This document discusses the mise-en-scene for a reggae genre page layout. It will feature a main image of a Rastafarian man sitting on the beach smoking drugs. Supporting images may include things like dreadlocks, bead necklaces, sunglasses, and musical instruments. The target audience is people aged 16+ who are fans of reggae music, particularly those of Jamaican or Mauritian descent. Text will be placed around the main image and focus on elements like the music, lifestyle, and culture associated with reggae.
The costume designer hopes to find a coat similar to the one described to throw on. Formal clothing would be worn to show he doesn't care about getting his nice clothes dirty, implying he is crazy. This costume design suggests the character throws on a coat and wears formal clothes to appear crazy by getting them dirty.
The document summarizes four potential film locations - D'mee's house, South Bank, Trocodero arcade, and Regent Street in London. For each location, it provides details on access, health and safety considerations, potential filming problems, and notes. The main challenges include ensuring adult supervision at the house location, avoiding busy areas, acquiring necessary permissions, dealing with noise and weather-related issues, and transporting equipment safely. Proper planning of timing, lighting, and props is also emphasized for the successful filming at each site.
Dokumen ini membahas tentang tugas mekatronika yang meliputi rangkaian sistem hidrolik, jenis-jenis komponennya seperti pompa, katup pengarah, aktuator, dan cara kerjanya. Terdapat penjelasan mengenai aktuator tunggal, katup pengarah, dan pompa roda gigi serta skema rangkaian elektronik dan hidrolik untuk menggerakkan aktuator.
This Saturday Ryan is hosting a Mother Daughter Banquet at 8:00 AM on June 25th. The guest speaker will be Rachel Blocker and tickets are $4 each, available today. On Wednesday there is a dinner fundraiser at Cafe Brazil for missions featuring spaghetti, corn, salad bar, garlic bread and cake for $5. There are also ongoing Bible studies on Wednesday evenings. The church is looking for cleaning crews and there is a Ladies Night on July 7th at 6:30pm while an Angola ministry trip leaves from the church on June 17th at 3:00 PM.
Mumford and Sons' image portrays a folk genre through a barn and farmhouse in the background, with vintage suitcases, flags, and a blurred fair in the background to keep focus on the band. The Pretty Reckless' image shows the female lead singer in white against the male band members in black, with her black boots signaling her as the lead in a typical rock genre style. Beyonce's black and white image is extremely simplistic, with minimal makeup and no clothes besides rosary beads on her wrist. Arctic Monkeys' image shows them holding a vinyl record with vintage, gelled hairstyles and clothing like denim and bomber jackets, possibly appealing to an older demographic through their
Task 2 photography terminology work sheetdanhops888
The document discusses various photographic terminology including shutter speed, ISO, rule of thirds, aperture and depth of field, manual exposure, and white balance. Shutter speed determines the length of time light is exposed to the camera's sensor, with faster speeds capturing motion clearly and slower speeds creating blur. ISO refers to the camera's light sensitivity, with higher ISO numbers allowing lower light photos but introducing more noise. The rule of thirds suggests composing photos with subject matter along the intersecting points of an imaginary three-by-three grid overlaid on the frame. Aperture and depth of field relate to how much of the image is in focus, with smaller apertures producing greater depth of field.
This document contains a shooting script for a wedding scene, listing 37 shots to be filmed at St. Mary's Church and Nathan's Mum's Room. It details the camera positions, shot types, descriptions of camera movement and action for each shot, such as establishing shots of the church, close-ups of the nervous bride, mid shots of the wedding party, and shots showing the increasing confusion and drama as the wedding goes on. The shooting script provides precise directions for capturing the key moments and developing story of the wedding scene.
This document discusses the mise-en-scene for a reggae genre page layout. It will feature a main image of a Rastafarian man sitting on the beach smoking drugs. Supporting images may include things like dreadlocks, bead necklaces, sunglasses, and musical instruments. The target audience is people aged 16+ who are fans of reggae music, particularly those of Jamaican or Mauritian descent. Text will be placed around the main image and focus on elements like the music, lifestyle, and culture associated with reggae.
