keep on experimenting with common art.
"Overflow" is the latest in the alcohol ink drip playing series. This was started in January 2021, a year and a month into the COVID-19 pandemic. Going to "common art" is a salve in a time of stress. These have helped in the transition to back-to-work in F2F settings (since late April 2021). I am hopeful that public health authorities and others can keep working this issue for all the world's peoples.
This slideshow "Dry Spell" contains various exploratory visuals as an escape from WFH (working from home) in a time of a hopefully waning pandemic...and to learn features of the digital image editing software used. The use of acrylic ink on the synthetic papers was a total #fail, but perhaps those might be better used on different paper and with actual paintbrushes. Alcohol inks play well themselves but not so much with acrylic. Or perhaps the experiment did not work because there was not enough focus or forethought.
"Drift" is the latest in the alcohol ink drip playing series. After reaching the first learning plateau a year and a half in, I am finding second wind. This is all still fun.
"False Light" is the latest in the series dealing with coping through "common art" during a pandemic. The works are those created using alcohol ink drip playing on synthetic paper and then digital image editing of those visuals seeded with the alcohol ink pieces. The idea of "false light" is not derogatory here. It is about visual illusions and human visual systems...and the artificial enablements of digital image editing (but also the artificial enablements of digital ink on synthetic paper).
"Froth" is part of the common art series started in January 2021 around the SARS-CoV-2 / COVID-19 pandemic. What a difference a half-year makes! This only has a few alcohol ink drip paintings, a few digital variants, and the rest are visuals created from born-digital imagery (often from social network graphs). In the spirit of going with the inspiration, I created a lot of visuals from these other works and tried a few new things.
This is in the next of the slideshow series of creating alcohol ink and digital "common art" as a coping mechanism during the SARS-CoV-2 / COVID-19 pandemic. This set uses visuals from prior alcohol ink scans...to create new shapes based on the learning of how to apply vector masks in Adobe Photoshop 2021. Ideally, unique shapes would have been used, but at this moment of busyness, those will have to be created and applied in another time.
"Waves" is the latest in the "alcohol ink drip playing" series as a coping mechanism for facing an ongoing COVID-19 pandemic. This work includes more digital image editing with both Adobe Photoshop 2021 and Adobe Illustrator 2021. There is some new learning in both tools...and a little new learning about alcohol inks and synthetic papers.
Long nonfiction chapters are not in-style and may never have been. Where average chapter lengths of nonfiction book chapters are about 4,000 – 7,000 words in length, some may be several times that max range number. The explanation is that there is some irreducible complexity that that chapter addresses that cannot be addressed in shorter form. This slideshow explores some methods for writing longer chapters while still maintaining coherence, focus, and reader interest…and while using some technological tools to write and edit more efficiently.
Overcoming Reluctance to Pursuing Grant Funds in AcademiaShalin Hai-Jew
Starting as an organization’s new grant writer can be a challenge, especially in a case where there has been a time lapse since the last one left. People get out of the habit of pursuing grant funds. This slideshow addresses some of the reasons for such reluctance and proposes some ways to mitigate these.
Writing grants is one common way that those in institutions of higher education may acquire some funds—small and big, one-off and continuing—to conduct research, hire faculty and researchers and learners and others, update equipment, update or build up new buildings, and achieve other work. This slideshow explores some aspects of the work of grant writing in the present moment in higher education.
Contrasting My Beginner Folk Art vs. Machine Co-Created Folk Art with an Art-...Shalin Hai-Jew
The SARS-CoV-2 pandemic inspired several years of experimentation with common or folk art, involving mixed media, alcohol ink painting, and other explorations. Then, with the emergence of art-making generative AIs, there were further experiments, particularly with one that enables generation of visuals from scanned art and photos, text prompts, style overlays, and text-based visual modifiers. While both types of artmaking are emotionally satisfying and helpful for stress management, there are some contrasting differences. This exploratory slideshow explores some of these differences in order to partially shed light on the informal usage of an art-making generative AI (artificial intelligence).
