Two pages magazines:media:rufus
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The document provides a review and details about the short film "Fluff" directed by Sebastian Whitsfield. It summarizes that the film is a creative and meaningful insight into young love, starring Philly Marra who gives a touching performance without sentimentality. While familiar from Whitsfield's previous work, the film moves beyond formulas by exploring an intimate story inspired by real life and shot on location to capture more authentic energy. The review gives the film 3 out of 4 stars, calling it a "little charmer" that stays with the viewer.
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Two pages magazines:media:rufus
This document provides a review and details about the short film "Fluff" directed by Sebastian Whitsfield. It summarizes that the film tells a creative story about young love trials, starring Philly Marra and Sebastian Whitsfield. The review praises Marra's touching performance and Whitsfield's direction, which moves beyond his previous work and delivers an experimental indie film with heart. Overall, the review recommends the film for its absorbing and non-formulaic exploration of love through symbolism and moments.
Characters and casting ideas done
Vicky Machin will play Luna, both the protagonist and antagonist of the film. Luna starts as the sympathetic character who escapes from her step-father's torture cellar but then turns into the murderer. Mark Machin will play Luna's cruel step-father, the initial antagonist who tortures Luna. James Green will play Aaron, who is kind to Luna in the woods but becomes her first victim when her rage overtakes her.
Describing films
The document defines and provides brief descriptions of various film genres:
1) Action films involve violence, fighting, stunts and chases.
2) Horror films aim to provoke fear for entertainment through nightmares and terror.
3) Adventure films revolve around protagonists conquering and exploring to retrieve people or treasure.
4) Science fiction stories depict imagined future scientific developments and their effects on people and society.
5) Romantic films focus on the passionate love and affection between main characters as their relationship develops through dating, courtship or marriage.
6) Thrillers elicit strong emotions like excitement and suspense to thrill audiences.
Film Review
This is my own written film review for 'Jade'. It could be used for something like The Guardian or Empire Film Magazine.
Hazza pots and the deathly hallows part deux
The document summarizes the plot and key details of the film Harry Potter and the Deathly Hallows Part 2, the final installment in the Harry Potter film series. It discusses the director, screenwriter, source novel, production company, storyline about Harry, Ron and Hermione's mission to find and destroy Voldemort's remaining horcruxes. Main cast members are listed, including Daniel Radcliffe, Emma Watson, Rupert Grint, and the film's July 15 release date. Marketing efforts through Facebook are also mentioned, including the use of groups, photos/posters, and opportunities to share information.
Thriller gender representations
In most thriller films, gender is commonly represented through stereotypes such as the heroic male who saves the weak female prize. The Bourne Identity follows this pattern with the female lead initially portrayed as weak but becoming hardened through the story. Shutter Island subverts expectations by representing the female character as both weak-minded yet also driving the male detective to insanity. The Hunger Games reverses stereotypes by portraying Katniss as the heroic bow-wielding female who must often save the weak male Peeta, though some scenes still depict conventional stereotypes of femininity and romance.
Media theorists
The document summarizes the narrative structure theories of Todorov and Propp. Todorov's theory includes five stages: equilibrium, disruption, recognition of disruption, attempt to repair disruption, and return to a new equilibrium. Propp's theory includes seven character types (hero, villain, helper, donor, princess, false hero, dispatcher) and seven stages of the hero's journey (preparation, complication, transference, struggle, return, recognition). Examples are given of how these theories can be applied to analyze stories and characters. Claude Levi-Strauss is also mentioned for his structuralist approach to analyzing myths based on binary oppositions like good vs evil.
Evaluation: Q1
The document is an evaluation response that discusses how a short social realism film challenges and conforms to conventions of the genre. It begins with a documentary-style opening using a character monologue to introduce the protagonist and create empathy. This challenges expectations by not establishing initial equilibrium. However, it also uses conventions like realistic settings and exploring a contemporary taboo issue. Camerawork is mostly naturalistic to maintain continuity but some shots like extreme close-ups are used to convey mood. Overall, the response analyzes how the film both challenges expectations and adheres to realist conventions.
Recommended
Two pages magazines:media:rufus
This document provides a review and details about the short film "Fluff" directed by Sebastian Whitsfield. It summarizes that the film tells a creative story about young love trials, starring Philly Marra and Sebastian Whitsfield. The review praises Marra's touching performance and Whitsfield's direction, which moves beyond his previous work and delivers an experimental indie film with heart. Overall, the review recommends the film for its absorbing and non-formulaic exploration of love through symbolism and moments.
