Downloaded 153 times
More Related Content
Starck lecture
- 1.
- 2.
- 3. Philippe STARCK Born on January 18th 1949 in Paris father André Starck (airplane conceptor) mother Jacqueline Lanourisse father of Ara, Oa and K. Studied in Ecole Nissim de Camondo in Paris (France) Creation of Starck Products in 1979 Creation of UBIK in 1983 STARCK mercredi, 23 novembre 2011
- 4. An honest, enthusiasticcitizen of today's world, he considers it his duty to share with us his subversive vision of a better world which is his alone and yet which fits up like a glove. STARCK mercredi, 23 novembre 2011
- 5. He is tirelessin changing the realities of our daily life, sublimating our roots and the deepest wellsprings of our being into his changes. He turns the toothbrush into a noble object, squeezes lemons but the " wrong " way, and even makes our TV sets more fun to be with when he brings his " emotional style " into Thomson's electronic world. STARCK mercredi, 23 novembre 2011
- 6. He also takestime out to change our pasta, our ash- trays, lamps, toothbrushes, door handles, cutlery, candlesticks, kettles, knives, vases, clocks, scooters, motorcycles, desks, beds, taps, baths, toilets … in short, our whole life. STARCK mercredi, 23 novembre 2011
- 7. A life thathe finds increasingly fascinating, which has brought him now closer to the human body with clothes, underwear, shoes, glasses, watches, food, toiletries et al., still determined that his designs shall, as ever, respect the nature and the future of mankind. STARCK mercredi, 23 novembre 2011
- 8.
- 9. You wanna talkdesign? I hate that! You might as well go home. La la la la la STARCK mercredi, 23 novembre 2011
- 10. "We have toreplace beauty, which is a cultural concept, with goodness, which is a humanist concept.“ By good objects qualitatively but also good for the persons who are going to live with them- " the object must allow the person to open up, to be himself and to be happier ". STARCK mercredi, 23 novembre 2011
- 11. " Today, thedesigner does not have to be the accomplice any more of the industry so that things are sold better but above all, he must ask the question of the legitimacy of the objects to exist I'm trying to move towards making objects which are honest, objects for non- consumers, for modern rebels ". STARCK mercredi, 23 novembre 2011
- 12. I'm trying tomove towards making objects which are honest, objects for non- consumers, for modern rebels STARCK mercredi, 23 novembre 2011
- 13. Tomorrow there willbe less STARCK mercredi, 23 novembre 2011
- 14. The material withoutis double, the idea, which provides all is meaning, is a phenomenon emptied of its content STARCK mercredi, 23 novembre 2011
- 15.
- 16. Semiotic Square The structuralist semiotician Algirdas Greimas introduced the semiotic square (which he adapted from the 'logical square' of scholastic philosophy) as a means of analysing paired concepts more fully (Greimas 1987, xiv, 49). The semiotic square is intended to map the logical conjunctions and disjunctions relating key semantic features in a text.. Whilst this suggests that the possibilities for signification in a semiotic system are richer than the either/or of binary logic, but that they are nevertheless subject to 'semiotic constraints' - 'deep structures' providing basic axes of signification. mercredi, 23 novembre 2011
- 17. Semiotic Square Assertion Negation S S1 S2 contrariety complementarily complementarily contra diction -S2 -S1 Non-Assertion Non-Negation Not S mercredi, 23 novembre 2011
- 18. Semiotic Square Beautiful ugly S1 S2 contrariety complementarily complementarily contra diction -S2 -S1 Non-ugly Non-beautiful mercredi, 23 novembre 2011
- 19. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Regime of the representation Regime of the construction Endomorphic dimension Shape represents the Logical function Shape ( re ) creates the Logical function, Exomorphic dimension Logic of correspondence and equivalence Logic of shock and break down, Existential Utilitarian valuation of the object Examples Valuation of the object razor Braun, Examples The toothbrush Fluocaril, iuicy Salif, robot Marie ( Moulinex) Hot Bertaa ( Starck) contra diction Substantial design Oblique design Regime of the non-construction Regime of the non-representation, Shape incorporates the Logical function Shape extends beyond the Logical function, Logic of conformation Logic of surprise, Critical Valuation of the object Playful Valuation of the object Examples La Marie ( Starck), Examples Mister Meumeu, Richard reads, Louis XX, Perrier ( Szekely) This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
- 20. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Regime of the construction Endomorphic dimension Shape ( re ) creates the Logical function, Exomorphic dimension Logic of shock and break down, Existential Valuation of the object Examples The toothbrush Fluocaril, iuicy Salif, Hot Bertaa ( Starck) contra diction Substantial design Oblique design Regime of the non-construction Regime of the non-representation, Shape incorporates the Logical function Shape extends beyond the Logical function, Logic of conformation Logic of surprise, Critical Valuation of the object Playful Valuation of the object Examples La Marie ( Starck), Examples Mister Meumeu, Richard reads, Louis XX, Perrier ( Szekely) This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
- 21. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Regime of the construction Endomorphic dimension Shape ( re ) creates the Logical function, Exomorphic dimension Logic of shock and break down, Existential Valuation of the object Examples The toothbrush Fluocaril, iuicy Salif, Hot Bertaa ( Starck) contra diction Substantial design Oblique design Regime of the non-construction Regime of the non-representation, Shape incorporates the Logical function Shape extends beyond the Logical function, Logic of conformation Logic of surprise, Critical Valuation of the object Playful Valuation of the object Examples La Marie ( Starck), Examples Mister Meumeu, Richard reads, Louis XX, Perrier ( Szekely) This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
- 22. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Endomorphic dimension Exomorphic dimension contra diction Substantial design Oblique design Regime of the non-construction Regime of the non-representation, Shape incorporates the Logical function Shape extends beyond the Logical function, Logic of conformation Logic of surprise, Critical Valuation of the object Playful Valuation of the object Examples La Marie ( Starck), Examples Mister Meumeu, Richard reads, Louis XX, Perrier ( Szekely) This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
- 23. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Endomorphic dimension Exomorphic dimension contra diction Substantial design Oblique design Regime of the non-representation, Shape extends beyond the Logical function, Logic of surprise, Playful Valuation of the object Examples Mister Meumeu, Richard reads, Louis XX, This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
- 24. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Endomorphic dimension Exomorphic dimension contra diction Substantial design Oblique design STARCK mercredi, 23 novembre 2011
- 25.
