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quot;Wie die Zeit vergehtquot;. Historische Anmerkungen zu einem Problem der jüngeren
Kompositionsgeschichte
Author(s): Laurenz Lütteken
Source: Archiv für Musikwissenschaft, 55. Jahrg., H. 4. (1998), pp. 291-310
Published by: Franz Steiner Verlag
Stable URL: http://www.jstor.org/stable/930924
Accessed: 27/04/2009 03:57

Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at
http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless
you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you
may use content in the JSTOR archive only for your personal, non-commercial use.

Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at
http://www.jstor.org/action/showPublisher?publisherCode=fsv.

Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed
page of such transmission.

JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the
scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that
promotes the discovery and use of these resources. For more information about JSTOR, please contact support@jstor.org.




                Franz Steiner Verlag is collaborating with JSTOR to digitize, preserve and extend access to Archiv für
                Musikwissenschaft.




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Wahrnehmung

  • 1. quot;Wie die Zeit vergehtquot;. Historische Anmerkungen zu einem Problem der jüngeren Kompositionsgeschichte Author(s): Laurenz Lütteken Source: Archiv für Musikwissenschaft, 55. Jahrg., H. 4. (1998), pp. 291-310 Published by: Franz Steiner Verlag Stable URL: http://www.jstor.org/stable/930924 Accessed: 27/04/2009 03:57 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=fsv. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact support@jstor.org. Franz Steiner Verlag is collaborating with JSTOR to digitize, preserve and extend access to Archiv für Musikwissenschaft. http://www.jstor.org