Characters and casting ideas done
Vicky Machin will play Luna, both the protagonist and antagonist of the film. Luna starts as the sympathetic character who escapes from her step-father's torture cellar but then turns into the murderer. Mark Machin will play Luna's cruel step-father, the initial antagonist who tortures Luna. James Green will play Aaron, who is kind to Luna in the woods but becomes her first victim when her rage overtakes her.
Describing films
The document defines and provides brief descriptions of various film genres:
1) Action films involve violence, fighting, stunts and chases.
2) Horror films aim to provoke fear for entertainment through nightmares and terror.
3) Adventure films revolve around protagonists conquering and exploring to retrieve people or treasure.
4) Science fiction stories depict imagined future scientific developments and their effects on people and society.
5) Romantic films focus on the passionate love and affection between main characters as their relationship develops through dating, courtship or marriage.
6) Thrillers elicit strong emotions like excitement and suspense to thrill audiences.
Film Review
This is my own written film review for 'Jade'. It could be used for something like The Guardian or Empire Film Magazine.
Hazza pots and the deathly hallows part deux
The document summarizes the plot and key details of the film Harry Potter and the Deathly Hallows Part 2, the final installment in the Harry Potter film series. It discusses the director, screenwriter, source novel, production company, storyline about Harry, Ron and Hermione's mission to find and destroy Voldemort's remaining horcruxes. Main cast members are listed, including Daniel Radcliffe, Emma Watson, Rupert Grint, and the film's July 15 release date. Marketing efforts through Facebook are also mentioned, including the use of groups, photos/posters, and opportunities to share information.
Thriller gender representations
In most thriller films, gender is commonly represented through stereotypes such as the heroic male who saves the weak female prize. The Bourne Identity follows this pattern with the female lead initially portrayed as weak but becoming hardened through the story. Shutter Island subverts expectations by representing the female character as both weak-minded yet also driving the male detective to insanity. The Hunger Games reverses stereotypes by portraying Katniss as the heroic bow-wielding female who must often save the weak male Peeta, though some scenes still depict conventional stereotypes of femininity and romance.
Media theorists
The document summarizes the narrative structure theories of Todorov and Propp. Todorov's theory includes five stages: equilibrium, disruption, recognition of disruption, attempt to repair disruption, and return to a new equilibrium. Propp's theory includes seven character types (hero, villain, helper, donor, princess, false hero, dispatcher) and seven stages of the hero's journey (preparation, complication, transference, struggle, return, recognition). Examples are given of how these theories can be applied to analyze stories and characters. Claude Levi-Strauss is also mentioned for his structuralist approach to analyzing myths based on binary oppositions like good vs evil.
Evaluation: Q1
The document is an evaluation response that discusses how a short social realism film challenges and conforms to conventions of the genre. It begins with a documentary-style opening using a character monologue to introduce the protagonist and create empathy. This challenges expectations by not establishing initial equilibrium. However, it also uses conventions like realistic settings and exploring a contemporary taboo issue. Camerawork is mostly naturalistic to maintain continuity but some shots like extreme close-ups are used to convey mood. Overall, the response analyzes how the film both challenges expectations and adheres to realist conventions.
Pursuit of happyness
It is like a summary of the movie. It also contains one of the best scenes from the movie with the names of leading characters.
Download your Acting E-Guide Now!
The most famous actors in the world talk about what it’s like to be an actor.
Top tips on what it takes to make it big in one of the world’s most exciting industries.
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Pursuit of happyness
The document summarizes the movie "The Pursuit of Happyness" starring Will Smith. It describes how Chris Gardner struggled financially to support himself and his son, going from being a salesman to training to become a stockbroker. It highlights that the film is based on Gardner's real one-year struggle and his motivation to prove he could provide a good life for his son. The document also lists details about the cast and differences between the film and real events.
Evaluation - social groups
The document is a response evaluating how a student film represents different social groups through its characters and storyline. In three sentences:
The film challenges gender stereotypes by portraying the female secret agent Monroe as tough and able to defeat male attackers. While the male robbers represent traditional masculine traits, they are unexpectedly overpowered by Monroe. The short film does not explicitly represent or challenge stereotypes of age, class, sexuality or ethnicity as it focuses only on the opening action sequence.
