The document discusses the origins and history of Gothic novels and architecture. It begins by defining the term "Gothic" and tracing it to the Gothic tribes that invaded the Roman Empire in the 5th century AD, contributing to its fall. Gothic architecture then emerged in 12th-15th century Europe, characterized by pointed arches, vaulted ceilings, stained glass windows, and grotesque sculptures. Renaissance writers initially viewed Gothic styles negatively as "barbaric", though Gothic art and novels emphasizing mystery later gained popularity.
The Gothic style originated in medieval architecture as a pejorative term used during the Renaissance. Features like pointed arches, flying buttresses, and rib vaulting allowed Gothic cathedrals to rise higher and admit more light through large stained glass windows, though they were seen as chaotic by classical standards. Gothic art expanded on architectural styles through sculpture, painting, and illuminated manuscripts often depicting religious scenes or moral lessons.
The gothic motifs and conventions 2011 12umamani12
The document discusses the key motifs and conventions of Gothic novels. It notes that The Castle of Otranto by Horace Walpole, published in 1767, is considered the first Gothic novel and established many Gothic devices that were later refined over the following century. These include remote and mysterious settings like crumbling castles; male protagonists who are flawed, solitary figures with psychological problems; and female characters who are often victims subjected to violence. Other Gothic motifs include the supernatural, dreams/nightmares, secrets, and violating boundaries between order and disorder.
Gothic literature originated in the late 18th century as a counter to Enlightenment thinking. It focused on terrifying experiences involving castles, abbeys, dungeons and supernatural elements. Mary Shelley's novel Frankenstein, published in 1818, is a seminal Gothic work that explores the themes of scientific hubris, the monstrous, and what it means to be human. The story centers around Victor Frankenstein who creates a grotesque but intelligent creature through an unnatural scientific process. The creature is rejected by society and seeks revenge against his creator Victor, driving Victor to chase the creature across the Arctic in a desperate bid to destroy his creation.
This document discusses Gothic literature in America during the 19th century. Gothic literature explored cultural anxieties and fears through stereotypical characters like the mad scientist, lonely vampire, and tormented artist. Writers addressed expanding westward, technological progress, individualism, and slavery to critique the idea that America was perfect. The objectives are to recognize Gothic writers' characteristics, understand the fears they explored, evaluate their criticisms, collect evidence, and express opinions supported by evidence.
Mary Shelley wrote Frankenstein in 1818 at the age of 19. The novel tells the story of Victor Frankenstein, a scientist who creates a sapient creature in an unorthodox scientific experiment. He is horrified by his creation and rejects it, leaving the creature to face societal rejection. This causes the creature to seek revenge against Victor. The story is framed through a series of letters written by Robert Walton, who rescues Victor while exploring the Arctic. Frankenstein is considered an early example of science fiction and examines themes of scientific hubris, parental neglect, the consequences of rejection, and other philosophical ideas from the Enlightenment and Romantic periods. It is seen as a cautionary tale about scientific progress
The document discusses the American Gothic tradition, which originated from European fascinations with death and the macabre during the Middle Ages. It spread to England in the 18th century and then to America, giving rise to Gothic literature. Key authors who wrote in this tradition include Edgar Allan Poe and Nathaniel Hawthorne. Their works often featured settings like old houses, atmospheres of mystery and suspense, and themes involving dreams, omens, and highly emotional states like terror or obsession. The document also analyzes Grant Wood's famous painting "American Gothic" from 1930, which depicts a stern farmer and has become an iconic image.
The document provides an overview of Gothic novels and their key themes and features. Gothic novels emerged in late 18th century England and featured supernatural elements like ghosts and monsters. They were a reaction against the social changes and industrialization of the time, expressing a fascination with intense emotions and a rejection of constraints. Notable Gothic works included The Castle of Otranto and Frankenstein, which dealt with themes of overreaching beyond limits, penetrating nature's secrets, and the dangers of scientific progress. Frankenstein in particular commented on usurping the female role in creation and the resulting social injustices faced by its monster protagonist.
Mary Shelley wrote Frankenstein at a young age while staying with Lord Byron. She was influenced to write a ghost story during this time. Mary was the daughter of pioneering feminist Mary Wollstonecraft and political philosopher William Godwin. She married Percy Shelley when she was 17, though he was already married. Together they had close friends in Lord Byron and John Polidori, with whom they swapped ghost stories in Switzerland, inspiring Frankenstein. The novel became a classic of Romantic literature.
The Gothic style originated in medieval architecture as a pejorative term used during the Renaissance. Features like pointed arches, flying buttresses, and rib vaulting allowed Gothic cathedrals to rise higher and admit more light through large stained glass windows, though they were seen as chaotic by classical standards. Gothic art expanded on architectural styles through sculpture, painting, and illuminated manuscripts often depicting religious scenes or moral lessons.
The gothic motifs and conventions 2011 12umamani12
The document discusses the key motifs and conventions of Gothic novels. It notes that The Castle of Otranto by Horace Walpole, published in 1767, is considered the first Gothic novel and established many Gothic devices that were later refined over the following century. These include remote and mysterious settings like crumbling castles; male protagonists who are flawed, solitary figures with psychological problems; and female characters who are often victims subjected to violence. Other Gothic motifs include the supernatural, dreams/nightmares, secrets, and violating boundaries between order and disorder.
Gothic literature originated in the late 18th century as a counter to Enlightenment thinking. It focused on terrifying experiences involving castles, abbeys, dungeons and supernatural elements. Mary Shelley's novel Frankenstein, published in 1818, is a seminal Gothic work that explores the themes of scientific hubris, the monstrous, and what it means to be human. The story centers around Victor Frankenstein who creates a grotesque but intelligent creature through an unnatural scientific process. The creature is rejected by society and seeks revenge against his creator Victor, driving Victor to chase the creature across the Arctic in a desperate bid to destroy his creation.
This document discusses Gothic literature in America during the 19th century. Gothic literature explored cultural anxieties and fears through stereotypical characters like the mad scientist, lonely vampire, and tormented artist. Writers addressed expanding westward, technological progress, individualism, and slavery to critique the idea that America was perfect. The objectives are to recognize Gothic writers' characteristics, understand the fears they explored, evaluate their criticisms, collect evidence, and express opinions supported by evidence.
