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The Smoking (Tim) Gunn
The Project Runway host shares his thoughts on civility, fashion and the
Wintour of our discontent.
By Charlie Gill

                                                  Gunn‟s first-hand accounts of some of the
                                                  more uncouth behavior in the fashion world
                                                  drew a ton of early interest in his book, but the
                                                  attention skewed its perception—the slim
                                                  volume could be titled Gunn‟s Guide to Being
                                                  a Rational and Decent Human Being, but the
                                                  way the tabloids picked up and harped on a
                                                  couple of anecdotes, someone who hadn‟t read
                                                  it might assume it‟s more “Manol-oh-no-she-
                                                  didn‟t.”

                                                  “I have been concerned about it,” Gunn says.
                                                  “The reasons these stories are so potent for me
                                                  is because they are aberrant—this isn‟t the
                                                  way most people behave.” For example, the
                                                  now-infamous story of Anna Wintour having
                                                  bodyguards carry her down five flights of
                                                  stairs after a fashion event was included for the
                                                  what-not-to-do lesson of what happened
                                                  afterward (Gunn made a joke about the
                                                  incident that found its way into print; Wintour
                                                  tried to bully him into retracting it and
                                                  apologizing).
It‟s hard to see how Tim Gunn makes his life
work without the benefit of time travel. The
                                                  Still, his brief turn as scourge of the Wintour-
ever-dapper Project Runway mentor and chief
                                                  net doesn‟t seem to be of much concern to
creative officer of Liz Claiborne recently
                                                  him. “What‟s the worst that could happen, she
finished the show‟s eighth season, logged
                                                  doesn‟t invite me to a party?” he says. “I‟m
several guest TV spots, ran the attendant
                                                  not invited to her parties now, and don‟t care
publicity gauntlet for his second book, Gunn‟s
                                                  to be.”
Golden Rules, and has been on tour as
something of fashion's ambassador to the real
                                                  When asked how he would reframe the book,
world.
                                                  Gunn says that perception is already changing
                                                  “now that we‟ve had this horrible outbreak of
Gunn, on one recent such visit to the King of
                                                  teenage suicides.” He speaks with unusual
Prussia Mall, was kind enough to discuss the
                                                  candor in his book about his own suicide
book, reality shows, “It Gets Better” and being
                                                  attempt as an isolated gay youth, and was
seen as the voice of reason in a notoriously
                                                  among the earliest and most affecting figures
unreasonable industry.
to record an “It Gets Better” video, sharing his   particularly in Europe) is its accessibility—
experience and a message of hope for bullied       how “we look at fashion through the lens of
LGBTQ kids. It‟s clearly an important one to       commerce.”
him, and he seems grateful that “people are
now talking about that aspect and the Anna         But Gunn acknowledges that even the
Wintour stuff has more or less gone away.”         accessible American fashion industry can still
                                                   be alienating to many consumers—after all, it
Of course, telling it like it is comes with        is still de rigueur for runway shows to feature
personal as well as professional risks.            prohibitively expensive clothes on “girls who
                                                   haven‟t even hit puberty.”
“I‟ll be perfectly honest—my mother isn‟t
speaking to me,” Gunn says, sounding as            “It‟s just not realistic,” he asserts. “A lot of
upbeat as one can given the topic. Those           people don‟t have either the money or the
who‟ve read the book might have their              inclination for that, and they want real, solid
suspicions as to why (a little too close a peek    advice about how to present themselves. I like
into Hoover‟s drawers, perhaps?), but he isn‟t     women who are real shapes; nothing makes
interested in speculating. “She has read the       me happier than working with real women in
book and she‟s not speaking to me. So I don‟t      the real world and helping them get their
know the specifics of what she‟s so cobbled        fashion right. I‟m always saying „If getting
by—I can guess, but I honestly don‟t know.”        your fashion right were easy, everyone would
He gives the impression that he expects it will    always look great‟—and, you know, they
be all right and it‟s difficult to doubt that      don‟t.”
unspoken appraisal; after all, this is the man
who‟s built his fame on doing the best he can      But at King of Prussia and malls across
with what he‟s got.                                America, Gunn‟s happy to help them make it
                                                   work.
When asked about the tensions around semi-
outcast Michael Costello on the most recent
season of Project Runway, Gunn shoots from
the hip: “I‟ll tell you what troubled me,” he
says without hesitation, “and I‟m making an
assumption that it troubled the other designers,
too. It‟s that Michael, for each challenge,
would create two, three, sometimes four looks
... I have not seen anything quite like that in
the history of the show.” The designers'
response to the judges‟ praise of these hastily
constructed garments was, Gunn assumes,
“Good god, he did that in the last three hours.”

In his seven years at Parsons, Gunn says, he
tried to make it clear to his students that
fashion is, counter-intuitively, a very serious
industry that is bigger than just pretty things
and petty sniping. Fashion “is a sociological
gauge—it happens in a context that is societal
and cultural and historical and economic and
political,” he says. “Clothes don‟t need to
change, but fashion, by definition, must.”