Reign of Assassins, vers 2
The document summarizes the 2010 martial arts film Reign of Assassins, which was co-directed by John Woo and stars Michelle Yeoh. It describes the plot, which involves Yeoh's character Drizzle seeking a new identity after leaving her assassin clan. It praises Yeoh's performance and says the film is surprisingly interesting in exploring the backstories of the other assassins. However, it notes that the film's interesting dynamic between Yeoh's character and her normal husband is undermined by a twist in the third act. It concludes by saying the film could be the best martial arts film since Crouching Tiger, Hidden Dragon if it had maintained its convictions throughout, and questions whether U.S.
Daryl christmas work
The document discusses several films being released in December 2010, including The Chronicles of Narnia: The Voyage of the Dawn Treader, Burlesque, Meet the Parents: Little Fockers, Monsters, and Megamind. It provides the genre, release date, stars, and a brief storyline for each film. It also notes the target audience and how each film was marketed online and offline for most of the movies. All the films have elements of comedy or mysticism, and are being released near Christmas when audiences tend to prefer happier films.
Genre research
This document provides information about the slasher/stalker film genre, including definitions, examples, common roles, and conventions. It defines slasher films as involving a mysterious killer stalking and murdering victims with a weapon like a knife or axe. Friday the 13th is given as an example of a famous slasher franchise. Key roles discussed include the hero, killer, victims, and "final girl" survivor. Common conventions addressed are the isolated setting, incompetent authorities, and graphic violence. The document also outlines plans for a slasher-style trailer, focusing on subverting expectations with a female killer in a modern local setting.
Inspirational scenes
Horror films aim to elicit emotions of fear, disgust and horror from viewers through plots involving the intrusion of evil forces into the everyday world. The movies "Cabin Fever" and "The Bride of Chucky" both have target audiences aged 15 and up due to their themes involving teenagers. Both movies build suspense through music, camera shots, lighting and a slow pace to scare audiences. They feature standard horror elements like murders, gore, villains, killers and problems spiraling out of control.
Call sheet
This document provides details for filming the music video "Can't Fight the Moonlight" including the location, equipment needed, costumes, shoot dates and cast contact information. Scenes of characters Sophie and Grace arguing with a male character will take place on the Burn Valley walkway. Additional filming of the song's first verse and chorus will occur in the surrounding Burn Valley area among the trees.
Hum2310 fa2014 atlantis film response
The document is a film response worksheet for the Disney film "Atlantis: The Lost Empire" that contains 25 questions about archetypes and the hero's journey narrative structure. It asks the student to identify: 1) the protagonist Milo Thatch, a linguist recruited for an expedition to find the lost city of Atlantis, 2) ordinary world as early 20th century America, 3) Milo's special birth being his intellect and skills with languages, 4) call to adventure by meeting the expedition financier who recruits him, 5) the quest is to find and explore Atlantis, 6) Milo accepts the call, and 7) it provides questions about character archetypes like mentor, shapeshifter, and tempt
Vladimir Propp - Character Type Theory
Vladimir Propp identified 7 character types that commonly appear in folk tales and films: The Hero, Villain, Donor, Dispatcher, Helper, False Hero, and Princess. The document provides examples of how these character types appear in thriller films such as The Silence of the Lambs, Batman, Inception, and Shutter Island. For each character type, short descriptions are given and examples are shown of actors playing those roles in famous films.
Basic plots and empathy
The document summarizes several common plot structures and provides examples of stories that fit each structure. The five main plot structures discussed are:
1. Overcoming the monster (e.g. Perseus, Beowulf)
2. Rags to riches (e.g. Cinderella, Jane Eyre)
3. The quest (e.g. The Odyssey, The Pilgrim's Progress)
4. Voyage and return (e.g. Alice in Wonderland, The Time Machine)
5. Tragedy (e.g. Macbeth, Anna Karenina)
Additional plot types mentioned include mystery, rebellion, challenge, connection, and creativity
Screenwriter
Philadelphia Projects and at Sunnycrest Farm for boys. The time-period and culture feel authentic and the tone is consistently dramatic. The pilot offers a cast of likable and charming characters driven by the emotional goals and struggles. The opening is strong and easily pulls the audience into the pilot as well as nicely sets the tone as well as firmly establishes the culture and time-period. The image of opening with JFK speaking in the North Philly projects to a mostly Negro crowd is smart.
