The commissioning process involves ideas being chosen for production by commissioning bodies like the BBC or independent production companies. The roles include commissioning editors, directors, producers, and organizations that provide funding. Writers play a key role throughout pre-production, production, and post-production. They work with directors and producers during script development and editing. Legal and ethical considerations for writers include copyright, bias, censorship, libel, and plagiarism.
Details of the commissioning process, how to become a writer, legal and ethical considerations, commissioning bodies, job roles within the commissioning process
This document provides an overview of the commissioning process for writing for television and video. It discusses various job roles in the industry such as commissioning editors, executive producers, film producers, directors, and writers. It also describes commissioning bodies like the BBC and examples of writing competitions. The role and responsibilities of writers are explained in detail, covering aspects like research, script development, character creation, and rewriting. Additional topics covered include working with agents, receiving royalty payments, presenting professional scripts, time management, and legal and ethical considerations like copyright, censorship, and plagiarism.
Commissioning Process for Writing for Television and Video. D_C_Ldarrenv96
The document discusses the commissioning process for writing for television and video. It covers three main topics: becoming a writer, job roles in the commissioning and writing process, and legal and ethical considerations. For becoming a writer, it emphasizes building a portfolio and network through critiques. It outlines various job roles in the process like commissioning editors, producers, and writers. Finally, it discusses legal issues like copyright and ethical issues like censorship that writers must consider.
The commissioning process involves putting a creative work into operation and starts with the writer's idea. Commissioning bodies include publishers, film studios, and television networks. Their roles include commissioning editors, executive producers, producers, directors, editorial assistants, researchers, script editors, and literary agents. The writer's role is to engage the audience, respond to feedback, consider the target group and producer expectations. Legal and ethical considerations for writers include copyright, censorship, watershed restrictions, and avoiding plagiarism.
The document discusses the commissioning process at Channel 4 and E4. It begins by explaining that the commissioning editor sets the budget and production is created. It then provides details on Channel 4's portfolio including E4 and their roles in commissioning content from independent producers. The rest of the document outlines the application process, funding sources, drawbacks for applicants, and alternative distribution options like social media.
This document provides an overview of the screenwriting process, from writing a script to getting it commissioned and made. It discusses finding an agent to represent your script, getting it read by development executives and script readers, and undergoing rewrites based on their feedback. The key steps are writing an initial draft, getting representation, pitching it to producers, undergoing reviews and revisions, and potentially being commissioned to expand the script if it is well-received. Collaboration is emphasized as essential to adapting a script into a produced work.
The document discusses various options for commissioning, funding, and distributing films, including through major production companies like Metro Goldwyn Mayer (MGM) and Film4, public funding organizations like the BFI, crowdfunding platforms like Kickstarter, and film competitions. MGM and Film4 are well-established but acceptance is competitive, the BFI provides significant funding but requires British-based projects, and crowdfunding/competitions offer an opportunity for funding but with no guarantees.
The commissioning process involves ideas being chosen for production by commissioning bodies like the BBC or independent production companies. The roles include commissioning editors, directors, producers, and organizations that provide funding. Writers play a key role throughout pre-production, production, and post-production. They work with directors and producers during script development and editing. Legal and ethical considerations for writers include copyright, bias, censorship, libel, and plagiarism.
Details of the commissioning process, how to become a writer, legal and ethical considerations, commissioning bodies, job roles within the commissioning process
This document provides an overview of the commissioning process for writing for television and video. It discusses various job roles in the industry such as commissioning editors, executive producers, film producers, directors, and writers. It also describes commissioning bodies like the BBC and examples of writing competitions. The role and responsibilities of writers are explained in detail, covering aspects like research, script development, character creation, and rewriting. Additional topics covered include working with agents, receiving royalty payments, presenting professional scripts, time management, and legal and ethical considerations like copyright, censorship, and plagiarism.
Commissioning Process for Writing for Television and Video. D_C_Ldarrenv96
The document discusses the commissioning process for writing for television and video. It covers three main topics: becoming a writer, job roles in the commissioning and writing process, and legal and ethical considerations. For becoming a writer, it emphasizes building a portfolio and network through critiques. It outlines various job roles in the process like commissioning editors, producers, and writers. Finally, it discusses legal issues like copyright and ethical issues like censorship that writers must consider.
