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History and Genres of Rabbinic Literature Jeremy Tabick
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History and Genres of Rabbinic Literature:
An analysis of David Weiss Halivni’s work
By Jeremy Tabick
David Weiss Halivni is a giant in modern scholarship of the Babylonian Talmud. He is a
precise and formidable reader of texts, able to spot extremely important minute details. And he is
prolific, having written the multi-volume and incomplete commentary on the Talmud, Mekorot u-
Mesorot (Sources and Traditions, hereafter MM). This assessment of his work and theories of
Rabbinic literature focusses on two of his works published in English: Midrash, Mishnah and
Gemara: The Jewish Predilection for Justified Law (hereafter MMG)1
and Jeffrey Rubenstein’s
translation of Halivni’s introduction to MM: Bava Batra, published as The Formation of the
Babylonian Talmud (hereafter FBT).2
Between these two works, he spans the entire history of the
Rabbinic period, and even discusses the influence of the Stammaim on later medieval
commentators, which will not be dealt with in this analysis. He makes detailed observations with
a plethora of examples on the Tannaitic midrashim (such as Mekhilta and Sifra), the Mishnah of
Rabbi (Yehudah HaNasi), and the Babylonian Talmud. These observations are mostly with the
goal of making historical claims, which he does with mixed success. However, along the way, he
demonstrates his mastery of Rabbinic literature in a way that is far more applicable than the
historical claims themselves.
This analysis is divided mostly by time period. It begins with assessing Halivni’s claims
about the Tannaim and those that preceded them (mainly from MMG) on the Mishnah, midrashei
halakhah and their relation to each other and to the Tanakh. The second section moves onto the
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Amoraim and the nature of amoraic transmission of material. Finally, it discusses the transition
into the stammaitic period, how Halivni’s thinking about this has changed between MMG and
FBT, and what the Stammaim were trying to accomplish. In conclusion, it poses some overall
criticism of Halivni’s historical methodology, taking the lead from much of Richard Kalmin’s
critiques in his Conservative Judaism article.3
What we are left with is a remarkable mind who
continues to lead the way in the interpretation of Rabbinic texts, and who believes in the Jewish
obsession with justifying our laws.
Tannaim
Halivni deals extensively with the genres of mishnah and midrash in MMG,4
and also
discusses the editing process of the Mishnah in FBT in contrast to that of the Bavli.5
His analysis
of the relationship between these two tannaitic genres and the Tanakh will be discussed in this
section. The role and style of the anonymous layer in these tannaitic works will also be compared
to Halivni’s observations about the setam ha-Talmud.
Relation to Scripture
Core to Halivni’s ideology is the Jewish people’s predilection for justified law, by which
he means law codes that come with reasons attached.6
This, he claims, originates in the Bible
itself. He makes a key observation, borne out by many scholars of the ancient Near East, that the
Bible is outstanding in its decision to include justifications for many (though by no means all,
nor perhaps even most) of its laws.7
According to MMG, it was understood in the ancient Near
East that people needed laws in order to prevent the world descending into chaos. Thus the laws
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could be arbitrary and would nonetheless fulfil their essential purpose: to bring order to society.
Their justification is implicit. They should be followed because they were given by the gods or
the monarchy, and to prevent anarchy.8
Of the ancient Near Eastern law codes we have, only the
Bible includes a wealth of explicit justifications, particularly favoured by the book of
Deuteronomy.9
This is indicative, he argues, of a Jewish predisposition for laws to have reasons. For
example, the firstborn males of people and animals among the Israelites belong to God because
God slew the firstborn of the Egyptians (Exodus 13:11-15). The Torah did not have to provide
this reason: the fact that God commands it could have been reason enough. But the Torah goes
out of its way to show that God’s law can be, and should be, justified. Some of these
justifications are symbolic like the law of the firstborn; others are logical, such as Deuteronomy’s
vision of shabbat for which the point is for your servants to rest just like you (Deuteronomy
5:14).
In his view, coming from such a unique tradition of motive clauses, midrash is a natural
extension. Tannaitic midrash, like the Mekhilta’ot and the Sifra, is full of expressions like
“talmud lomar” which introduce verses from Scripture to explain a particular law. Again, like
other law codes, it could have claimed that this law was divine and had to be followed blindly,
regardless of any justifications. But midrash consciously chose the opposite path: to include
logical arguments and Scriptural supports. According to Halivni, this a predictable outgrowth of
the tradition of biblical law. He takes this midrashic tradition to refer also to the pre- or proto-
rabbinic period.10
He also highlights a key way the mishnaic form deviates from the midrashic: in its
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fidelity to the order of Scripture.11
While the books of midrash are hooked on a consecutive
reading of biblical books, the Mishnah was organised more or less by topic, totally free of the
Bible’s order. He argues this is a huge break with what came before, and uses Josephus12
and a
fast mentioned in Megillat Ta’anit13
as his support of other Jews being very wary of this sort of
development. He thus understands that sticking to the biblical order is the older, more
conservative approach, and deduces from this and other evidence (to be explored in the next
section) that midrash predates mishnah.
It is a very detailed and thoughtful analysis. However, Kalmin points out the holes in the
argument and the ambiguities in Halivni’s readings of the sources in question. Pertinently, he
points out that Halivni equates “Jews” with “Rabbis” in this analysis,14
whereas in actuality the
rabbinic movement was a small minority at the time of the Mishnah, and certainly before. Thus it
could be that Jews as a whole were against deviating from the order of Scripture while the rabbis
and their predecessors had been doing so for centuries in works that looked like the Mishnah.
The point thus remains inconclusive.
Relation of Midrash and Mishnah
As part of his proofs that midrash antedates Mishnah as a genre, Halivni points out that
the language of the Mishnah is often extremely similar if not identical with the the language of
midreshei halakhah, just without many of the Scriptural proofs. He argues that the Mishnah
extensively quotes from earlier material, often with so much fidelity that the precise wording of
the source is not totally fitting to its new context. He argues that this shows that the midrash is
earlier, that the Mishnah knows those works, and selects its quotations from it accordingly.15
It is,
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of course, possible to argue the other way, that in fact the works of midrash quoted the Mishnah
and attached it to Scriptural verses, using the same wording and making it fit better in a new
context. This seems the less likely alternative since the Mishnah was extensively edited and often
reformulated,16
so there does not seem any good reason for the editors to compose awkward
language other than a desire to be loyal to an earlier formulation. Nonetheless, the possibility
remains.
He brings examples to illustrate his claim, such as the use of the phrase har ha-bayit in a
tannaitic text with a Scriptural support.17
Since the term har ha-bayit changed in meaning after
Herod’s expansion of the Temple, he argues that this midrash can then be conclusively dated to
before Herod. The fundamental weakness of this argument is pointed out by Kalmin: while the
apodictic law here uses the term with its pre-Herod meaning, it could still be that the Scriptural
support was added later.18
Thus this observation, while precise and interesting itself, does not
necessarily prove the age of the midrashic form.
This point is central to MMG, that the Mishnah is a “flash in the pan” of Jewish law—a
sudden and brief change to apodictic law from a tradition that had always been interested in the
reasons behind them, and that continued to be so afterwards. He comes to this from an
assumption that the Mishnah represented a popular or well-known work or genre, that “Rabbis”
represent “Jews” of this period, as referred to above.19
Thus it could be a minority work, while
most Jews continued to teach laws with justifications.
Furthermore, even among rabbis it took many years for the Mishnah to gain traction as
the fundamental and most authoritative guide to Jewish law. (For example, the Yerushalmi often
uses the term matnita interchangeably to refer to a baraita or a mishnah, while the Bavli
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distinguishes carefully between matnita—a baraita—and matnitin—“Our Mishnah”. This
suggests that during the time of the Yerushalmi, it was not true that the Mishnah was the only
definitive law code, but by the time of the Bavli it was.)20
Perhaps the Mishnah was controversial
even among rabbis, many of whom taught midrash instead.21
These two observations, when taken together, would strengthen his fundamental point
while (a) undermining the specifics of his arguments, which rest on the assumption that the
Mishnah was an extremely important work as soon as it was composed; and (b) sidelining the
need to be so careful about the chronological relationship between mishnaic and midrashic form,
for perhaps midrash represented a more popular approach and the Mishnah a more sectarian or
expert approach. In this way, more recent scholarship may bolster his claim for the Jewish
predilection for justified law while detracting from the specifics of his historical claims.
Anonymity in tannaitic sources
So while midrash was a very old form going back even to pre-rabbinic times, Halivni
argues that mishnah came out of a very specific historical circumstance and fitted an important
need. It was the school of Rabbi Akiva and his students down to Rabbi who innovated this new
format, a work that was not tied to Scripture or justifications of any sort, but was designed to be
easily remembered and comprehensive.22
Midrash, he argues, was becoming too expansive and
too difficult to remember, especially in the post-Bar Kokhba hardship of 2nd-3rd century Eretz
Yisrael. To respond to this circumstance, Rabbi and his academy worked to produce the
Mishnah.
Like in midrash, the anonymous setam layer means one thing: authority. Halivni sets up a
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hierarchy of different setamim, each with less authority than the one before: (i) setam with no
dissenting voice; (ii) setam with dissenting voice(s); and (iii) setam with a majority opinion
(ḥakhamim) in dissent.23
This is essentially universally accepted by traditional readers of the
Mishnah, and indeed has its roots in the Talmud. He contrasts this with the setam in the
Babylonian Talmud whose goal is totally different: it does not indicate something universally
agreed upon, but the argumentation. This is an illustrative and helpful example of the vast
difference in genre between Mishnah and that of the Bavli, for tannaitic midrash does also
include anonymous dialectic, like the Gemara. This is what he argues is the legacy of the
Stammaim: the revival of the earlier, pre-mishnaic, tannaitic use of the setam and the centrality
of the argumentation.24
There is certainly much to his claim, but there are also important differences between
midrashic and talmudic form that bear noting. For example, midrash often uses the setam layer
to simply state the law like the Mishnah. Also, central to the style of the setam ha-Talmud is the
use of forced explanations in order to continue the dialectic, what could be called a love of
dialectic itself; midrash, however, gives the impression that the dialectic is serving the purpose
of getting at the truth and is not an end in itself.25
Thus it cannot be that the Gemara represents a
perfect revival of an earlier attitude, there has still been some historical development. This
addendum, it seems, is not something that Halivni would disagree with: he does not claim that
talmudic and midrashic form are the same, but that they are similar.
Amoraim
This section discusses the roots of the Babylonian Talmud in the transmission of amoraic
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apodictic statements, and addresses his correction of a common misconception that led many
people to believe that the Bavli was completed by the end of the amoraic period.
Rav Ashi and Ravina: end of "hora'ah"
Halivni’s key claim and most important contribution to modern scholarship of the
Babylonian Talmud is that the Gemara was not edited by the Amoraim but by a significantly later
group he calls Stammaim, because their contribution is “setam” or anonymous. He proves this
extensively in FBT as well as in every volume of his MM.26
It is by far the safest, clearest, and
most universally accepted of all his historical claims, now a departure point for the study of
Talmud in the academy, and increasing numbers of yeshivot and other traditional Jewish learning
environments. In fact, it is an obvious claim and the natural conclusion one would come to from
simply reading the Talmud, unshackled by medieval assumptions. After all, the Gemara often
quotes Rav Ashi and Ravina, credited in the traditional version with the main bulk of editing, and
rules against them—or has trouble understanding them—in the same way they deal with any
other Amora. In contrast, Rabbi is rarely mentioned by name in the Mishnah, and though the
ḥakhamim do indeed sometimes disagree with him, his very designation of “Rabbi” suggests his
high status and importance in the process; there is no analogue to him in the Talmud.
Further, Halivni brings compelling evidence that the Gemara was never holistically
edited by anyone.27
In contrast to the Mishnah which has more or less uniform style and
consistent terminology, sugyot across the Bavli have different literally styles and often vastly
different conclusions and understandings of earlier sources; this is true of the unusual tractates
(like Nedarim) in particular. It seems that even the Bavli’s consistent terminology is more due to
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later editors applying it than any author or editor of the work itself (e.g. Mesoret HaShas’ attempt
to make sure d’tanya and ditnan apply consistently to a baraita and a mishnah respectively, and
Halivni’s claim that the terminology was decided by the Savoraim)28
.
The Geonim, not even Rav Sherira Gaon, never claim that Ravina and Rav Ashi edited
the Gemara; this claim appears prominently in Tosafot.29
The only text that would lead anyone to
this conclusion is a puzzling statement in Babylonian Talmud Bava Metzia 86a that compares
Rabbi and Rabbi Natan, with Rav Ashi and Ravina: “Rabbi and Rabbi Natan—the end of
Mishnah (sof mishnah); Rav Ashi and Ravina—the end of instruction (sof hora’ah).” It is not
clear what hora’ah means here, but by analogy with mishnah and using the fact that Rav Ashi
and Ravina are two of the latest authorities mentioned in the Gemara (but by no means the
latest), Tosafot and others concluded that this meant that those two were the editors of the
Gemara. However, Halivni points out that it is impossible that hora’ah could have meant that.30
If it was supposed to be analogised to the Mishnah, then would it not have used a clearer word
like “Gemara”? Further, granted that Rabbi was the editor of the Mishnah, but where does Rabbi
Natan fit here?
Thus Halivni concludes that this statement should be understood in one of two ways:
i. Adoration of students for their masters. The author of this statement wanted to highlight
how great were Rabbi, Rabbi Natan, Ravina and Rav Ashi as scholars and teachers and
was lamenting for their loss, that Mishnah and hora’ah were never the same in their
absence.31
ii. That hora’ah means recorded, official, apodictic, named rulings, such as in the form that
is preserved by us as itmar. Thus the end of hora’ah means something similar to the end
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of mishnah: that a particular genre of transmission ended and another began. In the case
of mishnah, it was a literary corpus and legal code that was understood to be closed. In
the case of hora’ah, it was the official transmission of the Reciters (tannaim) of amoraic
dicta, that after Rav Ashi and Ravina, the rabbis no longer passed down specific
formulations of their words to Reciters to be preserved, but were preserved in other ways.
This would help explain why later Amoraim have more dialectics attached to their words
and more often speak in Aramaic, while Rav Ashi is still often recorded with short, clear
statements and in Hebrew.32
There is a lot of strength to reading (ii), and it certainly provides a fascinating insight into
transitioning from the amoraic to stammaitic age. However, it is also a fairly speculative
translation; reading (i) is certainly safer. Indeed these two readings may not be contradictory:
hora’ah could both mean something specific and technical while the whole statement indeed
remains a statement of lament on the loss of great sages.
Transmission of apodictic and dialectic material
Following his understanding of hora’ah that Ravina and Rav Ashi mark the end of,
Halivni makes several bold claims about the way amoraic material was preserved through the
generations and which types were preserved better than others.33
First, that the early Amoraim
restricted themselves to clear apodictic statements in Hebrew, very much in mishnaic style (he
attributes this to Rav, being a member of Rabbi’s inner circle).34
Over the period of the Amoraim,
more rulings were Aramaic and more dialectic crept in, though the Stammaim may have been
responsible for a lot of it. This overall trend seems very clear from the record in the Gemara,
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obviously with exceptions. However, the specifics of this are very difficult to discern given that
it can be impossible to tease apart the original amoraic statement from its glosses by later editors.
Second, the Reciters were responsible for formulating these dicta in memorable forms,
like itmar.35
They would collect amoraic dicta and organise them around mishnayot and similar
topics. Again this claim seems uncontroversial, and Halivni brings evidence from the Bavli itself
regarding the actions and roles of these Reciters. Some caution is still advised given how little
they are mentioned and in how little detail their role is described.
Third, in general the dialectic was not deemed worthy of transmission by Amoraim, only
the final answer.36
It was up to the Stammaim, who thought that dialectic was worthy of
preservation in and of itself (like the midreshei halakhah before them), to reconstruct what the
Amoraim were thinking when they made their rulings.37
Sometimes they succeeded and
sometimes they did not. It was the time between the authors of these dicta and their transmitters
that resulted in the creation of the many forced explanations (d’ḥukim) that define the character
of the Gemara we study today. This is a central part of his theory to explain the presence of the
forced interpretations of the Bavli.38
Fourth, dialectics of the Amoraim were sometimes remembered by their students. These
were not official channels of transmission, but what Halivni terms “survivals”.39
By
happenstance these reasons and arguments of Amoraim were remembered. They can be
identified by finding an amoraic statement that does indeed seem to be responding to part of the
anonymous layer, of which there are many examples. Given that Halivni holds that all of these
anonymous statements were added by the Stammaim, the fact that some of them are clearly
known by Amoraim requires explanation. His theory of “survivals” is that explanation.
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It seems to me, however, that the existence of “survivals” is not the only possible solution
to his problem. One could easily posit that indeed some (limited) anonymous material of the
Bavli was composed and transmitted by Amoraim along with their statements, such as a question
on a Mishnah that is then directly answered by an Amora. This would seem to be borne out by
understanding the Yerushalmi as similar to the Bavli in an earlier stage of its development; this
would show that many anonymous passages were composed before the advent of the Stammaim.
Why suggest a new, unofficial, and random method of transmission when the official, carefully
edited method of transmission could also explain this phenomenon? It may be that some
anonymous material was not “reconstructed” by Stammaim but simply remembered by them
through official channels.
Stammaim and Savoraim
The Stammaitic period are where Halivni’s claims are most suspect. MMG is obviously
out-of-date, being written in 1986; but FBT is not much more up-to-date given there have been
recent huge advances in the study of Sassanian Persia, Geonica and early Islam, all of which
have the potential to question, enrich, or debunk many of his claims. Instead, he relies entirely on
evidence interior to the Talmud Bavli and the methods employed by various Stammaim. This
will be discussed in more detail in the conclusion.
Halivni’s thinking on the dating and nature of the Stammaim has changed dramatically in
between MMG and FBT. He has gone from thinking that the Stammaim were one generation of
scholars shortly after the the close of the amoraic period, to two-hundred and fifty years—
spanning even into the early geonic period—with many generations of schools of scholars.40
He
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describes different kinds of these scholars based on their literary activity. The intentions and
work of the Stammaim begin this section, followed by a discussion of the different subsets of
Stammaim he posits: Savoraim, Transposers and Compilers.
Reconstructing the dialectic
The stammaitic period begins, according to FTB, when two factors combined:
i. The growth of an attitude valuing the dialectic equally if not more than the polished,
bottom line;41
ii. A sense of difference between them and their antecedents, that earlier sages were worthy
of having their statements attributed by name while the Stammaim thought of themselves
that they were not.42
(Note the contrast with setam Mishnah—there, according to Halivni, anonymous means
maximal authority; here he claims it means minimal authority.) With their new priorities, they
were presented with the challenge of having swathes of amoraic material without justifications
and wanting to provide as much of this justification as was possible. Thus, in Halivni’s scheme,
the Stammaim return to the midrashic tradition of including dialectic, of placing the justifications
for laws front and centre. The departure of the Mishnah was finally over and the predilection of
Jews for justified law won out.43
This description of the Stammaim’s activities and goals rests on the assumption that they
were trying to accurately reconstruct the unknown dialectics of the past. Halivni in the first place
only posited these editors that postdate the Amoraim because they explain why the Gemara
insists on posing forced explanations of amoraic and tannaitic sources—the only reason that they
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are forced is because of the increased gap between them and the unknown past that they are
trying to perfectly reconstruct. However, editorial intent is notoriously difficult to discern, know
or prove.
For example, it is also possible to argue that the Stammaim sometimes knew the true
meaning of an amoraic or tannaitic source but nonetheless posed a forced explanation for their
own purposes—pedagogical, literary, or polemical. A good example of this phenomenon can be
found in Baba Kama 83b-84a, which could be displaying forced explanations for all three of
these reasons. The Torah is very clear of the punishment for laws of injuries: that what they did
to their fellow should be inflicted upon them by the court. The tannaitic and amoraic sages,
however, were emphatic in their opposition to this and instead insist in this daf that the
punishment for injuries is monetary compensation. The Gemara embarks on different
explanations for all eight of these texts brought here, each one being rejected before moving onto
the next text. As the Rishonim point out,44
many of the later explanations are no better or worse
than the earlier explanations—so why were they rejected? The answer seems to be for pedagogic
and/or literary purposes: to give the students different ways to justify their law of monetary
compensation, and to compose it in such a way where one text flows into the next in the
argument’s flow, to expedite memorisation.
The final text that the Gemara brings shows Rabbi Eliezer stating the peshat of the Torah:
“ayin taḥat ayin—mamash”—we literally take people’s eyes out. His opinion is extremely clear,
with actually no room for misunderstanding. But nonetheless the Gemara refuses to understand
his plain words and instead interprets it forcibly. Mere historical distance does not seem enough
to explain this huge misunderstanding of Rabbi Eliezer’s words! Anyone who has read the Torah
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can completely understand what Rabbi Eliezer is saying. The only reason that does not make a
mockery of the Stammaim is that they knew what Rabbi Eliezer meant but refused to understand
him that way because they disagreed with him. It was not a faulty reconstruction, it was a
conscious polemical choice. The Stammaim were not aiming for accuracy in this forced
explanation, but actually morality.
Thus, Halivni’s understanding of the Stammaim’s intentions requires further explanation.
Savoraim
The roots of the Savoraim comes from the Iggeret Rav Sherira Gaon, who credits them,
after the end of hora’ah, of explanations and opinions “approximating to hora’ah…; and
whatever had been left hanging, (these) rabbis made explicit… And they—and also succeeding
rabbis, such as Rav Ena and Rav Simuna—incorporated several (of their) opinions in the
Gemara.”45
Halivni picks up on this early historical claim and assigns roles to the Savoraim
towards the end of the stammaitic period. They were working at a time when it was no longer
possible to add to the dialectic of the Talmud. Their main contribution was to add brief
explanations and editorial comments.46
There are also various sugyot, often at the beginning of
massekhtot or chapters, which have been attributed to the Savoraim because they contain no
material local to that section, but rather only borrow from elsewhere; they are also often
predicated on knowing the outlines of the proceeding chapter, thought to be designed as
introductions to the section to be read aloud in the academy when beginning a new learning
session.47
Thus, according to Halivni, the Savoraim are a subset of Stammaim living towards the
end of the period, perhaps even members of the geonic academies.
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Once it is required to concede that the Stammaim were not a single generation and had to
have worked over a long period of time, it seems to me absurd to maintain this sharp distinction
between Savoraim and Stammaim based on the evidence of Rav Sherira Gaon alone. Is it likely
that Rav Sherira would specifically mention a group with a very specific and limited impact on
the Bavli while totally ignoring the group that put it all together?48
It seems better to say that Rav
Sherira was referring to what Halivni calls the “Stammaim”, and thus perhaps the Savoraim are
identical to the Stammaim. Halivni responds49
by saying some of those named by Rav Sherira as
being Savoraim are mentioned in the Talmud and therefore cannot be Stammaim, because they
are not anonymous. But why is it such a stretch to think that some Stammaim/Savoraim were not
always anonymous? It is less of a stretch to imagine that the Savoraim that Rav Sherira places
immediately after the amoraic period are actually those who live two hundred years later at the
end of the stammaitic period? Halivni’s connection to the name “Savoraim” and placing them in
the historical count based only on Rav Sherira is not clear and this matter requires further
investigation.
Transposers and Compilers
In addition to the sub-group of Savoraim, Halivni also discerns different kinds of
Stammaim in different periods based on their differing editing methods.50
His observations of
these methods are very valuable and key to understanding the literary activity of the Stammaim.
The precise dating that he assigns them, however, could be suspect.
He identifies two main methods of editing: “transposing” and “compiling”, and he calls
those who did this editing “Transposers” and “Compilers” respectively. Transposers took sources
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from elsewhere in the Talmud—sometimes long, sometimes short—that they thought would add
to the sugya in this new context, and then often constructed dialectic around it to fit it in.51
These,
he argues, worked throughout the stammaitic period. Compilers, however, were involved in
stitching distinct sugyot together, and were not interested in or not able to add to the dialectic
directly; thus, in his scheme, the Compilers operated only towards the end of the stammaitic
period.52
He comes to this analysis from the assumption that the Talmud was getting more
crystallised over time, and it became less possible to add new statements and arguments to it.
Eventually, by the Savoraim, it was only possible to add brief explanations. Therefore, he sees
any editorial hand which merely adds in a source from elsewhere without comment as later in the
stammaitic period, and additions to the dialectic itself as earlier. It is important to note that this
approach is not necessarily right: while it does fit with the Talmud’s characteristic impulse to
respect and preserve the past, it could be that different Stammaim throughout the stammaitic
period thought differently about how to properly preserve something (analogous perhaps to a key
difference between medieval Ashkenazi and Sephardi scribes, the former who were much more
willing to add their own comments into the text than the latter).53
Further, he provides no
compelling reason why it should be the case that the Compilers and Transposers could not add to
the dialectic after a certain time. With further treatment of this question, his claims of the activity
of Stammaim could be assessed more clearly.
This identification of different kinds of editing in the Talmud could be extremely
instructive in understanding the editing process of this work, regardless of any of the historical
claims. Knowing that Stammaim transposed sugyot and integrated it into the argument, for
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example, or compiled sugyot without any comment or attempt to resolve the contradictions, is
very helpful in reading the Talmud Bavli and seeing how the sugya was formed. This
contribution to Talmud scholarship should not be minimised. The historical elements that he
adds, however, must be treated with caution.
Conclusion
Two main criticism remain of Halivni’s treatment of the Babylonian Talmud in particular:
how the orality of the texts affects their transmission and our understanding of it; and how a
synchronic treatment would greatly enrich his historical claims. In general, his arguments on the
relationship between midrash, mishnah, and Tanakh are much more convincing, if far from
water-tight.
Effect of orality
Halivni maintains that the dialectics was not preserved in the amoraic period, except in
the haphazard form of “survivals”, while it was preserved exactly, in the same way as halakhot in
earlier times, in the stammaitic period. He seems to suggest that Stammaim preserved the
wording of the dialectics exactly because it too was Torah, whereas Amoraim were not
concerned with it.54
However, more recent scholarship has shown that the specific wording of the dialectics
wasn’t preserved throughout the Geonic period. What was known in any given sugya was the
various tannaitic and amoraic statements and the essential flow of the argument. Current theories
who that the text of the Talmud was fixed even though the precise wording of the anonymous
History and Genres of Rabbinic Literature Jeremy Tabick
19
dialectics was not.55
The specific wording was subject to change from one academy to another,
one teacher to another, or even from one lesson of the same teacher to another. This was because
it was designed to be learnt and recited orally, the argument to be presented from memory;
tannaitic and amoraic halakhic statements were memorised verbatim, but the argumentation was
not.56
It therefore appears that Halivni’s dichotomy of either “preserved” or “not preserved” is
flawed due to the Talmud’s nature as an oral, not a written, text. Even the Geonim did not
primarily study the Talmud from written texts—it was in the early medieval Diaspora that this
practice began.57
While a written essay has the wording of its argument immortalised and
preserved for all time, the lecture notes of that same teacher when they teach the content of their
essay does not. This lecture note analogy seems a better description of the anonymous dialectic
in the Geonic academies.
Rather than assume, then, that some dialectic was unsystematically preserved by
Amoraim, and the rest was reconstructed by Stammaim, it seems easier to posit that the
Amoraim treated the dialectic material in a similar way to the Stammaim, even if the wording
was not fixed. Thus when an Amora answers an anonymous question, it is not that this piece of
dialectic happened to be remembered but rather that this question was always an integral part of
the sugya. This is the approach of Sussman.58
It seems that Halivni in FBT could be too bound to the idea that essentially all
anonymous material in the Bavli was reconstructed by the Stammaim. An easier approach would
be to relax his distinction between something being preserved and not and posit a middle ground,
that the content of something can be preserved without the wording.
His analysis of tannaitic material does not suffer from this problem as the texts, especially
History and Genres of Rabbinic Literature Jeremy Tabick
20
the Mishnah, seem to have been fixed much more firmly earlier on. However, I am curious as to
how orality affects his distinction between something having explicit Scriptural justification
(such as a she-ne’emar), or when it does not (in most of the Mishnah). After all, in a culture
where the people reciting these texts have learnt the Tanakh by heart, how much difference is
there between explicitly stating a verse and implicitly referring to verses by the choice of
wording and terminology? (As an example, the second chapter of Makkot uses a lot of awkward
and difficult wordings in part, perhaps, to conjure up biblical illusions for an obscure area of law,
the Cities of Refuge.) Perhaps the author of the Mishnah did not see themselves as creating a text
without justification but instead a text for experts who would already implicitly know the
justification? This matter requires further investigation.
Diachronic versus synchronic
By far the biggest weakness of Halivni’s historical analysis of the period of the
Stammaim and Amoraim is that it is only diachronic amongst Rabbinic literature and uses no
synchronous evidence whatsoever. Totally missing is any comparison to the Sassanian culture in
which the Babylonian Amoraim lived; absent is the persecutions that Rav Sherira Gaon reports in
his Iggeret at the end of the Sassanian period; and the Muslim conquest of Babylonia is never
mentioned. This surely is the only way of precisely dating the activity of the Stammaim: do their
methods and styles share anything with Zoroastrian literature? With Muslim literature? Historical
periods in popular consciousness are normally begun and ended by dramatic periods of conquest
or upheaval: how did the meteoric rise of Islam play into the end of the amoraic era and the
beginning of the stammaitic? None of these issues does Halivni bring into his analysis.
History and Genres of Rabbinic Literature Jeremy Tabick
21
In his exploration of the relationship between Mishnah and midrash in MMG, he uses
several several instances of synchronic proof, such as Herod’s expansion of the Temple, and
Josephus’ hesitation about changing the order of Scripture.59
And yet, in his analysis in FBT,
none of this previous historical sensitivity is present. Such treatment would have greatly enriched
his work and his historical conclusions beyond compare.
Halivni is, at his core, an excellent reader of texts; he is not a historian. His speculative
historical analysis based only on internal evidence from the Bavli itself should not be relied upon
to make specific, well-founded historical claims. In broad strokes this method can work. For
example, it is possible to show when one sugya is finished earlier or later than another, as he
does often and convincingly throughout his MM and FBT. This relative dating can be accurate,
but of limited use when there are no synchronous influences to compare it to.60
The broad picture he paints is also clear. The Bible, uniquely among literature of the
ancient Near East, includes justification for its laws. This was then also a central feature of the
midreshei halakhah, while in the Mishnah it is notably absent (though the significance and extent
of this is disputed). The Stammaim introduced the idea that dialectics was in and of itself Torah,
a goal unto itself. And thus we have the overall obsession, with obvious exceptions, of Rabbinic
literature with justifying the laws by Scripture or by logic. This historical narrative is both well
thought-out and inspiring, a story of the people who are not slaves to God, following the Divine
will without question, but who require justifications, who wish to always delve deeper in
understanding why we are required to do what we do, a people who is worthy of living up to
Genesis’ interpretation of the name Israel: the one who fights with God.
History and Genres of Rabbinic Literature Jeremy Tabick
22
Footnotes
1
Halivni, D. W. (1986). Midrash, Mishnah and Gemara: The Jewish predilection for
justified law. Cambridge, MA and London, England: Harvard University Press.
2
Halivni, D. W. (2013). Formation of the Babylonian Talmud. (J. L. Rubenstein, Trans.).
Oxford: Oxford University Press. (Original work published 2007).
3
Kalmin, R. (1987). Midrash, Mishnah and Gemara: The Jewish predilection for justified
law (Review). Conservative Judaism 39(4), 78-84.
4
Chapters 2-4, pp. 18-65.
5
Part II, pp. 103-116.
6
MMG, p. 4.
7
MMG, pp. 10-14.
8
MMG, p. 14.
9
MMG, p. 11.
10
MMG, p. 15.
11
MMG, p. 40.
12
MMG, pp. 41-42.
13
MMG, pp. 38-40.
14
Kalmin, p. 81.
15
MMG, p. 48 ff. See, for example, the case in Mishnah Bikkurim 1:1-2.
16
FBT, p. 104.
17
MMG, p. 22: the example of Mishnah Bikkurim 1:8.
18
Kalmin, p. 82.
History and Genres of Rabbinic Literature Jeremy Tabick
23
19
See n. 14 above.
20
Tucker, E. (2014). In Talmud lecture series at Yeshivat Hadar, “Talmud with
Rishonim”. New York.
21
Halivni discusses a similar possibility in MMG, p. 59 ff., with regards to the School of
Rabbi Yishmael.
22
MMG, p. 64.
23
FBT, p. 103.
24
MMG, p. 93.
25
Boyarin, D. (2007). Hellenism in Jewish Babylonia. In C. E. Fonrobert and M. S. Jaffee
(Eds.), Cambridge Companion to the Talmud and Rabbinic Literature (pp. 336-363). Cambridge,
England: Cambridge University Press.
26
See Part I of FBT, pp. 3-61, for extensive discussion, proof and references to various
volumes of MM.
27
See Part II of FBT, pp. 63-85 mainly, for extensive treatment of this claim with
numerous examples.
28
MMG, p. 98.
29
See MMG, Part II, n. 45, p. 235 and references to Tosafot Shabbat 9b.
30
FBT, p. 85.
31
FBT, p. 86-87. See also MM Baba Metzia 12.
32
FBT, p. 85, and see Part II, n. 39, p. 235.
33
FBT, Part II, pp. 117-154.
34
FBT, p. 118.
History and Genres of Rabbinic Literature Jeremy Tabick
24
35
FBT, p. 133.
36
FBT, p. 119.
37
FBT, p. 123 ff.
38
For analysis of this point, see the conclusion.
39
FBT, p. 146.
40
FBT, p. 3 ff.
41
MMG, p. 76.
42
FBT, pp. 5-6.
43
MMG, p. 77.
44
E.g. Tosafot ad loc, s.v. Rav Ashi.
45
Lewin, B. M. (Ed.). (1921). Iggeret Rav Sherira Gaon [The Epistle of Rav Sherira
Gaon], pp. 69-71. Haifa. As quoted and translated in Brody, R. (1998). The Geonim of Babylonia
and the Shaping of Medieval Jewish Culture, p. 5. New Haven, MA and London, England: Yale
Unversity Press.
46
FBT, p. 7-9.
47
An example of this, given by Rav Sherira himself, is the opening sugya of Kiddushin.
48
But if so, why does Rav Sherira allow such limited scope for savoraic activity? This
question requires further thought. It could be polemical, as it would be in his interest in the
Iggeret to argue for the antiquity of as much of the Gemara as possible.
49
FBT, p.4.
50
FBT, Part IV, pp.155-190.
51
FBT, pp. 168-184. He highlights five types of transpositions there with examples.
History and Genres of Rabbinic Literature Jeremy Tabick
25
52
FBT, pp. 156-168, with many examples.
53
Ta-Shma, Y. M. (1985). Sifriyyatamn shel Ḥakhmei Ashkenaz Benei ha-Me’a ha-
YodAlef-YodBet [The Library of the Ashkenazi Sages in the 11th-12th Centuries]. Kiryat Sefer
60, pp. 298-309, especially p. 301.
54
FBT, p. 124.
55
Brody, p. 159.
56
See Fishman, T. (2011). Becoming the People of the Talmud: Oral Torah as written
tradition in medieval Jewish cultures. Philadelphia, PN: University of Pennsylvania Press. P. 33
for an account of Talmudic instruction during the geonic period, based on Iggeret Rav Sherira
Gaon.
57
See Brody, pp. 156-161, and Fishman throughout.
58
Such as Sussman, Y. V’Shuv L’Yerushalmi Nezikin (1990). In Y. Sussman, D.
Rosenthal (Eds.), Meḥkerei Talmud [Talmudic Studies] Vol. I (pp. 55-133). Jerusalem: Magnes
Press.
59
See notes 12 and 13 above.
60
Compare to Baba Kamma 117a where the Persian word for cushion, bistarka, can
conclusively date that sugya to the Sassanian period. See Sperber, D. (1982). On the Unfortunate
Adventures of Rav Kahana: A Passage of Saboraic Polemic from Sasanian Persia. In S. Shaked
(Ed.), Irano-Judaica: Studies telating to Jewish contacts with Persian culture throughout the
ages (pp. 83-100). Jerusalem: Yad Izhak Ben-Zvi.

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Tabick Halivni Rabbinic Literature (SEM5004)

  • 1. History and Genres of Rabbinic Literature Jeremy Tabick 1 History and Genres of Rabbinic Literature: An analysis of David Weiss Halivni’s work By Jeremy Tabick David Weiss Halivni is a giant in modern scholarship of the Babylonian Talmud. He is a precise and formidable reader of texts, able to spot extremely important minute details. And he is prolific, having written the multi-volume and incomplete commentary on the Talmud, Mekorot u- Mesorot (Sources and Traditions, hereafter MM). This assessment of his work and theories of Rabbinic literature focusses on two of his works published in English: Midrash, Mishnah and Gemara: The Jewish Predilection for Justified Law (hereafter MMG)1 and Jeffrey Rubenstein’s translation of Halivni’s introduction to MM: Bava Batra, published as The Formation of the Babylonian Talmud (hereafter FBT).2 Between these two works, he spans the entire history of the Rabbinic period, and even discusses the influence of the Stammaim on later medieval commentators, which will not be dealt with in this analysis. He makes detailed observations with a plethora of examples on the Tannaitic midrashim (such as Mekhilta and Sifra), the Mishnah of Rabbi (Yehudah HaNasi), and the Babylonian Talmud. These observations are mostly with the goal of making historical claims, which he does with mixed success. However, along the way, he demonstrates his mastery of Rabbinic literature in a way that is far more applicable than the historical claims themselves. This analysis is divided mostly by time period. It begins with assessing Halivni’s claims about the Tannaim and those that preceded them (mainly from MMG) on the Mishnah, midrashei halakhah and their relation to each other and to the Tanakh. The second section moves onto the
  • 2. History and Genres of Rabbinic Literature Jeremy Tabick 2 Amoraim and the nature of amoraic transmission of material. Finally, it discusses the transition into the stammaitic period, how Halivni’s thinking about this has changed between MMG and FBT, and what the Stammaim were trying to accomplish. In conclusion, it poses some overall criticism of Halivni’s historical methodology, taking the lead from much of Richard Kalmin’s critiques in his Conservative Judaism article.3 What we are left with is a remarkable mind who continues to lead the way in the interpretation of Rabbinic texts, and who believes in the Jewish obsession with justifying our laws. Tannaim Halivni deals extensively with the genres of mishnah and midrash in MMG,4 and also discusses the editing process of the Mishnah in FBT in contrast to that of the Bavli.5 His analysis of the relationship between these two tannaitic genres and the Tanakh will be discussed in this section. The role and style of the anonymous layer in these tannaitic works will also be compared to Halivni’s observations about the setam ha-Talmud. Relation to Scripture Core to Halivni’s ideology is the Jewish people’s predilection for justified law, by which he means law codes that come with reasons attached.6 This, he claims, originates in the Bible itself. He makes a key observation, borne out by many scholars of the ancient Near East, that the Bible is outstanding in its decision to include justifications for many (though by no means all, nor perhaps even most) of its laws.7 According to MMG, it was understood in the ancient Near East that people needed laws in order to prevent the world descending into chaos. Thus the laws
  • 3. History and Genres of Rabbinic Literature Jeremy Tabick 3 could be arbitrary and would nonetheless fulfil their essential purpose: to bring order to society. Their justification is implicit. They should be followed because they were given by the gods or the monarchy, and to prevent anarchy.8 Of the ancient Near Eastern law codes we have, only the Bible includes a wealth of explicit justifications, particularly favoured by the book of Deuteronomy.9 This is indicative, he argues, of a Jewish predisposition for laws to have reasons. For example, the firstborn males of people and animals among the Israelites belong to God because God slew the firstborn of the Egyptians (Exodus 13:11-15). The Torah did not have to provide this reason: the fact that God commands it could have been reason enough. But the Torah goes out of its way to show that God’s law can be, and should be, justified. Some of these justifications are symbolic like the law of the firstborn; others are logical, such as Deuteronomy’s vision of shabbat for which the point is for your servants to rest just like you (Deuteronomy 5:14). In his view, coming from such a unique tradition of motive clauses, midrash is a natural extension. Tannaitic midrash, like the Mekhilta’ot and the Sifra, is full of expressions like “talmud lomar” which introduce verses from Scripture to explain a particular law. Again, like other law codes, it could have claimed that this law was divine and had to be followed blindly, regardless of any justifications. But midrash consciously chose the opposite path: to include logical arguments and Scriptural supports. According to Halivni, this a predictable outgrowth of the tradition of biblical law. He takes this midrashic tradition to refer also to the pre- or proto- rabbinic period.10 He also highlights a key way the mishnaic form deviates from the midrashic: in its
  • 4. History and Genres of Rabbinic Literature Jeremy Tabick 4 fidelity to the order of Scripture.11 While the books of midrash are hooked on a consecutive reading of biblical books, the Mishnah was organised more or less by topic, totally free of the Bible’s order. He argues this is a huge break with what came before, and uses Josephus12 and a fast mentioned in Megillat Ta’anit13 as his support of other Jews being very wary of this sort of development. He thus understands that sticking to the biblical order is the older, more conservative approach, and deduces from this and other evidence (to be explored in the next section) that midrash predates mishnah. It is a very detailed and thoughtful analysis. However, Kalmin points out the holes in the argument and the ambiguities in Halivni’s readings of the sources in question. Pertinently, he points out that Halivni equates “Jews” with “Rabbis” in this analysis,14 whereas in actuality the rabbinic movement was a small minority at the time of the Mishnah, and certainly before. Thus it could be that Jews as a whole were against deviating from the order of Scripture while the rabbis and their predecessors had been doing so for centuries in works that looked like the Mishnah. The point thus remains inconclusive. Relation of Midrash and Mishnah As part of his proofs that midrash antedates Mishnah as a genre, Halivni points out that the language of the Mishnah is often extremely similar if not identical with the the language of midreshei halakhah, just without many of the Scriptural proofs. He argues that the Mishnah extensively quotes from earlier material, often with so much fidelity that the precise wording of the source is not totally fitting to its new context. He argues that this shows that the midrash is earlier, that the Mishnah knows those works, and selects its quotations from it accordingly.15 It is,
  • 5. History and Genres of Rabbinic Literature Jeremy Tabick 5 of course, possible to argue the other way, that in fact the works of midrash quoted the Mishnah and attached it to Scriptural verses, using the same wording and making it fit better in a new context. This seems the less likely alternative since the Mishnah was extensively edited and often reformulated,16 so there does not seem any good reason for the editors to compose awkward language other than a desire to be loyal to an earlier formulation. Nonetheless, the possibility remains. He brings examples to illustrate his claim, such as the use of the phrase har ha-bayit in a tannaitic text with a Scriptural support.17 Since the term har ha-bayit changed in meaning after Herod’s expansion of the Temple, he argues that this midrash can then be conclusively dated to before Herod. The fundamental weakness of this argument is pointed out by Kalmin: while the apodictic law here uses the term with its pre-Herod meaning, it could still be that the Scriptural support was added later.18 Thus this observation, while precise and interesting itself, does not necessarily prove the age of the midrashic form. This point is central to MMG, that the Mishnah is a “flash in the pan” of Jewish law—a sudden and brief change to apodictic law from a tradition that had always been interested in the reasons behind them, and that continued to be so afterwards. He comes to this from an assumption that the Mishnah represented a popular or well-known work or genre, that “Rabbis” represent “Jews” of this period, as referred to above.19 Thus it could be a minority work, while most Jews continued to teach laws with justifications. Furthermore, even among rabbis it took many years for the Mishnah to gain traction as the fundamental and most authoritative guide to Jewish law. (For example, the Yerushalmi often uses the term matnita interchangeably to refer to a baraita or a mishnah, while the Bavli
  • 6. History and Genres of Rabbinic Literature Jeremy Tabick 6 distinguishes carefully between matnita—a baraita—and matnitin—“Our Mishnah”. This suggests that during the time of the Yerushalmi, it was not true that the Mishnah was the only definitive law code, but by the time of the Bavli it was.)20 Perhaps the Mishnah was controversial even among rabbis, many of whom taught midrash instead.21 These two observations, when taken together, would strengthen his fundamental point while (a) undermining the specifics of his arguments, which rest on the assumption that the Mishnah was an extremely important work as soon as it was composed; and (b) sidelining the need to be so careful about the chronological relationship between mishnaic and midrashic form, for perhaps midrash represented a more popular approach and the Mishnah a more sectarian or expert approach. In this way, more recent scholarship may bolster his claim for the Jewish predilection for justified law while detracting from the specifics of his historical claims. Anonymity in tannaitic sources So while midrash was a very old form going back even to pre-rabbinic times, Halivni argues that mishnah came out of a very specific historical circumstance and fitted an important need. It was the school of Rabbi Akiva and his students down to Rabbi who innovated this new format, a work that was not tied to Scripture or justifications of any sort, but was designed to be easily remembered and comprehensive.22 Midrash, he argues, was becoming too expansive and too difficult to remember, especially in the post-Bar Kokhba hardship of 2nd-3rd century Eretz Yisrael. To respond to this circumstance, Rabbi and his academy worked to produce the Mishnah. Like in midrash, the anonymous setam layer means one thing: authority. Halivni sets up a
  • 7. History and Genres of Rabbinic Literature Jeremy Tabick 7 hierarchy of different setamim, each with less authority than the one before: (i) setam with no dissenting voice; (ii) setam with dissenting voice(s); and (iii) setam with a majority opinion (ḥakhamim) in dissent.23 This is essentially universally accepted by traditional readers of the Mishnah, and indeed has its roots in the Talmud. He contrasts this with the setam in the Babylonian Talmud whose goal is totally different: it does not indicate something universally agreed upon, but the argumentation. This is an illustrative and helpful example of the vast difference in genre between Mishnah and that of the Bavli, for tannaitic midrash does also include anonymous dialectic, like the Gemara. This is what he argues is the legacy of the Stammaim: the revival of the earlier, pre-mishnaic, tannaitic use of the setam and the centrality of the argumentation.24 There is certainly much to his claim, but there are also important differences between midrashic and talmudic form that bear noting. For example, midrash often uses the setam layer to simply state the law like the Mishnah. Also, central to the style of the setam ha-Talmud is the use of forced explanations in order to continue the dialectic, what could be called a love of dialectic itself; midrash, however, gives the impression that the dialectic is serving the purpose of getting at the truth and is not an end in itself.25 Thus it cannot be that the Gemara represents a perfect revival of an earlier attitude, there has still been some historical development. This addendum, it seems, is not something that Halivni would disagree with: he does not claim that talmudic and midrashic form are the same, but that they are similar. Amoraim This section discusses the roots of the Babylonian Talmud in the transmission of amoraic
  • 8. History and Genres of Rabbinic Literature Jeremy Tabick 8 apodictic statements, and addresses his correction of a common misconception that led many people to believe that the Bavli was completed by the end of the amoraic period. Rav Ashi and Ravina: end of "hora'ah" Halivni’s key claim and most important contribution to modern scholarship of the Babylonian Talmud is that the Gemara was not edited by the Amoraim but by a significantly later group he calls Stammaim, because their contribution is “setam” or anonymous. He proves this extensively in FBT as well as in every volume of his MM.26 It is by far the safest, clearest, and most universally accepted of all his historical claims, now a departure point for the study of Talmud in the academy, and increasing numbers of yeshivot and other traditional Jewish learning environments. In fact, it is an obvious claim and the natural conclusion one would come to from simply reading the Talmud, unshackled by medieval assumptions. After all, the Gemara often quotes Rav Ashi and Ravina, credited in the traditional version with the main bulk of editing, and rules against them—or has trouble understanding them—in the same way they deal with any other Amora. In contrast, Rabbi is rarely mentioned by name in the Mishnah, and though the ḥakhamim do indeed sometimes disagree with him, his very designation of “Rabbi” suggests his high status and importance in the process; there is no analogue to him in the Talmud. Further, Halivni brings compelling evidence that the Gemara was never holistically edited by anyone.27 In contrast to the Mishnah which has more or less uniform style and consistent terminology, sugyot across the Bavli have different literally styles and often vastly different conclusions and understandings of earlier sources; this is true of the unusual tractates (like Nedarim) in particular. It seems that even the Bavli’s consistent terminology is more due to
  • 9. History and Genres of Rabbinic Literature Jeremy Tabick 9 later editors applying it than any author or editor of the work itself (e.g. Mesoret HaShas’ attempt to make sure d’tanya and ditnan apply consistently to a baraita and a mishnah respectively, and Halivni’s claim that the terminology was decided by the Savoraim)28 . The Geonim, not even Rav Sherira Gaon, never claim that Ravina and Rav Ashi edited the Gemara; this claim appears prominently in Tosafot.29 The only text that would lead anyone to this conclusion is a puzzling statement in Babylonian Talmud Bava Metzia 86a that compares Rabbi and Rabbi Natan, with Rav Ashi and Ravina: “Rabbi and Rabbi Natan—the end of Mishnah (sof mishnah); Rav Ashi and Ravina—the end of instruction (sof hora’ah).” It is not clear what hora’ah means here, but by analogy with mishnah and using the fact that Rav Ashi and Ravina are two of the latest authorities mentioned in the Gemara (but by no means the latest), Tosafot and others concluded that this meant that those two were the editors of the Gemara. However, Halivni points out that it is impossible that hora’ah could have meant that.30 If it was supposed to be analogised to the Mishnah, then would it not have used a clearer word like “Gemara”? Further, granted that Rabbi was the editor of the Mishnah, but where does Rabbi Natan fit here? Thus Halivni concludes that this statement should be understood in one of two ways: i. Adoration of students for their masters. The author of this statement wanted to highlight how great were Rabbi, Rabbi Natan, Ravina and Rav Ashi as scholars and teachers and was lamenting for their loss, that Mishnah and hora’ah were never the same in their absence.31 ii. That hora’ah means recorded, official, apodictic, named rulings, such as in the form that is preserved by us as itmar. Thus the end of hora’ah means something similar to the end
  • 10. History and Genres of Rabbinic Literature Jeremy Tabick 10 of mishnah: that a particular genre of transmission ended and another began. In the case of mishnah, it was a literary corpus and legal code that was understood to be closed. In the case of hora’ah, it was the official transmission of the Reciters (tannaim) of amoraic dicta, that after Rav Ashi and Ravina, the rabbis no longer passed down specific formulations of their words to Reciters to be preserved, but were preserved in other ways. This would help explain why later Amoraim have more dialectics attached to their words and more often speak in Aramaic, while Rav Ashi is still often recorded with short, clear statements and in Hebrew.32 There is a lot of strength to reading (ii), and it certainly provides a fascinating insight into transitioning from the amoraic to stammaitic age. However, it is also a fairly speculative translation; reading (i) is certainly safer. Indeed these two readings may not be contradictory: hora’ah could both mean something specific and technical while the whole statement indeed remains a statement of lament on the loss of great sages. Transmission of apodictic and dialectic material Following his understanding of hora’ah that Ravina and Rav Ashi mark the end of, Halivni makes several bold claims about the way amoraic material was preserved through the generations and which types were preserved better than others.33 First, that the early Amoraim restricted themselves to clear apodictic statements in Hebrew, very much in mishnaic style (he attributes this to Rav, being a member of Rabbi’s inner circle).34 Over the period of the Amoraim, more rulings were Aramaic and more dialectic crept in, though the Stammaim may have been responsible for a lot of it. This overall trend seems very clear from the record in the Gemara,
  • 11. History and Genres of Rabbinic Literature Jeremy Tabick 11 obviously with exceptions. However, the specifics of this are very difficult to discern given that it can be impossible to tease apart the original amoraic statement from its glosses by later editors. Second, the Reciters were responsible for formulating these dicta in memorable forms, like itmar.35 They would collect amoraic dicta and organise them around mishnayot and similar topics. Again this claim seems uncontroversial, and Halivni brings evidence from the Bavli itself regarding the actions and roles of these Reciters. Some caution is still advised given how little they are mentioned and in how little detail their role is described. Third, in general the dialectic was not deemed worthy of transmission by Amoraim, only the final answer.36 It was up to the Stammaim, who thought that dialectic was worthy of preservation in and of itself (like the midreshei halakhah before them), to reconstruct what the Amoraim were thinking when they made their rulings.37 Sometimes they succeeded and sometimes they did not. It was the time between the authors of these dicta and their transmitters that resulted in the creation of the many forced explanations (d’ḥukim) that define the character of the Gemara we study today. This is a central part of his theory to explain the presence of the forced interpretations of the Bavli.38 Fourth, dialectics of the Amoraim were sometimes remembered by their students. These were not official channels of transmission, but what Halivni terms “survivals”.39 By happenstance these reasons and arguments of Amoraim were remembered. They can be identified by finding an amoraic statement that does indeed seem to be responding to part of the anonymous layer, of which there are many examples. Given that Halivni holds that all of these anonymous statements were added by the Stammaim, the fact that some of them are clearly known by Amoraim requires explanation. His theory of “survivals” is that explanation.
  • 12. History and Genres of Rabbinic Literature Jeremy Tabick 12 It seems to me, however, that the existence of “survivals” is not the only possible solution to his problem. One could easily posit that indeed some (limited) anonymous material of the Bavli was composed and transmitted by Amoraim along with their statements, such as a question on a Mishnah that is then directly answered by an Amora. This would seem to be borne out by understanding the Yerushalmi as similar to the Bavli in an earlier stage of its development; this would show that many anonymous passages were composed before the advent of the Stammaim. Why suggest a new, unofficial, and random method of transmission when the official, carefully edited method of transmission could also explain this phenomenon? It may be that some anonymous material was not “reconstructed” by Stammaim but simply remembered by them through official channels. Stammaim and Savoraim The Stammaitic period are where Halivni’s claims are most suspect. MMG is obviously out-of-date, being written in 1986; but FBT is not much more up-to-date given there have been recent huge advances in the study of Sassanian Persia, Geonica and early Islam, all of which have the potential to question, enrich, or debunk many of his claims. Instead, he relies entirely on evidence interior to the Talmud Bavli and the methods employed by various Stammaim. This will be discussed in more detail in the conclusion. Halivni’s thinking on the dating and nature of the Stammaim has changed dramatically in between MMG and FBT. He has gone from thinking that the Stammaim were one generation of scholars shortly after the the close of the amoraic period, to two-hundred and fifty years— spanning even into the early geonic period—with many generations of schools of scholars.40 He
  • 13. History and Genres of Rabbinic Literature Jeremy Tabick 13 describes different kinds of these scholars based on their literary activity. The intentions and work of the Stammaim begin this section, followed by a discussion of the different subsets of Stammaim he posits: Savoraim, Transposers and Compilers. Reconstructing the dialectic The stammaitic period begins, according to FTB, when two factors combined: i. The growth of an attitude valuing the dialectic equally if not more than the polished, bottom line;41 ii. A sense of difference between them and their antecedents, that earlier sages were worthy of having their statements attributed by name while the Stammaim thought of themselves that they were not.42 (Note the contrast with setam Mishnah—there, according to Halivni, anonymous means maximal authority; here he claims it means minimal authority.) With their new priorities, they were presented with the challenge of having swathes of amoraic material without justifications and wanting to provide as much of this justification as was possible. Thus, in Halivni’s scheme, the Stammaim return to the midrashic tradition of including dialectic, of placing the justifications for laws front and centre. The departure of the Mishnah was finally over and the predilection of Jews for justified law won out.43 This description of the Stammaim’s activities and goals rests on the assumption that they were trying to accurately reconstruct the unknown dialectics of the past. Halivni in the first place only posited these editors that postdate the Amoraim because they explain why the Gemara insists on posing forced explanations of amoraic and tannaitic sources—the only reason that they
  • 14. History and Genres of Rabbinic Literature Jeremy Tabick 14 are forced is because of the increased gap between them and the unknown past that they are trying to perfectly reconstruct. However, editorial intent is notoriously difficult to discern, know or prove. For example, it is also possible to argue that the Stammaim sometimes knew the true meaning of an amoraic or tannaitic source but nonetheless posed a forced explanation for their own purposes—pedagogical, literary, or polemical. A good example of this phenomenon can be found in Baba Kama 83b-84a, which could be displaying forced explanations for all three of these reasons. The Torah is very clear of the punishment for laws of injuries: that what they did to their fellow should be inflicted upon them by the court. The tannaitic and amoraic sages, however, were emphatic in their opposition to this and instead insist in this daf that the punishment for injuries is monetary compensation. The Gemara embarks on different explanations for all eight of these texts brought here, each one being rejected before moving onto the next text. As the Rishonim point out,44 many of the later explanations are no better or worse than the earlier explanations—so why were they rejected? The answer seems to be for pedagogic and/or literary purposes: to give the students different ways to justify their law of monetary compensation, and to compose it in such a way where one text flows into the next in the argument’s flow, to expedite memorisation. The final text that the Gemara brings shows Rabbi Eliezer stating the peshat of the Torah: “ayin taḥat ayin—mamash”—we literally take people’s eyes out. His opinion is extremely clear, with actually no room for misunderstanding. But nonetheless the Gemara refuses to understand his plain words and instead interprets it forcibly. Mere historical distance does not seem enough to explain this huge misunderstanding of Rabbi Eliezer’s words! Anyone who has read the Torah
  • 15. History and Genres of Rabbinic Literature Jeremy Tabick 15 can completely understand what Rabbi Eliezer is saying. The only reason that does not make a mockery of the Stammaim is that they knew what Rabbi Eliezer meant but refused to understand him that way because they disagreed with him. It was not a faulty reconstruction, it was a conscious polemical choice. The Stammaim were not aiming for accuracy in this forced explanation, but actually morality. Thus, Halivni’s understanding of the Stammaim’s intentions requires further explanation. Savoraim The roots of the Savoraim comes from the Iggeret Rav Sherira Gaon, who credits them, after the end of hora’ah, of explanations and opinions “approximating to hora’ah…; and whatever had been left hanging, (these) rabbis made explicit… And they—and also succeeding rabbis, such as Rav Ena and Rav Simuna—incorporated several (of their) opinions in the Gemara.”45 Halivni picks up on this early historical claim and assigns roles to the Savoraim towards the end of the stammaitic period. They were working at a time when it was no longer possible to add to the dialectic of the Talmud. Their main contribution was to add brief explanations and editorial comments.46 There are also various sugyot, often at the beginning of massekhtot or chapters, which have been attributed to the Savoraim because they contain no material local to that section, but rather only borrow from elsewhere; they are also often predicated on knowing the outlines of the proceeding chapter, thought to be designed as introductions to the section to be read aloud in the academy when beginning a new learning session.47 Thus, according to Halivni, the Savoraim are a subset of Stammaim living towards the end of the period, perhaps even members of the geonic academies.
  • 16. History and Genres of Rabbinic Literature Jeremy Tabick 16 Once it is required to concede that the Stammaim were not a single generation and had to have worked over a long period of time, it seems to me absurd to maintain this sharp distinction between Savoraim and Stammaim based on the evidence of Rav Sherira Gaon alone. Is it likely that Rav Sherira would specifically mention a group with a very specific and limited impact on the Bavli while totally ignoring the group that put it all together?48 It seems better to say that Rav Sherira was referring to what Halivni calls the “Stammaim”, and thus perhaps the Savoraim are identical to the Stammaim. Halivni responds49 by saying some of those named by Rav Sherira as being Savoraim are mentioned in the Talmud and therefore cannot be Stammaim, because they are not anonymous. But why is it such a stretch to think that some Stammaim/Savoraim were not always anonymous? It is less of a stretch to imagine that the Savoraim that Rav Sherira places immediately after the amoraic period are actually those who live two hundred years later at the end of the stammaitic period? Halivni’s connection to the name “Savoraim” and placing them in the historical count based only on Rav Sherira is not clear and this matter requires further investigation. Transposers and Compilers In addition to the sub-group of Savoraim, Halivni also discerns different kinds of Stammaim in different periods based on their differing editing methods.50 His observations of these methods are very valuable and key to understanding the literary activity of the Stammaim. The precise dating that he assigns them, however, could be suspect. He identifies two main methods of editing: “transposing” and “compiling”, and he calls those who did this editing “Transposers” and “Compilers” respectively. Transposers took sources
  • 17. History and Genres of Rabbinic Literature Jeremy Tabick 17 from elsewhere in the Talmud—sometimes long, sometimes short—that they thought would add to the sugya in this new context, and then often constructed dialectic around it to fit it in.51 These, he argues, worked throughout the stammaitic period. Compilers, however, were involved in stitching distinct sugyot together, and were not interested in or not able to add to the dialectic directly; thus, in his scheme, the Compilers operated only towards the end of the stammaitic period.52 He comes to this analysis from the assumption that the Talmud was getting more crystallised over time, and it became less possible to add new statements and arguments to it. Eventually, by the Savoraim, it was only possible to add brief explanations. Therefore, he sees any editorial hand which merely adds in a source from elsewhere without comment as later in the stammaitic period, and additions to the dialectic itself as earlier. It is important to note that this approach is not necessarily right: while it does fit with the Talmud’s characteristic impulse to respect and preserve the past, it could be that different Stammaim throughout the stammaitic period thought differently about how to properly preserve something (analogous perhaps to a key difference between medieval Ashkenazi and Sephardi scribes, the former who were much more willing to add their own comments into the text than the latter).53 Further, he provides no compelling reason why it should be the case that the Compilers and Transposers could not add to the dialectic after a certain time. With further treatment of this question, his claims of the activity of Stammaim could be assessed more clearly. This identification of different kinds of editing in the Talmud could be extremely instructive in understanding the editing process of this work, regardless of any of the historical claims. Knowing that Stammaim transposed sugyot and integrated it into the argument, for
  • 18. History and Genres of Rabbinic Literature Jeremy Tabick 18 example, or compiled sugyot without any comment or attempt to resolve the contradictions, is very helpful in reading the Talmud Bavli and seeing how the sugya was formed. This contribution to Talmud scholarship should not be minimised. The historical elements that he adds, however, must be treated with caution. Conclusion Two main criticism remain of Halivni’s treatment of the Babylonian Talmud in particular: how the orality of the texts affects their transmission and our understanding of it; and how a synchronic treatment would greatly enrich his historical claims. In general, his arguments on the relationship between midrash, mishnah, and Tanakh are much more convincing, if far from water-tight. Effect of orality Halivni maintains that the dialectics was not preserved in the amoraic period, except in the haphazard form of “survivals”, while it was preserved exactly, in the same way as halakhot in earlier times, in the stammaitic period. He seems to suggest that Stammaim preserved the wording of the dialectics exactly because it too was Torah, whereas Amoraim were not concerned with it.54 However, more recent scholarship has shown that the specific wording of the dialectics wasn’t preserved throughout the Geonic period. What was known in any given sugya was the various tannaitic and amoraic statements and the essential flow of the argument. Current theories who that the text of the Talmud was fixed even though the precise wording of the anonymous
  • 19. History and Genres of Rabbinic Literature Jeremy Tabick 19 dialectics was not.55 The specific wording was subject to change from one academy to another, one teacher to another, or even from one lesson of the same teacher to another. This was because it was designed to be learnt and recited orally, the argument to be presented from memory; tannaitic and amoraic halakhic statements were memorised verbatim, but the argumentation was not.56 It therefore appears that Halivni’s dichotomy of either “preserved” or “not preserved” is flawed due to the Talmud’s nature as an oral, not a written, text. Even the Geonim did not primarily study the Talmud from written texts—it was in the early medieval Diaspora that this practice began.57 While a written essay has the wording of its argument immortalised and preserved for all time, the lecture notes of that same teacher when they teach the content of their essay does not. This lecture note analogy seems a better description of the anonymous dialectic in the Geonic academies. Rather than assume, then, that some dialectic was unsystematically preserved by Amoraim, and the rest was reconstructed by Stammaim, it seems easier to posit that the Amoraim treated the dialectic material in a similar way to the Stammaim, even if the wording was not fixed. Thus when an Amora answers an anonymous question, it is not that this piece of dialectic happened to be remembered but rather that this question was always an integral part of the sugya. This is the approach of Sussman.58 It seems that Halivni in FBT could be too bound to the idea that essentially all anonymous material in the Bavli was reconstructed by the Stammaim. An easier approach would be to relax his distinction between something being preserved and not and posit a middle ground, that the content of something can be preserved without the wording. His analysis of tannaitic material does not suffer from this problem as the texts, especially
  • 20. History and Genres of Rabbinic Literature Jeremy Tabick 20 the Mishnah, seem to have been fixed much more firmly earlier on. However, I am curious as to how orality affects his distinction between something having explicit Scriptural justification (such as a she-ne’emar), or when it does not (in most of the Mishnah). After all, in a culture where the people reciting these texts have learnt the Tanakh by heart, how much difference is there between explicitly stating a verse and implicitly referring to verses by the choice of wording and terminology? (As an example, the second chapter of Makkot uses a lot of awkward and difficult wordings in part, perhaps, to conjure up biblical illusions for an obscure area of law, the Cities of Refuge.) Perhaps the author of the Mishnah did not see themselves as creating a text without justification but instead a text for experts who would already implicitly know the justification? This matter requires further investigation. Diachronic versus synchronic By far the biggest weakness of Halivni’s historical analysis of the period of the Stammaim and Amoraim is that it is only diachronic amongst Rabbinic literature and uses no synchronous evidence whatsoever. Totally missing is any comparison to the Sassanian culture in which the Babylonian Amoraim lived; absent is the persecutions that Rav Sherira Gaon reports in his Iggeret at the end of the Sassanian period; and the Muslim conquest of Babylonia is never mentioned. This surely is the only way of precisely dating the activity of the Stammaim: do their methods and styles share anything with Zoroastrian literature? With Muslim literature? Historical periods in popular consciousness are normally begun and ended by dramatic periods of conquest or upheaval: how did the meteoric rise of Islam play into the end of the amoraic era and the beginning of the stammaitic? None of these issues does Halivni bring into his analysis.
  • 21. History and Genres of Rabbinic Literature Jeremy Tabick 21 In his exploration of the relationship between Mishnah and midrash in MMG, he uses several several instances of synchronic proof, such as Herod’s expansion of the Temple, and Josephus’ hesitation about changing the order of Scripture.59 And yet, in his analysis in FBT, none of this previous historical sensitivity is present. Such treatment would have greatly enriched his work and his historical conclusions beyond compare. Halivni is, at his core, an excellent reader of texts; he is not a historian. His speculative historical analysis based only on internal evidence from the Bavli itself should not be relied upon to make specific, well-founded historical claims. In broad strokes this method can work. For example, it is possible to show when one sugya is finished earlier or later than another, as he does often and convincingly throughout his MM and FBT. This relative dating can be accurate, but of limited use when there are no synchronous influences to compare it to.60 The broad picture he paints is also clear. The Bible, uniquely among literature of the ancient Near East, includes justification for its laws. This was then also a central feature of the midreshei halakhah, while in the Mishnah it is notably absent (though the significance and extent of this is disputed). The Stammaim introduced the idea that dialectics was in and of itself Torah, a goal unto itself. And thus we have the overall obsession, with obvious exceptions, of Rabbinic literature with justifying the laws by Scripture or by logic. This historical narrative is both well thought-out and inspiring, a story of the people who are not slaves to God, following the Divine will without question, but who require justifications, who wish to always delve deeper in understanding why we are required to do what we do, a people who is worthy of living up to Genesis’ interpretation of the name Israel: the one who fights with God.
  • 22. History and Genres of Rabbinic Literature Jeremy Tabick 22 Footnotes 1 Halivni, D. W. (1986). Midrash, Mishnah and Gemara: The Jewish predilection for justified law. Cambridge, MA and London, England: Harvard University Press. 2 Halivni, D. W. (2013). Formation of the Babylonian Talmud. (J. L. Rubenstein, Trans.). Oxford: Oxford University Press. (Original work published 2007). 3 Kalmin, R. (1987). Midrash, Mishnah and Gemara: The Jewish predilection for justified law (Review). Conservative Judaism 39(4), 78-84. 4 Chapters 2-4, pp. 18-65. 5 Part II, pp. 103-116. 6 MMG, p. 4. 7 MMG, pp. 10-14. 8 MMG, p. 14. 9 MMG, p. 11. 10 MMG, p. 15. 11 MMG, p. 40. 12 MMG, pp. 41-42. 13 MMG, pp. 38-40. 14 Kalmin, p. 81. 15 MMG, p. 48 ff. See, for example, the case in Mishnah Bikkurim 1:1-2. 16 FBT, p. 104. 17 MMG, p. 22: the example of Mishnah Bikkurim 1:8. 18 Kalmin, p. 82.
  • 23. History and Genres of Rabbinic Literature Jeremy Tabick 23 19 See n. 14 above. 20 Tucker, E. (2014). In Talmud lecture series at Yeshivat Hadar, “Talmud with Rishonim”. New York. 21 Halivni discusses a similar possibility in MMG, p. 59 ff., with regards to the School of Rabbi Yishmael. 22 MMG, p. 64. 23 FBT, p. 103. 24 MMG, p. 93. 25 Boyarin, D. (2007). Hellenism in Jewish Babylonia. In C. E. Fonrobert and M. S. Jaffee (Eds.), Cambridge Companion to the Talmud and Rabbinic Literature (pp. 336-363). Cambridge, England: Cambridge University Press. 26 See Part I of FBT, pp. 3-61, for extensive discussion, proof and references to various volumes of MM. 27 See Part II of FBT, pp. 63-85 mainly, for extensive treatment of this claim with numerous examples. 28 MMG, p. 98. 29 See MMG, Part II, n. 45, p. 235 and references to Tosafot Shabbat 9b. 30 FBT, p. 85. 31 FBT, p. 86-87. See also MM Baba Metzia 12. 32 FBT, p. 85, and see Part II, n. 39, p. 235. 33 FBT, Part II, pp. 117-154. 34 FBT, p. 118.
  • 24. History and Genres of Rabbinic Literature Jeremy Tabick 24 35 FBT, p. 133. 36 FBT, p. 119. 37 FBT, p. 123 ff. 38 For analysis of this point, see the conclusion. 39 FBT, p. 146. 40 FBT, p. 3 ff. 41 MMG, p. 76. 42 FBT, pp. 5-6. 43 MMG, p. 77. 44 E.g. Tosafot ad loc, s.v. Rav Ashi. 45 Lewin, B. M. (Ed.). (1921). Iggeret Rav Sherira Gaon [The Epistle of Rav Sherira Gaon], pp. 69-71. Haifa. As quoted and translated in Brody, R. (1998). The Geonim of Babylonia and the Shaping of Medieval Jewish Culture, p. 5. New Haven, MA and London, England: Yale Unversity Press. 46 FBT, p. 7-9. 47 An example of this, given by Rav Sherira himself, is the opening sugya of Kiddushin. 48 But if so, why does Rav Sherira allow such limited scope for savoraic activity? This question requires further thought. It could be polemical, as it would be in his interest in the Iggeret to argue for the antiquity of as much of the Gemara as possible. 49 FBT, p.4. 50 FBT, Part IV, pp.155-190. 51 FBT, pp. 168-184. He highlights five types of transpositions there with examples.
  • 25. History and Genres of Rabbinic Literature Jeremy Tabick 25 52 FBT, pp. 156-168, with many examples. 53 Ta-Shma, Y. M. (1985). Sifriyyatamn shel Ḥakhmei Ashkenaz Benei ha-Me’a ha- YodAlef-YodBet [The Library of the Ashkenazi Sages in the 11th-12th Centuries]. Kiryat Sefer 60, pp. 298-309, especially p. 301. 54 FBT, p. 124. 55 Brody, p. 159. 56 See Fishman, T. (2011). Becoming the People of the Talmud: Oral Torah as written tradition in medieval Jewish cultures. Philadelphia, PN: University of Pennsylvania Press. P. 33 for an account of Talmudic instruction during the geonic period, based on Iggeret Rav Sherira Gaon. 57 See Brody, pp. 156-161, and Fishman throughout. 58 Such as Sussman, Y. V’Shuv L’Yerushalmi Nezikin (1990). In Y. Sussman, D. Rosenthal (Eds.), Meḥkerei Talmud [Talmudic Studies] Vol. I (pp. 55-133). Jerusalem: Magnes Press. 59 See notes 12 and 13 above. 60 Compare to Baba Kamma 117a where the Persian word for cushion, bistarka, can conclusively date that sugya to the Sassanian period. See Sperber, D. (1982). On the Unfortunate Adventures of Rav Kahana: A Passage of Saboraic Polemic from Sasanian Persia. In S. Shaked (Ed.), Irano-Judaica: Studies telating to Jewish contacts with Persian culture throughout the ages (pp. 83-100). Jerusalem: Yad Izhak Ben-Zvi.