Game Idea
The game Blood & Bone is set in 335 BC and allows players to take on the role of a character who gets knocked out during the Battle of Thebes and wakes up able to customize their appearance and skills. The objective is to find the allied camp while battling enemies, then participate in missions in Greece and continue the main quest against the Persian Empire led by Darius. The game draws inspiration from Elder Scrolls: Skyrim and Ryse: Son of Rome, and is rated 18 for strong violence and gore with a potentially endless campaign through side quests, though it lacks an online component.
Representation of men in the media.
Thor is portrayed as a strong, powerful god who gets angry and violent easily. He is shown fighting and making violent comments throughout the Thor and Avengers movies. This suggests to the male audience that to be a real man one must be strong, furious, and willing to fight violently for what they want.
Film Pitch/ Green Light
Lauren has had a difficult past with the death of her mother and father's suicide, leaving her distraught and unstable. She has a secret, possessive obsession with her friend Steph. When the four friends go on a trip together in the woods, Lauren seeks revenge on them for not supporting her, and begins killing them one by one as Steph watches on in fear, vulnerable and scared of the situation she finds herself in. The film would be produced by Twisted Pictures, known for producing horror films like Saw, making them a suitable candidate to attract the right audience for this genre of film.
Research into-target-audience
This document compares the films Atonement and Dear John. Both films are set during wartime and involve themes of longing and romance. Atonement, directed by Joe Wright and starring James McAvoy and Keira Knightley, made more money overall and received more positive reviews. Dear John, directed by Lasse Hallstrom and starring Channing Tatum and Amanda Seyfried, made more money in its opening weekend but received more mixed reviews. The document recommends targeting a romantic, historical film at females aged 16+ to capture the emotions of longing.
Titanic never let go
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Hum2310 fa2014 atlantis film response
The document is a film response worksheet for the Disney film "Atlantis: The Lost Empire" that contains 25 questions about archetypes and the hero's journey narrative structure. It asks the student to identify: 1) the protagonist Milo Thatch, an explorer who is called on a mission to find the lost city of Atlantis, 2) the tests he faces along the way like navigating dangerous tunnels, and 3) how he acquires new skills and finds the city, fulfilling his quest.
A diferença que jesus faz na família
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Pursuit of happyness
It is like a summary of the movie. It also contains one of the best scenes from the movie with the names of leading characters.
Download your Acting E-Guide Now!
The most famous actors in the world talk about what it’s like to be an actor.
Top tips on what it takes to make it big in one of the world’s most exciting industries.
Insights straight from the mouths of stars who shoot straight and true.
Pursuit of happyness
The document summarizes the movie "The Pursuit of Happyness" starring Will Smith. It describes how Chris Gardner struggled financially to support himself and his son, going from being a salesman to training to become a stockbroker. It highlights that the film is based on Gardner's real one-year struggle and his motivation to prove he could provide a good life for his son. The document also lists details about the cast and differences between the film and real events.
Evaluation - social groups
The document is a response evaluating how a student film represents different social groups through its characters and storyline. In three sentences:
The film challenges gender stereotypes by portraying the female secret agent Monroe as tough and able to defeat male attackers. While the male robbers represent traditional masculine traits, they are unexpectedly overpowered by Monroe. The short film does not explicitly represent or challenge stereotypes of age, class, sexuality or ethnicity as it focuses only on the opening action sequence.
Reign of Assassins, vers 2
The document summarizes the 2010 martial arts film Reign of Assassins, which was co-directed by John Woo and stars Michelle Yeoh. It describes the plot, which involves Yeoh's character Drizzle seeking a new identity after leaving her assassin clan. It praises Yeoh's performance and says the film is surprisingly interesting in exploring the backstories of the other assassins. However, it notes that the film's interesting dynamic between Yeoh's character and her normal husband is undermined by a twist in the third act. It concludes by saying the film could be the best martial arts film since Crouching Tiger, Hidden Dragon if it had maintained its convictions throughout, and questions whether U.S.
Daryl christmas work
The document discusses several films being released in December 2010, including The Chronicles of Narnia: The Voyage of the Dawn Treader, Burlesque, Meet the Parents: Little Fockers, Monsters, and Megamind. It provides the genre, release date, stars, and a brief storyline for each film. It also notes the target audience and how each film was marketed online and offline for most of the movies. All the films have elements of comedy or mysticism, and are being released near Christmas when audiences tend to prefer happier films.