Mary Shelley wrote Frankenstein in 1818 at the age of 19. The novel tells the story of Victor Frankenstein, a scientist who creates a sapient creature in an unorthodox scientific experiment. He is horrified by his creation and rejects it, leaving the creature to face societal rejection. This causes the creature to seek revenge against Victor. The story is framed through a series of letters written by Robert Walton, who rescues Victor while exploring the Arctic. Frankenstein is considered an early example of science fiction and examines themes of scientific hubris, parental neglect, the consequences of rejection, and other philosophical ideas from the Enlightenment and Romantic periods. It is seen as a cautionary tale about scientific progress
The document discusses the American Gothic tradition, which originated from European fascinations with death and the macabre during the Middle Ages. It spread to England in the 18th century and then to America, giving rise to Gothic literature. Key authors who wrote in this tradition include Edgar Allan Poe and Nathaniel Hawthorne. Their works often featured settings like old houses, atmospheres of mystery and suspense, and themes involving dreams, omens, and highly emotional states like terror or obsession. The document also analyzes Grant Wood's famous painting "American Gothic" from 1930, which depicts a stern farmer and has become an iconic image.
The document provides an overview of Gothic novels and their key themes and features. Gothic novels emerged in late 18th century England and featured supernatural elements like ghosts and monsters. They were a reaction against the social changes and industrialization of the time, expressing a fascination with intense emotions and a rejection of constraints. Notable Gothic works included The Castle of Otranto and Frankenstein, which dealt with themes of overreaching beyond limits, penetrating nature's secrets, and the dangers of scientific progress. Frankenstein in particular commented on usurping the female role in creation and the resulting social injustices faced by its monster protagonist.
Mary Shelley wrote Frankenstein at a young age while staying with Lord Byron. She was influenced to write a ghost story during this time. Mary was the daughter of pioneering feminist Mary Wollstonecraft and political philosopher William Godwin. She married Percy Shelley when she was 17, though he was already married. Together they had close friends in Lord Byron and John Polidori, with whom they swapped ghost stories in Switzerland, inspiring Frankenstein. The novel became a classic of Romantic literature.
The document provides background information on the origins of the Gothic novel genre. It discusses how the term "Gothic" originated as an insult for medieval architecture during the Renaissance due to its focus on verticality, pointed arches, and ornate sculptures. Gothic architecture also featured flying buttresses, vaulted ceilings with stained glass windows and grotesque gargoyles. Gothic art developed from architecture and included illuminated manuscripts and paintings with religious themes. Hieronymus Bosch was known for his gruesome and frightening depictions of sin and morality in his paintings. These dark elements of Gothic architecture and art help explain why they influenced later Gothic novels.
The document provides background on the origins of the Gothic novel genre. It discusses how the Gothic style emerged from the invasions of the Roman Empire in the 5th century by tribes known as the Goths. The Goths migrated from northern Europe and sacked Rome in 410 AD, perceived by Romans as barbaric destroyers which led to myths depicting them as violent and chaotic. These myths surrounding the Goths influenced the later Gothic architectural and artistic styles of the medieval period, which the Gothic novel genre drew upon for its dark and mysterious tones.
The document discusses the origins and history of the Gothic novel genre. It explains that the term "Gothic" originally referred to the Goths and medieval architecture and art styles from 12th-15th century Europe. In the 18th century, Gothic architecture saw a revival in Britain with Gothic features added to houses like Strawberry Hill. The Gothic revival style then spread to public buildings in the 19th century. The Gothic novel genre emphasizes the grotesque and mysterious and was influenced by this Gothic architectural revival movement.
The Gothic novel originated from perceptions of the Goths, a nomadic tribe that migrated into Roman territory in the 5th century AD. The Goths sacked Rome in 410 AD, contributing to the fall of the Western Roman Empire. Over time, the Goths became associated with being destructive, uncivilized barbarians, which led to the term "Gothic" being used to describe things that were considered dark, wild and disturbing. This negative connotation of the word "Gothic" influenced the development of the Gothic novel genre.
The Gothic novel originated in 18th century Europe as a reaction against Enlightenment ideals. The Gothic revival movement saw renewed interest in medieval architecture and culture. This was due to various factors including a reaction against rationalism, the impact of industrialization on society, and a nostalgia for an idealized medieval past. Horace Walpole's 1764 castle, Strawberry Hill, was an influential early example of the Gothic revival style in architecture.
In the late 18th century, there was a Gothic revival in which the Middle Ages were seen in a more positive light rather than disfavor. This was in part a reaction against the Enlightenment movement which emphasized reason and science over religion. Additionally, industrialization and the scientific revolution created insecurity which some countered with nostalgia for the mysticism and superstition of the medieval past. The Gothic revival style then spread from landscape gardens to architecture and eventually public buildings.
In the late 18th century, there was a Gothic revival in which the Middle Ages were seen in a more positive light rather than disfavor. This was in part a reaction against the Enlightenment movement which emphasized reason and science over religion. Additionally, industrialization and the scientific revolution created insecurity which some countered with nostalgia for the mysticism and superstition of the medieval past. The Gothic revival style then spread from landscape gardens to architecture and eventually public buildings.
Lecture 8 meanderings of modernism - futurism & formalismNipesh P Narayanan
The document discusses the origins and principles of Futurism, an early 20th century avant-garde movement founded by the Italian poet Filippo Tommaso Marinetti. It presents key aspects of the 1909 Futurist Manifesto, including its glorification of speed, technology, youth, violence and modern life. It also summarizes the 1914 Futurist Manifesto of Architecture written by Antonio Sant'Elia, which promoted an architecture of steel, glass and reinforced concrete inspired by the modern industrial world. The aftermath section briefly describes some of the new city visions and modern architectural styles influenced by Futurism's ideals of dynamism and embracing new technologies.
The document discusses the origins and evolution of the Gothic genre. It began as referring to the Goths tribe and later came to describe Germanic and medieval art and architecture. In literature in the late 18th century, Gothic genre involved desolate landscapes, ancient buildings, the supernatural, monsters, and heroines in distress. Some famous Gothic literary works mentioned are Frankenstein, Dracula, and the works of Edgar Allan Poe. The style also includes Southern Gothic, which uses supernatural events to explore social issues through more realistic and grotesque characters, as seen in authors like Faulkner, O'Connor, and Williams.
