This document provides a template for conducting a risk assessment for filming activities. It lists common hazards that could be present during different scenes, who may be harmed, what property could be damaged, existing risk controls, and a risk assessment level. Hazards addressed include slipping or falling on equipment, camera damage from rain, tripping in the dark, getting stung by nettles, dog attacks, and hair getting caught in equipment. For each hazard, the document suggests further actions that could be taken based on the risk level. The goal is to identify risks and put controls in place to protect people, equipment and property.
1) Companies remake films for profit, as production values and technology have advanced, allowing for higher quality remakes that appeal to wider audiences.
2) Remakes of popular franchises like Batman are low-risk endeavors that build on existing audiences and intellectual property, ensuring financial success.
3) Political and social contexts can impact remakes, like how Steven Spielberg remade War of the Worlds to reflect post-9/11 fears rather than Cold War anxieties of the 1953 original.
The document discusses the marketing campaign for the James Bond film Spectre. It analyzes posters used to promote the film that feature Daniel Craig and Lea Seydoux to appeal to both male and female audiences. It also summarizes a theatrical trailer for Spectre that shows action sequences, exotic locations in Mexico City, and establishes characters like Bond and the villain Oberhauser. The marketing campaign aimed to promote Spectre through posters, trailers, and advertisements in magazines like Loaded and K Magazine that had relevant target audiences of men and women.
This document discusses film analysis through genre analysis and auteur theory. It provides examples of how to analyze a film's genre based on common elements like characters, settings, and codes/conventions. Moulin Rouge is used to demonstrate how it follows the codes of a musical genre through lavish costumes, settings in different eras, a love story between main characters, and more. Auteur theory is also summarized as examining a director's unique style and themes across their body of work.
Radio production schedule call sheet templateNicole Melia
The production schedule call sheet is for a Fiat 500C radio commercial to be filmed on November 27th, 2015 at the E6 Radio Studio. Nicole Melia will serve as the writer, producer and director. The crew includes Chris Gladwin for sound, Jazzy Jeffy's "Summer Time" for music, and car engine sounds. Megan Hughes will voice act and the equipment includes microphones, mixing boards, and audio software.
To create a radio advert, the document describes importing voice recordings and music into editing software. Sections of voice recordings were cut down while matching the soundtrack. Effects like a car engine were shortened and added. The final edit combined all audio elements, with the voice pitch adjusted using additional software for a more natural sound.
The document provides details about creating a radio commercial to promote the new Fiat 500C convertible. It aims the commercial at young female audiences by highlighting the car's stylish new interior and exterior, customizable options, and affordable monthly payments that would appeal to teenage girls. The commercial will be 30-50 seconds, fun and exciting in tone to persuade listeners that they need the car. Overall costs to produce the commercial are estimated between £1200-£1600.
This document provides a template for conducting a risk assessment for filming activities. It lists common hazards that could be present during different scenes, who may be harmed, what property could be damaged, existing risk controls, and a risk assessment level. Hazards addressed include slipping or falling on equipment, camera damage from rain, tripping in the dark, getting stung by nettles, dog attacks, and hair getting caught in equipment. For each hazard, the document suggests further actions that could be taken based on the risk level. The goal is to identify risks and put controls in place to protect people, equipment and property.
1) Companies remake films for profit, as production values and technology have advanced, allowing for higher quality remakes that appeal to wider audiences.
2) Remakes of popular franchises like Batman are low-risk endeavors that build on existing audiences and intellectual property, ensuring financial success.
3) Political and social contexts can impact remakes, like how Steven Spielberg remade War of the Worlds to reflect post-9/11 fears rather than Cold War anxieties of the 1953 original.
The document discusses the marketing campaign for the James Bond film Spectre. It analyzes posters used to promote the film that feature Daniel Craig and Lea Seydoux to appeal to both male and female audiences. It also summarizes a theatrical trailer for Spectre that shows action sequences, exotic locations in Mexico City, and establishes characters like Bond and the villain Oberhauser. The marketing campaign aimed to promote Spectre through posters, trailers, and advertisements in magazines like Loaded and K Magazine that had relevant target audiences of men and women.