- 26. Richard III The very essence of stereotypical middle-class decor, the object as a mask, a technological jack-in-the-box. These are the ingredients of this explosive "molotov cocktail", created by Starck moved by the sight of battered old armchairs abandoned in the street. "He" gives them new life and one as a gift to President Mitterrand for the Reading Room in his apartment in the Elysée Palace. This is Starck at his most radical. STARCK mercredi, 23 novembre 2011
- 27. Richard III The very essence of stereotypical middle-class decor, the object as a mask, a technological jack-in-the-box. These are the ingredients of this explosive "molotov cocktail", created by Starck moved by the sight of battered old armchairs abandoned in the street. "He" gives them new life and one as a gift to President Mitterrand for the Reading Room in his apartment in the Elysée Palace. This is Starck at his most radical. STARCK mercredi, 23 novembre 2011
- 28. Starck at Pompidoucenter STARCK mercredi, 23 novembre 2011
- 29. Centre Pompidou presentsthe first Philippe Starck retrospective: not a design exhibition in the strict sense of the word but a fully-fledged show in which the spectator gets involved in the process of discovery of the French designer's ironic world. STARCK mercredi, 23 novembre 2011
- 30.
- 31. "Venez, venez iln'y a rien à voir, il y a tout à recevoir" (come on, come on, there's nothing to see, but everything to get) is how a public crier dressed as a joker welcomes visitors to the exhibition, declaring its intent right from the start. The exhibition, designed by Starck himself, is contained in an 800 square metre elliptical space which is kept intentionally dark and ringed in with smoky curtains like those of the circus. STARCK mercredi, 23 novembre 2011
- 32. To a backgroundof Laurie Anderson music, photographs of the designer's works pass across screens positioned above talking heads representing him. Standing on the ground in the centre is "l'Ombre", a large bronze sculpture materialising the creative artist's subconscious. STARCK mercredi, 23 novembre 2011
- 33. From his earlyprototype armchairs to the Alessi toothbrush and the renovation of Hotel Mondrian in Los Angeles, Philippe Starck self-critically tells the story behind the genesis of over 180 objects, the reflections that led to their creation, the reasons for their success or the meaning of their lack of success. Once in a while actors appear amidst the audience to impersonate some of the designer's obsessions and get them involved in the theatrical production STARCK mercredi, 23 novembre 2011
- 34. Juicy Salif STARCK mercredi, 23novembre 2011
- 35.
- 36. Moto mercredi, 23 novembre2011 STARCK
- 37. Louis XX STARCK mercredi, 23novembre 2011
- 38. Panzani Pasta STARCK mercredi, 23novembre 2011
- 39. Miss Sissi STARCK mercredi, 23novembre 2011
- 40.
- 41.
- 42. Hotel Costes STARCK mercredi, 23novembre 2011
- 43. Chaise Costes STARCK mercredi, 23novembre 2011
- 44. Fluocaril toothbrush STARCK mercredi, 23novembre 2011
- 45. La Marie STARCK mercredi, 23novembre 2011
- 46. Tap mixer Axor STARCK mercredi,23 novembre 2011
- 47. Fossil Watch STARCK mercredi, 23novembre 2011
- 48. Rosy Angelis STARCK mercredi, 23novembre 2011
- 49. Paramount Hotel STARCK mercredi, 23novembre 2011
- 50. Alessi: Max le chinois STARCK mercredi, 23 novembre 2011
- 51. Mister Meu Meu STARCK mercredi,23 novembre 2011
- 52. Hot Berta STARCK mercredi, 23novembre 2011
- 53.
- 54.
- 55. Floss Romeo Moon STARCK mercredi, 23 novembre 2011
- 56. Floss Miss K STARCK mercredi, 23 novembre 2011
- 57. Hotel Peninsula Hong Kong STARCK mercredi, 23 novembre 2011
- 58. Hotel Peninsula Hong Kong Restaurant Felix STARCK mercredi, 23 novembre 2011
- 59. Hot Berta STARCK mercredi, 23novembre 2011
- 60.
- 61.
- 62.
- 63.
- 64.
- 65.
- 66.
- 67.
- 68.
- 69. Starck makes hisLibé The designer Philippe Stark who exposes himself in the Pompidou center in Paris, redesign the current newspaper in our invitation. Re-center photos, attaching titles and texts, he ”creates the sense by confrontation, assembly, a series of sparks”. STARCK mercredi, 23 novembre 2011
- 70.
- 71.