The document provides an overview of Gothic art and architecture, highlighting some of its distinctive visual features. It summarizes that Gothic art and architecture is striking due to its beauty, engineering feats, and hypnotic qualities. Specific elements mentioned include stained glass windows, Gothic armor, manuscripts like the Luttrell Psalter containing strange illustrations, and surreal paintings by Hieronymus Bosch depicting fantastical scenes. The document suggests the Gothic period produced such vivid and imaginative art even during times of hardship, with the visuals sometimes appearing hallucinatory or whimsical.
1) The document discusses several historical images and their influence on stereotypes and public perception. It analyzes portraits of King Louis XIV and caricatures of King Louis-Philippe, as well as Nazi propaganda images depicting Jews.
2) Nazi propaganda images intentionally dehumanized Jews by exaggerating stereotypical physical features in order to make their elimination seem less like murder.
3) These propaganda images, disseminated under Joseph Goebbels, normalized anti-Semitic stereotypes and contributed to the Holocaust by changing how many Germans thought about Jews.
Gothic architecture originated in 12th century France and is characterized by pointed arches, ribbed vaults, and flying buttresses. It was most prominently featured in European cathedrals, churches, and other religious buildings from the 12th to 16th centuries. The gothic subculture began in the 1980s in England, drawing from 19th century gothic literature and horror films. It is associated with dark fashion, styles from different historical eras, and a variety of dark music genres. Gothic art and literature from the 18th-19th centuries combined elements of horror and romance. Notable influences on the goth subculture include TV shows, films, musicians, and artists known for dark,
The document discusses slavery in ancient Rome and its role in the fall of the Roman Republic. It notes that slavery was vital to both the Roman economy and social structure. As Rome expanded through conquest, millions of slaves were brought to Italy and Roman colonies. Cheap slave labor replaced paid work and unemployment grew significantly. This destabilized society and increased tensions between elites and reformers. While many factors contributed to the fall of the Republic, slavery exacerbated social problems and unrest, including slave revolts. The servile wars showed Rome's system was unstable and unhealthy by the late Roman Republic.
Alois Riegl Art History And The Beginning Of Late Antique Studies As A Disci...Lisa Riley
This document discusses the cultural context surrounding the emergence of Late Antiquity as a discipline in the late 19th century. It notes that traditionally, Late Antique art was seen in a negative light within Protestant traditions as the decline of classical ideals and the adulteration of early Christianity. Three contexts helped rehabilitate the study of Late Antique art: Catholic scholarship in Rome aiming to assert papal authority; art history in Vienna seeking to establish itself as a discipline; and Russian scholars exploring Christian origins. Alois Riegl's work was pivotal in establishing Late Antiquity as a field of rigorous study based on empirical evidence rather than preconceived notions of decline.
Roman art incorporated architecture, painting, sculpture, and other forms. Greek influence was strong in Roman painting and sculpture. Painting served decorative functions and developed landscapes and perspective techniques. Sculpture realistically depicted subjects. Famous architects included Vitruvius and structures like the Colosseum were engineering marvels. Early Roman painters included Gaius Fabius Pictor and Arellius. The Villa of the Mysteries featured well-preserved frescoes depicting Dionysian mysteries. Roman architecture was practical and influential, using arches, aqueducts, and amphitheaters.
The Catholic Counter Reformation was a response by the Catholic Church to the Protestant Reformation. It included reforms decreed by the Council of Trent from 1545-1563 to clarify church doctrine. The Council instituted reforms like ending the sale of indulgences but also reaffirmed Catholic stances on issues like justification by faith alone. The Jesuit order was founded to spread Catholicism worldwide more effectively. The Counter Reformation also included a crackdown on heresy through the Inquisition and tighter regulation of religious art to keep imagery focused on spiritual messages.
The document discusses the origins and evolution of Gothic architecture, art, literature and music from the 12th century in Europe as well as the modern Gothic subculture. It provides details on key features of Gothic cathedrals like pointed arches, rib vaults and flying buttresses. Differences between French and English Gothic styles are outlined. The emergence of the Gothic subculture in the late 1970s tied to Gothic rock music is also summarized along with examples of Gothic influence in areas like photography, fashion and Indian architecture.
1) In 19th century France, there was a profound questioning of French national identity amid political instability. Monuments were built to foster a sense of shared history and connection to the past.
2) Churches and cathedrals came to symbolize French national identity despite France's growing secularism. This was in part due to the Gothic revival movement, which celebrated Gothic architecture and saw it as a symbol of French culture and history.
3) Monuments like Notre Dame took on new meanings over time based on political views. They came to represent different things like feudalism, repression, or democracy depending on the era and author. Overall, preserving monuments was seen as preserving French history and national identity itself
Gothic architecture originated in 12th century France and is characterized by pointed arches, ribbed vaults, and flying buttresses. Gothic art developed out of Romanesque art in the same period, featuring paintings like frescoes and stained glass windows, as well as monumental sculptures. Gothic films draw from the dark, supernatural elements of Gothic literature through gloomy atmospheres, abandoned buildings, monsters, and heroes in trouble.
Art and Culture - Module 05 - Hellenism and RomeRandy Connolly
Fifth module for GNED 1201 (Aesthetic Experience and Ideas). This one covers the art and culture of first the Hellenistic world, then that of Republican and Imperial Rome. Presentation focuses on the Second Century Crisis and cultural and aesthetic responses to it.
This course is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Art History and Culture course. Some of the content overlaps with my other Gen Ed course.
This document provides instructions for instructors on how to use Turnitin, including how to add a new class, add assignments, add students to a class, and view originality reports. It explains the log-in process and outlines the basic workflow of creating a class, then adding assignments and students to that class. Screenshots illustrate each step of the process. Contact information is provided at the end for assistance.
