The document discusses Alexander McQueen's aesthetics of spectacle through his fashion collections which featured elements of both Dionysian and Apollonian qualities. It references several of McQueen's notable collections from 1997 to 2009 that incorporated classical mythology and references to films to portray wild, ecstatic elements as well as static, ordered aspects. The document also mentions influences on McQueen's work like Picasso's paintings, Forman's film One Flew Over the Cuckoo's Nest, and Greenaway's concept of total artwork.