The commissioning process involves putting a creative work into operation and starts with the writer's idea. Commissioning bodies include publishers, film studios, and television networks. Their roles include commissioning editors, executive producers, producers, directors, editorial assistants, researchers, script editors, and literary agents. The writer's role is to engage the audience, respond to feedback, consider the target group and producer expectations. Legal and ethical considerations for writers include copyright, censorship, watershed restrictions, and avoiding plagiarism.
The document discusses the commissioning process at Channel 4 and E4. It begins by explaining that the commissioning editor sets the budget and production is created. It then provides details on Channel 4's portfolio including E4 and their roles in commissioning content from independent producers. The rest of the document outlines the application process, funding sources, drawbacks for applicants, and alternative distribution options like social media.
This document provides an overview of the screenwriting process, from writing a script to getting it commissioned and made. It discusses finding an agent to represent your script, getting it read by development executives and script readers, and undergoing rewrites based on their feedback. The key steps are writing an initial draft, getting representation, pitching it to producers, undergoing reviews and revisions, and potentially being commissioned to expand the script if it is well-received. Collaboration is emphasized as essential to adapting a script into a produced work.
The document discusses various options for commissioning, funding, and distributing films, including through major production companies like Metro Goldwyn Mayer (MGM) and Film4, public funding organizations like the BFI, crowdfunding platforms like Kickstarter, and film competitions. MGM and Film4 are well-established but acceptance is competitive, the BFI provides significant funding but requires British-based projects, and crowdfunding/competitions offer an opportunity for funding but with no guarantees.
This document discusses the process of screenwriting, including commissioning, working as a writer, and legal/ethical considerations. Commissioning involves getting approval to write from entities like corporations, independent production companies, or competitions. As a writer, it is important to format scripts correctly, communicate well with clients, meet deadlines, and collaborate with directors/producers. Legally, writers must avoid plagiarism and libel, consider representation in their writing, and follow censorship guidelines depending on the intended audience.
This document provides information about the screenwriting process, including commissioning, working as a writer, and legal/ethical considerations. Commissioning bodies that may commission scripts include corporations, independent production companies, and competitions. When working as a writer, it is important to use proper formatting, communicate well with clients, meet deadlines, and collaborate with directors and producers. Legal considerations for writers include copyright, avoiding plagiarism, and following guidelines around content like violence and language.
The document discusses the concept of remix and how it relates to other concepts like remediation and assemblage. It provides examples of popular remixes, such as the "Grey Album" that combined the Beatles' White Album and Jay-Z's Black Album. The document also examines issues around intellectual property, fair use, and how new technologies have historically challenged existing laws around media distribution and ownership.
This document discusses remixing and intellectual property law. It introduces Larry Lessig and his positions on piracy, copyright wars, and the influence of lawyers and lobbyists on copyright law. The document examines examples of remixes and mashups, and discusses the key issues around who owns culture and intellectual property when creative works are remixed and built upon existing works. It questions whether remixing should be considered legal or illegal and discusses concepts like fair use and creative commons.
This document outlines the agenda for a class discussion. It begins by recapping arguments from a previous class and providing examples of print-based artifacts that were important in the past, such as newspapers, books, and handwritten notes. Students are then asked to discuss changes in how they consume media and share information. The document prompts students to form groups and craft an argument supported by the previous class readings about changes to print culture. It concludes by assigning readings for the next class and noting they will discuss storyboarding and scheduling conferences.
This document discusses various legal topics related to employment, including health and safety legislation, public and employer liability, employee rights, equal opportunities laws, intellectual property, copyright, trademarks, and codes of practice. It outlines employers' responsibilities to ensure worker safety, cover costs if the public is injured on a worksite, and insure against employee lawsuits. It also describes employees' rights like minimum wage, holiday pay, and study time off for minors.
TV and Writing Powerpoint (John, Maii and Sophie)CoupeS
The document outlines the commissioning process for creating documentaries. It discusses the roles of commissioning editors, producers, researchers, and writers. Writers are responsible for the initial story and script, and must plan production, edit scripts, and involve directors and producers. Becoming a professional writer requires agent representation, managing deadlines and meetings, and properly presenting scripts. The document also covers legal considerations like copyright and censorship that writers must be aware of.
This document provides an overview of different roles in the film industry such as commissioning editors, producers, directors, script editors, and agents. It discusses various options for script writers to get their work produced, such as large Hollywood studios, independent production companies, or organizations like the BFI and BBC. The document outlines important considerations for script writers, including properly formatting scripts, working with agents, communicating with producers, managing deadlines, and the royalty structure. It also discusses legal and ethical issues like copyright, avoiding plagiarism, ensuring unbiased content, and dealing with censorship from producers.
Unit 19 screenwriting- learning aim a and bJamesPotts21
Commissioning editors oversee script writing and choose genres and ideas. They control production and provide funding without their guidance, writers may not understand the genre or budget. Directors provide vision for scripts and help writers understand expectations. Multiple directors led to many rewrites of Alien 3. Script editors ensure scripts meet standards and fix issues to smooth development. Agents support writers and organize contacts to create better work environments and negotiate deals to prevent legal troubles from issues like plagiarism. Writers create engaging scripts through research, dialogue and adapting source material while considering themes. Screenwriting competitions provide a chance for exposure but success is not guaranteed. Copyright and avoiding plagiarism and libel are important legal and ethical considerations in scriptwriting.
Scriptwriting involves various roles and responsibilities. Writers must conduct research, plan scripts, and edit their work to conform with conventions. They pitch ideas to commissioning bodies like the BBC or enter competitions to get scripts noticed. Effective scriptwriting requires skills like communication, organization, and keeping up with industry trends. Writers must consider legal issues like copyright and ethics such as avoiding offensive content or inaccurate representations.
This document provides an overview of the commissioning process for writing for television and video. It discusses various job roles in the industry such as commissioning editors, executive producers, film producers, directors, and writers. It also covers commissioning bodies, the role of the writer, becoming a writer including getting an agent and royalty payments, presenting a professional script, time management, and legal and ethical considerations like copyright, censorship, watershed rules, and plagiarism.
The commissioning process for television and film scripts involves many steps and roles. Writers create scripts that are submitted to agents, then commissioning editors at production companies decide which scripts to produce. If a script is commissioned, it is passed to script editors who provide feedback and help prepare it for production. Producers oversee the entire process and work with directors to bring the script to life through filming. Writers have several options for getting scripts commissioned, including independent production companies, competitions, and organizations.
1. Commissioning editors oversee screenwriting projects by choosing genres, ideas, and allocating budgets. Without them, writers may not have a clear direction for their scripts.
2. Directors provide guidance to writers on envisioning what the script should look like and how it should meet their standards. Without a director, writers may struggle to understand how to develop their ideas.
3. Script editors ensure scripts are suitable, address any problems, and make sure scripts meet director expectations. They help smooth out the writing process. Without script editors, scripts could have issues.
Commissioning editors oversee screenwriting projects by choosing genres and allocating funds. They provide full control over productions. Directors help screenwriters envision scripts by providing ideas and standards. Script editors ensure scripts are suitable, addressing problems and grammar errors. Writers create engaging scripts with relatable stories and dialogue. Copyright and avoiding plagiarism are important to protect screenwriters' work and ideas.
Unit 19 scriptwriting Learning Aim A discusses the scriptwriting process and various roles involved. Writers create scripts that must be approved by producers and commissioned by bodies like corporations or independent companies. Examples include the BBC and ITV commissioning scripts for TV shows. Writers must consider legal and ethical issues like plagiarism, copyright, censorship, watershed rules, and avoiding bias when creating scripts.
Unit 19 discusses the process of becoming a script writer and the responsibilities involved. There are many jobs in the film industry such as commissioning editors, producers, directors, script editors, and agents that script writers can work with. Writers must present scripts in the proper format and work to meet producer demands and deadlines. As a writer, it is important to trademark scripts to prevent plagiarism, avoid bias and misinformation, and be aware of censorship guidelines. Writers are also responsible for the legal and ethical considerations of their work.
The document discusses the commissioning process in television. It outlines several key roles involved including commissioning editors, producers, script writers, and agents. Commissioning editors are responsible for finding and developing ideas for television shows. Producers oversee the entire production process. Script writers create the blueprint scripts. Agents represent talent and help facilitate projects. The document also discusses commissioning bodies like corporations and independent studios. Corporations own television networks while independents rely on commissions.
