The document provides scene-by-scene directions for a stop-motion animation of Little Red Riding Hood. It describes Red Riding Hood being sent by her mother to bring a basket of patties to her grandmother, skipping through the woods and encountering the wolf, who chases her to her grandmother's house. The wolf arrives and Red Riding Hood calls for help from her grandmother.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document provides a storyboard summary for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, arriving at her grandmother's house to find the wolf, and asking her grandmother for help. The storyboard utilizes everyday objects to represent elements of the story and focuses on key actions, locations, and camera shots to visualize the narrative.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
The document appears to be storyboard slides for an animated short film depicting Little Red Riding Hood. It shows Red Riding Hood leaving her mother's house with a basket of patties to deliver to her grandmother, skipping through the woods enjoying the treats along the way.
The document discusses the layout, design elements, and content that will be included on a magazine contents page. It will use a two-column layout with grids in InDesign. The main image will be in the first column with additional smaller images and stories in the second column. Colors, fonts, and other graphical elements are chosen to effectively showcase content and appeal to the target hip-hop audience while navigating convention. The images, stories, and other content will be carefully curated and related to showcase vibrant stories and motivate readers.
The storyboard depicts a dark and ominous scene that begins with an establishing wide shot with low angle and low key lighting, zooming in on the subject. Various shots show the subject from different angles - low, medium, and high - as the camera pans across objects and provides close-ups of a plug hole, bandage wrapping, clenched fist in the mirror, and a blurred head turn. Sound effects of a door opening are followed by two bangs.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document provides a storyboard summary for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, arriving at her grandmother's house to find the wolf, and asking her grandmother for help. The storyboard utilizes everyday objects to represent elements of the story and focuses on key actions, locations, and camera shots to visualize the narrative.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
The document appears to be storyboard slides for an animated short film depicting Little Red Riding Hood. It shows Red Riding Hood leaving her mother's house with a basket of patties to deliver to her grandmother, skipping through the woods enjoying the treats along the way.
The document discusses the layout, design elements, and content that will be included on a magazine contents page. It will use a two-column layout with grids in InDesign. The main image will be in the first column with additional smaller images and stories in the second column. Colors, fonts, and other graphical elements are chosen to effectively showcase content and appeal to the target hip-hop audience while navigating convention. The images, stories, and other content will be carefully curated and related to showcase vibrant stories and motivate readers.
The storyboard depicts a dark and ominous scene that begins with an establishing wide shot with low angle and low key lighting, zooming in on the subject. Various shots show the subject from different angles - low, medium, and high - as the camera pans across objects and provides close-ups of a plug hole, bandage wrapping, clenched fist in the mirror, and a blurred head turn. Sound effects of a door opening are followed by two bangs.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent trail, being chased by the wolf to her grandmother's house, hiding from the wolf with her grandmother, and her grandmother defeating the wolf with karate moves and throwing him out of the house.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 42 shots showing Red Riding Hood leaving her mother's house with a basket of food for her grandmother, encountering the wolf in the woods who tries to take the basket, and their subsequent chase to the grandmother's house where Red Riding Hood seeks help from her grandmother against the wolf. Each shot lists the action, location, and duration in sequential order to visualize the scene.
The document discusses the evaluation of the student's silent comedy film "Patty Take" and ancillary texts. It summarizes how the film develops conventions of 1920s silent comedies through the use of intertitles, black and white film effects, and fast pace. It also challenges conventions by featuring an Afro-Caribbean twist. The poster and double page spread effectively support the film through continuing the black and white theme and incorporating still images. Various media technologies were used in the production process, including an iPhone for planning shots, a Canon camera for filming, and Final Cut software for editing.
The document evaluates how the media product uses and challenges conventions of real magazines. It represents a particular social group of teenagers and young adults through images and stories. The product would be distributed in record stores to attract an audience of 15-28 year olds interested in hip hop from inner cities. The process taught the use of Photoshop and InDesign to construct the magazine.
This document analyzes a movie poster for the Laurel and Hardy film "Big Heist in Venice" from the silent film era. It discusses several key design elements of the poster and what they convey, including the large masthead that introduces the film, the prominent placement of Laurel and Hardy's names, the emphasized facial expressions in the main image, and the use of text and colors. These visual techniques are meant to attract attention and effectively market the film to the intended audience. The document concludes that researching this historic poster will be useful for designing a poster for the author's own silent comedy short film.