Genre research
This document provides information about the slasher/stalker film genre, including definitions, examples, common roles, and conventions. It defines slasher films as involving a mysterious killer stalking and murdering victims with a weapon like a knife or axe. Friday the 13th is given as an example of a famous slasher franchise. Key roles discussed include the hero, killer, victims, and "final girl" survivor. Common conventions addressed are the isolated setting, incompetent authorities, and graphic violence. The document also outlines plans for a slasher-style trailer, focusing on subverting expectations with a female killer in a modern local setting.
Inspirational scenes
Horror films aim to elicit emotions of fear, disgust and horror from viewers through plots involving the intrusion of evil forces into the everyday world. The movies "Cabin Fever" and "The Bride of Chucky" both have target audiences aged 15 and up due to their themes involving teenagers. Both movies build suspense through music, camera shots, lighting and a slow pace to scare audiences. They feature standard horror elements like murders, gore, villains, killers and problems spiraling out of control.
Call sheet
This document provides details for filming the music video "Can't Fight the Moonlight" including the location, equipment needed, costumes, shoot dates and cast contact information. Scenes of characters Sophie and Grace arguing with a male character will take place on the Burn Valley walkway. Additional filming of the song's first verse and chorus will occur in the surrounding Burn Valley area among the trees.
Hum2310 fa2014 atlantis film response
The document is a film response worksheet for the Disney film "Atlantis: The Lost Empire" that contains 25 questions about archetypes and the hero's journey narrative structure. It asks the student to identify: 1) the protagonist Milo Thatch, a linguist recruited for an expedition to find the lost city of Atlantis, 2) ordinary world as early 20th century America, 3) Milo's special birth being his intellect and skills with languages, 4) call to adventure by meeting the expedition financier who recruits him, 5) the quest is to find and explore Atlantis, 6) Milo accepts the call, and 7) it provides questions about character archetypes like mentor, shapeshifter, and tempt
Vladimir Propp - Character Type Theory
Vladimir Propp identified 7 character types that commonly appear in folk tales and films: The Hero, Villain, Donor, Dispatcher, Helper, False Hero, and Princess. The document provides examples of how these character types appear in thriller films such as The Silence of the Lambs, Batman, Inception, and Shutter Island. For each character type, short descriptions are given and examples are shown of actors playing those roles in famous films.
Basic plots and empathy
The document summarizes several common plot structures and provides examples of stories that fit each structure. The five main plot structures discussed are:
1. Overcoming the monster (e.g. Perseus, Beowulf)
2. Rags to riches (e.g. Cinderella, Jane Eyre)
3. The quest (e.g. The Odyssey, The Pilgrim's Progress)
4. Voyage and return (e.g. Alice in Wonderland, The Time Machine)
5. Tragedy (e.g. Macbeth, Anna Karenina)
Additional plot types mentioned include mystery, rebellion, challenge, connection, and creativity
Screenwriter
Philadelphia Projects and at Sunnycrest Farm for boys. The time-period and culture feel authentic and the tone is consistently dramatic. The pilot offers a cast of likable and charming characters driven by the emotional goals and struggles. The opening is strong and easily pulls the audience into the pilot as well as nicely sets the tone as well as firmly establishes the culture and time-period. The image of opening with JFK speaking in the North Philly projects to a mostly Negro crowd is smart.
Game Idea
The game Blood & Bone is set in 335 BC and allows players to take on the role of a character who gets knocked out during the Battle of Thebes and wakes up able to customize their appearance and skills. The objective is to find the allied camp while battling enemies, then participate in missions in Greece and continue the main quest against the Persian Empire led by Darius. The game draws inspiration from Elder Scrolls: Skyrim and Ryse: Son of Rome, and is rated 18 for strong violence and gore with a potentially endless campaign through side quests, though it lacks an online component.
Representation of men in the media.
Thor is portrayed as a strong, powerful god who gets angry and violent easily. He is shown fighting and making violent comments throughout the Thor and Avengers movies. This suggests to the male audience that to be a real man one must be strong, furious, and willing to fight violently for what they want.
Film Pitch/ Green Light
Lauren has had a difficult past with the death of her mother and father's suicide, leaving her distraught and unstable. She has a secret, possessive obsession with her friend Steph. When the four friends go on a trip together in the woods, Lauren seeks revenge on them for not supporting her, and begins killing them one by one as Steph watches on in fear, vulnerable and scared of the situation she finds herself in. The film would be produced by Twisted Pictures, known for producing horror films like Saw, making them a suitable candidate to attract the right audience for this genre of film.