This document discusses film analysis through genre analysis and auteur theory. It provides examples of how to analyze a film's genre based on common elements like characters, settings, and codes/conventions. Moulin Rouge is used to demonstrate how it follows the codes of a musical genre through lavish costumes, settings in different eras, a love story between main characters, and more. Auteur theory is also summarized as examining a director's unique style and themes across their body of work.
Radio production schedule call sheet templateNicole Melia
The production schedule call sheet is for a Fiat 500C radio commercial to be filmed on November 27th, 2015 at the E6 Radio Studio. Nicole Melia will serve as the writer, producer and director. The crew includes Chris Gladwin for sound, Jazzy Jeffy's "Summer Time" for music, and car engine sounds. Megan Hughes will voice act and the equipment includes microphones, mixing boards, and audio software.
To create a radio advert, the document describes importing voice recordings and music into editing software. Sections of voice recordings were cut down while matching the soundtrack. Effects like a car engine were shortened and added. The final edit combined all audio elements, with the voice pitch adjusted using additional software for a more natural sound.
The document provides details about creating a radio commercial to promote the new Fiat 500C convertible. It aims the commercial at young female audiences by highlighting the car's stylish new interior and exterior, customizable options, and affordable monthly payments that would appeal to teenage girls. The commercial will be 30-50 seconds, fun and exciting in tone to persuade listeners that they need the car. Overall costs to produce the commercial are estimated between £1200-£1600.
Quantitative research involves collecting large amounts of data from surveys of large groups to gather information. Common techniques include mail, phone, internet, and in-person surveys. This data helps media companies understand viewership figures, ratings comparisons, audience opinions on new films or concepts. The information is easy to collect and analyze in databases. Qualitative research explores people's views, opinions, and behaviors through observations over days or weeks to gain a deeper understanding. Marketers may observe reactions to new films to understand what audiences enjoyed or disliked to inform future works. Both quantitative and qualitative research are important tools used in the media industry.
The cost of radio advertising depends on several factors:
- The general cost is about £2 for every 1000 listeners reached, so ads with more listeners are more expensive.
- The day and time an ad airs affects the price, with morning and late afternoon slots being the most popular and expensive.
- Ad lengths of 30 seconds are most common but shorter ads are half the price.
- Choosing a station focuses on the target audience rather than overall popularity.
- Ads typically run for 4 weeks or longer for intensive campaigns.
The document discusses considerations for music in commercial production. Producers must choose music styles and functions to match the tone and purpose of their ads. They must also seek permission to use copyrighted music through organizations like PRS, who distribute royalties to artists. While fair use allows limited use of excerpts, using full songs requires licensing. There is no "7-second rule" allowing unlicensed use of short excerpts. Producers may find it easiest to use original music they composed to avoid licensing fees. E6 radio has a library of copyrighted music their producers can use for their shows.
The radio advertisement promotes the Volkswagen Passat Highline Plus primarily to male drivers by using stereotypical male and female voices. The female voice describes features like heated seats and boot space, while the male voice discusses the car's price and performance like a "boy toy." The advertisement aims to persuade listeners to purchase the car by highlighting its expensive new features but could be more effective if it included slogans, mentioned the Volkswagen name more, and provided additional contact information.
This radio advertisement promotes Canon's new XS 200 IS camera to older listeners of Absolute Radio. It uses a male voice to provide factual tips and information about the camera's features in a way that stereotypes men as wanting these details, while a female voice speaks seductively to attract male attention. The advertisement encourages listeners to buy the camera for themselves or as a Christmas present by emphasizing its high quality pictures and additional features. It aims to get both Canon and Absolute Radio stuck in the listener's mind through repetition of their names.