The document is a production log that describes the process of designing a contents page for a magazine. It discusses choosing colors of grey, black and red, creating boxes and headings, selecting fonts, and filling the boxes with content like features, cover stories, and reviews. The final contents page includes boxes with headings in impact font, lists of features in Arial rounded font, and folios in red to draw attention.
This document summarizes the design choices for the front cover of a hip-hop magazine. Key elements include a masthead called "PAR" which is "RAP" spelled backwards, designed in red with a black stroke. The skyline is placed above the masthead in the same font for consistency. The main image shows a rapper recording in a studio. Supporting images and cover lines are placed elsewhere on the page to draw attention to the main image and story. Minor changes from the initial statement of intent include using one main image with one supporting image instead of multiple people and adjusting the barcode location.
The document summarizes the researcher's analysis of two magazine double page spreads from the 1920s related to Charlie Chaplin. Both spreads use large prominent images, headlines that draw attention, and small body text to fit more information across the two pages. The researcher concludes they should take a similar approach for their own double page spread on a silent comedy - including a large main image, plenty of detailed text, and formatting techniques to maximize the amount of content.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail and confronting her in the woods before they both run to Grandma's house.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes various shots of Red Riding Hood in the woods with a basket of patties, being followed by a wolf. The wolf chases Red Riding Hood to her grandmother's house. There, Grandma reveals she knows karate and defeats the wolf, throwing him out of the house.
This document provides a shot list for a film involving Red Riding Hood. It describes 14 shots showing Red Riding Hood skipping through the woods with a basket of patties and encountering a wolf. Another 12 shots depict the wolf following Red Riding Hood and stealing her basket, leading to a fight between the wolf and Red Riding Hood's grandmother who comes to her rescue. The final shots show the wolf defeated and Red Riding Hood and her grandmother safely back home enjoying the patties.
This document provides information about a student's media studies foundation portfolio project on researching and planning for a music magazine. It includes sections on targeting the audience, visual design choices, learning about design software, preliminary project components like covers and contents, reflections on feedback, and re-drafting elements based on criticism. The student aims to create a hip-hop genre magazine for a teenage and young adult audience.
The document discusses the student's silent comedy film "Patty Take" and how it develops and challenges conventions of 1920s silent comedies. It summarizes that the film develops conventions like intertitles but challenges conventions by having an Afro-Caribbean twist. The ancillary texts of the poster and double page spread effectively support the film by continuing the black and white theme and aesthetic. A range of media technologies were used in creating the film, including iPhones for planning shots, cameras and tripods for filming, and Final Cut for editing.
The document evaluates the media product "Patty Take", a silent comedy film, in three areas:
1) It develops conventions of 1920s silent comedies such as using intertitles but challenges conventions by focusing on the Black community with West Indian dialect and characters.
2) The ancillary texts like the poster and double page spread effectively support the film by continuing its black and white theme and incorporating still images from the film.
3) A range of technologies were used in the film's creation including an iPhone to plan shots, borrowing a camera and tripod, editing in Final Cut, and using Photoshop and InDesign to design promotional materials.
The filmmaker developed conventions of 1920s silent comedies in their film "Patty Take", including using intertitles with West Indian dialect to make it relevant to an Afro-Caribbean audience. The film was also shot in black and white with grain to give it an aged 1920s feel and theme. It included fast pacing and more intertitles to fit over 5 minutes of action, adhering to silent film conventions.
The document is a production log created by Tesfah Watkins-Scott for their double page spread film review ancillary product. It details the steps taken to create the review in Adobe InDesign, including incorporating grids and guidelines, creating the background pages in black and white, adding images and text, and organizing columns. The review consists of two pages - the first includes a background, ratings, title, image with caption, and columns for the plot and review. The second page has columns for the remaining review and a large main image incorporating a moon.
Marcus Thomas designed a double page spread for a silent comedy using Adobe InDesign and Photoshop. He created a black background and added a heading in "Century Schoolbook" font about a "black and white winter". A subheading in "Synchro LET" font mentioned the comedy's Black British twist. Images of main characters were added large to engage readers. Text was divided into columns between the images with credits and a pull quote to entice the audience.
The document discusses editing a short silent film in Final Cut Pro. It describes importing footage, arranging shots in order on the timeline, shortening long shots, adding intertitles, adjusting pace and brightness, removing audio, adding vintage effects and transitions, and including orchestral music. The edits were made to follow conventions of 1920s silent comedies and to keep the film between 3-5 minutes.