Research into-target-audience
This document compares the films Atonement and Dear John. Both films are set during wartime and involve themes of longing and romance. Atonement, directed by Joe Wright and starring James McAvoy and Keira Knightley, made more money overall and received more positive reviews. Dear John, directed by Lasse Hallstrom and starring Channing Tatum and Amanda Seyfried, made more money in its opening weekend but received more mixed reviews. The document recommends targeting a romantic, historical film at females aged 16+ to capture the emotions of longing.
Titanic never let go
This document discusses how to overcome despair and hopelessness by exploring three strategies inspired by the film Titanic. The strategies are: 1) exploring your gifts and passions with someone you love, 2) helping others who are less fortunate, and 3) never giving up on your dreams and never letting go of hope. These strategies are illustrated with scenes from Titanic where Jack helps Rose overcome her despair by engaging her passions and supporting her when she is ready to give up. The overall message is that facing despair with community, purpose, and perseverance can help restore hope even in life's most difficult moments.
Hum2310 fa2014 atlantis film response
The document is a film response worksheet for the Disney film "Atlantis: The Lost Empire" that contains 25 questions about archetypes and the hero's journey narrative structure. It asks the student to identify: 1) the protagonist Milo Thatch, an explorer who is called on a mission to find the lost city of Atlantis, 2) the tests he faces along the way like navigating dangerous tunnels, and 3) how he acquires new skills and finds the city, fulfilling his quest.
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Fluff
The article reviews the short film "Fluff" directed by Rufus Williams. It summarizes the plot, which involves a boy seeking advice from puppets after cheating on his girlfriend. It praises the performances of the puppets, particularly Terrisha Downton-Snood in the leading role. While noting the film's creative exploration of young love, it also comments on Williams' breakthrough from his usual comedic roles.
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This isn't an Oscars list... this is a list of which movies gave me the entertainment factor that I was looking for
Asff 2020
The programme for the Aesthetica Short Film Festival includes film collections in different genres each day, as well as masterclasses and a university showcase. On Tuesday the genres included are comedy, experimental, and music video. The guest programme for Wednesday is titled "Tales from Isolation" from Short of the Week. The document provides summaries of four short films screened at the festival: "Knock Door Run", "Werewolf", "System Error", and "Shuttlecock". It also briefly summarizes the short film "Idol", praising its realistic portrayal of the child performer industry and disturbing tone.
Thriller planning
The document summarizes the creative decisions made in producing a short thriller film. It describes the costumes used to establish characters and setting in the snowy opening scene. It also discusses the locations, characters, and how visual and audio elements like mise-en-scene, phone, bracelet, and music were used to tell the story without revealing too much about the plot.
Media questions
This document discusses conventions for horror film trailers, posters, and magazines. It notes that trailers for horror films typically have a fast pace, use straight cuts and special effects to create tension, and include both diegetic and non-diegetic sounds. The document also provides examples of common horror film narrative elements, characters, settings, and iconography. It analyzes how these conventions may differ for Hollywood versus independent British films in their targeting and presentation across different mediums.
Ridley scott (ottilie shpaizer)
Ridley Scott is a renowned British film director and producer known for films such as Alien, Gladiator, The Martian, and American Gangster. Some of his most successful and acclaimed films are The Martian and Gladiator. The Martian won multiple awards, including Best Director at the Saturn Awards and Best Motion Picture at the Golden Globes. Scott was knighted in 2003 for his contributions to the British film industry. He has been making films since the 1960s when he attended the Royal College of Art in London and created his first short film. Scott co-founded Ridley Scott Associates, where several family members have worked on films with him, including his sons.
Cinematography e-guide
Free E-guide for aspiring cinematographers. Find out more about the men behind the camera in some of the world’s most talked-about films. Now Download AISFM's most popular Cinematography e-guide to get tips & tactics of cinematography
Evaluation Question 1
The media product is a short psychological thriller film titled "Morning Ride" posted on YouTube. It follows conventions of the thriller genre by establishing a mystery around a man who is picked up by a taxi driver and drugged. However, it also leaves some ambiguity and questions unanswered at the end. In filming and editing, techniques were used like close-ups, lighting, and soundtrack to build tension and mystery while challenging conventions by leaving the narrative and protagonist's innocence somewhat ambiguous and open to interpretation. Overall, the film was deemed successful in following genre conventions while also developing them through its mystery and ambiguity.