The costume designer hopes to find a coat similar to the one described to throw on. Formal clothing would be worn to show he doesn't care about getting his nice clothes dirty, implying he is crazy. This costume design suggests the character throws on a coat and wears formal clothes to appear crazy by getting them dirty.
The document summarizes four potential film locations - D'mee's house, South Bank, Trocodero arcade, and Regent Street in London. For each location, it provides details on access, health and safety considerations, potential filming problems, and notes. The main challenges include ensuring adult supervision at the house location, avoiding busy areas, acquiring necessary permissions, dealing with noise and weather-related issues, and transporting equipment safely. Proper planning of timing, lighting, and props is also emphasized for the successful filming at each site.
Dokumen ini membahas tentang tugas mekatronika yang meliputi rangkaian sistem hidrolik, jenis-jenis komponennya seperti pompa, katup pengarah, aktuator, dan cara kerjanya. Terdapat penjelasan mengenai aktuator tunggal, katup pengarah, dan pompa roda gigi serta skema rangkaian elektronik dan hidrolik untuk menggerakkan aktuator.
This Saturday Ryan is hosting a Mother Daughter Banquet at 8:00 AM on June 25th. The guest speaker will be Rachel Blocker and tickets are $4 each, available today. On Wednesday there is a dinner fundraiser at Cafe Brazil for missions featuring spaghetti, corn, salad bar, garlic bread and cake for $5. There are also ongoing Bible studies on Wednesday evenings. The church is looking for cleaning crews and there is a Ladies Night on July 7th at 6:30pm while an Angola ministry trip leaves from the church on June 17th at 3:00 PM.
Mumford and Sons' image portrays a folk genre through a barn and farmhouse in the background, with vintage suitcases, flags, and a blurred fair in the background to keep focus on the band. The Pretty Reckless' image shows the female lead singer in white against the male band members in black, with her black boots signaling her as the lead in a typical rock genre style. Beyonce's black and white image is extremely simplistic, with minimal makeup and no clothes besides rosary beads on her wrist. Arctic Monkeys' image shows them holding a vinyl record with vintage, gelled hairstyles and clothing like denim and bomber jackets, possibly appealing to an older demographic through their
Task 2 photography terminology work sheetdanhops888
The document discusses various photographic terminology including shutter speed, ISO, rule of thirds, aperture and depth of field, manual exposure, and white balance. Shutter speed determines the length of time light is exposed to the camera's sensor, with faster speeds capturing motion clearly and slower speeds creating blur. ISO refers to the camera's light sensitivity, with higher ISO numbers allowing lower light photos but introducing more noise. The rule of thirds suggests composing photos with subject matter along the intersecting points of an imaginary three-by-three grid overlaid on the frame. Aperture and depth of field relate to how much of the image is in focus, with smaller apertures producing greater depth of field.
This document contains a shooting script for a wedding scene, listing 37 shots to be filmed at St. Mary's Church and Nathan's Mum's Room. It details the camera positions, shot types, descriptions of camera movement and action for each shot, such as establishing shots of the church, close-ups of the nervous bride, mid shots of the wedding party, and shots showing the increasing confusion and drama as the wedding goes on. The shooting script provides precise directions for capturing the key moments and developing story of the wedding scene.
El documento describe las siete capas del modelo OSI, incluyendo la capa física, enlace, red, transporte, sesión, presentación y aplicación. Explica brevemente lo que consiste cada capa, con la capa física que se refiere a las transformaciones de bits para la transmisión, la capa de enlace que se encarga de la transferencia fiable a través de un circuito de datos, y la capa de aplicación que ofrece a las aplicaciones el acceso a los servicios de las otras capas.
The document summarizes the filming of scenes for a student film production over multiple days from August to October. It describes filming locations, scenes captured, costumes and acting of characters, and efforts to improve production quality through lighting, camerawork techniques, and incorporating feedback between shoots. The production focused on developing thriller and mystery elements through the stalking of a main character who discovered a valuable diamond.
The music video for "Take It As It Comes" by Vivian Girls uses a narrative structure where the band members sing and tell a story. It emphasizes the indie aesthetic through retro props and costumes setting a 1980s theme. The relationship between the lyrics and visuals amplifies the meaning by directly connecting scenes with the lyrics. Similarly, the music and visuals have an illustrative and amplifying relationship where editing and shots reflect the tone of the music. The video focuses on close-ups of the band to introduce them without any notions of voyeurism, as their core fan base is female.
El documento presenta una actividad para un equipo de estudiantes sobre la difusión de información a través de las redes sociales que puede transformar vidas. El equipo elegirá un tema como el cuidado del medio ambiente, la educación o la equidad de género. Cada miembro asumirá un rol: investigador para recopilar datos, experimentador para probar actividades, o experto en TIC para publicar la información en Facebook y monitorear comentarios. El objetivo es generar conciencia sobre cómo la información compartida digitalmente puede crear un
The document discusses media representations of youth in London. It states that youths are often stereotyped in the media as criminals, gang members, drug users, school dropouts, and benefit claimers. This negative stereotyping means that youths are seen as unapproachable by the public. However, applications to colleges have increased, contradicting the stereotype of all youths being dropouts. The media product seeks to both conform to and contradict these stereotypes by showing youths like Terry who deal drugs out of necessity but want to change their lives, and Josephine, a young mother seeking to escape her current situation.
The document describes a film production group's process of filming scenes over multiple days to tell a story. It details their filming locations, scenes shot, characters portrayed, and goals for conveying tone and suspense. The group reflected on challenges faced and ways to improve their filming technique, storytelling, and editing to craft a polished thriller.
The document discusses various conventions and techniques used in music videos. It identifies the main conventions as style, camerawork, editing, sound (diegetic and non-diegetic), mise-en-scene, and notions of looking. It then describes different types of music videos including performance videos, narrative videos (linear and fragmented), mixture videos, and cameo videos. It also discusses the use of camera shots/angles, editing techniques like jump cuts and CGI, diegetic and non-diegetic sound, and elements of mise-en-scene like lighting, props, costumes, and location.
The document provides ideas and a rough script for a radio commercial to promote the clothing brand The Hundreds. It suggests using sound effects like explosions that relate to the brand's bomb logo and mascot Adam. The commercial would highlight newly released clothing and collaborations, and promote The Hundreds' association with skateboarding and surfing culture using related words. A draft script talks about finding a crazy stylish brand for cruising parks and pathways while completing an outfit, with friends envying one's rad appearance when wearing The Hundreds.
Fases del ciclo de vida del desarrollo de sistemasUPEL-IPB
El documento describe las 6 fases del ciclo de vida del desarrollo de sistemas de información: 1) Investigación preliminar para identificar problemas y objetivos, 2) Análisis para recopilar datos detallados, 3) Diseño para crear sistemas alternativos y seleccionar el mejor basado en su factibilidad, 4) Desarrollo para crear el software, 5) Implementación para instalar el sistema mediante diferentes métodos como directo, paralelo o por fases, y 6) Mantenimiento para evaluar periódicamente el sistema y realizar ajust
Dido is an English singer-songwriter who has sold over 28 million albums worldwide. Her song "Don't Leave Home" is about addiction and was inspired by her seeing friends and families destroyed by addiction. The music video tells a story that represents overcoming addiction through various symbols like Dido leaving her footprints behind and washing away in water, representing a fresh start. It uses cinematography like close-ups and shots of Dido's vulnerability to convey her struggle with addiction in a way that audiences can relate to.
The document discusses how the author addressed their target audience of 16-25 year olds for their music magazine. They considered the models used, ensuring both male and female artists were featured. The color scheme was designed to appeal to both males and females by using neutral shades of red, black and grey. The photography was carefully chosen to not appear overly feminine while still including some feminine elements. A wide variety of popular music genres were included on the front cover and in content to attract a broad mainstream audience within the target demographic.
The document describes several filming sessions for a student film project over the course of November 2012. It discusses the locations, shots, and scenes filmed, as well as issues that arose. On the first date, the group filmed a news scene from different angles to find the perfect background setting. Noise from the wind and people talking made the scene less effective. They later re-shot scenes to make them more realistic to the thriller/action genres. Good medium shots were captured but some photos were accidentally deleted. Subsequent filming included shots of a character in a dark room and graveyard to convey scary atmospheres, though some shots did not look realistic.
Josh Davey received feedback on his production tasks for promoting a psychological thriller film. The feedback indicated that his film trailer, poster, and magazine cover were generally appealing to the target audience as they used appropriate conventions of genre and form. However, the magazine cover image could be more eye-catching. Based on this feedback, Josh would make minor adjustments to settings and costumes in the film trailer, improve the main images on the poster and magazine cover to be more conventional and interesting, and ensure the poster does not cut off characters. This audience feedback would help Josh further improve his promotional materials and determine if his film product would appeal to the target audience.
The document discusses the codes and conventions commonly found in different genres of music videos. It explains that technical conventions include camera angles, editing techniques, sound design choices while symbolic conventions relate to facial expressions and mise-en-scene elements. Specific genres like pop, R&B, and metal videos each have their own set of conventions around themes, locations, costumes, and whether they prioritize performance or narrative. Maintaining genre-specific conventions helps music videos effectively portray the mood and message of the song for the target audience.
The target audience for this media product is 15-34 year olds. This age bracket makes up the majority (64%) of cinema audiences despite only representing 40% of the population. The film focuses on a 15 year old girl's life to create a connection with this target demographic and incentivize them to see the film. Fashionable elements like the girl's sneakers were included to appeal to the fashion consciousness of teenagers and young adults without compromising the film's content.
The target audience for a new music magazine is male students aged 16-18 who have an interest in urban and hip-hop music. Research found this audience would pay between £1-£5 for the magazine, identifying them as both "Survivors" and "Social Climbers" but primarily "Social Climbers" as they prefer mainstream, young, and popular artists. The most desired content is the latest news in the music genre.
The magazine helped the author gather ideas for their final major project documentary about Beast Rampz Skate Park. The magazine contained interviews and information about scooter products, professional riders, and upcoming events that could be used or referenced in interviews for the documentary. Advertisements in the magazine for other skate parks influenced the idea that promoting skate parks through a YouTube documentary could help gain more business for Beast Rampz. An interview in the magazine provided example questions that could work well when influencing people to try a new sport in the documentary.
The documentary will profile Beast Rampz, currently the largest indoor skate park in Manchester. It will feature local skaters discussing how the park has impacted their lives to encourage more visits. While there is no specific target audience, it aims to interest those who enjoy extreme sports or want to learn more about Beast Rampz. The filmmaker will use equipment like a camera, tripod, dolly attachments, and fish-eye lens provided by Beast Rampz to capture shots of the park and skaters.
The document summarizes the results of a survey about creating a documentary or advertisement for a skate park. 4 people responded to the survey. Most responded that a documentary about a skate park sounds interesting. All respondents said a documentary would be better than an advertisement for promoting a skate park. Most said they would watch a documentary about a local skate park. While most may be influenced to visit the skate park after watching, not all respondents would visit. Based on the feedback, the author will create a documentary about the largest indoor skate park in Manchester to help promote the park.
El documento describe las siete capas del modelo OSI, incluyendo la capa física, enlace, red, transporte, sesión, presentación y aplicación. Explica brevemente lo que consiste cada capa, con la capa física que se refiere a las transformaciones de bits para la transmisión, la capa de enlace que se encarga de la transferencia fiable a través de un circuito de datos, y la capa de aplicación que ofrece a las aplicaciones el acceso a los servicios de las otras capas.
The document summarizes the filming of scenes for a student film production over multiple days from August to October. It describes filming locations, scenes captured, costumes and acting of characters, and efforts to improve production quality through lighting, camerawork techniques, and incorporating feedback between shoots. The production focused on developing thriller and mystery elements through the stalking of a main character who discovered a valuable diamond.
The music video for "Take It As It Comes" by Vivian Girls uses a narrative structure where the band members sing and tell a story. It emphasizes the indie aesthetic through retro props and costumes setting a 1980s theme. The relationship between the lyrics and visuals amplifies the meaning by directly connecting scenes with the lyrics. Similarly, the music and visuals have an illustrative and amplifying relationship where editing and shots reflect the tone of the music. The video focuses on close-ups of the band to introduce them without any notions of voyeurism, as their core fan base is female.
El documento presenta una actividad para un equipo de estudiantes sobre la difusión de información a través de las redes sociales que puede transformar vidas. El equipo elegirá un tema como el cuidado del medio ambiente, la educación o la equidad de género. Cada miembro asumirá un rol: investigador para recopilar datos, experimentador para probar actividades, o experto en TIC para publicar la información en Facebook y monitorear comentarios. El objetivo es generar conciencia sobre cómo la información compartida digitalmente puede crear un
The document discusses media representations of youth in London. It states that youths are often stereotyped in the media as criminals, gang members, drug users, school dropouts, and benefit claimers. This negative stereotyping means that youths are seen as unapproachable by the public. However, applications to colleges have increased, contradicting the stereotype of all youths being dropouts. The media product seeks to both conform to and contradict these stereotypes by showing youths like Terry who deal drugs out of necessity but want to change their lives, and Josephine, a young mother seeking to escape her current situation.
The document describes a film production group's process of filming scenes over multiple days to tell a story. It details their filming locations, scenes shot, characters portrayed, and goals for conveying tone and suspense. The group reflected on challenges faced and ways to improve their filming technique, storytelling, and editing to craft a polished thriller.
The document discusses various conventions and techniques used in music videos. It identifies the main conventions as style, camerawork, editing, sound (diegetic and non-diegetic), mise-en-scene, and notions of looking. It then describes different types of music videos including performance videos, narrative videos (linear and fragmented), mixture videos, and cameo videos. It also discusses the use of camera shots/angles, editing techniques like jump cuts and CGI, diegetic and non-diegetic sound, and elements of mise-en-scene like lighting, props, costumes, and location.
The document provides ideas and a rough script for a radio commercial to promote the clothing brand The Hundreds. It suggests using sound effects like explosions that relate to the brand's bomb logo and mascot Adam. The commercial would highlight newly released clothing and collaborations, and promote The Hundreds' association with skateboarding and surfing culture using related words. A draft script talks about finding a crazy stylish brand for cruising parks and pathways while completing an outfit, with friends envying one's rad appearance when wearing The Hundreds.
Fases del ciclo de vida del desarrollo de sistemasUPEL-IPB
El documento describe las 6 fases del ciclo de vida del desarrollo de sistemas de información: 1) Investigación preliminar para identificar problemas y objetivos, 2) Análisis para recopilar datos detallados, 3) Diseño para crear sistemas alternativos y seleccionar el mejor basado en su factibilidad, 4) Desarrollo para crear el software, 5) Implementación para instalar el sistema mediante diferentes métodos como directo, paralelo o por fases, y 6) Mantenimiento para evaluar periódicamente el sistema y realizar ajust
Dido is an English singer-songwriter who has sold over 28 million albums worldwide. Her song "Don't Leave Home" is about addiction and was inspired by her seeing friends and families destroyed by addiction. The music video tells a story that represents overcoming addiction through various symbols like Dido leaving her footprints behind and washing away in water, representing a fresh start. It uses cinematography like close-ups and shots of Dido's vulnerability to convey her struggle with addiction in a way that audiences can relate to.
The document discusses how the author addressed their target audience of 16-25 year olds for their music magazine. They considered the models used, ensuring both male and female artists were featured. The color scheme was designed to appeal to both males and females by using neutral shades of red, black and grey. The photography was carefully chosen to not appear overly feminine while still including some feminine elements. A wide variety of popular music genres were included on the front cover and in content to attract a broad mainstream audience within the target demographic.
The document describes several filming sessions for a student film project over the course of November 2012. It discusses the locations, shots, and scenes filmed, as well as issues that arose. On the first date, the group filmed a news scene from different angles to find the perfect background setting. Noise from the wind and people talking made the scene less effective. They later re-shot scenes to make them more realistic to the thriller/action genres. Good medium shots were captured but some photos were accidentally deleted. Subsequent filming included shots of a character in a dark room and graveyard to convey scary atmospheres, though some shots did not look realistic.
Josh Davey received feedback on his production tasks for promoting a psychological thriller film. The feedback indicated that his film trailer, poster, and magazine cover were generally appealing to the target audience as they used appropriate conventions of genre and form. However, the magazine cover image could be more eye-catching. Based on this feedback, Josh would make minor adjustments to settings and costumes in the film trailer, improve the main images on the poster and magazine cover to be more conventional and interesting, and ensure the poster does not cut off characters. This audience feedback would help Josh further improve his promotional materials and determine if his film product would appeal to the target audience.
The document discusses the codes and conventions commonly found in different genres of music videos. It explains that technical conventions include camera angles, editing techniques, sound design choices while symbolic conventions relate to facial expressions and mise-en-scene elements. Specific genres like pop, R&B, and metal videos each have their own set of conventions around themes, locations, costumes, and whether they prioritize performance or narrative. Maintaining genre-specific conventions helps music videos effectively portray the mood and message of the song for the target audience.
The target audience for this media product is 15-34 year olds. This age bracket makes up the majority (64%) of cinema audiences despite only representing 40% of the population. The film focuses on a 15 year old girl's life to create a connection with this target demographic and incentivize them to see the film. Fashionable elements like the girl's sneakers were included to appeal to the fashion consciousness of teenagers and young adults without compromising the film's content.
The target audience for a new music magazine is male students aged 16-18 who have an interest in urban and hip-hop music. Research found this audience would pay between £1-£5 for the magazine, identifying them as both "Survivors" and "Social Climbers" but primarily "Social Climbers" as they prefer mainstream, young, and popular artists. The most desired content is the latest news in the music genre.
The magazine helped the author gather ideas for their final major project documentary about Beast Rampz Skate Park. The magazine contained interviews and information about scooter products, professional riders, and upcoming events that could be used or referenced in interviews for the documentary. Advertisements in the magazine for other skate parks influenced the idea that promoting skate parks through a YouTube documentary could help gain more business for Beast Rampz. An interview in the magazine provided example questions that could work well when influencing people to try a new sport in the documentary.
The documentary will profile Beast Rampz, currently the largest indoor skate park in Manchester. It will feature local skaters discussing how the park has impacted their lives to encourage more visits. While there is no specific target audience, it aims to interest those who enjoy extreme sports or want to learn more about Beast Rampz. The filmmaker will use equipment like a camera, tripod, dolly attachments, and fish-eye lens provided by Beast Rampz to capture shots of the park and skaters.
The document summarizes the results of a survey about creating a documentary or advertisement for a skate park. 4 people responded to the survey. Most responded that a documentary about a skate park sounds interesting. All respondents said a documentary would be better than an advertisement for promoting a skate park. Most said they would watch a documentary about a local skate park. While most may be influenced to visit the skate park after watching, not all respondents would visit. Based on the feedback, the author will create a documentary about the largest indoor skate park in Manchester to help promote the park.
Final major project production diary template 2014 2015LewisDunn
Lewis Dunn created a production diary to document his progress on his final major project for a BTEC Extended Diploma in Creative Media Production. Over 15 weeks, he planned and completed tasks like keyword definitions, idea generation, proposal writing, pre-production including storyboards and location planning, filming, editing, and evaluation. Each week he summarized his progress and outlined his plans to ensure he stayed on track to complete his documentary video project on schedule.
Urbis in Manchester city centre is a popular street spot for skateboarders and scooters. It has varied sized ledges and gaps located in a busy area with shops and transport links nearby. Security does not usually move people on so riders can stay as long as they like.
MediaCityUK at Salford Quays near Manchester has many ledges and features across the area, though security may move riders on from some spots. It also has grassy areas for resting and an outdoor swimming area open in summer.
Irlam Skatepark outside Manchester has a well-designed flow layout with ramps, transfers and a massive back wall. It is near transport links and amenities and has
Sarah Murray is the graphic designer for skateboard brand Spitfire. She started doodling fireball designs as a tribute to Spitfire and sent them in, not expecting the brand to use them. Spitfire loved her designs and asked her to become their representative designer. Sarah gets inspiration from team riders and their hobbies to evolve the Spitfire logo. She recently caught up with pro skater Mike Mo Capaldi and is working on a Batman-themed graphic for him that could evolve into a full DC and Marvel comics series. Sarah sees her future continuing to create graphics for Spitfire and hopes one day to have a board made with a graphic of herself on it.
The document discusses editing photos for a magazine using Photoshop. For the front cover photo of Sarah with a skateboard, the author adjusted brightness and contrast to make colors pop more, used the Vibrance tool to enhance lighter colors, and enlarged the photo to fit the magazine. For the double page spread of Sarah, the author similarly adjusted brightness and contrast to improve colors, darkened the image as it was overexposed, slightly adjusted exposure to darken light areas, and enlarged the photo to fit the spread.
The document discusses the design and layout of a skateboarding magazine created by the author. They used Microsoft Word to write articles and Adobe Photoshop to design pages. Formats of popular skate magazines like Thrasher influenced the design, with a large bold title, contrasting fonts, and double page spreads with photos and interviews. The target audience is skateboard enthusiasts ages 13-30, shown through imagery, slang, and featuring both male and female skaters.
1) The article profiles Spitfire's graphic designer Sarah Murray and how she got started designing logos for the company over 10 years ago by sending in doodles of fireballs as a tribute.
2) Sarah discusses her creative process, taking inspiration from team riders' interests and hobbies to design unique graphics incorporating the Spitfire logo. She is currently working on a Batman-themed graphic inspired by rider Mike Mo Capaldi.
3) Sarah sees her future with Spitfire as unpredictable but rewarding, having already had an unforgettable career designing graphics for over a decade now. She is grateful to the fans and sponsors for their support.
Copyright protects original creative works and grants creators exclusive rights over the use and distribution of their work. The Copyright Hub is a non-profit organization that aims to make gaining legal access to copyrighted works easier. It provides technology to streamline the permission process and help consumers access material without worrying about copyright laws. Some organizations that can help obtain permission to use copyrighted images include the BBC copyright organization, which can remove copyright restrictions on BBC images for educational use.
This magazine article summarizes and evaluates the layout, design, and target audiences of two magazines: Empire movie magazine and Thrasher skateboarding magazine. For Empire, the cover focuses on the new Superman film, using large bold text and imagery of Superman to appeal to fans of superhero films. The layout, colors and fonts are designed to be eye-catching. Thrasher targets skateboard enthusiasts, with its cover typically featuring professional skaters. The layout includes photos of skaters doing impressive tricks alongside interviews, to both entertain and inspire readers.
This radio show review summarizes 3 stories:
1) A review of Sacha Parkinson's career and new role on a TV show to appeal to her fans.
2) A promotion of a local skate park business called Beast Rampz to gain more customers.
3) Interviews with local students on their thoughts about voting in the general election.
Lewis Dunn will conduct interviews on May 7th at Eccles College to gather student opinions on voting in the UK general election. He will introduce himself and the topic, then ask questions about their thoughts on voting, reasons for voting or not voting in the election, and record the interviews on his mobile phone to analyze findings.
collegeStudent voting radio news story reasearchLewisDunn
The document outlines a radio news story that will interview students about their opinions on voting. The interviewer will ask students questions about why they chose to vote or not vote, and who they voted for in the general election. The goal is to gather information that shows why students do and don't vote, and how their opinions could influence other students' views on voting. Screenshots of a website addressing common voting questions asked by students are also included to provide context.
colStudent voting radio news story reasearchLewisDunn
The document outlines a radio news story that will interview students about their opinions on voting. The interviewer will ask students questions about why they chose to vote or not vote, and who they voted for in the general election. The goal is to gather information that shows why students do and don't vote, and how their opinions could influence other students' views on voting. Screenshots of a website addressing common voting questions asked by students are also included to provide context.
Tim Bottomly, owner of Beast Rampz skate park in Manchester, will be interviewed on May 2nd at the skate park location. Lewis Dunn will conduct the phone interview to learn about the local Ardwick area and how the skate park provides an alternative to past issues like muggings. Planned questions for Tim include details about Beast Rampz, promotion methods, events attracting customers, and if he has anything else to add.
Beast Rampz Skate Park is the largest indoor skate park in Manchester. It offers ramps for skateboarding, scootering, BMX and other sports. Staff are available to help customers and deal with any issues. The skate park hosts events to promote sports and keep youth occupied. It is located in Ardwick, Manchester and contact details are on their website. For a radio interview, the host will speak to the park owner about why he opened it and a local rider about their experience at the park and how it has benefited them.
The document provides an analysis of three action/comedy films that the author enjoys: Kick Ass (2010), Zathura: A Space Adventure (2005), and This Is the End (2013). For each film, the author discusses elements they find appealing like the stars, storylines, and special effects. They also analyze how the directors promote the films through advertising and use of intertextuality. Big stars like Nicolas Cage and previous popular roles are noted as attracting audiences.
Parabolic antenna alignment system with Real-Time Angle Position FeedbackStevenPatrick17
Introduction
Parabolic antennas are a crucial component in many communication systems, including satellite communications, radio telescopes, and television broadcasting. Ensuring these antennas are properly aligned is vital for optimal performance and signal strength. A parabolic antenna alignment system, equipped with real-time angle position feedback and fault tracking, is designed to address this need. This document delves into the components, design, and implementation of such a system, highlighting its significance and applications.
Importance of Parabolic Antenna Alignment
The alignment of a parabolic antenna directly affects its performance. Even minor misalignments can lead to significant signal loss, which can degrade the quality of the received signal or cause communication failures. Proper alignment ensures that the antenna's focal point is accurately directed toward the signal source, maximizing the antenna's gain and efficiency. This precision is especially crucial in applications like satellite communications, where the antenna must track geostationary satellites with high accuracy.
Components of a Parabolic Antenna Alignment System
A parabolic antenna alignment system typically includes the following components:
Parabolic Dish: The primary reflector that collects and focuses incoming signals.
Feedhorn and Low Noise Block (LNB): Positioned at the dish's focal point to receive signals.
Stepper or Servo Motors: Adjust the azimuth (horizontal) and elevation (vertical) angles of the antenna.
Microcontroller (e.g., Arduino, Raspberry Pi): Processes sensor data and controls the motors.
Potentiometers: Provide feedback on the antenna's current angle positions.
Fault Detection Sensors: Monitor for potential faults such as cable discontinuities or LNB failures.
Control Software: Runs on the microcontroller, handling real-time processing and decision-making.
Real-Time Angle Position Feedback
Real-time feedback on the antenna's angle position is essential for maintaining precise alignment. This feedback is typically provided by potentiometers or rotary encoders, which continuously monitor the azimuth and elevation angles. The microcontroller reads this data and adjusts the motors accordingly to keep the antenna aligned with the signal source.
Fault Tracking in Antenna Alignment Systems
Fault tracking is vital for the reliability and performance of the antenna system. Common faults include cable discontinuities, LNB malfunctions, and motor failures. Sensors integrated into the system can detect these faults and either notify the user or initiate corrective actions automatically.
Design and Implementation
1. Parabolic Dish and Feedhorn
The parabolic dish is designed to reflect incoming signals to a focal point where the feedhorn and LNB are located. The dish's size and shape depend on the specific application and frequency range.
2. Motors and Position Control
Stepper motors or servo motors are used to control the azimuth and elevation of
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5 key differences between Hard skill and Soft skillsRuchiRathor2
𝐓𝐡𝐞 𝐏𝐞𝐫𝐟𝐞𝐜𝐭 𝐁𝐥𝐞𝐧𝐝:
𝐖𝐡𝐲 𝐘𝐨𝐮 𝐍𝐞𝐞𝐝 𝐁𝐨𝐭𝐡 𝐇𝐚𝐫𝐝 & 𝐒𝐨𝐟𝐭 𝐒𝐤𝐢𝐥𝐥𝐬 𝐭𝐨 𝐓𝐡𝐫𝐢𝐯𝐞 💯
In today's dynamic and competitive market, a well-rounded skillset is no longer a luxury - it's a necessity.
While technical expertise (hard skills) is crucial for getting your foot in the door, it's the combination of hard and soft skills that propels you towards long-term success and career advancement. ✨
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The synergy between hard and soft skills is what creates true value in the workplace. Strong communication allows you to clearly articulate your technical expertise, while problem-solving skills help you navigate complex challenges alongside your team. 💫
By actively developing both sets of skills, you position yourself as a well-rounded professional who can not only perform tasks efficiently but also contribute meaningfully to a collaborative and dynamic work environment.
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