The document is a production log created by Marcus Thomas detailing the steps taken to design an ancillary poster for a silent film called "Patty Take". It describes editing images to black and white, adding elements like the film title, actor names and photos, logos, and captions. Fonts and positioning of elements were adjusted to match styles of 1920s film posters and appeal to the target audience. The final poster design complied with conventions of the silent film genre and era.
The document is a production log created by Marcus Thomas detailing the steps taken to design his ancillary poster for a film project. He began by editing the film's main image to black and white to signify the silent film genre. Marcus then added text and graphical elements like the film title, actors' names and pictures, and a logo. Fonts and positioning of elements were carefully selected to achieve a 1920s aesthetic and appeal to the target audience. Minor adjustments to brightness and borders finished the poster design according to conventions while effectively promoting the film.
Marcus created a production log to document the process of designing his ancillary poster. He used Adobe Photoshop and edited elements like changing a photo to black and white. He added text in fonts like "Elephant" to give a 1920s silent film feel. Elements included the film title "Patty Take" at the top and images of the actors with their names. The final poster complied with 1920s conventions like being in black and white and including borders around images.
Marcus Thomas created a production log to document the process of designing his ancillary poster. He used Adobe Photoshop CS6. The first steps were editing the color photo of Red Riding Hood to black and white to match the silent film genre. Names and photos of three actors were added at the top in a large font. The film title "Patty Take" was centered in a comic font. Additional elements like the film company logo, release date banner, and taglines completed the poster while maintaining consistency in style and fonts to portray the 1920s silent film genre.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent trail, being chased by the wolf to her grandmother's house, hiding from the wolf with her grandmother, and her grandmother defeating the wolf with karate moves and throwing him out of the house.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 42 shots showing Red Riding Hood leaving her mother's house with a basket of food for her grandmother, encountering the wolf in the woods who tries to take the basket, and their subsequent chase to the grandmother's house where Red Riding Hood seeks help from her grandmother against the wolf. Each shot lists the action, location, and duration in sequential order to visualize the scene.
The document discusses the evaluation of the student's silent comedy film "Patty Take" and ancillary texts. It summarizes how the film develops conventions of 1920s silent comedies through the use of intertitles, black and white film effects, and fast pace. It also challenges conventions by featuring an Afro-Caribbean twist. The poster and double page spread effectively support the film through continuing the black and white theme and incorporating still images. Various media technologies were used in the production process, including an iPhone for planning shots, a Canon camera for filming, and Final Cut software for editing.
The document evaluates how the media product uses and challenges conventions of real magazines. It represents a particular social group of teenagers and young adults through images and stories. The product would be distributed in record stores to attract an audience of 15-28 year olds interested in hip hop from inner cities. The process taught the use of Photoshop and InDesign to construct the magazine.
This document analyzes a movie poster for the Laurel and Hardy film "Big Heist in Venice" from the silent film era. It discusses several key design elements of the poster and what they convey, including the large masthead that introduces the film, the prominent placement of Laurel and Hardy's names, the emphasized facial expressions in the main image, and the use of text and colors. These visual techniques are meant to attract attention and effectively market the film to the intended audience. The document concludes that researching this historic poster will be useful for designing a poster for the author's own silent comedy short film.
The document is a production log that describes the process of designing a contents page for a magazine. It discusses choosing colors of grey, black and red, creating boxes and headings, selecting fonts, and filling the boxes with content like features, cover stories, and reviews. The final contents page includes boxes with headings in impact font, lists of features in Arial rounded font, and folios in red to draw attention.
This document summarizes the design choices for the front cover of a hip-hop magazine. Key elements include a masthead called "PAR" which is "RAP" spelled backwards, designed in red with a black stroke. The skyline is placed above the masthead in the same font for consistency. The main image shows a rapper recording in a studio. Supporting images and cover lines are placed elsewhere on the page to draw attention to the main image and story. Minor changes from the initial statement of intent include using one main image with one supporting image instead of multiple people and adjusting the barcode location.
The document summarizes the researcher's analysis of two magazine double page spreads from the 1920s related to Charlie Chaplin. Both spreads use large prominent images, headlines that draw attention, and small body text to fit more information across the two pages. The researcher concludes they should take a similar approach for their own double page spread on a silent comedy - including a large main image, plenty of detailed text, and formatting techniques to maximize the amount of content.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail and confronting her in the woods before they both run to Grandma's house.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes various shots of Red Riding Hood in the woods with a basket of patties, being followed by a wolf. The wolf chases Red Riding Hood to her grandmother's house. There, Grandma reveals she knows karate and defeats the wolf, throwing him out of the house.