Film pitch
The document provides details for a proposed action film called "The Heist". It summarizes the genre as action and lists common elements like danger, revenge, and urban settings. It then describes the narrative structure with the beginning introducing two cops, the middle involving a terrorist plot they must stop, and the end resolving the plot and revealing corruption. It recommends Samuel L. Jackson and Will Smith as protagonists, Alan Rickman as the antagonist, and others for supporting roles. John McTiernan is proposed as director due to his experience. The film is pitched as comparable to "Bad Boys" and "Die Hard" but with its own twists. A 200-word pitch is provided that covers all elements.
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Casting, Location & Test Shots 2
This document discusses the casting, locations, and props for a film. Actors were chosen for main roles like Lucy, Damien Ridgeway, and various police officers and family members. Location shots were taken at a school, police station, and rural house. Props like a rocking chair, music box, and laptop were selected to establish character and tension. Costume details like black trousers, gloves, and hat were chosen to shroud the antagonist Ridgeway in mystery and symbolism.
The Most Iconic Movie Quotes Of All Time
Lights, camera, action! From the silver screen to our everyday conversations, iconic movie quotes have become an integral part of our cultural lexicon. These memorable lines have transcended their original context and etched themselves into cinematic history. They evoke emotions, spark nostalgia, and serve as a testament to the power of storytelling. In this article, we delve into the world of iconic movie quotes and explore their profound cultural impact. Join me as I journey through famous dialogues that have left an indelible mark on both the film industry and popular culture.
Film review deadpool
The document summarizes the writer's favorite film, Deadpool. It discusses how Deadpool encompasses many genres including comedy, action, superhero, science fiction, and romance, making it appealing to a wide audience. It praises Ryan Reynolds' portrayal of the unconventional title character Deadpool/Wade Wilson. It also commends Morena Baccarin's strong portrayal of Vanessa, Wade's fiancée, who is not a stereotypical damsel in distress. The document concludes by noting when and where the writer first saw the film with friends, immersed in a good atmosphere, finding the film not only hilarious but also uplifting.
Casting, Location & Test Shots
This document discusses casting details for roles in a film including actresses and actors chosen to portray characters like Lucy and Damien Ridgeway. Locations picked for shooting include a school, police station, and rural house belonging to one of the actors. Props that will be used are a rocking chair, music box, and laptop. Costume details given include plain black trousers, gloves, and a hat for the character of Ridgeway.
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Secondary Research
The document provides background research for a short film about teens with super abilities who don't fit in with society. It discusses researching similar films like X-Men for character inspiration and comparing qualities of short films to full-length films. Key points include keeping characters limited, focusing on 1-2 brief scenes, and basing characters on films like X-Men for representation of differences.
Casting, Location & Test Shots
This document discusses casting choices and locations for filming. An actress named (...) was cast as Lucy because she has experience acting and fits the character's demographics. Jacob Brown was cast as Damien Ridgeway because he looks scary and psychotic. Other actors were cast as they could play authority figures and fit the age ranges of their characters. Locations chosen included a school, police station, and rural house belonging to one of the actors. Props like a rocking chair, music box and laptop were selected. Costume details for Ridgeway included plain black trousers, gloves and a hat.
Activity 3. writing assignment jose lopez
In 1820, a group of fur trappers in northern Louisiana are ambushed by Native Americans. Hugh Glass is badly mauled by a bear defending the group. Though near death, Glass survives but is abandoned by the group's captain who leaves with Glass's son and two others. Glass embarks on a quest for survival and vengeance against those who betrayed him.
Inspiration for our film
The document analyzes elements from the trailers of three films: The Number 23, The Lovely Bones, and Shutter Island. It discusses themes, characters, shots, sounds, and mise-en-scene for each trailer. Key techniques highlighted include the use of cross-cutting and flashbacks to build tension, incorporating unexpected random cuts, and focusing on a younger or female protagonist to subvert horror genre conventions. These techniques will inform the creation of the trailer.
StarWarsCover
This magazine article provides a summary of an interview with Star Wars director J.J. Abrams about making Star Wars: The Force Awakens. In the interview, Abrams discusses balancing being a fan of Star Wars with his director responsibilities, seeing the original cast back in character, and his expectations that fans will connect with both the returning characters and new characters. He also discusses the challenges of shooting on location and his belief that the Irish location of Skellig Islands will become a destination for hardcore fans.
