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The Defining Features of
Emotions in Online Stories
Wen Zhang1
, Yeongbae Choe2
, and Daniel Fesenmaier3
1
University of Central Florida, USA
2
University of Macau, China
3
National Laboratory of Tourism & eCommerce, USA
Introduction
• Online storytelling has become a powerful approach to destination promotion
• It builds close emotional connections with tourists through narratives while delivering
information (Tussyadiah and Fesenmaier, 2008; Tussyadiah et al., 2011).
• Various strategies (i.e., plots, etc.) to evoke emotions in the story affect how
readers evaluate the story, which in turn, affects perceptions of the
destination.
• Stories seek to engender different emotions at different times and at different
levels (Reagan, et al., 2016).
May 3, 2019 ENTER2019 – Research Track Page 2
Introduction
• There are specific points within the story such as
beginning, peak, end which affect the degree of
emotions created AND overall evaluation.
• These points or rules are often referred to as
heuristics.
May 3, 2019 ENTER2019 – Research Track Page 3
May 3, 2019 ENTER2019 – Research Track Page 4
Study Purpose
To examine the relationship between key features (e.g. emotion arousal
levels at the beginning, peak and end of the story) and story performance
as measured by the average reading time.
May 3, 2019 ENTER2019 – Research Track Page 5
Methodology
• This study examined the emotional structure of 60 online stories which describe
12 states and cities located throughout the United States.
• The stories were designed and implemented during 2017 - 18 by a destination
marketing company and vary in length, focus, logic, and story structure.
• This study adopts a two-stage analytic process: sentiment analysis and multiple
regression analysis.
May 3, 2019 ENTER2019 – Research Track Page 6
May 3, 2019 ENTER2019 – Research Track Page 7
May 3, 2019 ENTER2019 – Research Track Page 8
Methodology
Sentiment Analysis
May 3, 2019 ENTER2019 – Research Track Page 9
Multiple Regression Analysis
1.The reading time for each respective
story was obtained using Google
Analytics
2.The average reading time was
transformed using a natural log
transformation.
May 3, 2019 ENTER2019 – Research Track Page 10
Variable Min. Max. Mean SD Estimate Std. Error t value p value
Total Sentence 19 140 64.47 20.13 0.00 0.01 0.40 0.69
Sentiment 10% -4 16 4.25 3.85 -0.02 0.07 -0.27 0.79
Sentiment 20% 0 13 5.98 3.06 0.10 0.05 2.08 0.04 *
Sentiment 30% -3 15 5.23 3.97 0.09 0.04 2.33 0.02 *
Sentiment 40% -4 14 4.90 4.13 0.01 0.04 0.28 0.78
Sentiment 50% -2 18 5.47 4.16 0.03 0.04 0.78 0.44
Sentiment 60% -2 16 4.80 4.10 0.01 0.04 0.21 0.83
Sentiment 70% -1 16 5.90 3.86 0.07 0.05 1.26 0.21
Sentiment 80% -2 17 5.25 4.57 0.09 0.04 2.22 0.03 *
Sentiment 90% -4 16 4.77 3.62 0.01 0.05 0.18 0.86
Sentiment 100% -2 19 6.18 4.42 0.01 0.05 0.30 0.77
Max. intensity 2.76 15.29 6.07 2.63 0.26 0.08 3.24 0.00 **
Max. location .04 1.00 .38 .28 -0.12 0.63 -0.20 0.85
Min. intensity -13.46 0.00 -2.55 2.43 -0.06 0.09 -0.74 0.47
Min. location .02 1.00 .349 .26 0.82 0.56 1.46 0.15
SD of sentiment .84 6.42 3.39 1.09 0.14 0.16 0.86 0.39
Table 1: Descriptive statistics and regression results
Discussion
• Key features (e.g. emotion arousal levels at the beginning, peak and end of the
story) significantly correlate with reader involvement in online stories.
• Duration showed non-significant relationship with reading time.
• The findings are important for tourism marketers to design much better online
tourism advertising and destination experience design.
• Advanced machine learning techniques can be used to automatically generate
online stories related to the optimal travel experience, which can be very useful
for the development of more persuasive recommender systems.
May 3, 2019 ENTER2019 – Research Track Page 11
Limitation and Future Study
• Investigate the influence of design elements of the website (e.g., pictures, videos,
colour scheme) on reader’s response.
• Combine self-reported and/or physiological data to better capture the effect of
story components on reader’s navigation behaviours.
• Individual-level analysis could provide additional insights on how the structure of
stories influence on the readers’ response to online stories.
May 3, 2019 ENTER2019 – Research Track Page 12
Thank You!
wen.zhang@ucf.edu
ychoe@um.edu.mo
fesenmaierdaniel@gmail.com
May 3, 2019 ENTER2019 – Research Track Page 13

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The defining features of emotions in online stories

  • 1. The Defining Features of Emotions in Online Stories Wen Zhang1 , Yeongbae Choe2 , and Daniel Fesenmaier3 1 University of Central Florida, USA 2 University of Macau, China 3 National Laboratory of Tourism & eCommerce, USA
  • 2. Introduction • Online storytelling has become a powerful approach to destination promotion • It builds close emotional connections with tourists through narratives while delivering information (Tussyadiah and Fesenmaier, 2008; Tussyadiah et al., 2011). • Various strategies (i.e., plots, etc.) to evoke emotions in the story affect how readers evaluate the story, which in turn, affects perceptions of the destination. • Stories seek to engender different emotions at different times and at different levels (Reagan, et al., 2016). May 3, 2019 ENTER2019 – Research Track Page 2
  • 3. Introduction • There are specific points within the story such as beginning, peak, end which affect the degree of emotions created AND overall evaluation. • These points or rules are often referred to as heuristics. May 3, 2019 ENTER2019 – Research Track Page 3
  • 4. May 3, 2019 ENTER2019 – Research Track Page 4
  • 5. Study Purpose To examine the relationship between key features (e.g. emotion arousal levels at the beginning, peak and end of the story) and story performance as measured by the average reading time. May 3, 2019 ENTER2019 – Research Track Page 5
  • 6. Methodology • This study examined the emotional structure of 60 online stories which describe 12 states and cities located throughout the United States. • The stories were designed and implemented during 2017 - 18 by a destination marketing company and vary in length, focus, logic, and story structure. • This study adopts a two-stage analytic process: sentiment analysis and multiple regression analysis. May 3, 2019 ENTER2019 – Research Track Page 6
  • 7. May 3, 2019 ENTER2019 – Research Track Page 7
  • 8. May 3, 2019 ENTER2019 – Research Track Page 8
  • 9. Methodology Sentiment Analysis May 3, 2019 ENTER2019 – Research Track Page 9 Multiple Regression Analysis 1.The reading time for each respective story was obtained using Google Analytics 2.The average reading time was transformed using a natural log transformation.
  • 10. May 3, 2019 ENTER2019 – Research Track Page 10 Variable Min. Max. Mean SD Estimate Std. Error t value p value Total Sentence 19 140 64.47 20.13 0.00 0.01 0.40 0.69 Sentiment 10% -4 16 4.25 3.85 -0.02 0.07 -0.27 0.79 Sentiment 20% 0 13 5.98 3.06 0.10 0.05 2.08 0.04 * Sentiment 30% -3 15 5.23 3.97 0.09 0.04 2.33 0.02 * Sentiment 40% -4 14 4.90 4.13 0.01 0.04 0.28 0.78 Sentiment 50% -2 18 5.47 4.16 0.03 0.04 0.78 0.44 Sentiment 60% -2 16 4.80 4.10 0.01 0.04 0.21 0.83 Sentiment 70% -1 16 5.90 3.86 0.07 0.05 1.26 0.21 Sentiment 80% -2 17 5.25 4.57 0.09 0.04 2.22 0.03 * Sentiment 90% -4 16 4.77 3.62 0.01 0.05 0.18 0.86 Sentiment 100% -2 19 6.18 4.42 0.01 0.05 0.30 0.77 Max. intensity 2.76 15.29 6.07 2.63 0.26 0.08 3.24 0.00 ** Max. location .04 1.00 .38 .28 -0.12 0.63 -0.20 0.85 Min. intensity -13.46 0.00 -2.55 2.43 -0.06 0.09 -0.74 0.47 Min. location .02 1.00 .349 .26 0.82 0.56 1.46 0.15 SD of sentiment .84 6.42 3.39 1.09 0.14 0.16 0.86 0.39 Table 1: Descriptive statistics and regression results
  • 11. Discussion • Key features (e.g. emotion arousal levels at the beginning, peak and end of the story) significantly correlate with reader involvement in online stories. • Duration showed non-significant relationship with reading time. • The findings are important for tourism marketers to design much better online tourism advertising and destination experience design. • Advanced machine learning techniques can be used to automatically generate online stories related to the optimal travel experience, which can be very useful for the development of more persuasive recommender systems. May 3, 2019 ENTER2019 – Research Track Page 11
  • 12. Limitation and Future Study • Investigate the influence of design elements of the website (e.g., pictures, videos, colour scheme) on reader’s response. • Combine self-reported and/or physiological data to better capture the effect of story components on reader’s navigation behaviours. • Individual-level analysis could provide additional insights on how the structure of stories influence on the readers’ response to online stories. May 3, 2019 ENTER2019 – Research Track Page 12

Editor's Notes

  1. Barbara Tversky – wife of a famous psychologist – Amos Tversky
  2. Barbara Tversky – wife of a famous psychologist – Amos Tversky
  3. The text comprising each story was broken into deciles (10 parts); 10 sentiment scores were generated based on the number of sentences. Sentiment analyses were first conducted at the sentence level and then aggregated into the deciles for each story. Various measures of story structure such as emotional level at the start, peak, end, trend and duration were calculated.
  4. The variation of emotions at 20%, 30%, 80%, and maximum sentiment intensity are significant predictors of time spent reading the story; The length of the story is not a significant predictor; The results confirm the importance of some key components (start, end, and peak) within the story.
  5. Sentiment analysis can be used to assess the sentiments of online text efficiently, especially when using large volumes of text.