The document provides background information on the origins of the Gothic novel genre. It discusses how the term "Gothic" originated as an insult for medieval architecture during the Renaissance due to its focus on verticality, pointed arches, and ornate sculptures. Gothic architecture also featured flying buttresses, vaulted ceilings with stained glass windows and grotesque gargoyles. Gothic art developed from architecture and included illuminated manuscripts and paintings with religious themes. Hieronymus Bosch was known for his gruesome and frightening depictions of sin and morality in his paintings. These dark elements of Gothic architecture and art help explain why they influenced later Gothic novels.
The document provides background on the origins of the Gothic novel genre. It discusses how the Gothic style emerged from the invasions of the Roman Empire in the 5th century by tribes known as the Goths. The Goths migrated from northern Europe and sacked Rome in 410 AD, perceived by Romans as barbaric destroyers which led to myths depicting them as violent and chaotic. These myths surrounding the Goths influenced the later Gothic architectural and artistic styles of the medieval period, which the Gothic novel genre drew upon for its dark and mysterious tones.
The document discusses the origins and history of the Gothic novel genre. It explains that the term "Gothic" originally referred to the Goths and medieval architecture and art styles from 12th-15th century Europe. In the 18th century, Gothic architecture saw a revival in Britain with Gothic features added to houses like Strawberry Hill. The Gothic revival style then spread to public buildings in the 19th century. The Gothic novel genre emphasizes the grotesque and mysterious and was influenced by this Gothic architectural revival movement.
The Gothic novel originated from perceptions of the Goths, a nomadic tribe that migrated into Roman territory in the 5th century AD. The Goths sacked Rome in 410 AD, contributing to the fall of the Western Roman Empire. Over time, the Goths became associated with being destructive, uncivilized barbarians, which led to the term "Gothic" being used to describe things that were considered dark, wild and disturbing. This negative connotation of the word "Gothic" influenced the development of the Gothic novel genre.
The Gothic novel originated in 18th century Europe as a reaction against Enlightenment ideals. The Gothic revival movement saw renewed interest in medieval architecture and culture. This was due to various factors including a reaction against rationalism, the impact of industrialization on society, and a nostalgia for an idealized medieval past. Horace Walpole's 1764 castle, Strawberry Hill, was an influential early example of the Gothic revival style in architecture.
In the late 18th century, there was a Gothic revival in which the Middle Ages were seen in a more positive light rather than disfavor. This was in part a reaction against the Enlightenment movement which emphasized reason and science over religion. Additionally, industrialization and the scientific revolution created insecurity which some countered with nostalgia for the mysticism and superstition of the medieval past. The Gothic revival style then spread from landscape gardens to architecture and eventually public buildings.
In the late 18th century, there was a Gothic revival in which the Middle Ages were seen in a more positive light rather than disfavor. This was in part a reaction against the Enlightenment movement which emphasized reason and science over religion. Additionally, industrialization and the scientific revolution created insecurity which some countered with nostalgia for the mysticism and superstition of the medieval past. The Gothic revival style then spread from landscape gardens to architecture and eventually public buildings.
Lecture 8 meanderings of modernism - futurism & formalismNipesh P Narayanan
The document discusses the origins and principles of Futurism, an early 20th century avant-garde movement founded by the Italian poet Filippo Tommaso Marinetti. It presents key aspects of the 1909 Futurist Manifesto, including its glorification of speed, technology, youth, violence and modern life. It also summarizes the 1914 Futurist Manifesto of Architecture written by Antonio Sant'Elia, which promoted an architecture of steel, glass and reinforced concrete inspired by the modern industrial world. The aftermath section briefly describes some of the new city visions and modern architectural styles influenced by Futurism's ideals of dynamism and embracing new technologies.
The document discusses the origins and evolution of the Gothic genre. It began as referring to the Goths tribe and later came to describe Germanic and medieval art and architecture. In literature in the late 18th century, Gothic genre involved desolate landscapes, ancient buildings, the supernatural, monsters, and heroines in distress. Some famous Gothic literary works mentioned are Frankenstein, Dracula, and the works of Edgar Allan Poe. The style also includes Southern Gothic, which uses supernatural events to explore social issues through more realistic and grotesque characters, as seen in authors like Faulkner, O'Connor, and Williams.
The document provides an overview of Gothic art and architecture, highlighting some of its distinctive visual features. It summarizes that Gothic art and architecture is striking due to its beauty, engineering feats, and hypnotic qualities. Specific elements mentioned include stained glass windows, Gothic armor, manuscripts like the Luttrell Psalter containing strange illustrations, and surreal paintings by Hieronymus Bosch depicting fantastical scenes. The document suggests the Gothic period produced such vivid and imaginative art even during times of hardship, with the visuals sometimes appearing hallucinatory or whimsical.
1) The document discusses several historical images and their influence on stereotypes and public perception. It analyzes portraits of King Louis XIV and caricatures of King Louis-Philippe, as well as Nazi propaganda images depicting Jews.
2) Nazi propaganda images intentionally dehumanized Jews by exaggerating stereotypical physical features in order to make their elimination seem less like murder.
3) These propaganda images, disseminated under Joseph Goebbels, normalized anti-Semitic stereotypes and contributed to the Holocaust by changing how many Germans thought about Jews.
Gothic architecture originated in 12th century France and is characterized by pointed arches, ribbed vaults, and flying buttresses. It was most prominently featured in European cathedrals, churches, and other religious buildings from the 12th to 16th centuries. The gothic subculture began in the 1980s in England, drawing from 19th century gothic literature and horror films. It is associated with dark fashion, styles from different historical eras, and a variety of dark music genres. Gothic art and literature from the 18th-19th centuries combined elements of horror and romance. Notable influences on the goth subculture include TV shows, films, musicians, and artists known for dark,
The document discusses slavery in ancient Rome and its role in the fall of the Roman Republic. It notes that slavery was vital to both the Roman economy and social structure. As Rome expanded through conquest, millions of slaves were brought to Italy and Roman colonies. Cheap slave labor replaced paid work and unemployment grew significantly. This destabilized society and increased tensions between elites and reformers. While many factors contributed to the fall of the Republic, slavery exacerbated social problems and unrest, including slave revolts. The servile wars showed Rome's system was unstable and unhealthy by the late Roman Republic.