This document provides a shot list for a film involving Red Riding Hood. It describes 14 shots showing Red Riding Hood skipping through the woods with a basket of patties and encountering a wolf. Another 12 shots depict the wolf following Red Riding Hood and stealing her basket, leading to a fight between the wolf and Red Riding Hood's grandmother who comes to her rescue. The final shots show the wolf defeated and Red Riding Hood and her grandmother safely back home enjoying the patties.
This document provides information about a student's media studies foundation portfolio project on researching and planning for a music magazine. It includes sections on targeting the audience, visual design choices, learning about design software, preliminary project components like covers and contents, reflections on feedback, and re-drafting elements based on criticism. The student aims to create a hip-hop genre magazine for a teenage and young adult audience.
The document discusses the student's silent comedy film "Patty Take" and how it develops and challenges conventions of 1920s silent comedies. It summarizes that the film develops conventions like intertitles but challenges conventions by having an Afro-Caribbean twist. The ancillary texts of the poster and double page spread effectively support the film by continuing the black and white theme and aesthetic. A range of media technologies were used in creating the film, including iPhones for planning shots, cameras and tripods for filming, and Final Cut for editing.
The document evaluates the media product "Patty Take", a silent comedy film, in three areas:
1) It develops conventions of 1920s silent comedies such as using intertitles but challenges conventions by focusing on the Black community with West Indian dialect and characters.
2) The ancillary texts like the poster and double page spread effectively support the film by continuing its black and white theme and incorporating still images from the film.
3) A range of technologies were used in the film's creation including an iPhone to plan shots, borrowing a camera and tripod, editing in Final Cut, and using Photoshop and InDesign to design promotional materials.
The filmmaker developed conventions of 1920s silent comedies in their film "Patty Take", including using intertitles with West Indian dialect to make it relevant to an Afro-Caribbean audience. The film was also shot in black and white with grain to give it an aged 1920s feel and theme. It included fast pacing and more intertitles to fit over 5 minutes of action, adhering to silent film conventions.
The document is a production log created by Tesfah Watkins-Scott for their double page spread film review ancillary product. It details the steps taken to create the review in Adobe InDesign, including incorporating grids and guidelines, creating the background pages in black and white, adding images and text, and organizing columns. The review consists of two pages - the first includes a background, ratings, title, image with caption, and columns for the plot and review. The second page has columns for the remaining review and a large main image incorporating a moon.
Marcus Thomas designed a double page spread for a silent comedy using Adobe InDesign and Photoshop. He created a black background and added a heading in "Century Schoolbook" font about a "black and white winter". A subheading in "Synchro LET" font mentioned the comedy's Black British twist. Images of main characters were added large to engage readers. Text was divided into columns between the images with credits and a pull quote to entice the audience.
The document discusses editing a short silent film in Final Cut Pro. It describes importing footage, arranging shots in order on the timeline, shortening long shots, adding intertitles, adjusting pace and brightness, removing audio, adding vintage effects and transitions, and including orchestral music. The edits were made to follow conventions of 1920s silent comedies and to keep the film between 3-5 minutes.
The document is a production log created by Marcus Thomas detailing the steps taken to design an ancillary poster for a silent film called "Patty Take". It describes editing images to black and white, adding elements like the film title, actor names and photos, logos, and captions. Fonts and positioning of elements were adjusted to match styles of 1920s film posters and appeal to the target audience. The final poster design complied with conventions of the silent film genre and era.
The document is a production log created by Marcus Thomas detailing the steps taken to design his ancillary poster for a film project. He began by editing the film's main image to black and white to signify the silent film genre. Marcus then added text and graphical elements like the film title, actors' names and pictures, and a logo. Fonts and positioning of elements were carefully selected to achieve a 1920s aesthetic and appeal to the target audience. Minor adjustments to brightness and borders finished the poster design according to conventions while effectively promoting the film.
Marcus created a production log to document the process of designing his ancillary poster. He used Adobe Photoshop and edited elements like changing a photo to black and white. He added text in fonts like "Elephant" to give a 1920s silent film feel. Elements included the film title "Patty Take" at the top and images of the actors with their names. The final poster complied with 1920s conventions like being in black and white and including borders around images.