Creating Seeding Visuals to Prompt Art-Making Generative AIsShalin Hai-Jew
Art-making generative AIs have come to the fore. A basic work pipeline typically involves starting with text prompts -> generated images. That image may be used to seed further iterations. Deep Dream Generator (DDG) enables the application of “modifiers” of various types (artist styles, visual adjectives, others) to be applied in addition to the text prompt.
Another approach involves beginning with a “seeding image,” a born-digital or digitized (born-analog) visual on which AI-generated art may be based for a multi-channel and multi-modal prompt. This slideshow provides some observations of how to think about seeding images, particularly in terms of how the DDG handles them, with its “algorithmic pareidolia” (“Deep Dream,” Wikipedia, July 3, 2023).
Human art-making is often about throwing mass-scale conversations. Artists are thought to help bridge humanity into the future. Whether generative AI art enables this or not is still not clear.
Common Neophyte Academic Book Manuscript Reviewer MistakesShalin Hai-Jew
The work of academic book reviewing, as a volunteer (most often), is a common academic practice. The presenter has served as a neophyte one for some years before settling into this invited volunteer work for several decades. There have been lessons learned over time about avoidable mistakes…from both experience and observation.
Fashioning Text (and Image) Prompts for the CrAIyon Art-Making Generative AIShalin Hai-Jew
CrAIyon (formerly DALL-E after Salvador “Dali”) is a web-facing art-making generative AI tool online (https://www.craiyon.com/) that enables the uses of text (and image) prompts for the creation of watermarked, lightweight visuals. Counterintuitively, the rough visuals are much more usable for recombinations and remixes and recreations into usable digital visuals for various digital learning objects. The textual prompts are not particularly intuitive because of how the generative AI program was trained on mass-scale visuals). There is an art and occasional indirection to working prompts after each try, with the resulting nine-image proof sheets that CrAIyon outputs. The tool can be used iteratively for different outputs.
The tool sometimes turns out serendipitous surprises, including an occasional work so refined that it can be used / shared almost unedited. One challenge in using CrAIyon comes from their request for credit (for all non-subscribers to their service). Another comes from the visual watermarking (orange crayon at the bottom right of the image). However, this tool is quite useful for practical applications if one is willing to engage deep digital image editing (Adobe Photoshop, Adobe Illustrator).
Augmented Reality in Multi-Dimensionality: Design for Space, Motion, Multiple...Shalin Hai-Jew
Augmented reality (AR)—the use of digital overlays over physical space—manifests in a wide range of spaces (indoor, outdoor; virtual) and ways (in real space (with unaided human vision); in head gear; in smart glasses; on mobile devices, and others). There are various authoring technologies that enable the making of AR experiences for various users. This work uses a particular tool (Adobe Aero®) to explore ways to build AR for multiple dimensions, including the fourth dimension (motion, changes over time).
Based on the respective purposes of the AR experience, some basic heuristics are captured for
space design (1),
motion design (2),
multiple perception design (sight, smell, taste, sound, touch) (3),
and virtual- and tangible- interactivity (4).
Some Ways to Conduct SoTL Research in Augmented Reality (AR) for Teaching and...Shalin Hai-Jew
One of the extant questions about augmented reality (AR) is how (in)effective it is for the teaching and learning in various formal, nonformal, and informal contexts. The research literature shows mixed findings, which are often highly context-based (and not generalizable). There are some non-trivial costs to the design/development/deployment of AR for teaching and learning. For the users, there is cognitive load on the working memory [(1) extraneous/poor design, (2) intrinsic/inherent difficulty in topic, and (3) germane/forming schemas]. For teachers, there are additional knowledge, skills, and abilities / attitudes (KSAs) that need to be brought to bear.
Exploring the Deep Dream Generator (an Art-Making Generative AI) Shalin Hai-Jew
The Deep Dream Generator was created by Google engineer Alexander Mordvintsev in 2014. It has a public facing instance at https://deepdreamgenerator.com/, which enables people to use text prompts and image prompts (individually or in combination) to inspire the art-generating generative AI to output images. This work highlights some process-based walk-throughs of the tool, some practical uses, some lightweight art learning, some aspects of the online social community on this platform, and other insights. Some works by the AI prompted by the presenter may be seen here: https://deepdreamgenerator.com/u/sjjalinn.