Similar to Two pages magazines:media:rufus (20)
Two pages magazines:media:rufus
- 1. 44 CUTS APRIL 2013 www.screenagazine.com Type to enter text Not Just a bit of Fluff.... .................................................................................................. RELEASED May 1st CERTIFICATE PG DIRECTOR Sebastian Whitsfield CAST Philly Marra, Sebastian Whitsfield, Terrisha Downton- Snood and Robbie Judkins RUNNING TIME 5 mins. PLOT When a boy, (Sebastian Whitsfield) cheats on his ‘girlfriend’(Terrisha Downtown Snood) he seeks wisdom from the great the buddhist, Robbie Judkins ......................................... ......................................... A truly creative and meaningful insight into the trials of young love. Philly Marra stands as real joy. You may have just caught her recent cameo on ’30 Rock’, playing the part of Jack Donaghy’s life coach which was utterly hilarious. However, as gifted as she is at comedy her performance in ‘Fluff’ is enchanting and does not rely on her comedic sensibility, instead we see an truly touching interpretation of Whitsfield’ script, which anchors the film and gives it real heart without ever being sentimental. Overall stand-up comics seem to be breaking through and we are beginning to see just what they can do. Whitsfield has also turned a corner; his anchoring performance (which he has also produced) has ensured the film’s narrative never flags. The short, just over five minutes, is shot on entirely on location which has now become a hallmark of a Whitsfield film. ‘There is so much more life on a real street, I need that energy to imbue my film. IF YOU ARE EXPECTING to see ‘Crazy Love’, Part 2, then ‘Fluff’ is going to be a big disappointment. Whitsfield has succeeded in throwing off the Rom-Com slush and delivered Good performance too from Robbie Judkins, a memorable and uplifting performance in his part as the mystic. Whitsfield is well within his comfort zone, being no stranger to playing the almost comical looser. Such familiar elements aside Whitsfield is authentic. When I stopped by his offices last week, I was surprised when he told me that the film was inspired by a true life episode, ‘I believe that being so intimately connected to the story gave me a better grasp of my character.’ How did you find directing? ‘I have to admit working on both sides of the camera has it’s problems, but I’d do it again.’ VERDICT Marra’s role is shamefully underwritten (especially for an actress capable of carrying a franchise), but Fluff is a indie cut above your average boy meets girl with a lovely experimental-chaos vibe. David Hughes ★ ★ ★ ................................... ................................................. ................................... Whitsfield reflects, ‘working on both sides of the camera has it’s problems but I would do it again’. FLUFF ‘A LITTLE GEM’ IN CINEMAS.........
- 2. 44 CUTS APRIL 2013 www.screenagazine.com Fluff FILMSOFTHEMONTH United Kingdom 2013 Reviewed by Clyde Sadian Director: Sebastian Whitsfield Our very own ‘Blue Valentine’ There’s a scene in Sebastian Whitfield’s film in which Noah, a distressed teen finds solace in the southerly winds beautifully depicted both visually and digectically. This is a little charmer of a film which stays with you long after you have left the cinema. The simple narrative allows the story to roll a long but underneath all is simmering. The love interest, Philly Marra is pitch perfect, showing just how wide this still young actress is. As for Whitsfield I was pleased to see his move away from ‘Crazy Love‘ two dimensionality into a far deeper and funnier character study. Spoiler Alert! Robbie Judkins plays the mystic and as always brings his own familiar quirkiness to the part. The second film from Whitsfield is inclined to this sort of symbolism in a way that his last, Crazy Love (2012), was not. 93 Credits and Synopsis Produced by Alison Sterling Written by Sebastian Rivers Director of Photography Andirezej Wojceichowski Film Editor Johnny Ross Annie Sherbonne Production editor Jim Beam Music Chris Hajian Sound Mixerzsq Eric Thomas ©First Position Films LLC Production Companies A Bess Kargman Production supported by The Manhattan Movement cast Philly Mara, Sebastian Whitsfield It’s an eloquent love story soft but funny without ever being formulaic. It is truth that wins, and plays out so absorbing. With ‘Fluff’ Whitsfield moves on to vastly different territory. An expansive and many textured love story, shot on location in London the film explores moments.