Marcus Thomas created a production log to document the process of designing his ancillary poster. He used Adobe Photoshop CS6. The first steps were editing the color photo of Red Riding Hood to black and white to match the silent film genre. Names and photos of three actors were added at the top in a large font. The film title "Patty Take" was centered in a comic font. Additional elements like the film company logo, release date banner, and taglines completed the poster while maintaining consistency in style and fonts to portray the 1920s silent film genre.
The document discusses techniques used in posters for silent comedy films from the 1920s. It analyzes posters for films starring Laurel and Hardy and Charlie Chaplin. Key techniques discussed include using large fonts for the film title and actors' names to attract attention, emphasizing facial expressions to convey the comedic nature, and including details like locations and costumes to intrigue viewers. Quotes or reviews are also used in selling lines to persuade audiences. These historical techniques will help inform the design of the poster being created to advertise the author's own silent comedy short film.
The document provides a storyboard summary for a scene from Little Red Riding Hood. It describes Red Riding Hood leaving her mother's house with a basket of patties to bring to her grandmother, skipping through the woods while carrying the basket, and then stopping to eat one of the patties.
The document contains 33 sections that describe camera shots, camera movements, locations, and actions for filming. Each section provides details on camera angles, shots, movements, and transitions for unspecified footage being filmed at various indoor and outdoor locations including a house, woods, and unspecified interiors and exteriors.
The storyboard depicts a dark and ominous scene that begins with an establishing wide shot with low angle and low key lighting, zooming in on the subject. Various shots show the subject from different angles - low, medium, and high - as the camera tilts, pans, and closes in on objects like a plug hole, bandage, and clenched fist in the mirror. As a door opens off screen, two gunshots abruptly end the sequence in black.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail, grabbing her basket, and chasing her to Grandma's house.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes various shots of Red Riding Hood being given food by her mother and walking through the woods, the wolf following her scent and encountering her, and both taking refuge in Grandma's house from the wolf. Grandma then emerges as a karate expert and defeats the wolf, sending him fleeing from the house.
The document outlines a shot list for a film involving Little Red Riding Hood. It describes various shots that would be used to tell the story, including establishing shots of Red Riding Hood leaving home, interacting with the wolf in the woods, escaping to her grandmother's house, and her grandmother defending them from the wolf through martial arts. The grandmother is then seen sending the wolf away and disciplining Red Riding Hood for eating all the food.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes various shots of Red Riding Hood being given food by her mother and walking into the woods, encountering a wolf who follows her scent trail, a chase scene ending with Red Riding Hood hiding in her grandmother's house, and grandmother revealing her secret martial arts skills to defeat the wolf.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes various shots showing Red Riding Hood being given food by her mother and walking into the woods, encountering the wolf, running into her grandmother's house to escape the wolf, and her grandmother fighting off the wolf using karate moves. In the end, the grandmother throws the wolf out of the house and questions where the food went while giving Red Riding Hood a stern look.
1. ACTION: house being LOCATION: just outside
1 Shown to set the scene Mums house 0:02
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
2. ACTION: mum calls red LOCATION: kitchen of
2 riding hood downstairs mums house 0:06
CAMERA SHOTS
TRANSITION TO NEXT SHOT
MS CAMERA MOVEMENT
STATIC
STRAIGHT
3. ACTION: red riding hood LOCATION: in red riding
3 answers hood’s bedroom 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
4. ACTION: mum gives LOCATION: downstairs of
4 Instructions to red riding hood telling her
to bring a basket of patties to her grandma
mums house 0:05
This bag is acting as
the basket of patties
CAMERA SHOTS
TRANSITION TO NEXT SHOT
MLS/LS CAMERA MOVEMENT
STATIC
STRAIGHT
5. ACTION: red riding hood LOCATION: kitchen of
5 Tries to take a patty out of
the basket
mums house 0:01
This phone is
acting as the patty
This bag is acting as
the basket of patties
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
6. ACTION: red riding hood LOCATION: kitchen of mums house
6 about to eat a patty 0:01
Phone acting as patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
7. ACTION: mum puts on body LOCATION: kitchen of mums
language showing that she's
7 cross with red riding hood for attempting house 0:03
to eat the patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
9. ACTION: Red riding hood LOCATION: kitchen of
9 frowns at puts patty back mums house 0:04
In basket
Phone acting as
patty and the bag
acting as basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS, SIDE ANGLE STATIC
STRAIGHT
10. ACTION: red riding hood LOCATION: downstairs of
10A Picks up basket Mums house 0:08
10A,10B,10C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
→
11. ACTION: red riding hood LOCATION: downstairs of
10B Walks to the door Mums house 0:08
10A,10B,10C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
→
12. ACTION: red riding hood LOCATION: downstairs of
10C Waves by the door to her Mums house 0:08
mum
10A,10B,10C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS/LS STATIC
STRAIGHT
13. ACTION: red riding hood LOCATION: on the way to the
11 Waves to her mum woods just right 0:04
near to the mums house
CAMERA SHOTS
TRANSITION TO NEXT SHOT
CU & VLS CAMERA MOVEMENT
STATIC
STRAIGHT
15. ACTION: red riding hood
LOCATION: the woods
13A skipping 0:08
13A,13B,13C are all the
same shot, the camera is
still. Each slide focuses on
red riding hood skipping.