(This is the first draft of a slideshow that will be used in a conference later in the year.)
Augmented Reality for Learning and AccessibilityShalin Hai-Jew
Recently, the presenter conducted a systematic review of the academic literature and an environmental scan to learn how to set up an augmented reality (AR) shop at an institution of higher education. The ambition was to not only set up AR in an accessible and legal way but also be able to test for potential +/- effects of AR on teaching and learning. The research did not go past the review stage, because of a lack of funding, but some insights about accessibility in AR were acquired.
(The visuals are from Deep Dream Generator and CrAIyon.)
Engaging Pixabay as an open-source contributor to hone digital image editing,...Shalin Hai-Jew
This slideshow describes the author's early experiences with creating two accounts on Pixabay in order to advance digital editing skills in multimedia. The two accounts are located at https://pixabay.com/users/sjjalinn-28605710/ and https://pixabay.com/users/wavegenerics-29440244/ ...
This work explores four main spaces where researchers publish about educational technology: academic-commercial, open-access, open-source, and self-publishing.
Human-Machine Collaboration: Using art-making AI (CrAIyon) as cited work, o...Shalin Hai-Jew
It is early days for generative art AIs. What are some ways to use these to complement one's work while staying legal (legal-ish)?
Correction: .webp is a raster format
Getting Started with Augmented Reality (AR) in Online Teaching and Learning i...Shalin Hai-Jew
University creative shops are exploring whether they can get into the game of producing AR-enhanced experiences: campus tours, interactive gaming, virtual laboratories, exploratory art spaces, simulations, design labs, online / offline / blended teaching and learning modules, and other AR applications.
This work offers a basic environmental scan of the AR space for online teaching and learning, and it includes pedagogical design leads from the current research, technological knowhow, hands-on design / development / deployment of learning objects, and online teaching and learning methods.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Brushstrokes of Inspiration: Four Major Influences in Victor Gilbert’s Artist...KendraJohnson54
Throughout his career, Victor Gilbert was influenced heavily by various factors, the most notable being his upbringing and the artistic movements of his time. A rich tapestry of inspirations appears in Gilbert’s work, ranging from their own experiences to the art movements of that period.
1. Waterline
A beginner’s play in alcohol inks,
erasers, pencil,
(non)synthetic papers,
neural filters,
light compositing,
and digital image editing…
Shalin Hai-Jew
April 2022
8. Waterline
• “Waterline” is the most recent slideshow sketchbook in the alcohol
ink drip playing series, a year and several months after the first of the
series was started in January 2021. The slideshows are a way to
manage stress during the SARS-CoV-2 / COVID-19 pandemic.
• Several of the works in the prior slideshow and several in this one are
unedited digital photos. Some photos already have a finished look,
and the neural filters would be extraneous and perhaps excessively
ornate.
8
9. Waterline(cont.)
• This slideshow has plenty of works close to home, without much in
the way of driving. Given times, perhaps conservation is the wiser
approach.
• Some of the digital scans I used to seed various visuals are highly
minimalist. There may be a few lines, perhaps an ink splat. I then let
the neural filters fill in the whitespaces.
• These seeds are like an occasional dropped comment to a gossip, who fills in
the rest of the empty space with their own imaginings. (A gossip is not a
disciplined thinker.)
9
10. Waterline(cont.)
• The alcohol ink works are overlayers built on former works.
• I will get back to using fresh canvases, but I want to go with actual
paintbrushes and alcohol inks and India inks and other approaches. Right
now, work is too busy to allow the mental space to try these.
• A few days ago, I discovered a scene setting and command dial on my
older Nikon DSLR (features which I had not been aware of until
recently). I was looking at how to do night photography and found a
social video about this. I wanted to see how neural filters would
handle the dark and its inverse.
• Some of the works are from freehand sketches.
10