Unit 19 discusses scriptwriting roles and processes. It outlines key jobs in scriptwriting like commissioning editors, producers, directors, script editors, agents, and writers. It also examines how scripts are commissioned from corporations, independent production companies, organizations and competitions. The document details professional requirements for scriptwriters such as proper formatting, agent representation, communication, time management, and handing over control of the script. It covers legal and ethical considerations of the scriptwriting process including copyright, plagiarism, libel, bias, and censorship.
This document discusses various roles in the scriptwriting and film production process. It outlines jobs like commissioning editors, directors, producers, script editors, agents, and script writers. It also covers topics like obtaining work, the demands of being a writer, the scriptwriting process, and legal and ethical considerations around things like copyright, plagiarism, bias, censorship, and watershed rules.
The document provides information about the roles involved in the television and film commissioning process. It discusses the roles of the producer, commissioning editor, scriptwriter, executive producer, literary agent, editorial assistant, and agent. The producer oversees the entire production process. The commissioning editor finds scripts that match the brief and passes successful scripts to the producer. Scriptwriters write scripts to be considered. The executive producer ensures projects are completed on time and on budget. Agents represent and sell scriptwriters' work. Royalty payments provide money to creators when their work is used.
This document provides information about various roles in the film and television industry, including screenwriters, producers, directors, script editors, agents, and corporations. It discusses the responsibilities of screenwriters, such as proper formatting, time management, collaboration, and considering legal and ethical issues like copyright and bias. It also describes the roles of producers in overseeing projects, directors in interpreting scripts, and script editors in ensuring continuity. Agents represent clients, and corporations produce and distribute finished works. Overall it outlines the production process and responsibilities of various creative roles.
This document provides information about various roles in the screenwriting and filmmaking process and considerations for screenwriters. It discusses commissioning editors who look for new projects, producers who oversee projects from conception to completion, and directors who are responsible for interpreting the script. It also covers corporations that distribute finished works, script editors who ensure continuity, and organizations that help develop writers' scripts. Legal and ethical considerations for screenwriters like copyright, censorship, plagiarism, and bias are also addressed.
This document discusses the process of screenwriting, including commissioning, working as a writer, and legal/ethical considerations. Commissioning involves getting approval to write from entities like corporations, independent production companies, or competitions. As a writer, it is important to format scripts correctly, communicate well with clients, meet deadlines, and collaborate with directors/producers. Legally, writers must avoid plagiarism and libel, consider representation in their writing, and follow censorship guidelines depending on the intended audience.
This document provides information about the screenwriting process, including commissioning, working as a writer, and legal/ethical considerations. Commissioning bodies that may commission scripts include corporations, independent production companies, and competitions. When working as a writer, it is important to use proper formatting, communicate well with clients, meet deadlines, and collaborate with directors and producers. Legal considerations for writers include copyright, avoiding plagiarism, and following guidelines around content like violence and language.
The document discusses the concept of remix and how it relates to other concepts like remediation and assemblage. It provides examples of popular remixes, such as the "Grey Album" that combined the Beatles' White Album and Jay-Z's Black Album. The document also examines issues around intellectual property, fair use, and how new technologies have historically challenged existing laws around media distribution and ownership.
This document discusses remixing and intellectual property law. It introduces Larry Lessig and his positions on piracy, copyright wars, and the influence of lawyers and lobbyists on copyright law. The document examines examples of remixes and mashups, and discusses the key issues around who owns culture and intellectual property when creative works are remixed and built upon existing works. It questions whether remixing should be considered legal or illegal and discusses concepts like fair use and creative commons.
This document outlines the agenda for a class discussion. It begins by recapping arguments from a previous class and providing examples of print-based artifacts that were important in the past, such as newspapers, books, and handwritten notes. Students are then asked to discuss changes in how they consume media and share information. The document prompts students to form groups and craft an argument supported by the previous class readings about changes to print culture. It concludes by assigning readings for the next class and noting they will discuss storyboarding and scheduling conferences.