Altogether the time should
take 8 secs approx.
CAMERA SHOTS TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC STRAIGHT DISSOLVE FADE WIPE
MATCH JUMP SUPERIMPOSITION OTHER
16. ACTION: red riding hood
LOCATION: the woods
13B skipping 0:08
13A,13B,13C are all the
same shot, the camera is
still. Each slide focuses on
red riding hood skipping.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
17. ACTION: red riding hood
LOCATION: the woods
13C skipping 0:08
13A,13B,13C,13D are all
the same shot, the camera
is still. Each slide focuses
on red riding hood skipping.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
18. ACTION: red riding skips
LOCATION: the woods
13D Out of the scene 0:08
13A,13B,13C,13D are all
the same shot, the camera
is still. Each slide focuses
on red riding hood skipping.
Altogether the time should
take 8 secs approx.
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
19. ACTION: red riding hood
LOCATION: the woods
14 skipping 0:05
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
20. ACTION: basket
LOCATION: the woods
15 Full of patties 0:01
CAMERA SHOTS
TRANSITION TO NEXT SHOT
CU CAMERA MOVEMENT
STATIC
STRAIGHT
21. ACTION: red riding hood
LOCATION: the woods
16 Thinks about eating a patty 0:04
And then eats one
Phone
used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
22. LOCATION: the woods, the
17 ACTION: introduces wolf Wolf is in a bush 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
23. ACTION: wolf steps on poo LOCATION: the woods
18 0:02
The wallet is being
used as the poo
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
25. ACTION: wolf frustrated with
LOCATION: the woods
20 Stepping on poo 0:04
The wallet is being
used as the poo
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
26. ACTION: red riding hood
LOCATION: the woods
21A Leaves packet trails 0:07
21A,21B,21C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
27. ACTION: red riding hood
LOCATION: the woods
21B Leaves packet trails 0:07
21A,21B,21C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
28. ACTION: red riding hood
LOCATION: the woods
21C Leaves packet trails 0:07
21A,21B,21C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
29. ACTION: wolf twitches nose LOCATION: the woods
22 0:02
CAMERA SHOTS
TRANSITION TO NEXT SHOT
ECU CAMERA MOVEMENT
STATIC
STRAIGHT
30. ACTION: wolf buckles
LOCATION: the woods
23 over legs 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
32. ACTION: wolf follows packet
LOCATION: the woods
25 trails 0:06
CAMERA SHOTS
TRANSITION TO NEXT SHOT
LS/VLS CAMERA MOVEMENT
STATIC
STRAIGHT
33. ACTION: wolf gradually
LOCATION: the woods
26 Creeps up on red riding 0:04
hood
CAMERA SHOTS
TRANSITION TO NEXT SHOT
LS/VLS CAMERA MOVEMENT
STATIC
STRAIGHT
34. ACTION : wolf grabs red
LOCATION: the woods
27 Riding hood’s basket out of 0:02
Her hand
The bag acting
as the basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
35. ACTION: wolf and red riding
28 Hood plays tug-a-war for LOCATION woods
LOCATION: the
0:03
0:00
basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
36. ACTION: red riding hood
LOCATION: the woods
29 Fighting for the basket 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
37. ACTION: the wolf
LOCATION: the woods
30 Fighting for the basket 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
38. ACTION: both red riding
LOCATION: the woods
31 Hood and the wolf fall and 0:04
the patties fall out of basket
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
39. ACTION: red riding hood LOCATION: the woods
32A picks up basket and Gets up 0:08
32A,32B are all the same
shot, the camera is still.