This document analyzes and summarizes a radio advertisement for the restaurant Nando's. It discusses several aspects of the advert's style, tone, and content, including its use of humor, repetition of words and slogans, upbeat musical style, and overall message of inclusiveness. However, it notes that the advert fails to provide any contact details, which could have better encouraged people to sign up for membership offers and deals.
Creative producers create and manage radio content, generating ideas and ensuring production standards are met. They work in studios but also on location. Production engineers record high quality audio, operating equipment and mixing tracks under tight deadlines. Copywriters write scripts for radio ads, understanding how listeners respond. Voiceover artists convey messages through commercials and announcements, while recording artists create and manage albums, overseeing recording sessions and striving for chart success.
The Nandos radio advert uses a humorous and repetitive style with a simple, modern tone. It features a male voice impersonating a Mexican accent saying "It's ok!" and promoting Nandos' tagline "cheeky Nandos". The overall message is that everyone is welcome to eat at Nandos. It aims to be an amusing yet informative advert about the food options, though it could have included contact details. The salsa music matches the fake Mexican accent used for comedic effect.
This radio advert promotes a Canon camera, mentioning the Canon name 3 times. It uses a conversational tone as a seductive female voice provides informative tips to attract male listeners. The overall message is to buy the camera for the best quality winter photographs. While detailed and persuasive, the advert could have been more concise and catchy with its long tagline of "Absolute radio's winter photography guide with Canon."
The radio advertisement promotes the Volkswagen Passat Highline Plus. It uses a male voice and a female voice impersonating a sat nav to describe features of the car like heated seats and Bluetooth connectivity. The overall message is to get drivers to purchase the Volkswagen Passat Highline Plus by highlighting its technology and luxury features. However, the Volkswagen name is only mentioned once at the end and no contact details are provided, so the advertisement could have been more effective at promoting the Volkswagen brand.
The ASA is the independent regulator of advertising across all media in the UK. They enforce advertising codes written by the Committees of Advertising Practice (CAP) to ensure ads are not misleading, harmful, or offensive. For television and radio, the ASA regulates advertising under a contract with Ofcom.
The CAP writes and maintains the UK Advertising Codes, and provides industry guidance to help create compliant ad campaigns. Getting an ad banned by the ASA can significantly damage brands, so the CAP offers various advice and training services to help advertisers understand and follow the rules.
The codes enforced by regulators in the UK broadcasting system include specific rules for issues like weight loss claims and medicines. The CAP provides online
The radio advert promotes the Canon XS 200 IS camera, using a serious and repetitive tone with factual tips. It features a female voice with a husky and seductive tone alongside an older male voice describing the camera's features. The advert's purpose is to promote the Canon camera and its offer in time for Christmas, mentioning the product three times over 52 seconds. While detailed and persuasive, the advert is quite long at 54 seconds.
Music copyright protects musicians, composers, artists and others involved in creating music. It ensures they are paid when their work is used. PRS and PPL are non-profit organizations that collect royalties on behalf of musicians and composers when their music is broadcast or otherwise used. Clearance must be obtained to use copyrighted music, usually through PRS or PPL, or by contacting the composer or record label directly. Larger companies may have blanket licensing agreements that allow use of any music managed by PRS without obtaining individual clearances, but all uses still must be reported. Failure to obtain proper clearance or report uses can result in legal action and substantial financial penalties.
This episode of Friends centers around Ross trying to get his friends ready on time for a party he needs to attend for work. However, each friend has their own delays and distractions that prevent them from being ready on time. Rachel takes a long time to choose an outfit, Joey and Chandler start fighting over a chair and underwear, Monica is distracted by a message from her ex, and Phoebe's dress gets ruined. The comedic situations each friend finds themselves in, and Ross's increasing stress about the time, make this a classic sitcom episode that many viewers can relate their own experiences to.
Private and public ownership are the two types of television ownership. Private ownership refers to networks owned by private shareholders seeking profit, like ITV, while public ownership refers to public service networks like the BBC funded by taxpayers. Technology has advanced television from analogue to digital formats with high definition and on-demand viewing. Ofcom regulates television content and enforces broadcasting codes around protecting viewers, particularly children before the watershed at 9pm.
The document describes photos taken during the filming of a music video. It includes pictures of the photographer capturing different shots, such as low angles of the main character to portray strength, extras doing pushups, the main character skipping as a warmup, and experimenting with panning shots of the gym setting. The accompanying text explains how some shots like the blurry pushups were ultimately not used in the final edited video.
1) The document describes a music video project where the author worked with a partner to film footage at a Thai boxing gym of a man working out to the song "Children" by Robert Miles.
2) Filming was challenging due to scheduling conflicts and an injury, so they did not get all the footage envisioned.
3) In editing, the author realized she did not leave enough time to fully realize her vision, such as incorporating more color correction, speed adjustments, and an opening title. She learned lessons about project planning and time management.
Y1 media music video production media learner assessment submission declarationNicole Melia
This document contains a learner assessment submission and declaration form. It provides details of the learner (Nicole-Leigh Melia), assessor (Iain Goodyear), programme of study (Extended Diploma in Creative Media Production), unit (Unit 1 Pre-Production Techniques, Unit 29 Music Video Production), and assignment (IG2 – MUSIC VIDEO PRODUCTION). It lists the evidence submitted for each task, including links to blog posts and descriptions of videos and illustrations. At the bottom, the learner (Nicole Melia) signs to declare that the submitted work is her own on 05/06/2015.
Y1 media music video production media learner assessment submission declarationNicole Melia
This document contains a learner assessment submission and declaration form. It provides information about the learner, assessor, program of study, assignment details, tasks, evidence submitted, and a declaration by the learner that the work is their own. The learner Nicole Melia is submitting work for a music video production assignment across 7 tasks, with evidence referenced on her blog for each task. She signs the declaration on 05/06/2015.
This document provides descriptions of key job roles in media production, including director, producer, casting director, screenwriter, sound operator, camera operator, and editor. It explains the responsibilities of each role and what they contribute to the production process. The director is responsible for the creative vision and oversight of the entire production. The producer initiates and coordinates the project. The casting director facilitates actor selection. Screenwriters develop story ideas and scripts. Sound and camera operators work with technical equipment. And the editor assembles all elements into the final product. Clear job roles are important for efficient media production.
Quantitative research involves collecting large amounts of data from surveys of large groups to gather information. Common techniques include mail, phone, internet, and in-person surveys. This data helps media companies understand viewership figures, ratings comparisons, audience opinions on new films or concepts. The information is easy to collect and analyze in databases. Qualitative research explores people's views, opinions, and behaviors through observations over days or weeks to gain a deeper understanding. Marketers may observe reactions to new films to understand what audiences enjoyed or disliked to inform future works. Both quantitative and qualitative research are important tools used in the media industry.
The cost of radio advertising depends on several factors:
- The general cost is about £2 for every 1000 listeners reached, so ads with more listeners are more expensive.
- The day and time an ad airs affects the price, with morning and late afternoon slots being the most popular and expensive.
- Ad lengths of 30 seconds are most common but shorter ads are half the price.
- Choosing a station focuses on the target audience rather than overall popularity.
- Ads typically run for 4 weeks or longer for intensive campaigns.
The document discusses considerations for music in commercial production. Producers must choose music styles and functions to match the tone and purpose of their ads. They must also seek permission to use copyrighted music through organizations like PRS, who distribute royalties to artists. While fair use allows limited use of excerpts, using full songs requires licensing. There is no "7-second rule" allowing unlicensed use of short excerpts. Producers may find it easiest to use original music they composed to avoid licensing fees. E6 radio has a library of copyrighted music their producers can use for their shows.
The radio advertisement promotes the Volkswagen Passat Highline Plus primarily to male drivers by using stereotypical male and female voices. The female voice describes features like heated seats and boot space, while the male voice discusses the car's price and performance like a "boy toy." The advertisement aims to persuade listeners to purchase the car by highlighting its expensive new features but could be more effective if it included slogans, mentioned the Volkswagen name more, and provided additional contact information.
This radio advertisement promotes Canon's new XS 200 IS camera to older listeners of Absolute Radio. It uses a male voice to provide factual tips and information about the camera's features in a way that stereotypes men as wanting these details, while a female voice speaks seductively to attract male attention. The advertisement encourages listeners to buy the camera for themselves or as a Christmas present by emphasizing its high quality pictures and additional features. It aims to get both Canon and Absolute Radio stuck in the listener's mind through repetition of their names.
This document analyzes and summarizes a radio advertisement for the restaurant Nando's. It discusses several aspects of the advert's style, tone, and content, including its use of humor, repetition of words and slogans, upbeat musical style, and overall message of inclusiveness. However, it notes that the advert fails to provide any contact details, which could have better encouraged people to sign up for membership offers and deals.
Creative producers create and manage radio content, generating ideas and ensuring production standards are met. They work in studios but also on location. Production engineers record high quality audio, operating equipment and mixing tracks under tight deadlines. Copywriters write scripts for radio ads, understanding how listeners respond. Voiceover artists convey messages through commercials and announcements, while recording artists create and manage albums, overseeing recording sessions and striving for chart success.
The Nandos radio advert uses a humorous and repetitive style with a simple, modern tone. It features a male voice impersonating a Mexican accent saying "It's ok!" and promoting Nandos' tagline "cheeky Nandos". The overall message is that everyone is welcome to eat at Nandos. It aims to be an amusing yet informative advert about the food options, though it could have included contact details. The salsa music matches the fake Mexican accent used for comedic effect.
This radio advert promotes a Canon camera, mentioning the Canon name 3 times. It uses a conversational tone as a seductive female voice provides informative tips to attract male listeners. The overall message is to buy the camera for the best quality winter photographs. While detailed and persuasive, the advert could have been more concise and catchy with its long tagline of "Absolute radio's winter photography guide with Canon."
The radio advertisement promotes the Volkswagen Passat Highline Plus. It uses a male voice and a female voice impersonating a sat nav to describe features of the car like heated seats and Bluetooth connectivity. The overall message is to get drivers to purchase the Volkswagen Passat Highline Plus by highlighting its technology and luxury features. However, the Volkswagen name is only mentioned once at the end and no contact details are provided, so the advertisement could have been more effective at promoting the Volkswagen brand.
The ASA is the independent regulator of advertising across all media in the UK. They enforce advertising codes written by the Committees of Advertising Practice (CAP) to ensure ads are not misleading, harmful, or offensive. For television and radio, the ASA regulates advertising under a contract with Ofcom.
The CAP writes and maintains the UK Advertising Codes, and provides industry guidance to help create compliant ad campaigns. Getting an ad banned by the ASA can significantly damage brands, so the CAP offers various advice and training services to help advertisers understand and follow the rules.
The codes enforced by regulators in the UK broadcasting system include specific rules for issues like weight loss claims and medicines. The CAP provides online
The radio advert promotes the Canon XS 200 IS camera, using a serious and repetitive tone with factual tips. It features a female voice with a husky and seductive tone alongside an older male voice describing the camera's features. The advert's purpose is to promote the Canon camera and its offer in time for Christmas, mentioning the product three times over 52 seconds. While detailed and persuasive, the advert is quite long at 54 seconds.
Music copyright protects musicians, composers, artists and others involved in creating music. It ensures they are paid when their work is used. PRS and PPL are non-profit organizations that collect royalties on behalf of musicians and composers when their music is broadcast or otherwise used. Clearance must be obtained to use copyrighted music, usually through PRS or PPL, or by contacting the composer or record label directly. Larger companies may have blanket licensing agreements that allow use of any music managed by PRS without obtaining individual clearances, but all uses still must be reported. Failure to obtain proper clearance or report uses can result in legal action and substantial financial penalties.
This episode of Friends centers around Ross trying to get his friends ready on time for a party he needs to attend for work. However, each friend has their own delays and distractions that prevent them from being ready on time. Rachel takes a long time to choose an outfit, Joey and Chandler start fighting over a chair and underwear, Monica is distracted by a message from her ex, and Phoebe's dress gets ruined. The comedic situations each friend finds themselves in, and Ross's increasing stress about the time, make this a classic sitcom episode that many viewers can relate their own experiences to.
Private and public ownership are the two types of television ownership. Private ownership refers to networks owned by private shareholders seeking profit, like ITV, while public ownership refers to public service networks like the BBC funded by taxpayers. Technology has advanced television from analogue to digital formats with high definition and on-demand viewing. Ofcom regulates television content and enforces broadcasting codes around protecting viewers, particularly children before the watershed at 9pm.
The document describes photos taken during the filming of a music video. It includes pictures of the photographer capturing different shots, such as low angles of the main character to portray strength, extras doing pushups, the main character skipping as a warmup, and experimenting with panning shots of the gym setting. The accompanying text explains how some shots like the blurry pushups were ultimately not used in the final edited video.
1) The document describes a music video project where the author worked with a partner to film footage at a Thai boxing gym of a man working out to the song "Children" by Robert Miles.
2) Filming was challenging due to scheduling conflicts and an injury, so they did not get all the footage envisioned.
3) In editing, the author realized she did not leave enough time to fully realize her vision, such as incorporating more color correction, speed adjustments, and an opening title. She learned lessons about project planning and time management.
Y1 media music video production media learner assessment submission declarationNicole Melia
This document contains a learner assessment submission and declaration form. It provides details of the learner (Nicole-Leigh Melia), assessor (Iain Goodyear), programme of study (Extended Diploma in Creative Media Production), unit (Unit 1 Pre-Production Techniques, Unit 29 Music Video Production), and assignment (IG2 – MUSIC VIDEO PRODUCTION). It lists the evidence submitted for each task, including links to blog posts and descriptions of videos and illustrations. At the bottom, the learner (Nicole Melia) signs to declare that the submitted work is her own on 05/06/2015.
Y1 media music video production media learner assessment submission declarationNicole Melia
This document contains a learner assessment submission and declaration form. It provides information about the learner, assessor, program of study, assignment details, tasks, evidence submitted, and a declaration by the learner that the work is their own. The learner Nicole Melia is submitting work for a music video production assignment across 7 tasks, with evidence referenced on her blog for each task. She signs the declaration on 05/06/2015.
This document provides descriptions of key job roles in media production, including director, producer, casting director, screenwriter, sound operator, camera operator, and editor. It explains the responsibilities of each role and what they contribute to the production process. The director is responsible for the creative vision and oversight of the entire production. The producer initiates and coordinates the project. The casting director facilitates actor selection. Screenwriters develop story ideas and scripts. Sound and camera operators work with technical equipment. And the editor assembles all elements into the final product. Clear job roles are important for efficient media production.
Creative Restart 2024: Mike Martin - Finding a way around “no”Taste
Ideas that are good for business and good for the world that we live in, are what I’m passionate about.
Some ideas take a year to make, some take 8 years. I want to share two projects that best illustrate this and why it is never good to stop at “no”.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...EduSkills OECD
Andreas Schleicher, Director of Education and Skills at the OECD presents at the launch of PISA 2022 Volume III - Creative Minds, Creative Schools on 18 June 2024.
Elevate Your Nonprofit's Online Presence_ A Guide to Effective SEO Strategies...TechSoup
Whether you're new to SEO or looking to refine your existing strategies, this webinar will provide you with actionable insights and practical tips to elevate your nonprofit's online presence.
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...indexPub
The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.