Gunn is passionate about the connections
between what we wear and the environments
we live in—one thing he loves about the
American fashion industry (and it‟s a point
that‟s not always seen as a positive,

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Tim Gunn PW

  • 1. The Smoking (Tim) Gunn The Project Runway host shares his thoughts on civility, fashion and the Wintour of our discontent. By Charlie Gill Gunn‟s first-hand accounts of some of the more uncouth behavior in the fashion world drew a ton of early interest in his book, but the attention skewed its perception—the slim volume could be titled Gunn‟s Guide to Being a Rational and Decent Human Being, but the way the tabloids picked up and harped on a couple of anecdotes, someone who hadn‟t read it might assume it‟s more “Manol-oh-no-she- didn‟t.” “I have been concerned about it,” Gunn says. “The reasons these stories are so potent for me is because they are aberrant—this isn‟t the way most people behave.” For example, the now-infamous story of Anna Wintour having bodyguards carry her down five flights of stairs after a fashion event was included for the what-not-to-do lesson of what happened afterward (Gunn made a joke about the incident that found its way into print; Wintour tried to bully him into retracting it and apologizing). It‟s hard to see how Tim Gunn makes his life work without the benefit of time travel. The Still, his brief turn as scourge of the Wintour- ever-dapper Project Runway mentor and chief net doesn‟t seem to be of much concern to creative officer of Liz Claiborne recently him. “What‟s the worst that could happen, she finished the show‟s eighth season, logged doesn‟t invite me to a party?” he says. “I‟m several guest TV spots, ran the attendant not invited to her parties now, and don‟t care publicity gauntlet for his second book, Gunn‟s to be.” Golden Rules, and has been on tour as something of fashion's ambassador to the real When asked how he would reframe the book, world. Gunn says that perception is already changing “now that we‟ve had this horrible outbreak of Gunn, on one recent such visit to the King of teenage suicides.” He speaks with unusual Prussia Mall, was kind enough to discuss the candor in his book about his own suicide book, reality shows, “It Gets Better” and being attempt as an isolated gay youth, and was seen as the voice of reason in a notoriously among the earliest and most affecting figures unreasonable industry.
  • 2. to record an “It Gets Better” video, sharing his particularly in Europe) is its accessibility— experience and a message of hope for bullied how “we look at fashion through the lens of LGBTQ kids. It‟s clearly an important one to commerce.” him, and he seems grateful that “people are now talking about that aspect and the Anna But Gunn acknowledges that even the Wintour stuff has more or less gone away.” accessible American fashion industry can still be alienating to many consumers—after all, it Of course, telling it like it is comes with is still de rigueur for runway shows to feature personal as well as professional risks. prohibitively expensive clothes on “girls who haven‟t even hit puberty.” “I‟ll be perfectly honest—my mother isn‟t speaking to me,” Gunn says, sounding as “It‟s just not realistic,” he asserts. “A lot of upbeat as one can given the topic. Those people don‟t have either the money or the who‟ve read the book might have their inclination for that, and they want real, solid suspicions as to why (a little too close a peek advice about how to present themselves. I like into Hoover‟s drawers, perhaps?), but he isn‟t women who are real shapes; nothing makes interested in speculating. “She has read the me happier than working with real women in book and she‟s not speaking to me. So I don‟t the real world and helping them get their know the specifics of what she‟s so cobbled fashion right. I‟m always saying „If getting by—I can guess, but I honestly don‟t know.” your fashion right were easy, everyone would He gives the impression that he expects it will always look great‟—and, you know, they be all right and it‟s difficult to doubt that don‟t.” unspoken appraisal; after all, this is the man who‟s built his fame on doing the best he can But at King of Prussia and malls across with what he‟s got. America, Gunn‟s happy to help them make it work. When asked about the tensions around semi- outcast Michael Costello on the most recent season of Project Runway, Gunn shoots from the hip: “I‟ll tell you what troubled me,” he says without hesitation, “and I‟m making an assumption that it troubled the other designers, too. It‟s that Michael, for each challenge, would create two, three, sometimes four looks ... I have not seen anything quite like that in the history of the show.” The designers' response to the judges‟ praise of these hastily constructed garments was, Gunn assumes, “Good god, he did that in the last three hours.” In his seven years at Parsons, Gunn says, he tried to make it clear to his students that fashion is, counter-intuitively, a very serious industry that is bigger than just pretty things and petty sniping. Fashion “is a sociological gauge—it happens in a context that is societal and cultural and historical and economic and political,” he says. “Clothes don‟t need to change, but fashion, by definition, must.” Gunn is passionate about the connections between what we wear and the environments we live in—one thing he loves about the American fashion industry (and it‟s a point that‟s not always seen as a positive,