The Guggenheim New York hosts complex art installations that transform the unique space. Works are created specifically for the site of a given exhibition, allowing the art alone to potentially change the very nature of the place itself, as the artist Daniel Buren notes. The museum provides a challenging space for works that can alter the character of the location through site-specific designs.
This document discusses post-impressionist theories of vision and perception. It references several key figures such as Michel-Eugène Chevreul who studied the interaction of colored light, as well as Charles Blanc, Odgen Rood, and Charles Henry who contributed to understanding how the eye and brain work together in visual processing.
The Guggenheim New York hosts complex art installations that transform the unique space. Works are created specifically for the site of a given exhibition, allowing the art alone to potentially change the very nature of the place itself, as the artist Daniel Buren notes. The museum provides a challenging space for works that can alter the character of the location through site-specific designs.
This document discusses post-impressionist theories of vision and perception. It references several key figures such as Michel-Eugène Chevreul who studied the interaction of colored light, as well as Charles Blanc, Odgen Rood, and Charles Henry who contributed to understanding how the eye and brain work together in visual processing.
T_La caduta degli dei ovvero cosa succede al quadro di storia?
1. La caduta degli dei
ovvero
cosa succede al quadro di storia?
“Una generazione ardente, pallida, nervosa….”
(Alfred de Musset,
Confessions d’un enfant du siècle, 1836)