Alois Riegl Art History And The Beginning Of Late Antique Studies As A Disci...Lisa Riley
This document discusses the cultural context surrounding the emergence of Late Antiquity as a discipline in the late 19th century. It notes that traditionally, Late Antique art was seen in a negative light within Protestant traditions as the decline of classical ideals and the adulteration of early Christianity. Three contexts helped rehabilitate the study of Late Antique art: Catholic scholarship in Rome aiming to assert papal authority; art history in Vienna seeking to establish itself as a discipline; and Russian scholars exploring Christian origins. Alois Riegl's work was pivotal in establishing Late Antiquity as a field of rigorous study based on empirical evidence rather than preconceived notions of decline.
Roman art incorporated architecture, painting, sculpture, and other forms. Greek influence was strong in Roman painting and sculpture. Painting served decorative functions and developed landscapes and perspective techniques. Sculpture realistically depicted subjects. Famous architects included Vitruvius and structures like the Colosseum were engineering marvels. Early Roman painters included Gaius Fabius Pictor and Arellius. The Villa of the Mysteries featured well-preserved frescoes depicting Dionysian mysteries. Roman architecture was practical and influential, using arches, aqueducts, and amphitheaters.
The Catholic Counter Reformation was a response by the Catholic Church to the Protestant Reformation. It included reforms decreed by the Council of Trent from 1545-1563 to clarify church doctrine. The Council instituted reforms like ending the sale of indulgences but also reaffirmed Catholic stances on issues like justification by faith alone. The Jesuit order was founded to spread Catholicism worldwide more effectively. The Counter Reformation also included a crackdown on heresy through the Inquisition and tighter regulation of religious art to keep imagery focused on spiritual messages.
The document discusses the origins and evolution of Gothic architecture, art, literature and music from the 12th century in Europe as well as the modern Gothic subculture. It provides details on key features of Gothic cathedrals like pointed arches, rib vaults and flying buttresses. Differences between French and English Gothic styles are outlined. The emergence of the Gothic subculture in the late 1970s tied to Gothic rock music is also summarized along with examples of Gothic influence in areas like photography, fashion and Indian architecture.
1) In 19th century France, there was a profound questioning of French national identity amid political instability. Monuments were built to foster a sense of shared history and connection to the past.
2) Churches and cathedrals came to symbolize French national identity despite France's growing secularism. This was in part due to the Gothic revival movement, which celebrated Gothic architecture and saw it as a symbol of French culture and history.
3) Monuments like Notre Dame took on new meanings over time based on political views. They came to represent different things like feudalism, repression, or democracy depending on the era and author. Overall, preserving monuments was seen as preserving French history and national identity itself
Gothic architecture originated in 12th century France and is characterized by pointed arches, ribbed vaults, and flying buttresses. Gothic art developed out of Romanesque art in the same period, featuring paintings like frescoes and stained glass windows, as well as monumental sculptures. Gothic films draw from the dark, supernatural elements of Gothic literature through gloomy atmospheres, abandoned buildings, monsters, and heroes in trouble.
Art and Culture - Module 05 - Hellenism and RomeRandy Connolly
Fifth module for GNED 1201 (Aesthetic Experience and Ideas). This one covers the art and culture of first the Hellenistic world, then that of Republican and Imperial Rome. Presentation focuses on the Second Century Crisis and cultural and aesthetic responses to it.
This course is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Art History and Culture course. Some of the content overlaps with my other Gen Ed course.
This document provides instructions for instructors on how to use Turnitin, including how to add a new class, add assignments, add students to a class, and view originality reports. It explains the log-in process and outlines the basic workflow of creating a class, then adding assignments and students to that class. Screenshots illustrate each step of the process. Contact information is provided at the end for assistance.
This document outlines the instructor homepage for an online learning platform, including:
1. Options to add new classes, assignments, and students.
2. Upload and view student submissions as well as generate originality reports checking for plagiarism.
3. View lists of existing classes, students, and student submissions with options to submit work on behalf of students.
The document summarizes key features of a student homepage for enrolled classes, assignment submissions, and originality reports. It describes how students can log in to see their class list, access assignment details and submission status, upload papers and view originality reports showing similarity percentages. The originality reports highlight matching text in submitted papers.
This document outlines the instructor homepage for an online learning platform, including:
1) Options to add new classes, assignments, and students.
2) Upload and view student submissions as well as generate originality reports checking for plagiarism.
3) View lists of existing classes, students, and student submissions with options to submit work on behalf of students.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The document discusses the key motifs and conventions of Gothic novels. It notes that The Castle of Otranto by Horace Walpole, published in 1767, is considered the first Gothic novel and established many Gothic devices that were later refined over the 18th and 19th centuries. Common Gothic motifs included remote and ominous settings like crumbling castles, solitary male protagonists with psychological flaws, trembling female victims, supernatural elements like demons and curses, and themes of transcending boundaries and eliciting terror in readers.
Heartfulness Magazine - June 2024 (Volume 9, Issue 6)heartfulness
Dear readers,
This month we continue with more inspiring talks from the Global Spirituality Mahotsav that was held from March 14 to 17, 2024, at Kanha Shanti Vanam.
We hear from Daaji on lifestyle and yoga in honor of International Day of Yoga, June 21, 2024. We also hear from Professor Bhavani Rao, Dean at Amrita Vishwa Vidyapeetham University, on spirituality in action, the Venerable BhikkuSanghasena on how to be an ambassador for compassion, Dr. Tony Nader on the Maharishi Effect, Swami Mukundananda on the crossroads of modernization, Tejinder Kaur Basra on the purpose of work, the Venerable GesheDorjiDamdul on the psychology of peace, the Rt. Hon. Patricia Scotland, KC, Secretary-General of the Commonwealth, on how we are all related, and world-renowned violinist KumareshRajagopalan on the uplifting mysteries of music.
Dr. Prasad Veluthanar shares an Ayurvedic perspective on treating autism, Dr. IchakAdizes helps us navigate disagreements at work, Sravan Banda celebrates World Environment Day by sharing some tips on land restoration, and Sara Bubber tells our children another inspiring story and challenges them with some fun facts and riddles.