This document discusses various legal topics related to employment, including health and safety legislation, public and employer liability, employee rights, equal opportunities laws, intellectual property, copyright, trademarks, and codes of practice. It outlines employers' responsibilities to ensure worker safety, cover costs if the public is injured on a worksite, and insure against employee lawsuits. It also describes employees' rights like minimum wage, holiday pay, and study time off for minors.
TV and Writing Powerpoint (John, Maii and Sophie)CoupeS
The document outlines the commissioning process for creating documentaries. It discusses the roles of commissioning editors, producers, researchers, and writers. Writers are responsible for the initial story and script, and must plan production, edit scripts, and involve directors and producers. Becoming a professional writer requires agent representation, managing deadlines and meetings, and properly presenting scripts. The document also covers legal considerations like copyright and censorship that writers must be aware of.
This document provides an overview of different roles in the film industry such as commissioning editors, producers, directors, script editors, and agents. It discusses various options for script writers to get their work produced, such as large Hollywood studios, independent production companies, or organizations like the BFI and BBC. The document outlines important considerations for script writers, including properly formatting scripts, working with agents, communicating with producers, managing deadlines, and the royalty structure. It also discusses legal and ethical issues like copyright, avoiding plagiarism, ensuring unbiased content, and dealing with censorship from producers.
Unit 19 screenwriting- learning aim a and bJamesPotts21
Commissioning editors oversee script writing and choose genres and ideas. They control production and provide funding without their guidance, writers may not understand the genre or budget. Directors provide vision for scripts and help writers understand expectations. Multiple directors led to many rewrites of Alien 3. Script editors ensure scripts meet standards and fix issues to smooth development. Agents support writers and organize contacts to create better work environments and negotiate deals to prevent legal troubles from issues like plagiarism. Writers create engaging scripts through research, dialogue and adapting source material while considering themes. Screenwriting competitions provide a chance for exposure but success is not guaranteed. Copyright and avoiding plagiarism and libel are important legal and ethical considerations in scriptwriting.
Scriptwriting involves various roles and responsibilities. Writers must conduct research, plan scripts, and edit their work to conform with conventions. They pitch ideas to commissioning bodies like the BBC or enter competitions to get scripts noticed. Effective scriptwriting requires skills like communication, organization, and keeping up with industry trends. Writers must consider legal issues like copyright and ethics such as avoiding offensive content or inaccurate representations.
This document provides an overview of the commissioning process for writing for television and video. It discusses various job roles in the industry such as commissioning editors, executive producers, film producers, directors, and writers. It also covers commissioning bodies, the role of the writer, becoming a writer including getting an agent and royalty payments, presenting a professional script, time management, and legal and ethical considerations like copyright, censorship, watershed rules, and plagiarism.
The commissioning process for television and film scripts involves many steps and roles. Writers create scripts that are submitted to agents, then commissioning editors at production companies decide which scripts to produce. If a script is commissioned, it is passed to script editors who provide feedback and help prepare it for production. Producers oversee the entire process and work with directors to bring the script to life through filming. Writers have several options for getting scripts commissioned, including independent production companies, competitions, and organizations.
1. Commissioning editors oversee screenwriting projects by choosing genres, ideas, and allocating budgets. Without them, writers may not have a clear direction for their scripts.
2. Directors provide guidance to writers on envisioning what the script should look like and how it should meet their standards. Without a director, writers may struggle to understand how to develop their ideas.
3. Script editors ensure scripts are suitable, address any problems, and make sure scripts meet director expectations. They help smooth out the writing process. Without script editors, scripts could have issues.
Commissioning editors oversee screenwriting projects by choosing genres and allocating funds. They provide full control over productions. Directors help screenwriters envision scripts by providing ideas and standards. Script editors ensure scripts are suitable, addressing problems and grammar errors. Writers create engaging scripts with relatable stories and dialogue. Copyright and avoiding plagiarism are important to protect screenwriters' work and ideas.
Unit 19 scriptwriting Learning Aim A discusses the scriptwriting process and various roles involved. Writers create scripts that must be approved by producers and commissioned by bodies like corporations or independent companies. Examples include the BBC and ITV commissioning scripts for TV shows. Writers must consider legal and ethical issues like plagiarism, copyright, censorship, watershed rules, and avoiding bias when creating scripts.