This slide focuses on red
riding hood getting up from
the floor. Altogether the
time should take 8 secs
approx.
This is the basket
Wolf is still down
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
40. ACTION: picks up basket
LOCATION: the woods
32B gets up an runs 0:08
32A,32B are all the same
shot, the camera is still.
This slide focuses on red
riding hood running away.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
41. ACTION: wolf running after
LOCATION: the woods
33 Red riding hood 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
42. LOCATION: grandmas
ACTION: door left open
34A house 0:06
34A,34B,34C are all the
same shot, the camera is
still. This slide focuses on
the door being slightly
open. Altogether the time
should take 6 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
43. ACTION: red riding hood LOCATION: grandmas
34B Runs through door house 0:06
34A,34B,34C are all the
same shot, the camera is
still. This slide focuses on
red riding hood running
through the door. Altogether
the time should take 6 secs
approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
44. ACTION: wolf runs through LOCATION: grandmas
34C Door three secs later house 0:06
34A,34B,34C are all the
same shot, the camera is
still. This slide focuses on
the wolf running through the
door three seconds later.
Altogether the time should
take 6 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
45. ACTION: red riding hood LOCATION: grandmas
35 running upstairs house 0:02
This may change
to a high angle
shot
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
46. ACTION: red riding hood LOCATION: grandmas
36 Runs into grandmas room house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MAS STATIC
STRAIGHT
47. ACTION: the wolf trips over LOCATION: grandmas
37 A ball on the stairs house 0:05
The ball the
wolf trips over
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
49. ACTION: grandma wakes up
LOCATION: grandmas room
39 After hearing the wolf trip on 0:03
stairs
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
50. ACTION: red riding hood
LOCATION: grandmas room
40 Asks for help 0:02
CAMERA SHOTS
MS/MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
LOW
52. ACTION: wolf crawls up the LOCATION: grandmas
42 Stairs hurt house 0:01
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
53. ACTION: grandma asks
LOCATION: grandmas room
43 What's going on 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS/MLS STATIC
STRAIGHT
55. ACTION: red riding hood LOCATION: grandmas
45 hides behind grandma and bedroom 0:04
Walks to door
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
Over shoulder STATIC
STRAIGHT
56. ACTION: red riding hood LOCATION: grandmas
46 Hides behind grandma house 0:02
And walks in the corridor
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS/LS STATIC
STRAIGHT
57. ACTION: wolf is near the top LOCATION: grandmas
47 Of stairs house 0:01
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
58. ACTION: red riding hood LOCATION: grandmas
48 tells Grandma not to go near house 0:02
wolf
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
59. 50 0:02
Don’t go near the
Wolf Gran
INTERTILES
60. ACTION: grandma says LOCATION: grandmas
51 Stand back I’ll be fine house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
62. ACTION: wolf is nearly on LOCATION: grandmas
53 All fours house 0:01
CAMERA SHOTS CAMERA MOVEMENT
LS PAN TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↑
63. ACTION: grandma gives LOCATION: Grandmas
54 A stern look to the wolf house 0:01
CAMERA SHOTS
MS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
LOW
64. LOCATION: grandmas
ACTION: wolf looks scared
55 house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
65. ACTION: grandma takes
LOCATION: interior/exterior
56 Basket out of red riding 0:02
Hoods hand
Grandma
Basket
Red riding hood
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS/LS STATIC
STRAIGHT
66. ACTION: grandma asks LOCATION: grandmas
57 The wolf if its this you want House 0:03
Phone being
represented as
patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
70. ACTION: wolf walks slowly LOCATION: grandmas
61A To grab the patty house 0:07
61A,61B,61C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
71. ACTION: wolf walks slowly LOCATION: grandmas
61B To grab the patty house 0:07
61A,61B,61C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
72. ACTION: wolf grabbing the LOCATION: grandmas
61C Patty with his mouth house 0:07
61A,61B,61C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
73. ACTION: grandma swings LOCATION: grandmas
62A The wolf to the other side of house 0:03
room with wolf still gripping on patty
62A, 62B is the same shot
showing the movement of
grandma swinging the
wolf to the other side of
the room. Altogether the
shot will take 3 secs.
