1. Sonata No. 10 In G MajorOp. 14, No. 2 Ludwig van Beethoven

2. Exposition Theme I From measure 1 to measure 25 0:00- 0:40 Contains a phrase followed by a sentence Phrase: measures 1- downbeat of measure 8 (In tonic and ends in a Perfect Authentic Cadence) 0:00- 0:11

3. Exposition Theme I Continuing to measure 25 0:11- 0:40 Contains a sentence Sentence: measures 8- 25 (In dominant till measure 18, then goes into V/V till measure 25) 0:11- 0:28- 0:40

4. Exposition Theme II From measure 26 to measure 47 0:40- 1:14 Contains a parallel period and a sentence Parallel period I: measures 26-29 (In the dominant key and ends on V/V in measure 29) 0:40- 0:46

5. Exposition Theme II Continuing to measure 47 0:46- 1:14 Contains the second phrase parallel to the first and a sentence Parallel period II: measures 30- downbeat of measure 33 (In V/V and ends in a V chord in measure 33) 0:46- 0:52

6. Exposition Theme II Continuing to measure 47 0:52-1:14 Contains a sentence Sentence: measures 33- the downbeat of measure 47 (In V/V until measure 37, then in V until measures 41-42 where it returns briefly to tonic then returns to dominant in measures 43-47 ending on a V chord) 0:52- 1:05- 1:08- 1:14

7. Exposition Closing Theme Measures 48-63 1:14- 1:43 Contains new thematic material in the bass line Closing theme: Measures 48-63 (In dominant throughout ending on a half cadence) 1:14- 1:43

8. Repeat of exposition

9. Exposition Theme I From measure 1 to measure 25 1:45- 2:27 Contains a phrase followed by a sentence Phrase: measures 1- downbeat of measure 8 (In tonic and ends in a Perfect Authentic Cadence) 1:45- 1:57

10. Exposition Theme I Continuing to measure 25 1:57- 2:27 Contains a sentence Sentence: measures 8- 25 (In dominant till measure 18, then goes into V/V till measure 25) 1:57- 2:13- 2:27

11. Exposition Theme II From measure 26 to measure 47 2:27- 3:00 Contains a parallel period and a sentence Parallel period I: measures 26-29 (In the dominant key and ends on V/V in measure 29) 2:27- 2:32

12. Exposition Theme II Continuing to measure 47 2:32- 3:00 Contains the second phrase parallel to the first and a sentence Parallel period II: measures 30- downbeat of measure 33 (In V/V and ends in a V chord in measure 33) 2:32- 2:37

13. Exposition Theme II Continuing to measure 47 2:37- 3:00 Contains a sentence Sentence: measures 33- the downbeat of measure 47 (In V/V until measure 37, then in V until measures 41-42 where it returns briefly to tonic then returns to dominant in measures 43-47 ending on a V chord) 2:37- 2:47- 2:52- 3:00

14. Exposition Closing Theme Measures 48-63 3:00- 3:29 Contains new thematic material in the bass line Closing theme: Measures 48-63 (In dominant throughout ending on a half cadence) 3:00- 3:29

15. Development Theme I returns Measure 63 3:30 G harmonic minor

16. Development Theme II returns Measure 74 3:48 G minor

17. Development Theme I Returns Measure 81 4:01 Theme is in the bass line

18. Development Theme I Returns Measure 86 4:08 Theme is in bass line

19. Development Theme I returns Measure 98 4:28 Theme returns in treble in Eb Major

20. Development Second part of theme II returns Measure 107 4:41 Theme of running 32nd notes comes back

21. Development Theme I returns Measure 115 4:56 Simplified version of the opening statement returns and brings the development section to a close

22. Recapitulation Restatement of Theme I Measures 124- 152 5:13- 6:00 Contains a phrase and a sentence Phrase: Measures 124-132 (in tonic and ends in a Perfect Authentic Cadence) 5:13- 5:25

23. Recapitulation Restatement of theme I Continuing to measure 153 5:25- 6:00 Contains a sentence Sentence: measures 132-153 (in dominant and ends on V) 5:25- 6:00

24. Recapitulation Restatement of theme II Measures 153- 174 6:00- 6:34 Contains a parallel period and a sentence Parallel period: measures 153-160 (the first phrase is in tonic and the second phrase is in dominant and ends on a Perfect Authentic Cadence) 6:00- 6:06- 6:11

25. Recapitulation Restatement of theme II Continuing to measure 174 6:11- 6:34 Contains a sentence Sentence: measures 160- 174 (primarily in tonic ends on major tonic) 6:11- 6:34

26. Recapitulation Restatement of closing theme Measures 174- 187 6:34-6:58 Contains melodic material in the bass line Closing theme: measures 174-187 (restates the closing theme except in tonic and ends on a Perfect Authentic Cadence) 6:34- 6:58

27. Recapitulation Quasi-return of theme I Measures 187- 200 6:58- 7:23 Contains a sentence Sentence: measures 187- end (in tonic until measure 196 where it starts hinting at a cadence with I-V-I-V then it goes to V7 getting you ready to return to tonic for a settling end then doesn’t and ends on iii instead) 6:58- end