Unit 19 discusses the process of becoming a script writer and the responsibilities involved. There are many jobs in the film industry such as commissioning editors, producers, directors, script editors, and agents that script writers can work with. Writers must present scripts in the proper format and work to meet producer demands and deadlines. As a writer, it is important to trademark scripts to prevent plagiarism, avoid bias and misinformation, and be aware of censorship guidelines. Writers are also responsible for the legal and ethical considerations of their work.
The document discusses the commissioning process in television. It outlines several key roles involved including commissioning editors, producers, script writers, and agents. Commissioning editors are responsible for finding and developing ideas for television shows. Producers oversee the entire production process. Script writers create the blueprint scripts. Agents represent talent and help facilitate projects. The document also discusses commissioning bodies like corporations and independent studios. Corporations own television networks while independents rely on commissions.
Unit 19 discusses scriptwriting roles and processes. It outlines key jobs in scriptwriting like commissioning editors, producers, directors, script editors, agents, and writers. It also examines how scripts are commissioned from corporations, independent production companies, organizations and competitions. The document details professional requirements for scriptwriters such as proper formatting, agent representation, communication, time management, and handing over control of the script. It covers legal and ethical considerations of the scriptwriting process including copyright, plagiarism, libel, bias, and censorship.
This document discusses various roles in the scriptwriting and film production process. It outlines jobs like commissioning editors, directors, producers, script editors, agents, and script writers. It also covers topics like obtaining work, the demands of being a writer, the scriptwriting process, and legal and ethical considerations around things like copyright, plagiarism, bias, censorship, and watershed rules.
The document provides information about the roles involved in the television and film commissioning process. It discusses the roles of the producer, commissioning editor, scriptwriter, executive producer, literary agent, editorial assistant, and agent. The producer oversees the entire production process. The commissioning editor finds scripts that match the brief and passes successful scripts to the producer. Scriptwriters write scripts to be considered. The executive producer ensures projects are completed on time and on budget. Agents represent and sell scriptwriters' work. Royalty payments provide money to creators when their work is used.
This document provides information about various roles in the film and television industry, including screenwriters, producers, directors, script editors, agents, and corporations. It discusses the responsibilities of screenwriters, such as proper formatting, time management, collaboration, and considering legal and ethical issues like copyright and bias. It also describes the roles of producers in overseeing projects, directors in interpreting scripts, and script editors in ensuring continuity. Agents represent clients, and corporations produce and distribute finished works. Overall it outlines the production process and responsibilities of various creative roles.
This document provides information about various roles in the screenwriting and filmmaking process and considerations for screenwriters. It discusses commissioning editors who look for new projects, producers who oversee projects from conception to completion, and directors who are responsible for interpreting the script. It also covers corporations that distribute finished works, script editors who ensure continuity, and organizations that help develop writers' scripts. Legal and ethical considerations for screenwriters like copyright, censorship, plagiarism, and bias are also addressed.
Commission editors aim to build up a publisher's list by identifying commercially viable books and media products. They do this by reviewing proposals from authors, ensuring scripts are in the proper format, and managing their list of titles. Producers oversee projects from conception to completion, working closely with directors and crew. Directors are responsible for interpreting the writer's vision and helping actors and crew realize it. Organizations help screenwriters develop scripts and provide feedback to improve their writing.
Commissioning editors aim to build a publisher's list by identifying books and media products to publish. They respond to author proposals and ensure scripts are submitted in the correct format and on time. Producers oversee turning ideas into projects from conception to completion. Directors are responsible for the interpretation of productions and help fulfill their vision by directing actors and crew. Writers practice the craft of screenwriting for movies, video games, and TV programs through engaging storytelling and sending scripts to producers in the correct format.
Writers must consider several legal and ethical issues when creating scripts. They must properly copyright their work to protect it from plagiarism. Writers should also avoid libel by thoroughly researching topics and not maliciously misrepresenting individuals or groups. It is also important for writers to avoid bias and consider fair representation of various people and viewpoints. Writers must follow censorship guidelines from organizations like the BBFC to ensure their content is appropriate for the intended audience and medium.
The document discusses the commissioning process for media projects and the roles involved. It describes the stages of commissioning including identifying projects and authorizing production. It outlines key job roles in commissioning like commissioning editors, executive producers, and writers. Writers are responsible for creating scripts that directors and producers use in pre-production. Legal and ethical issues around copyright, censorship, plagiarism are also addressed.
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A Brief Introduction About Hanying Chen_Hanying Chen
Vancouver-based artist Hanying Chen boasts extensive skills in writing, directing, producing, and singing, reflecting her diverse talents in the performing arts. As she looks ahead, Hanying is driven to craft a fulfilling career path that harmonizes with her deep passion for artistic expression. In the coming years, she envisions cultivating a balanced life, blending her professional aspirations with her desire to foster meaningful connections in her vibrant urban community.
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The commissioning process
1. Charlie, Georgie, Callum & Luke
Definition; to commission something is to authorise the production of
something (in this case a script) and bring it into working condition (in
this case ready for production for TV and video).
3.
Corporations: BBC or ITV.
Organisations: Independent Cinema Office.
Independent Production Companies: Tiger
aspect productions and Talkback Thames.
Independent Directors/ Producers: Bob Kellett
Competitions: BBC Radio 2’s writing
competition.
The commissioning
process.
Commissioning Bodies.
9.
A commissioning body
may ask a writer to write
another script if they are
known for it or have
written one for the body
before, otherwise new
writers may send in scripts
to be commissioning.
The role of the writer in the
commissioning process.
10.
The writer In a
commissioning
process creates
a small portion of
a script, then
sends it to a
company that
takes in
submissions for
scripts…
The role of the writer in the
commissioning process.
11.
Working as a writer
requires a creative mind,
passion and patience.
You need to be creative
so then you are
consistent with good
ideas and then are able to
keep writing a high
standard that is consistent
in it’s quality…
How to work as a writer
14.
The conclusion is that there is a lot to think about
and plan when being a writer especially during the
commissioning process and this means that you
have to have the passion and skill to get through it,
also being mindful of the ethical considerations and
the legal aspects of writing will make it a lot easier, to
become a successful and uncontroversial writer.
Conclusion
Another way of letting people see your script is entering a competition. A script that wins a competition will be highly praised in the industry and your skills as a writer will be recognised, this will help you start your career.
If a script is off a high quality it may be worth sending it to a independent director or producer because they may see potential in your script and may help you create a vision for your script.A producer may help by sending your work to potential investors and directors.
The writer is responsible for writing the script. Works closely with the Literary Agent, Script Editor and Researcher.
The producer is the person who manages the production and makes sure that every part of the production team has an involvement in the script.
The researcher makes sure that the script follows all historical information or specialist information including certain jobs, locations and settings.
The commissioning editor has the final say in whether the finished script goes into production. He/she works very closely with Editorial Assistant, The Editorial Administrator and The Director.
After this has happened, it is the writers role to work alongside the other people in the process. This also includes doing independent research into the topic and the legal and ethical issues that the topic may touch upon.
If they approve of it then they contact the writer and ask whether or not they can carry on the script and will be offered a contract for a set date so for example if they needed a script for 2 months after they accepted the script, then the writer would need to have finished it by then. otherwise they would hire someone else who can finish a script in the set time. because they have a schedule to keep to and if you mess that up then you will lose your job.
The main feature of working as a writer is passion because you need it to be able to carry on a idea without getting bored of it, thus being able to write a large amount of writing. And lastly you need patience in both writing the script and getting it commissioned. When writing a script it can be very time consuming depending on how big the story is. Then when the script is finished you can send it off to a organisation who commissions scripts, you could be waiting for a long time on whether or not they like it. So patience is key.
Copy right- if you were to use information or an idea created by someone else this would be in violation of the copyright law. If anyone were to copy your work this would be a breach of the law and you would be able to take legal action.
Bias- in factual works you have to tell in a balance manor otherwise it is seen as a prejudice.
Censorship- when certain things such as sex, swearing and violence are removed so that it is suitable for younger audiences.
Watersheds- watershed is when unsuitable content (such as sex/violence) cannot be shown before a certain time.
Libel- If a programme was to insult another person, group or ethnic minority they are in their right to take legal action if they believe the content is too offensive.
Plagiarism-this is where you take credit for someone else’s work and don’t cite them, legal action can be taken against you.