Wallet used as Red riding hood
Patty in background
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS PAN
STRAIGHT
74. ACTION: grandma swings LOCATION: grandmas
The wolf to the other side of
62B room with wolf still gripping on patty
house 0:03
62A, 62B is the same shot
showing the movement of
grandma swinging the
wolf to the other side of
the room. Altogether the
shot will take 3 secs.
Wallet used as
Patty
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
←
75. ACTION: wolf slammed into LOCATION: grandmas
63 wall house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
77. ACTION: red riding hood LOCATION: grandmas
65 Looks scared house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
78. ACTION: wolf is in a dizzy LOCATION: grandmas
66 spell house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
79. ACTION: grandma gives LOCATION: grandmas
67 Patty back to red riding house 0:01
Hood to hold
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
80. 68 0:02
THIS BIT IS GOING
TO BE FUNNY…
INTERTILES
81. ACTION: grandma takes LOCATION: grandmas
69 Off clothes and karate house 0:04
Clothes are underneath
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
82. ACTION: red riding looks LOCATION: grandmas
70 In amazement house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
83. ACTION: wolf looks in LOCATION: grandmas
71 amazement house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
84. ACTION: grandma does LOCATION: grandmas
72 Karate moves house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
85. ACTION: grandma tries to LOCATION: grandmas
73 Punch the wolf but he ducks house 0:02
CAMERA SHOTS
MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
P-O-V
86. ACTION: grandma kicks LOCATION: grandmas
74 Wolf downstairs house 0:02
Grandma’s foot
CAMERA SHOTS
MLS/LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
P-O-V
88. ACTION: wolf is seen lying LOCATION: grandmas
76 On the landing house 0:02
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
89. ACTION: grandma walks LOCATION: grandmas
77A down the stairs house 0:03
77A, 77B are all the same
shot, in 77A the grandma
is walking. Altogether the
shot should take 3 secs
approx
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
static
STRAIGHT
CAMERA ANGLES
LOW
90. ACTION: grandmas walks LOCATION: grandmas
77B Down the stairs house 0:03
77A, 77B, are all the same
shot, in 77B the grandma
is walking. Altogether the
shot should take 3 secs
approx
CAMERA SHOTS
MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
pans
STRAIGHT
CAMERA ANGLES
LOW
91. ACTION: grandma picks LOCATION: grandmas
78A Up the wolf house 0:03
78A, 78B are all the same
shot, in 78A the grandma
is picking up the wolf. The
camera then tilts up.
Altogether the shot should
take 3 secs approx
CAMERA SHOTS
MS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
TILTS
STRAIGHT
CAMERA ANGLES
POV/ HIGH
92. ACTION: grandma throws LOCATION: grandmas
78B The wolf outside house 0:03
78A, 78B are all the same
shot, in 78B the grandma
throws the wolf outside.
Altogether the shot should
take 3 secs approx
CAMERA MOVEMENT
TRANSITION TO NEXT SHOT
CAMERA SHOTS STATIC
MS
STRAIGHT
93. ACTION: wolf is thrown LOCATION: just outside of
79 Out the house in jazzy of Grandmas house 0:03
Fresh prince style
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
Side shot STATIC
STRAIGHT
94. 80 0:02
THAT’S GOING TO
HURT IN THE
MORNING
INTERTILES
95. ACTION: grandma dusts LOCATION: grandmas
81 hands house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
96. ACTION: red riding hood LOCATION: grandmas
82 Congratulates the grandma house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
98. ACTION: basket has no LOCATION: grandmas
84 Patties left house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
99. ACTION: grandma asks LOCATION: grandmas
85 Where's the patties? house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU/MS STATIC
STRAIGHT
100. 86 0:02
WHERE’S THE
REST OF THE
PATTIES?
INTERTILES
101. ACTION: red riding hood LOCATION: grandmas
87 Swallows throat house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
103. ACTION: grandma closes LOCATION: grandmas
89A The door house 0:04
89A, 89B, 89C, 89D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
CAMERA MOVEMENT TRANSITION TO NEXT SHOT
CAMERA SHOTS
MLS STATIC STRAIGHT
104. LOCATION: grandmas
ACTION: grandma closes
89B The door and gets belt out
house 0:04
89A, 89B, 89C, 89D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
105. ACTION: grandma closes LOCATION: grandmas
89C Door with belt in hand house 0:04
89A, 89B, 89C, 89D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
106. ACTION: door is closed LOCATION: grandmas house
89D 0:04
89A, 89B, 89C, 89D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT