The document provides a storyboard summary for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, arriving at her grandmother's house to find the wolf, and asking her grandmother for help. The storyboard utilizes everyday objects to represent elements of the story and focuses on key actions, locations, and camera shots to visualize the narrative.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document appears to be storyboard slides for an animated short film depicting Little Red Riding Hood. It shows Red Riding Hood leaving her mother's house with a basket of patties to deliver to her grandmother, skipping through the woods enjoying the treats along the way.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 42 shots showing Red Riding Hood leaving her mother's house with a basket of food for her grandmother, encountering the wolf in the woods who tries to take the basket, and their subsequent chase to the grandmother's house where Red Riding Hood seeks help from her grandmother against the wolf. Each shot lists the action, location, and duration in sequential order to visualize the scene.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail and confronting her in the woods before they both run to Grandma's house.
The document provides scene-by-scene directions for a stop-motion animation of Little Red Riding Hood. It describes Red Riding Hood being sent by her mother to bring a basket of patties to her grandmother, skipping through the woods and encountering the wolf, who chases her to her grandmother's house. The wolf arrives and Red Riding Hood calls for help from her grandmother.
The document provides a storyboard summary for a scene from Little Red Riding Hood. It describes Red Riding Hood leaving her mother's house with a basket of patties to bring to her grandmother, skipping through the woods while carrying the basket, and then stopping to eat one of the patties.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail, grabbing her basket, and chasing her to Grandma's house.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document appears to be storyboard slides for an animated short film depicting Little Red Riding Hood. It shows Red Riding Hood leaving her mother's house with a basket of patties to deliver to her grandmother, skipping through the woods enjoying the treats along the way.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 42 shots showing Red Riding Hood leaving her mother's house with a basket of food for her grandmother, encountering the wolf in the woods who tries to take the basket, and their subsequent chase to the grandmother's house where Red Riding Hood seeks help from her grandmother against the wolf. Each shot lists the action, location, and duration in sequential order to visualize the scene.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail and confronting her in the woods before they both run to Grandma's house.
The document provides scene-by-scene directions for a stop-motion animation of Little Red Riding Hood. It describes Red Riding Hood being sent by her mother to bring a basket of patties to her grandmother, skipping through the woods and encountering the wolf, who chases her to her grandmother's house. The wolf arrives and Red Riding Hood calls for help from her grandmother.
The document provides a storyboard summary for a scene from Little Red Riding Hood. It describes Red Riding Hood leaving her mother's house with a basket of patties to bring to her grandmother, skipping through the woods while carrying the basket, and then stopping to eat one of the patties.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail, grabbing her basket, and chasing her to Grandma's house.
The document is a production log created by Tesfah Watkins-Scott for their double page spread film review ancillary product. It details the steps taken to create the review in Adobe InDesign, including incorporating grids and guidelines, creating the background pages in black and white, adding images and text, and organizing columns. The review consists of two pages - the first includes a background, ratings, title, image with caption, and columns for the plot and review. The second page has columns for the remaining review and a large main image incorporating a moon.
The document is a production log for a magazine contents page. It describes the process of designing and laying out the various elements on the page, including:
1) Choosing colors of red, grey, and black for boxes and text.
2) Creating boxes and columns using drawing tools and separating them with lines.
3) Adding headings like "Contents", "What's to Come", "Features", and "Reviews" to the boxes.
4) Filling in listings of articles, images, and folios under the headings.
5) Choosing fonts consistently to suit the target audience and match the cover page.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent, escaping into her grandmother's house, and her grandmother surprising the wolf by revealing her karate skills and defeating the wolf.
The Source magazine is a U.S. hip-hop magazine that has been published since 1988. It is released twice a month or every two months. The magazine's publisher is the NorthStar Group, which also publishes Jones Magazine. The Source is sold in record stores like HMV and Virgin Megastores, where hip-hop fans are likely to purchase a music magazine. Currently, the magazine is sold for £5.11 on eBay, which is quite expensive considering increased costs from the global recession and decreased advertising revenue.
The document discusses the student's silent comedy film "Patty Take" and how it develops and challenges conventions of 1920s silent comedies. It summarizes that the film develops conventions like intertitles but challenges conventions by having an Afro-Caribbean twist. The ancillary texts of the poster and double page spread effectively support the film by continuing the black and white theme and aesthetic. A range of media technologies were used in creating the film, including iPhones for planning shots, cameras and tripods for filming, and Final Cut for editing.
This document outlines Marcus Thomas's production portfolio which will consist of a short film, two ancillary products, a blog, and an evaluation. The short film will be a modern version of Little Red Riding Hood that is approximately five minutes long. A poster and film review will support the film. Marcus and his partner Tesfah Watkins-Scott will take on various roles such as director, cameraman, and editor. They plan to modernize the classic tale with West Indian traditions and subvert conventions. A blog will document their progress. An evaluation will reflect on the work and discuss what went well and changes that could improve future projects.
The document describes the production process for creating a double-page spread (DPS) layout. It details how the author inserted margins and columns on the second page to layout an interview in three columns. They also changed the background color to black and used white text to improve readability with the black box for the subheading and byline. The finished DPS has the title and main image on the first page and the three-column interview formatted with questions in orange and answers in white on the second page.
The storyboard depicts a dark and ominous scene that begins with an establishing wide shot with low angle and low key lighting, zooming in on the subject. Various shots show the subject from different angles - low, medium, and high - as the camera tilts, pans, and closes in on objects like a plug hole, bandage, and clenched fist in the mirror. As a door opens off screen, two gunshots abruptly end the sequence in black.
This document provides a shot list for a film involving Red Riding Hood. It describes 14 shots showing Red Riding Hood skipping through the woods with a basket of patties and encountering a wolf. Another 12 shots depict a fight between the wolf, Red Riding Hood and her grandmother, with the grandmother ultimately defeating the wolf. The summary concludes with 2 shots of Red Riding Hood and her grandmother safely inside enjoying the patties.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes various shots of Red Riding Hood being given food by her mother and walking into the woods, encountering a wolf who follows her scent trail, a chase scene ending with Red Riding Hood hiding in her grandmother's house, and grandmother revealing her secret martial arts skills to defeat the wolf.
The document evaluates the media product "Patty Take", a silent comedy film, in three areas:
1) It develops conventions of 1920s silent comedies such as using intertitles but challenges conventions by focusing on the Black community with West Indian dialect and characters.
2) The ancillary texts like the poster and double page spread effectively support the film by continuing its black and white theme and incorporating still images from the film.
3) A range of technologies were used in the film's creation including an iPhone to plan shots, borrowing a camera and tripod, editing in Final Cut, and using Photoshop and InDesign to design promotional materials.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes various shots of Red Riding Hood being given food by her mother and walking through the woods, the wolf following her scent and encountering her, and both taking refuge in Grandma's house from the wolf. Grandma then emerges as a karate expert and defeats the wolf, sending him fleeing from the house.
Statement of intent for double page spreadthomasm2612
The document outlines the plans for a double-page magazine spread (DPS). It will include:
- Three columns of text on the second page for the main article.
- A large main image on the first page to attract readers and represent the subject's background.
- A headline and subheading to introduce the topic in different fonts and sizes.
- Colored text and boxes to separate elements and draw the eye, with a light grey background.
- An interview-based story about an unconventional rapper's approach to break conventions.
The document discusses the layout, images, and stories that will be included on a magazine contents page. It will use a two-column layout with grids and three total images - a large main image on the left and two smaller supporting images on the right. The images will show rappers and relate to cover stories on the page to attract readers. Facial expressions and poses in medium close-up shots will provide context for the stories. The goal is to catch readers' attention visually and hint at the topics to be discussed in the articles. Conventions like page numbers will be included but the number of images used is non-traditional.
The document discusses the evaluation of the student's silent comedy film "Patty Take" and ancillary texts. It summarizes how the film develops conventions of 1920s silent comedies through the use of intertitles, black and white film effects, and fast pace. It also challenges conventions by featuring an Afro-Caribbean twist. The poster and double page spread effectively support the film through continuing the black and white theme and incorporating still images. Various media technologies were used in the production process, including an iPhone for planning shots, a Canon camera for filming, and Final Cut software for editing.
The filmmaker developed conventions of 1920s silent comedies in their film "Patty Take", including using intertitles with West Indian dialect to make it relevant to an Afro-Caribbean audience. The film was also shot in black and white with grain to give it an aged 1920s feel and theme. It included fast pacing and more intertitles to fit over 5 minutes of action, adhering to silent film conventions.
Marcus Thomas designed a double page spread for a silent comedy using Adobe InDesign and Photoshop. He created a black background and added a heading in "Century Schoolbook" font about a "black and white winter". A subheading in "Synchro LET" font mentioned the comedy's Black British twist. Images of main characters were added large to engage readers. Text was divided into columns between the images with credits and a pull quote to entice the audience.
The document discusses editing a short silent film in Final Cut Pro. It describes importing footage, arranging shots in order on the timeline, shortening long shots, adding intertitles, adjusting pace and brightness, removing audio, adding vintage effects and transitions, and including orchestral music. The edits were made to follow conventions of 1920s silent comedies and to keep the film between 3-5 minutes.
The document is a production log created by Marcus Thomas detailing the steps taken to design an ancillary poster for a silent film called "Patty Take". It describes editing images to black and white, adding elements like the film title, actor names and photos, logos, and captions. Fonts and positioning of elements were adjusted to match styles of 1920s film posters and appeal to the target audience. The final poster design complied with conventions of the silent film genre and era.
The document is a production log created by Marcus Thomas detailing the steps taken to design his ancillary poster for a film project. He began by editing the film's main image to black and white to signify the silent film genre. Marcus then added text and graphical elements like the film title, actors' names and pictures, and a logo. Fonts and positioning of elements were carefully selected to achieve a 1920s aesthetic and appeal to the target audience. Minor adjustments to brightness and borders finished the poster design according to conventions while effectively promoting the film.
Marcus created a production log to document the process of designing his ancillary poster. He used Adobe Photoshop and edited elements like changing a photo to black and white. He added text in fonts like "Elephant" to give a 1920s silent film feel. Elements included the film title "Patty Take" at the top and images of the actors with their names. The final poster complied with 1920s conventions like being in black and white and including borders around images.
Marcus Thomas created a production log to document the process of designing his ancillary poster. He used Adobe Photoshop CS6. The first steps were editing the color photo of Red Riding Hood to black and white to match the silent film genre. Names and photos of three actors were added at the top in a large font. The film title "Patty Take" was centered in a comic font. Additional elements like the film company logo, release date banner, and taglines completed the poster while maintaining consistency in style and fonts to portray the 1920s silent film genre.
The document is a production log created by Tesfah Watkins-Scott for their double page spread film review ancillary product. It details the steps taken to create the review in Adobe InDesign, including incorporating grids and guidelines, creating the background pages in black and white, adding images and text, and organizing columns. The review consists of two pages - the first includes a background, ratings, title, image with caption, and columns for the plot and review. The second page has columns for the remaining review and a large main image incorporating a moon.
The document is a production log for a magazine contents page. It describes the process of designing and laying out the various elements on the page, including:
1) Choosing colors of red, grey, and black for boxes and text.
2) Creating boxes and columns using drawing tools and separating them with lines.
3) Adding headings like "Contents", "What's to Come", "Features", and "Reviews" to the boxes.
4) Filling in listings of articles, images, and folios under the headings.
5) Choosing fonts consistently to suit the target audience and match the cover page.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent, escaping into her grandmother's house, and her grandmother surprising the wolf by revealing her karate skills and defeating the wolf.
The Source magazine is a U.S. hip-hop magazine that has been published since 1988. It is released twice a month or every two months. The magazine's publisher is the NorthStar Group, which also publishes Jones Magazine. The Source is sold in record stores like HMV and Virgin Megastores, where hip-hop fans are likely to purchase a music magazine. Currently, the magazine is sold for £5.11 on eBay, which is quite expensive considering increased costs from the global recession and decreased advertising revenue.
The document discusses the student's silent comedy film "Patty Take" and how it develops and challenges conventions of 1920s silent comedies. It summarizes that the film develops conventions like intertitles but challenges conventions by having an Afro-Caribbean twist. The ancillary texts of the poster and double page spread effectively support the film by continuing the black and white theme and aesthetic. A range of media technologies were used in creating the film, including iPhones for planning shots, cameras and tripods for filming, and Final Cut for editing.
This document outlines Marcus Thomas's production portfolio which will consist of a short film, two ancillary products, a blog, and an evaluation. The short film will be a modern version of Little Red Riding Hood that is approximately five minutes long. A poster and film review will support the film. Marcus and his partner Tesfah Watkins-Scott will take on various roles such as director, cameraman, and editor. They plan to modernize the classic tale with West Indian traditions and subvert conventions. A blog will document their progress. An evaluation will reflect on the work and discuss what went well and changes that could improve future projects.
The document describes the production process for creating a double-page spread (DPS) layout. It details how the author inserted margins and columns on the second page to layout an interview in three columns. They also changed the background color to black and used white text to improve readability with the black box for the subheading and byline. The finished DPS has the title and main image on the first page and the three-column interview formatted with questions in orange and answers in white on the second page.
The storyboard depicts a dark and ominous scene that begins with an establishing wide shot with low angle and low key lighting, zooming in on the subject. Various shots show the subject from different angles - low, medium, and high - as the camera tilts, pans, and closes in on objects like a plug hole, bandage, and clenched fist in the mirror. As a door opens off screen, two gunshots abruptly end the sequence in black.