Happy reading,
The editors
PHASE-IV
The very deep experience of silence helps to expand from the 3 - dimensional awareness of the body to all pervasive awareness. The bed of silence becomes deeper and more expansive - an ocean of silence with waves on it merge into complete silence called Ajapa state of the mind. This silence is the source of Creativity, Power, Knowledge and Bliss.
PHASE V
From this deep ocean of silence in the heart region, let one OM emerge as an audible sound which diffuses into the entire body and the space all around. Enjoy the beautiful vibrations.
Blink the eyes slowly, gently open the eyes and come out of meditation.
2nd issue of Volume 15. A magazine in urdu language mainly based on spiritual treatment and learning. Many topics on ISLAM, SUFISM, SOCIAL PROBLEMS, SELF HELP, PSYCHOLOGY, HEALTH, SPIRITUAL TREATMENT, Ruqya etc.A very useful magazine for everyone.
Lesson 12 - The Blessed Hope: The Mark of the Christian.pptxCelso Napoleon
Lesson 12 - The Blessed Hope: The Mark of the Christian
SBS – Sunday Bible School
Adult Bible Lessons 2nd quarter 2024 CPAD
MAGAZINE: THE CAREER THAT IS PROPOSED TO US: The Path of Salvation, Holiness and Perseverance to Reach Heaven
Commentator: Pastor Osiel Gomes
Presentation: Missionary Celso Napoleon
Renewed in Grace
Astronism, Cosmism and Cosmodeism: the space religions espousing the doctrine...Cometan
This lecture created by Brandon Taylorian (aka Cometan) specially for the CESNUR Conference held Bordeaux in June 2024 provides a brief introduction to the legacy of religious and philosophical thought that Astronism emerges from, namely the discourse on transcension started assuredly by the Cosmists in Russia in the mid-to-late nineteenth century and then carried on and developed by Mordecai Nessyahu in Cosmodeism in the twentieth century. Cometan also then provides some detail on his story in founding Astronism in the early twenty-first century from 2013 along with details on the central Astronist doctrine of transcension. Finally, the lecture concludes with some contributions made by space religions and space philosophy and their influences on various cultural facets in art, literature and film.
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Tracking "The Blessing" - Christianity · Spiritual Growth · Success
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In this video, you'll gain insights on:
How highlighting key verses and themes can enhance memory and retention of Scripture (we see a few key ones, here!)
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The Book of Revelation, filled with symbolic and apocalyptic imagery, presents one of its most striking visions in Revelation 9:3-12—the locust army. Understanding the significance of this locust army provides insight into the broader themes of divine judgment, protection, and the ultimate triumph of God’s will as depicted in Revelation.
Lucid Dreaming: Understanding the Risks and Benefits
The ability to control one's dreams or for the dreamer to be aware that he or she is dreaming. This process, called lucid dreaming, has some potential risks as well as many fascinating benefits. However, many people are hesitant to try it initially for fear of the potential dangers. This article aims to clarify these concerns by exploring both the risks and benefits of lucid dreaming.
The Benefits of Lucid Dreaming
Lucid dreaming allows a person to take control of their dream world, helping them overcome their fears and eliminate nightmares. This technique is particularly useful for mental health. By taking control of their dreams, individuals can face challenging scenarios in a controlled environment, which can help reduce anxiety and increase self-confidence.
Addressing Common Concerns
Physical Harm in Dreams Lucid dreaming is fundamentally safe. In a lucid dream, everything is a creation of your mind. Therefore, nothing in the dream can physically harm you. Despite the vividness and realness of the dream experience, it remains entirely within your mental landscape, posing no physical danger.
Mental Health Risks Concerns about developing PTSD or other mental illnesses from lucid dreaming are unfounded. As soon as you wake up, it's clear that the events experienced in the dream were not real. On the contrary, lucid dreaming is often seen as a therapeutic tool for conditions like PTSD, as it allows individuals to reframe and manage their thoughts.
Potential Risks of Lucid Dreaming
While generally safe, lucid dreaming does come with a few risks as well:
Mixing Dream Memories with Reality Long-term lucid dreamers might occasionally confuse dream memories with real ones, creating false memories. This issue is rare and preventable by maintaining a dream journal and avoiding lucid dreaming about real-life people or places too frequently.
Escapism Using lucid dreaming to escape reality can be problematic if it interferes with your daily life. While it is sometimes beneficial to escape and relieve the stress of reality, relying on lucid dreaming for happiness can hinder personal growth and productivity.
Feeling Tired After Lucid Dreaming Some people report feeling tired after lucid dreaming. This tiredness is not due to the dreams themselves but often results from not getting enough sleep or using techniques that disrupt sleep patterns. Taking breaks and ensuring adequate sleep can prevent this.
Mental Exhaustion Lucid dreaming can be mentally taxing if practiced excessively without breaks. It’s important to balance lucid dreaming with regular sleep to avoid mental fatigue.
Lucid dreaming is safe and beneficial if done with caution. It has many benefits, such as overcoming fear and improving mental health, and minimal risks. There are many resources and tutorials available for those interested in trying it.
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Mantra Yoga is an exact science. "Mananat trayate iti mantrah- by the Manana (constant thinking or recollection) of which one is protected or is released from the round of births and deaths, is Mantra." That is called Mantra by the meditation (Manana) on which the Jiva or the individual soul attains freedom from sin, enjoyment in heaven and final liberation, and by the aid of which it attains in full the fourfold fruit (Chaturvarga), i.e., Dharma, Artha, Kama and Moksha. A Mantra is so called because it is achieved by the mental process.
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This book is one of the best of the translated ones, for it has a warning character for all those who find themselves in the experience of material life. Irmão X provides a shrewd way of describing the subtleties and weaknesses that can jeopardize our intentions, making us more attentive and vigilant by providing us with his wise pages, reminding us between the lines of the Master's words: "Pray and watch."
Lição 12: João 15 a 17 – O Espírito Santo e a Oração Sacerdotal | 2° Trimestr...OmarBarrezueta1
Esta lição é uma oportunidade para discutirmos um assunto multo mal interpretado no contexto cristão, que é o fato de algumas pessoas pensarem que o conhecer Jesus é ter a nossa vida mudada em todas as áreas, como se Deus tivesse o dever de transportar-nos deste mundo para um outro mundo onde muitas coisas maravilhosas que desejamos seriam reais. No entanto, a nossa fé não nos tira do mundo após nos convertermos; ao invés disso, permanecemos vivendo sob as mesmas circunstâncias. O propósito de Deus não é nos tirar do mundo, mas nos livrar das ações do maligno (Jo 17.15), Sendo assim, a vida eterna não significa estar fora da realidade deste mundo, mas conhecer o único Deus verdadeiro (Jo 17.3).
"Lift off" by Pastor Mark Behr at North Athens Baptist ChurchJurgenFinch
23 June 2024
Morning Service at North Athens Baptist Church Athens, Michigan
“Lift Off” by Pastor Mark Behr
Scriptures: Luke 24:50-53; Acts 1:6-11.
We are a small country Church in Athens Michigan who loves to reach out to others with the love of God. We worship an Awesome God who loves the whole world and wants everyone to see and understand what He has done for us. (1 Corinthians 15:1-4) We hope you are encouraging by our Sunday Morning sermon videos. If you are ever in the area, please feel free to attend our Sunday Morning Services at North Athens Baptist Church 2020 M Drive South, Athens, Michigan. If you have any question and would like to talk to Pastor Mark, or have prayer request please call the church at (269) 729-553
Sunday School: 9:30 a.m.
Morning Service: 10:45 a.m.
Full Morning Service on Facebook Live at: https://www.facebook.com/groups/nabc2020athensmichigan
Sermon Only Live on YouTube at: https://www.youtube.com/@NABC2020AthensMI
Sermon Only Audio of Morning Sermon at: https://soundcloud.com/user-591083416
4. THE GOTHS Image source: http://www.genreonline.net/Genre_files/Barbarians%20024.jpg
5. THE GOTHS During the 5th century, faced by aggression from the Huns coming from the east, the Goths made incursions into Roman territory in search of food and land.
7. The Romans responded by sending an army to crush them. Emperor Valens expected a quick and easy victory but it was the Roman army that was destroyed! THE GOTHS
8. THE GOTHS Image source: http://www.genreonline.net/Genre_files/Barbarians%20026.jpg
9. The Romans made a treaty with the Goths and employed them as barbarian fighters. THE GOTHS Image source: http://wavada.org/Images/Tricks/Ch02/Goth.jpg
13. THE GOTHS Image source: http://www.usu.edu/markdamen/1320Hist&Civ/slides/08romfal/mapEWRomanEmpire.jpg The Roman Empire
14. destroyers… uncouth …. illiterate … lacking culture …. violent…. barbaric… wild…. chaotic…. Other myths developed around the Goths which led to them being seen as ... THE GOTHS
15. The word Gothic has also been used from the 15 th century onwards as a term to describe architecture and art from Northern Europe dating from the 12-15 th centuries . THE GOTHS
16. GOTHIC ARCHITECTURE Image source: http://www.flickr.com/photos/scottgunn/327285387/sizes/m/in/photostream/ Notre Dame Cathedral Paris – an example of Gothic architecture
21. GOTHIC SPIRES Lichfield Cathedral Image Source: http://farm7.static.flickr.com/6018/6014596043_16b3276458.jpg Medieval architecture had soaring spires probably representing an ambition to go beyond human limitations and reach the divine .
22. GOTHIC SPIRES Image source: http://static.flickr.com/91/206882648_7415fc00a5_b.jpg Duomo Milan
23. FLYING BUTTRESSES Sources: http://farm5.static.flickr.com/4090/5053497552_57b1880343.jp Santa Barbara Czechoslavakia Flying buttresses were added to the external walls. Although not particularly attractive, they had a very important function. With them, structures could go higher (without the walls collapsing) and this allowed the interior space to be larger and more open.
25. VAULTED ARCHES Source: http://farm4.static.flickr.com/3111/2727200273_f0bc721650.jpg Salisbury cathedral The rounded arches of classic architecture were replaced by pointed ones. Again these changes were very functional, they were more effective at channelling the weight onto the columns supporting them. This allowed architects to create much higher ribbed vaults.
35. Sources: http://www.medievalscript.com/category/books-of-hours/ http://www.flickr.com/photos/dis-order-ed/5531232455/sizes/m/in/set-72157626278062722/ Illuminated manuscript :Hours of Catherine of Cleves 13 th century stained glass: Bourges Cathedral France GOTHIC ART: PAINTING
36. GOTHIC ART: PAINTING Image sources: http://upload.wikimedia.org/wikipedia/commons/b/be/Simone_Martini_071.jpg http://upload.wikimedia.org/wikipedia/commons/b/be/Venanson_-_Chapelle_Sainte-Claire_-_Fresque_-3.jpg Oil painting: Miracle of the child attacked and rescued by Augustine Novello 1328 Simone Martini Fresco painting: Venanson - Chapelle Sainte-Claire
37. Much of medieval art had a religious focus , although in late 14th and 15th centuries Gothic paintings did begin to depict secular scenes such as hunting and historical events. The religious content was often created to teach specific moral and spiritual truths . A late Gothic artist from The Netherlands, Hieronymus Bosch, depicted sin and the evil of man by creating scenes with demons, half-human animals and machines. These were quite gruesome and aimed to cause fear and perhaps confusion. GOTHIC ART: PAINTING
38. GOTHIC ART: PAINTING BOSCH Hieronymus: ‘Hell’ The Garden of Earthly Delights (details ) Sources: http://lisag123.files.wordpress.com/2010/10/delightd.jpg http://cgfa.acropolisinc.com/bosch/bosch28.jpg
41. GOTHIC ART: PAINTING BOSCH Hieronymus The Seven Deadly Sins (detail)1480; Death and the Miser, approx. 1490 Sources: http://www.wga.hu/art/b/bosch/2deadly/7deadly3.jpg http://cgfa.acropolisinc.com/bosch/bosch2.jpg
42. In the late 18 th century, there was a Gothic revival, when the Middle Ages were no longer seen with disfavour but looked at with interest. One cause of this revival was a reaction against the Enlightenment Movement. This movement looked to reason to understand man and the world rather than religion. They explained everything scientifically and rationally according to classicistic ideals. This led some people to become interested in the opposite – the irrational – and an obvious period for ideas for this was Medieval times. GOTHIC REVIVAL
43. Philosopher Giving A Lecture at the Orrery (1765) Joseph Wright Image source: http://quizlet.com/5225507/test-2-new-flash-cards / GOTHIC REVIVAL
44.
45. Image sources: http://www.flickr.com/photos/soulmate02/4800670024/sizes/m/in/photostream / http://www.flickr.com/photos/soulmate02/4800791942/sizes/m/in/photostream/ Isaac Newton (waxwork ) Charles Darwin (waxwork ) GOTHIC REVIVAL
46.
47. GOTHIC REVIVAL The Industrial revolution: the age of machines and factories Image source: http://apworldhistorywiki.wikispaces.com/B+-+The+Social+Impact+of+the+Industrial+Revolution
48. The Gothic Revival movement was initiated by landscape garden designers such as William Kent and Lancelot ‘Capability’ Brown. They took the formal garden with its topiary, geometrically shaped planting and mathematical precision and changed it into an informal, asymmetric landscape which was less manipulative of nature. Their concept was a ‘gardenless garden’ to which they added follies such as artificial ruins, Gothic buildings and even Greek temples as representations of past times. GOTHIC REVIVAL
49. GOTHIC REVIVAL: gardens Image source: http://hercules.gcsu.edu/~rviau/ids/Artworks/HamptonCourt/HC101.jpg A formal garden: Hampton Court , London
50. GOTHIC REVIVAL: gardens Image source: http://www.gardenvisit.com/assets/madge/stowe_grecian_vale/original/stowe_grecian_vale_original.jpg A Gothic revival garden: Stowe estate designed by William Kent
51.
52. GOTHIC REVIVAL: houses Image source: http://www.middlebrowmagazine.co.uk/home/wp-content/uploads/2011/07/Strawberry-Hill.jpg Strawberry Hill, Twickenham
55. GOTHIC REVIVAL: public Sources: http://www.victorianweb.org/art/architecture/pancras/2.jpg http://farm4.static.flickr.com/3224/2750089904_805cc31c18.jpg http://www.flickr.com/photos/simon_a_lee/2750090534/sizes/m/in/photostream/ St Pancras Station, London 1868 Prince Albert Memorial, London 1872 approx. Courts of Justice, London 1882 approx.
56. GOTHIC REVIVAL: public Image source: http://farm2.static.flickr.com/1283/1020276817_66a9d57191.jpg Palace of Westminster (Houses of Parliament) London (approx. 1870)
57. GOTHIC REVIVAL: public Tower Bridge, London (1894) Image source: http://farm4.static.flickr.com/3265/5743763864_c853d1700b.jpg
58. GOTHIC LITERATURE The Gothic revival in architecture was followed by the arrival of Gothic literature which is best described as a ‘ medieval revival ’ in fiction. The initiator of this was Horace Walpole whose interest in Gothic had already extended to remodelling his gardens and house. As a writer his next novel was to take a new style – far removed from the reflective, moralistic and rather dull style of the time. The Castle of Otranto, which he wrote in 1765, reflected h is fascination with the Dark Ages and made use of many ingredients from the medieval past.
59. The Castle of Otranto Horace Walpole GOTHIC LITERATURE Portrait of Horace Walpole, Rosalba Carriera, 1741 (Houghton Hall, Norfolk)
60. GOTHIC LITERATURE Walpole's Otranto was a prototype which proved tremendously popular and this led other writers to imitate it. They took his main ingredients and adopted and adapted them, in so doing creating a genre. So successfully did they do this that the gothic novel was to become the most common form of fiction for over half a century.
Perhaps one of the most eye-catching features of Gothic architecture is the figures of the grotesques, the gargoyles. Although they fit every stereotype about evil creatures, they are instead guardians of the structures which they inhabit. A gargoyle is the carved termination of spouts which convey water away from the sides of buildings. However, similar sculptures that do not work as waterspouts are and simply ornamental are called chimera. Nowadays it is common for both types of carvings to be referred to as gargoyles. Perhaps one of the most eye-catching features of Gothic architecture is the figures of the grotesques, the gargoyles. Although they fit every stereotype about evil creatures, they are instead guardians of the structures which they inhabit. A gargoyle is the carved termination of spouts which convey water away from the sides of buildings. However, similar sculptures that do not work as waterspouts are and simply ornamental are called chimera. Nowadays it is common for both types of carvings to be referred to as gargoyles. Like Gothic architecture, Gothic literature focuses on humanity’s fascination with the grotesque, the unknown, and the frightening, inexplicable aspects of the universe and the human soul. The Gothic "relates the individual to the infinite universe" (Varma 16) and creates horror by portraying human individuals in confrontation with the overwhelming, mysterious, terrifying forces found in the cosmos and within themselves. Gothic literature pictures the human condition as an ambiguous mixture of good and evil powers that cannot be understood completely by human reason. Thus, the Gothic perspective conceives of the human condition as a paradox, a dilemma of duality—humans are divided in the conflict between opposing forces in the world and in themselves. The Gothic themes of human nature’s depravity, the struggle between good and evil in the human soul, and the existence of unexplainable elements in humanity and the cosmos, are prominent themes in Frankenstein . Sticking out along the cornices of many Gothic Cathedrals are little beastly beings with angry madcap faces known as Gargoyles. It is safe to say they are not poised there, eyes outward, gnarly teeth at the ready, for their health. They are certainly meant as sentries, presenting a sort of anti-evil force field to protect the precious and fragile faith of the mighty but not invulnerable Lord. Arising from the Latin word "gurgulio" the word literally means throat and also the sound water makes passing through the throat. It French is comes from the same root as gargle. Thus, a true Gargoyle is a fountain, or at least something that conveys water through itself, sucking it up-and spitting it out. Technically, those serried beasts we see lining up along the highest edges of Gothic structures are not gargoyles, since they don't spout for the most part, but rather they are called Grotesques. Over time the term gargoyles seems to have encompassed these grotesques, and so for the purpose of this entry on the subject, gargoyle may in fact be considered a synonym for a grotesque.