This document provides a shot list for a film involving Red Riding Hood. It describes 14 shots showing Red Riding Hood skipping through the woods with a basket of patties and encountering a wolf. Another 12 shots depict a fight between the wolf, Red Riding Hood and her grandmother, with the grandmother ultimately defeating the wolf. The summary concludes with 2 shots of Red Riding Hood and her grandmother safely inside enjoying the patties.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes various shots of Red Riding Hood being given food by her mother and walking into the woods, encountering a wolf who follows her scent trail, a chase scene ending with Red Riding Hood hiding in her grandmother's house, and grandmother revealing her secret martial arts skills to defeat the wolf.
The document evaluates the media product "Patty Take", a silent comedy film, in three areas:
1) It develops conventions of 1920s silent comedies such as using intertitles but challenges conventions by focusing on the Black community with West Indian dialect and characters.
2) The ancillary texts like the poster and double page spread effectively support the film by continuing its black and white theme and incorporating still images from the film.
3) A range of technologies were used in the film's creation including an iPhone to plan shots, borrowing a camera and tripod, editing in Final Cut, and using Photoshop and InDesign to design promotional materials.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes various shots of Red Riding Hood being given food by her mother and walking through the woods, the wolf following her scent and encountering her, and both taking refuge in Grandma's house from the wolf. Grandma then emerges as a karate expert and defeats the wolf, sending him fleeing from the house.
Statement of intent for double page spreadthomasm2612
The document outlines the plans for a double-page magazine spread (DPS). It will include:
- Three columns of text on the second page for the main article.
- A large main image on the first page to attract readers and represent the subject's background.
- A headline and subheading to introduce the topic in different fonts and sizes.
- Colored text and boxes to separate elements and draw the eye, with a light grey background.
- An interview-based story about an unconventional rapper's approach to break conventions.
The document discusses the layout, images, and stories that will be included on a magazine contents page. It will use a two-column layout with grids and three total images - a large main image on the left and two smaller supporting images on the right. The images will show rappers and relate to cover stories on the page to attract readers. Facial expressions and poses in medium close-up shots will provide context for the stories. The goal is to catch readers' attention visually and hint at the topics to be discussed in the articles. Conventions like page numbers will be included but the number of images used is non-traditional.
The document discusses the evaluation of the student's silent comedy film "Patty Take" and ancillary texts. It summarizes how the film develops conventions of 1920s silent comedies through the use of intertitles, black and white film effects, and fast pace. It also challenges conventions by featuring an Afro-Caribbean twist. The poster and double page spread effectively support the film through continuing the black and white theme and incorporating still images. Various media technologies were used in the production process, including an iPhone for planning shots, a Canon camera for filming, and Final Cut software for editing.
The filmmaker developed conventions of 1920s silent comedies in their film "Patty Take", including using intertitles with West Indian dialect to make it relevant to an Afro-Caribbean audience. The film was also shot in black and white with grain to give it an aged 1920s feel and theme. It included fast pacing and more intertitles to fit over 5 minutes of action, adhering to silent film conventions.
Marcus Thomas designed a double page spread for a silent comedy using Adobe InDesign and Photoshop. He created a black background and added a heading in "Century Schoolbook" font about a "black and white winter". A subheading in "Synchro LET" font mentioned the comedy's Black British twist. Images of main characters were added large to engage readers. Text was divided into columns between the images with credits and a pull quote to entice the audience.
The document discusses editing a short silent film in Final Cut Pro. It describes importing footage, arranging shots in order on the timeline, shortening long shots, adding intertitles, adjusting pace and brightness, removing audio, adding vintage effects and transitions, and including orchestral music. The edits were made to follow conventions of 1920s silent comedies and to keep the film between 3-5 minutes.
The document is a production log created by Marcus Thomas detailing the steps taken to design an ancillary poster for a silent film called "Patty Take". It describes editing images to black and white, adding elements like the film title, actor names and photos, logos, and captions. Fonts and positioning of elements were adjusted to match styles of 1920s film posters and appeal to the target audience. The final poster design complied with conventions of the silent film genre and era.
The document is a production log created by Marcus Thomas detailing the steps taken to design his ancillary poster for a film project. He began by editing the film's main image to black and white to signify the silent film genre. Marcus then added text and graphical elements like the film title, actors' names and pictures, and a logo. Fonts and positioning of elements were carefully selected to achieve a 1920s aesthetic and appeal to the target audience. Minor adjustments to brightness and borders finished the poster design according to conventions while effectively promoting the film.
Marcus created a production log to document the process of designing his ancillary poster. He used Adobe Photoshop and edited elements like changing a photo to black and white. He added text in fonts like "Elephant" to give a 1920s silent film feel. Elements included the film title "Patty Take" at the top and images of the actors with their names. The final poster complied with 1920s conventions like being in black and white and including borders around images.
Marcus Thomas created a production log to document the process of designing his ancillary poster. He used Adobe Photoshop CS6. The first steps were editing the color photo of Red Riding Hood to black and white to match the silent film genre. Names and photos of three actors were added at the top in a large font. The film title "Patty Take" was centered in a comic font. Additional elements like the film company logo, release date banner, and taglines completed the poster while maintaining consistency in style and fonts to portray the 1920s silent film genre.
The document summarizes the researcher's analysis of two magazine double page spreads from the 1920s related to Charlie Chaplin. Both spreads use large prominent images, headlines that draw attention, and small body text to fit more information across the two pages. The researcher concludes they should take a similar approach for their own double page spread on a silent comedy - including a large main image, plenty of detailed text, and formatting techniques to maximize the amount of content.
This document analyzes a movie poster for the Laurel and Hardy film "Big Heist in Venice" from the silent film era. It discusses several key design elements of the poster and what they convey, including the large masthead that introduces the film, the prominent placement of Laurel and Hardy's names, the emphasized facial expressions in the main image, and the use of text and colors. These visual techniques are meant to attract attention and effectively market the film to the intended audience. The document concludes that researching this historic poster will be useful for designing a poster for the author's own silent comedy short film.
The document discusses techniques used in posters for silent comedy films from the 1920s. It analyzes posters for films starring Laurel and Hardy and Charlie Chaplin. Key techniques discussed include using large fonts for the film title and actors' names to attract attention, emphasizing facial expressions to convey the comedic nature, and including details like locations and costumes to intrigue viewers. Quotes or reviews are also used in selling lines to persuade audiences. These historical techniques will help inform the design of the poster being created to advertise the author's own silent comedy short film.
The document provides a storyboard summary for a scene from Little Red Riding Hood. It describes Red Riding Hood leaving her mother's house with a basket of patties to bring to her grandmother, skipping through the woods while carrying the basket, and then stopping to eat one of the patties.
The document contains 33 sections that describe camera shots, camera movements, locations, and actions for filming. Each section provides details on camera angles, shots, movements, and transitions for unspecified footage being filmed at various indoor and outdoor locations including a house, woods, and unspecified interiors and exteriors.
The storyboard depicts a dark and ominous scene that begins with an establishing wide shot with low angle and low key lighting, zooming in on the subject. Various shots show the subject from different angles - low, medium, and high - as the camera pans across objects and provides close-ups of a plug hole, bandage wrapping, clenched fist in the mirror, and a blurred head turn. Sound effects of a door opening are followed by two bangs.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
The document outlines a shot list for a film involving Little Red Riding Hood. It describes various shots that would be used to tell the story, including establishing shots of Red Riding Hood leaving home, interacting with the wolf in the woods, escaping to her grandmother's house, and her grandmother defending them from the wolf through martial arts. The grandmother is then seen sending the wolf away and disciplining Red Riding Hood for eating all the food.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes various shots showing Red Riding Hood being given food by her mother and walking into the woods, encountering the wolf, running into her grandmother's house to escape the wolf, and her grandmother fighting off the wolf using karate moves. In the end, the grandmother throws the wolf out of the house and questions where the food went while giving Red Riding Hood a stern look.
1. ACTION: house being LOCATION: just outside
1 Shown to set the scene Mums house 0:02
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
2. ACTION: mum calls red LOCATION: kitchen of
2 riding hood downstairs mums house 0:06
CAMERA SHOTS
TRANSITION TO NEXT SHOT
MS CAMERA MOVEMENT
STATIC
STRAIGHT
4. ACTION: red riding hood LOCATION: in red riding
4 answers hood’s bedroom 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
6. ACTION: mum gives LOCATION: downstairs of
6 Instructions to red riding hood telling her
to bring a basket of patties to her grandma
mums house 0:05
This bag is acting as
the basket of patties
CAMERA SHOTS
TRANSITION TO NEXT SHOT
MLS/LS CAMERA MOVEMENT
STATIC
STRAIGHT
7. ACTION: red riding hood LOCATION: kitchen of
7 Tries to take a patty out of
the basket
mums house 0:01
This phone is
acting as the patty
This bag is acting as
the basket of patties
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
8. ACTION: red riding hood LOCATION: kitchen of mums house
8 about to eat a patty 0:01
Phone acting as patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
9. ACTION: mum puts on body LOCATION: kitchen of mums
language showing that she's
9 cross with red riding hood for attempting house 0:03
to eat the patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
11. ACTION: Red riding hood LOCATION: kitchen of
11 frowns at puts patty back mums house 0:04
In basket
Phone acting as
patty and the bag
acting as basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS, SIDE ANGLE STATIC
STRAIGHT
12. ACTION: red riding hood LOCATION: downstairs of
12A Picks up basket Mums house 0:08
12A,12B,12C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
→
13. ACTION: red riding hood LOCATION: downstairs of
12B Walks to the door Mums house 0:08
12A,12B,12C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
→
14. ACTION: red riding hood LOCATION: downstairs of
12C Waves by the door to her Mums house 0:08
mum
12A,12B,10C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS/LS STATIC
STRAIGHT
15. ACTION: red riding hood LOCATION: on the way to the
13 Waves to her mum woods just right 0:04
near to the mums house
CAMERA SHOTS
TRANSITION TO NEXT SHOT
CU & VLS CAMERA MOVEMENT
STATIC
STRAIGHT
17. ACTION: red riding hood
LOCATION: the woods
15A skipping 0:08
15A,15B,15C are all the
same shot, the camera is
still. Each slide focuses on
red riding hood skipping.
Altogether the time should
take 8 secs approx.
CAMERA SHOTS TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC STRAIGHT DISSOLVE FADE WIPE
MATCH JUMP SUPERIMPOSITION OTHER
18. ACTION: red riding hood
LOCATION: the woods
15B skipping 0:08
15A,15B,15C are all the
same shot, the camera is
still. Each slide focuses on
red riding hood skipping.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
19. ACTION: red riding hood
LOCATION: the woods
15C skipping 0:08
15A,15B,15C,13D are all
the same shot, the camera
is still. Each slide focuses
on red riding hood skipping.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
20. ACTION: red riding skips
LOCATION: the woods
15D Out of the scene 0:08
15A,15B,15C,15D are all
the same shot, the camera
is still. Each slide focuses
on red riding hood skipping.
Altogether the time should
take 8 secs approx.
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
21. ACTION: red riding hood
LOCATION: the woods
16 skipping 0:05
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
22. ACTION: basket
LOCATION: the woods
17 Full of patties 0:01
CAMERA SHOTS
TRANSITION TO NEXT SHOT
CU CAMERA MOVEMENT
STATIC
STRAIGHT
23. ACTION: red riding hood
LOCATION: the woods
18 Thinks about eating a patty 0:04
And then eats one
Phone
used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
24. LOCATION: the woods, the
19 ACTION: introduces wolf Wolf is in a bush 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
25. ACTION: wolf steps on poo LOCATION: the woods
20 0:02
The wallet is being
used as the poo
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
27. ACTION: wolf frustrated with
LOCATION: the woods
22 Stepping on poo 0:04
The wallet is being
used as the poo
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
28. ACTION: red riding hood
LOCATION: the woods
23A Leaves packet trails 0:07
23A,23B,23C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
29. ACTION: red riding hood
LOCATION: the woods
23B Leaves packet trails 0:07
23A,23B,23C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
30. ACTION: red riding hood
LOCATION: the woods
23C Leaves packet trails 0:07
23A,23B,23C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
31. ACTION: wolf twitches nose LOCATION: the woods
24 0:02
CAMERA SHOTS
TRANSITION TO NEXT SHOT
ECU CAMERA MOVEMENT
STATIC
STRAIGHT
32. ACTION: wolf buckles
LOCATION: the woods
25 over legs 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
34. ACTION: wolf follows packet
LOCATION: the woods
27 trails 0:06
CAMERA SHOTS
TRANSITION TO NEXT SHOT
LS/VLS CAMERA MOVEMENT
STATIC
STRAIGHT
35. ACTION: wolf gradually
LOCATION: the woods
28 Creeps up on red riding 0:04
hood
CAMERA SHOTS
TRANSITION TO NEXT SHOT
LS/VLS CAMERA MOVEMENT
STATIC
STRAIGHT
36. ACTION : wolf grabs red
LOCATION: the woods
29 Riding hood’s basket out of 0:02
Her hand
The bag acting
as the basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
37. ACTION: wolf and red riding
30 Hood plays tug-a-war for LOCATION woods
LOCATION: the
0:03
0:00
basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
38. ACTION: red riding hood
LOCATION: the woods
31 Fighting for the basket 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
39. ACTION: the wolf
LOCATION: the woods
32 Fighting for the basket 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
40. ACTION: both red riding
LOCATION: the woods
33 Hood and the wolf fall and 0:04
the patties fall out of basket
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
41. ACTION: red riding hood LOCATION: the woods
34A picks up basket and Gets up 0:08
34A,34B are all the same
shot, the camera is still.
This slide focuses on red
riding hood getting up from
the floor. Altogether the
time should take 8 secs
approx.
This is the basket
Wolf is still down
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
42. ACTION: picks up basket
LOCATION: the woods
34B gets up an runs 0:08
34A,34B are all the same
shot, the camera is still.
This slide focuses on red
riding hood running away.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
43. ACTION: wolf running after
LOCATION: the woods
35 Red riding hood 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
44. LOCATION: grandmas
ACTION: door left open
36A house 0:06
36A,36B,36C are all the
same shot, the camera is
still. This slide focuses on
the door being slightly
open. Altogether the time
should take 6 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
45. ACTION: red riding hood LOCATION: grandmas
36B Runs through door house 0:06
36A,36B,36C are all the
same shot, the camera is
still. This slide focuses on
red riding hood running
through the door. Altogether
the time should take 6 secs
approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
46. ACTION: wolf runs through LOCATION: grandmas
36C Door three secs later house 0:06
36A,36B,36C are all the
same shot, the camera is
still. This slide focuses on
the wolf running through the
door three seconds later.
Altogether the time should
take 6 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
47. ACTION: red riding hood LOCATION: grandmas
37 running upstairs house 0:02
This may change
to a high angle
shot
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
48. ACTION: red riding hood LOCATION: grandmas
38 Runs into grandmas room house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
49. ACTION: the wolf trips over LOCATION: grandmas
39 on the stairs house 0:05
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
51. ACTION: grandma wakes up
LOCATION: grandmas room
41 After hearing the wolf trip on 0:03
stairs
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
52. ACTION: red riding hood
LOCATION: grandmas room
42 Asks for help 0:02
CAMERA SHOTS
MS/MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
LOW
54. ACTION: wolf crawls up the LOCATION: grandmas
44 Stairs hurt house 0:01
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
55. ACTION: grandma asks
LOCATION: grandmas room
45 What's going on 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS/MLS STATIC
STRAIGHT
57. ACTION: red riding hood LOCATION: grandmas
47 hides behind grandma and bedroom 0:04
Walks to door
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
Over shoulder STATIC
STRAIGHT
58. ACTION: red riding hood LOCATION: grandmas
48 Hides behind grandma house 0:02
And walks in the corridor
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS/LS STATIC
STRAIGHT
59. ACTION: wolf is near the top LOCATION: grandmas
49 Of stairs house 0:01
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
60. ACTION: red riding hood LOCATION: grandmas
50 tells Grandma not to go near house 0:02
wolf
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
61. 51 0:02
Don’t go near the
Wolf Gran
INTERTILES
62. ACTION: grandma says LOCATION: grandmas
52 Stand back I’ll be fine house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
64. ACTION: wolf is nearly on LOCATION: grandmas
54 All fours house 0:01
CAMERA SHOTS CAMERA MOVEMENT
LS PAN TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↑
65. ACTION: grandma gives LOCATION: Grandmas
55 A stern look to the wolf, Then raises fists
(getting Ready to fight).
house 0:01
CAMERA SHOTS
MS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
LOW
66. LOCATION: grandmas
ACTION: wolf looks scared
56 house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
67. ACTION: grandma takes
LOCATION: interior/exterior
57 Basket out of red riding 0:02
Hoods hand
Grandma
Basket
Red riding hood
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS/LS STATIC
STRAIGHT
68. ACTION: grandma asks LOCATION: grandmas
58 The wolf if its this you want House 0:03
Phone being
represented as
patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
72. ACTION: wolf walks slowly LOCATION: grandmas
62A To grab the patty house 0:07
62A,62B,62C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
73. ACTION: wolf walks slowly LOCATION: grandmas
62B To grab the patty house 0:07
62A,62B,62C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
74. ACTION: wolf grabbing the LOCATION: grandmas
62C Patty with his mouth house 0:07
62A,62B,62C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
75. ACTION: grandma swings LOCATION: grandmas
63A The wolf to the other side of house 0:03
room with wolf still gripping on patty
63A, 63B is the same shot
showing the movement of
grandma swinging the
wolf to the other side of
the room. Altogether the
shot will take 3 secs.
Wallet used as Red riding hood
Patty in background
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS PAN
STRAIGHT
76. ACTION: grandma swings LOCATION: grandmas
The wolf to the other side of
63B room with wolf still gripping on patty
house 0:03
63A, 63B is the same shot
showing the movement of
grandma swinging the
wolf to the other side of
the room. Altogether the
shot will take 3 secs.
Wallet used as
Patty
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
←
77. ACTION: wolf slammed into LOCATION: grandmas
64 wall house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
79. ACTION: red riding hood LOCATION: grandmas
66 Looks scared house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
80. ACTION: wolf is in a dizzy LOCATION: grandmas
67 spell house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
81. ACTION: grandma gives LOCATION: grandmas
68 Patty back to red riding house 0:01
Hood to hold
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
82. 69 0:02
THIS BIT IS GOING
TO BE FUNNY…
INTERTILES
83. ACTION: grandma takes LOCATION: grandmas
70 Off clothes and karate house 0:04
Clothes are underneath
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
84. ACTION: red riding looks LOCATION: grandmas
71 In amazement house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
85. ACTION: wolf looks in LOCATION: grandmas
72 amazement house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
86. ACTION: grandma does LOCATION: grandmas
73 Karate moves house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
87. ACTION: grandma tries to LOCATION: grandmas
74 Punch the wolf but he ducks house 0:02
CAMERA SHOTS
MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
P-O-V
88. ACTION: grandma kicks LOCATION: grandmas
75 Wolf downstairs house 0:02
Grandma’s foot
CAMERA SHOTS
MLS/LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
P-O-V
90. ACTION: wolf is seen lying LOCATION: grandmas
77 On the landing house 0:02
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
91. ACTION: grandma walks LOCATION: grandmas
78A down the stairs house 0:03
78A, 78B are all the same
shot, in 78A the grandma
is walking. Altogether the
shot should take 3 secs
approx
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
static
STRAIGHT
CAMERA ANGLES
LOW
92. ACTION: grandmas walks LOCATION: grandmas
78B Down the stairs house 0:03
78A, 78B, are all the same
shot, in 78B the grandma
is walking. Altogether the
shot should take 3 secs
approx
CAMERA SHOTS
MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
pans
STRAIGHT
CAMERA ANGLES
LOW
93. ACTION: grandma picks LOCATION: grandmas
79A Up the wolf house 0:03
79A, 79B are all the same
shot, in 79A the grandma
is picking up the wolf. The
camera then tilts up.
Altogether the shot should
take 3 secs approx
CAMERA SHOTS
MS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
TILTS
STRAIGHT
CAMERA ANGLES
POV/ HIGH
94. ACTION: grandma throws LOCATION: grandmas
79B The wolf outside house 0:03
79A, 79B are all the same
shot, in 79B the grandma
throws the wolf outside.
Altogether the shot should
take 3 secs approx
CAMERA MOVEMENT
TRANSITION TO NEXT SHOT
CAMERA SHOTS STATIC
MS
STRAIGHT
95. ACTION: wolf is thrown LOCATION: just outside of
80 Out the house in jazzy of Grandmas house 0:03
Fresh prince style
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
Side shot STATIC
STRAIGHT
96. 81 0:02
THAT’S GOING TO
HURT IN THE
MORNING
INTERTILES
97. ACTION: grandma dusts LOCATION: grandmas
82 hands house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
98. ACTION: red riding hood LOCATION: grandmas
83 Congratulates the grandma house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
100. ACTION: basket has no LOCATION: grandmas
85 Patties left house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
101. ACTION: grandma asks LOCATION: grandmas
86 Where's the patties? house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU/MS STATIC
STRAIGHT
102. 87 0:02
WHERE’S THE
REST OF THE
PATTIES?
INTERTILES
103. ACTION: red riding hood LOCATION: grandmas
88 Swallows throat house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
105. ACTION: grandma closes LOCATION: grandmas
90A The door house 0:04
90A, 90B, 90C, 90D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
CAMERA MOVEMENT TRANSITION TO NEXT SHOT
CAMERA SHOTS
MLS STATIC STRAIGHT
106. LOCATION: grandmas
ACTION: grandma closes
90B The door and gets belt out
house 0:04
90A, 90B, 90C, 90D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
107. ACTION: grandma closes LOCATION: grandmas
90C Door with belt in hand house 0:04
90A, 90B, 90C, 90D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
108. ACTION: door is closed LOCATION: grandmas house
90D 0:04
90A, 90B, 90C, 90D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT