Shot list
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The shot list summarizes 20 shots that will be used to tell a story. Shot 1 is an extreme close up of the main character Joe's eyes and hat. Shot 2 is a long shot that introduces Joe walking down a path at night with credits overlayed. Shot 3 crosscuts to another character, Lola, dancing in a different time period with visual effects. The shots continue cutting between Joe and Lola, with various angles and close-ups, to build tension and mystery around their relationship and an encounter Joe has with an unknown man.
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Shot list
The document describes 40 shots that show the main character taking drugs, getting into a fight, and ultimately stabbing someone. The shots include close-ups, medium shots, and long shots of the character, a vocalist singing, and people on the street. They progress from the character arranging to meet a drug dealer to taking the drugs, getting sick, bumping into someone, pulling out a knife, and stabbing a boy with a bandana around his face. Interspersed are shots of a vocalist singing and people going about their daily lives.
Shot list
The document describes 40 shots that show the main character taking drugs, getting into a fight, and ultimately stabbing someone. The shots include close-ups, medium shots, and long shots of the character, a vocalist singing, and people on the street. They progress from the character arranging to meet a drug dealer to taking the drugs, getting sick, bumping into someone, pulling out a knife, and stabbing a boy with a bandana around his face. Interspersed are shots of a vocalist singing and people going about their daily lives.
Task 1
The close up shot for 18 seconds emphasizes the pain and emotion felt by the protagonist over his wife's death. A long shot then shows his loneliness through his small frame in the large hallway as the doctor towers over him, representing death's power. Finally, a low angle close up of the wife's prayer beads for 4 seconds indicates her peaceful passing with faith in God, and shows her in a tranquil pose that represents her soul in heaven.
How does your opening represent particular social groups
The opening scene represents several social groups, including children through two young actresses aged 7 and 8 who display childlike behaviors. It also represents females as needy and dependent on children, as shown through a woman adopting a girl due to desperation. The clothing and demeanor of the characters who adopt portray her as wealthy and strong yet feminine through her sharp blue jacket. No men are shown in the opening, subverting the typical thriller genre conventions of having male protagonists or antagonists.
Edit Plan for my Film Opening
This document outlines the edit plan for a film directed by Caitlin Forster. It includes 4 title cards introducing the director and main characters Jack Easter and Siobhan Donald. It then describes 15 shots that will feature the main protagonists with blue or light filters to represent their emotions, and cross cuts or smash cuts for transitions between shots. The shots will contrast the differences in emotion between the characters.
Photos
The document summarizes and analyzes several front cover images from magazines. It notes compositional elements like eyeline, framing, posing, and background to convey meanings like dominance, mystery, vulnerability, and innocence. Elements like a high eyeline, central positioning, and fading background in shots of Beyonce and Christina suggest dominance, while elements like a casual pose with little skin showing in Christina's shot and a natural background with no direct eyeline in JLS's shot imply innocence and genuineness.
Pardeeps media
The document discusses the characters in a student thriller film. It notes that having 17/18 year old characters goes against the stereotypical age of thriller characters. It also discusses having a female main character as opposing the stereotype of male leads. While the male character asks the female character to do things for him, showing a stereotype, she is ready to kill him which subverts expectations. The characters are described as working class based on their accents and surroundings. Their interracial relationship challenges views of racial superiority. Their occupations are not explicitly stated but suggested to be students with part time work. The document then contrasts this film to the movie Monster, noting how the lead in that film is a domineering female pro
Psycho video presentation (1)
The document discusses cognitive biases and psychological effects that influence attraction and relationships. It defines halo effect as being influenced by someone's attractiveness, mood-congruent effect as actions being consistent with one's mood, stereotype as a fixed belief about a group, optimistic bias as believing one is less at risk than others, and intrinsic motivation as behavior driven by internal rewards. It provides examples for each term. The moral of the story is to check first before pursuing relationships.
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Shot list
The document describes 40 shots that show the main character taking drugs, getting into a fight, and ultimately stabbing someone. The shots include close-ups, medium shots, and long shots of the character, a vocalist singing, and people on the street. They progress from the character arranging to meet a drug dealer to taking the drugs, getting sick, bumping into someone, pulling out a knife, and stabbing a boy with a bandana around his face. Interspersed are shots of a vocalist singing and people going about their daily lives.
Shot list
The document describes 40 shots that show the main character taking drugs, getting into a fight, and ultimately stabbing someone. The shots include close-ups, medium shots, and long shots of the character, a vocalist singing, and people on the street. They progress from the character arranging to meet a drug dealer to taking the drugs, getting sick, bumping into someone, pulling out a knife, and stabbing a boy with a bandana around his face. Interspersed are shots of a vocalist singing and people going about their daily lives.
Task 1
The close up shot for 18 seconds emphasizes the pain and emotion felt by the protagonist over his wife's death. A long shot then shows his loneliness through his small frame in the large hallway as the doctor towers over him, representing death's power. Finally, a low angle close up of the wife's prayer beads for 4 seconds indicates her peaceful passing with faith in God, and shows her in a tranquil pose that represents her soul in heaven.
How does your opening represent particular social groups
The opening scene represents several social groups, including children through two young actresses aged 7 and 8 who display childlike behaviors. It also represents females as needy and dependent on children, as shown through a woman adopting a girl due to desperation. The clothing and demeanor of the characters who adopt portray her as wealthy and strong yet feminine through her sharp blue jacket. No men are shown in the opening, subverting the typical thriller genre conventions of having male protagonists or antagonists.
Edit Plan for my Film Opening
This document outlines the edit plan for a film directed by Caitlin Forster. It includes 4 title cards introducing the director and main characters Jack Easter and Siobhan Donald. It then describes 15 shots that will feature the main protagonists with blue or light filters to represent their emotions, and cross cuts or smash cuts for transitions between shots. The shots will contrast the differences in emotion between the characters.
Photos
The document summarizes and analyzes several front cover images from magazines. It notes compositional elements like eyeline, framing, posing, and background to convey meanings like dominance, mystery, vulnerability, and innocence. Elements like a high eyeline, central positioning, and fading background in shots of Beyonce and Christina suggest dominance, while elements like a casual pose with little skin showing in Christina's shot and a natural background with no direct eyeline in JLS's shot imply innocence and genuineness.
Pardeeps media
The document discusses the characters in a student thriller film. It notes that having 17/18 year old characters goes against the stereotypical age of thriller characters. It also discusses having a female main character as opposing the stereotype of male leads. While the male character asks the female character to do things for him, showing a stereotype, she is ready to kill him which subverts expectations. The characters are described as working class based on their accents and surroundings. Their interracial relationship challenges views of racial superiority. Their occupations are not explicitly stated but suggested to be students with part time work. The document then contrasts this film to the movie Monster, noting how the lead in that film is a domineering female pro
Psycho video presentation (1)
The document discusses cognitive biases and psychological effects that influence attraction and relationships. It defines halo effect as being influenced by someone's attractiveness, mood-congruent effect as actions being consistent with one's mood, stereotype as a fixed belief about a group, optimistic bias as believing one is less at risk than others, and intrinsic motivation as behavior driven by internal rewards. It provides examples for each term. The moral of the story is to check first before pursuing relationships.
FNBE0214 - SOCIAL PSYCHOLOGY ( ATTRACTION : CHASING RELATIONSHIP )
The document discusses cognitive biases and psychological effects that influence attraction and relationships. It defines halo effect as being influenced by someone's attractiveness, mood-congruent effect as actions being consistent with one's mood, stereotype as a fixed belief about a group, optimistic bias as believing one is less at risk than others, and intrinsic motivation as behavior driven by internal rewards. It provides examples for each term. The moral of the story is to check first before pursuing relationships.
No way out beginning- media analysis
This document analyzes the first twelve shots of the film "No Way Out" through descriptions of the camera shots, lighting, characters, and context clues to infer the plot. The establishing shot shows the White House, suggesting a political thriller. Shot 2 introduces 1980s computer graphics. Shots 3-4 introduce a main character being interviewed secretly at night in a house by two other men, implying an unauthorized investigation. Shots 5-6 depict rising tension between the interviewers and interviewee, who has blood on his shirt. Shots 7-9 show the interviewee remembering an event from six months prior, at a formal Christmas party where he takes interest in a wealthy woman. Shots 10-12 introduce the party as
Target audience
The document discusses targeting a young male audience aged 15-25 for a horror film. It states that this group likes horror films because of attractive female leads, violence, and frightening scenes that excite their hormones. Examples given of films this audience would enjoy are those with actresses like Jennifer Lawrence and films like "Would You Rather" that have intense, frightening moments. To attract this target audience, the horror film should feature an attractive female lead and intense music/sound effects.
Timeline and Ideas
1) The document outlines the initial planning for a student film project titled "Merland Rise".
2) It includes a list of potential actors and actresses to play the roles of the "creep", "love interest", and "main girl".
3) Locations that are proposed for filming include one of the students' houses, a café or pub, and streets in the area.
4) Notes about the plot describe a scene where the main girl slaps the future stalker character, then later receives a creepy text while having a private moment with her love interest.
Timeline
1) The document outlines the initial planning for a student film project titled "Merland Rise".
2) It includes a shot list, potential actors and locations, music needs, and notes on the plot which involves a girl slapping a future stalker and later receiving creepy texts from him.
3) Key elements that are listed include reaction shots of the angry stalker, a private moment alone in her room where the girl receives a creepy text, and a slow reveal of the stalker holding a gun outside her house while wearing black.
Finalised story board
John was an ordinary man with problems - he was useless at everything and was constantly bullied. His life was unfair and unfortunate. After getting bad grades and kicked out of his home, John found a winning lottery ticket while sitting miserable on a bench. Though his new wealth led to girls and friends wanting him back, John realized they only loved him for his money after they stole from him. The documentary questions if money can truly buy happiness.
Finalised story board
John was an ordinary man with problems - he was useless at everything and was constantly bullied. His life was unfair and unfortunate. After getting bad grades and kicked out of his home, John found a winning lottery ticket while sitting miserable on a bench. Though his new wealth led to girls and friends wanting him back, John realized they only loved him for his money after they stole from him. The documentary questions if money can truly buy happiness.
How does you’re media product represent particular social
Blake, a 24-year-old white man, is portrayed as the dominant and ruthless main character in the opening sequence. He is shown first, given the most screen time, checking his watch with a focused expression. Another male is found dead next to Blake, suggesting Blake killed him. Blake kneels to look at the victim with a ruthless expression, establishing his dominance over the only other male. He smiles after leaving the house, portraying him as villainous. His all-black clothing conveys sinister qualities, fitting psychological thriller conventions of the main character being the villain.
How does you’re media product represent particular social
Blake, a 24-year-old white man, is portrayed as the dominant and ruthless main character in the opening sequence. He is shown first, given the most screen time, checking his watch with a focused expression. Another male is found dead next to Blake, suggesting Blake killed him. Blake kneels to look at the victim with a ruthless expression, establishing his dominance over the only other male. He smiles after leaving the house, portraying him as villainous. His all-black clothing conveys a sinister nature, fitting psychological thriller conventions of the main character being the villain.
Evaluation: Question 2
The document discusses how different social groups are presented in a media product. It first discusses the portrayal of gender, noting that men are initially depicted as dominant through camera angles and sound effects that show the man overpowering the woman. However, by the end the woman is depicted as dominant as she is shown alone and her costume and voiceover convey her strength and independence. The document also discusses the portrayal of age and young relationships, contrasting shots of an initially calm couple with those showing male abuse of the female to represent young relationships as potentially dangerous through changes in soundtrack.
Comic explained
This document provides a summary of 5 concepts from social psychology that are incorporated into the plot of a comic about a man struggling after bankruptcy. It describes how the man struggles with negativity bias after his failure, leading him to wallow in depression rather than improve. It also outlines how his coworkers began to distance themselves from him due to his failure, and how a friend attributes his depression to external circumstances beyond his control. The comic also depicts the man avoiding interaction and consolation from others by using a stonewalling conflict style. Finally, it references how responsibility is hindered in large groups, relating to the bystander effect.
Photos
The document analyzes and compares photography techniques used on album covers of various artists. It discusses elements like eyeline, body language, posing, shot composition and background to convey meanings like dominance, mystery, vulnerability, innocence or portray the artist's public image. Key aspects analyzed are use of space in the frame, eye contact or lack thereof, poses, amount of skin shown, shot distance and backgrounds. The document examines how these photographic choices can influence the impression and messaging of the album cover artwork.
Secondary
This mood board targets teenage and young adult males aged 13 to 25 from middle-class backgrounds who are interested in horror films, video games, and attractive women. The board suggests the film The Descent would appeal to their interests in gore, zombies, and an all-female cast, showing pictures related to these topics. According to Rubicam’s theory, the target audience can be considered individuals who enjoy niche interests rather than mainstream appeals and make personal entertainment choices.
Question 2 finshed
This document discusses social groups and the characteristics of criminals. It defines a social group as people who interact and share something in common, but notes they can be stereotyped. It then lists several characteristics of criminals, including fear of being caught, anger issues, poor decision making, feeling like a loner, and lack of empathy. The document asks how these criminal characteristics have been represented in an opening scene, to which the response details how anger, lack of empathy, and poor decision making were depicted through a character's actions. It also compares this criminal to one in another work that similarly demonstrates poor decision making.
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This document provides analyses of photos of various musical artists. It summarizes key elements of each photo such as poses, outfits, lighting, backgrounds, and how they portray the artists. Stylistic elements like vintage or edgy aesthetics are highlighted. Interactions between band members and ways attention is drawn to frontmen are also discussed. The analyses examine how photo compositions and artistic choices convey meanings about the artists and their brands.
Artists photo analysis
This document provides analyses of photos of various musical artists. It summarizes the key elements and compositional techniques used in photos of bands and singers like Thirty Seconds to Mars, Katy Perry, Walk the Moon, The Neighbourhood, The 1975, Bastille, Beyoncé, and Justin Timberlake. The summaries highlight how the photos draw attention to certain members, use lighting, backgrounds, poses, and other visual techniques to represent the artists' styles and brands.
Artists photo analysis done
This document provides analyses of photos of various musical artists. It summarizes key elements of each photo such as poses, outfits, lighting, backgrounds, and how they convey aspects of the artists' styles or personas. The photos showcase artists from different genres like rock, pop, indie, and alternative in solo or group shots with a focus on the frontmen or lead singers. Common techniques included are highlighting the main subject, using lighting and focus, and portraying the artists' brands or serious/fun personalities.
Laura Mulvey
Laura Mulvey's theory of the male gaze argues that in male-dominated media, women are portrayed as passive objects of pleasure for the male viewer's gaze. The document discusses how music videos employ techniques like dismembering the female body through selective camera shots that focus on body parts like the bum, legs, and chest. This sexualizes women and directs the viewer, including both men and other viewers, to see women as objects for the male gaze. The document provides examples from the music videos for "Man of the Year" by Schoolboy Q and "Sex Therapy" by Robin Thicke to illustrate how they employ these techniques and position women as passive objects for the male viewer's pleasure through revealing costumes
Genre research
The document discusses genre research for a romance film targeted at females aged 12-24. It notes that romance films appeal to this audience by communicating emotion, connection, and passion between main characters. Typical conventions of romance films include the male protagonist pursuing the female protagonist, a narrative structure of equilibrium being disrupted and then repaired, and settings that encourage intimacy. Popular examples of romance films that are cited include Titanic, The Notebook, Love Actually, and Twilight.
Target audience
This document discusses the target audience for thriller films. It notes that thrillers are often rated 15 or 18 due to violence and complexity, appealing mainly to young adults aged 15-25 who are drawn to intense storylines and graphic action. The typical thriller audience expects a normal situation to become threatening and for fast editing to keep the film exciting. Psychological thrillers in particular, like Silence of the Lambs and American Psycho, attract young adult males who relate to conventional male leads and characters. However, a majority of psychological thrillers attract primarily females who enjoy the mystery of the events. The described target audience for the film beginning is ages 15-25 primarily but also 30-35, predominantly male, from higher income and education
Geld, Shareconomy und beider Grenznutzen
Referent: Joachim Graf
www.ibusiness.de
Referat und Chat in der
7. kollektiven Intelligenz Eventwoche
Mittwoch 2.4.2014 16:00 – 17:00 Uhr
Mehr Informationen im Chat auf
www.netbaes.net
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FNBE0214 - SOCIAL PSYCHOLOGY ( ATTRACTION : CHASING RELATIONSHIP )
The document discusses cognitive biases and psychological effects that influence attraction and relationships. It defines halo effect as being influenced by someone's attractiveness, mood-congruent effect as actions being consistent with one's mood, stereotype as a fixed belief about a group, optimistic bias as believing one is less at risk than others, and intrinsic motivation as behavior driven by internal rewards. It provides examples for each term. The moral of the story is to check first before pursuing relationships.
No way out beginning- media analysis
This document analyzes the first twelve shots of the film "No Way Out" through descriptions of the camera shots, lighting, characters, and context clues to infer the plot. The establishing shot shows the White House, suggesting a political thriller. Shot 2 introduces 1980s computer graphics. Shots 3-4 introduce a main character being interviewed secretly at night in a house by two other men, implying an unauthorized investigation. Shots 5-6 depict rising tension between the interviewers and interviewee, who has blood on his shirt. Shots 7-9 show the interviewee remembering an event from six months prior, at a formal Christmas party where he takes interest in a wealthy woman. Shots 10-12 introduce the party as
Target audience
The document discusses targeting a young male audience aged 15-25 for a horror film. It states that this group likes horror films because of attractive female leads, violence, and frightening scenes that excite their hormones. Examples given of films this audience would enjoy are those with actresses like Jennifer Lawrence and films like "Would You Rather" that have intense, frightening moments. To attract this target audience, the horror film should feature an attractive female lead and intense music/sound effects.
Timeline and Ideas
1) The document outlines the initial planning for a student film project titled "Merland Rise".
2) It includes a list of potential actors and actresses to play the roles of the "creep", "love interest", and "main girl".
3) Locations that are proposed for filming include one of the students' houses, a café or pub, and streets in the area.
4) Notes about the plot describe a scene where the main girl slaps the future stalker character, then later receives a creepy text while having a private moment with her love interest.
Timeline
1) The document outlines the initial planning for a student film project titled "Merland Rise".
2) It includes a shot list, potential actors and locations, music needs, and notes on the plot which involves a girl slapping a future stalker and later receiving creepy texts from him.
3) Key elements that are listed include reaction shots of the angry stalker, a private moment alone in her room where the girl receives a creepy text, and a slow reveal of the stalker holding a gun outside her house while wearing black.
Finalised story board
John was an ordinary man with problems - he was useless at everything and was constantly bullied. His life was unfair and unfortunate. After getting bad grades and kicked out of his home, John found a winning lottery ticket while sitting miserable on a bench. Though his new wealth led to girls and friends wanting him back, John realized they only loved him for his money after they stole from him. The documentary questions if money can truly buy happiness.
Finalised story board
John was an ordinary man with problems - he was useless at everything and was constantly bullied. His life was unfair and unfortunate. After getting bad grades and kicked out of his home, John found a winning lottery ticket while sitting miserable on a bench. Though his new wealth led to girls and friends wanting him back, John realized they only loved him for his money after they stole from him. The documentary questions if money can truly buy happiness.
How does you’re media product represent particular social
Blake, a 24-year-old white man, is portrayed as the dominant and ruthless main character in the opening sequence. He is shown first, given the most screen time, checking his watch with a focused expression. Another male is found dead next to Blake, suggesting Blake killed him. Blake kneels to look at the victim with a ruthless expression, establishing his dominance over the only other male. He smiles after leaving the house, portraying him as villainous. His all-black clothing conveys sinister qualities, fitting psychological thriller conventions of the main character being the villain.
How does you’re media product represent particular social
Blake, a 24-year-old white man, is portrayed as the dominant and ruthless main character in the opening sequence. He is shown first, given the most screen time, checking his watch with a focused expression. Another male is found dead next to Blake, suggesting Blake killed him. Blake kneels to look at the victim with a ruthless expression, establishing his dominance over the only other male. He smiles after leaving the house, portraying him as villainous. His all-black clothing conveys a sinister nature, fitting psychological thriller conventions of the main character being the villain.
Evaluation: Question 2
The document discusses how different social groups are presented in a media product. It first discusses the portrayal of gender, noting that men are initially depicted as dominant through camera angles and sound effects that show the man overpowering the woman. However, by the end the woman is depicted as dominant as she is shown alone and her costume and voiceover convey her strength and independence. The document also discusses the portrayal of age and young relationships, contrasting shots of an initially calm couple with those showing male abuse of the female to represent young relationships as potentially dangerous through changes in soundtrack.
Comic explained
This document provides a summary of 5 concepts from social psychology that are incorporated into the plot of a comic about a man struggling after bankruptcy. It describes how the man struggles with negativity bias after his failure, leading him to wallow in depression rather than improve. It also outlines how his coworkers began to distance themselves from him due to his failure, and how a friend attributes his depression to external circumstances beyond his control. The comic also depicts the man avoiding interaction and consolation from others by using a stonewalling conflict style. Finally, it references how responsibility is hindered in large groups, relating to the bystander effect.
Photos
The document analyzes and compares photography techniques used on album covers of various artists. It discusses elements like eyeline, body language, posing, shot composition and background to convey meanings like dominance, mystery, vulnerability, innocence or portray the artist's public image. Key aspects analyzed are use of space in the frame, eye contact or lack thereof, poses, amount of skin shown, shot distance and backgrounds. The document examines how these photographic choices can influence the impression and messaging of the album cover artwork.
Secondary
This mood board targets teenage and young adult males aged 13 to 25 from middle-class backgrounds who are interested in horror films, video games, and attractive women. The board suggests the film The Descent would appeal to their interests in gore, zombies, and an all-female cast, showing pictures related to these topics. According to Rubicam’s theory, the target audience can be considered individuals who enjoy niche interests rather than mainstream appeals and make personal entertainment choices.
Question 2 finshed
This document discusses social groups and the characteristics of criminals. It defines a social group as people who interact and share something in common, but notes they can be stereotyped. It then lists several characteristics of criminals, including fear of being caught, anger issues, poor decision making, feeling like a loner, and lack of empathy. The document asks how these criminal characteristics have been represented in an opening scene, to which the response details how anger, lack of empathy, and poor decision making were depicted through a character's actions. It also compares this criminal to one in another work that similarly demonstrates poor decision making.
Artists photo analysis
This document provides analyses of photos of various musical artists. It summarizes key elements of each photo such as poses, outfits, lighting, backgrounds, and how they portray the artists. Stylistic elements like vintage or edgy aesthetics are highlighted. Interactions between band members and ways attention is drawn to frontmen are also discussed. The analyses examine how photo compositions and artistic choices convey meanings about the artists and their brands.
Artists photo analysis
This document provides analyses of photos of various musical artists. It summarizes the key elements and compositional techniques used in photos of bands and singers like Thirty Seconds to Mars, Katy Perry, Walk the Moon, The Neighbourhood, The 1975, Bastille, Beyoncé, and Justin Timberlake. The summaries highlight how the photos draw attention to certain members, use lighting, backgrounds, poses, and other visual techniques to represent the artists' styles and brands.
Artists photo analysis done
This document provides analyses of photos of various musical artists. It summarizes key elements of each photo such as poses, outfits, lighting, backgrounds, and how they convey aspects of the artists' styles or personas. The photos showcase artists from different genres like rock, pop, indie, and alternative in solo or group shots with a focus on the frontmen or lead singers. Common techniques included are highlighting the main subject, using lighting and focus, and portraying the artists' brands or serious/fun personalities.
Laura Mulvey
Laura Mulvey's theory of the male gaze argues that in male-dominated media, women are portrayed as passive objects of pleasure for the male viewer's gaze. The document discusses how music videos employ techniques like dismembering the female body through selective camera shots that focus on body parts like the bum, legs, and chest. This sexualizes women and directs the viewer, including both men and other viewers, to see women as objects for the male gaze. The document provides examples from the music videos for "Man of the Year" by Schoolboy Q and "Sex Therapy" by Robin Thicke to illustrate how they employ these techniques and position women as passive objects for the male viewer's pleasure through revealing costumes
Genre research
The document discusses genre research for a romance film targeted at females aged 12-24. It notes that romance films appeal to this audience by communicating emotion, connection, and passion between main characters. Typical conventions of romance films include the male protagonist pursuing the female protagonist, a narrative structure of equilibrium being disrupted and then repaired, and settings that encourage intimacy. Popular examples of romance films that are cited include Titanic, The Notebook, Love Actually, and Twilight.
Target audience
This document discusses the target audience for thriller films. It notes that thrillers are often rated 15 or 18 due to violence and complexity, appealing mainly to young adults aged 15-25 who are drawn to intense storylines and graphic action. The typical thriller audience expects a normal situation to become threatening and for fast editing to keep the film exciting. Psychological thrillers in particular, like Silence of the Lambs and American Psycho, attract young adult males who relate to conventional male leads and characters. However, a majority of psychological thrillers attract primarily females who enjoy the mystery of the events. The described target audience for the film beginning is ages 15-25 primarily but also 30-35, predominantly male, from higher income and education
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How does you’re media product represent particular social
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This risk assessment document identifies four potential risks to filming - technical faults, illness, weather, and costumes. It describes how each risk can be overcome and who would be responsible. Technical faults with cameras could be addressed by using a backup camera, and the cameraperson would be responsible. Technical faults with computers could be fixed by using backup computers and memory sticks, with the editor primarily responsible. Illness may require finding a new actor or continuing without them. Weather could require rescheduling or changing locations, which would be managed by the location manager. Costumes need to be kept clean by those responsible for them.
Skills
Georgia Johnson completed a personal skills audit to assess her abilities for an upcoming A2 project creating a music video. She has experience with Photoshop, Final Cut, LiveType, and Garage Band from her previous film project. For that project, she used those skills to create titles, credits, and edit video clips together. She plans to use the same software to create posters, album artwork, and edit music videos. Johnson also completed risk assessments and call sheets for filming previously. She will apply those planning skills to the new music video production. When researching film genres, she took inspiration from film noir conventions like those in Sunset Boulevard and Se7en but adapted them for a modern setting. She aims to follow genre conventions
Evalution question 3
Our noir film would be best distributed through smaller art house cinemas or online platforms rather than mainstream media, for three reasons:
1) Traditional film noirs from the 1940s are no longer regularly produced and their modern counterparts like "neo-noirs" are also rare in mainstream cinemas today.
2) As a stand-alone traditional noir piece set in an older time period rather than present day, it would likely not appeal to broad mainstream audiences or have potential for sequels.
3) The visual style of our noir film employing distinctive lighting and sets to depict emotion and entrapment would not be well received by mainstream audiences more familiar with modern visual conventions.
Characters
Alex Preston plays a hard-boiled detective investigating a case where the bad guy, played by Laurence Brown, crosses multiple characters' paths. The document provides casting information for two roles in a project called "Paths That Cross", with Alex Preston cast as the lead detective character and Laurence Brown cast as "the bad guy".
Editing rough cut
The document provides instructions for editing a rough cut video using iMovie. It discusses watching unedited video to choose clips, optimizing clips by adjusting speed and adding visual effects while also editing audio. The software allows changing how each clip looks and ensures clips are sufficient length by adjusting settings. Audio editing in iMovie is basic but enough for small adjustments, and unwanted sections can be removed or clips merged together to finalize the video.
Risk assessment
The document discusses potential risks and hazards to consider for filming at a creek location, including someone slipping in the creek which could be dangerous due to rubbish, ensuring the tripod is on a secure surface for camera safety and shot integrity, passersby potentially ruining shots or endangering equipment requiring shooting pauses as it is a public place where people may be recorded, loose wires or equipment posing a tripping hazard as shooting in a public place, and having to conserve battery life as there will be no way to charge the camera while filming in Burn Valley.
Pychological thiller
The document discusses common traits in psychological thriller films, including using obstructed views to create a sense of being watched, protagonists overcoming challenges through mental strength rather than physical strength, and incidental music being used to build tension to a climactic scene. Key themes in these types of films are reality, perception, mind, existence, purpose, identity and death.
Callsheet media
This call sheet provides production details for a three-day shoot including locations, dates, times, cast names and roles, wardrobe/makeup requirements, equipment responsibilities, and contact information. The shoot will take place on February 22nd and 23rd at Burn Valley and February 27th at College, with Alex Preston bringing a suit, tie, fedora, and cigarette as his character's attire and props.
Film noir treatment sheet
1) The film noir treatment sheet outlines the plot of "Paths That Cross" about a detective named Joe Beckett who falls for a woman named Lola at a party, not knowing she is married to the biggest crime boss on the east coast, Mr. Claude.
2) As Joe investigates Mr. Claude, his feelings for Lola complicate the case. When their relationship is discovered, Joe and Lola's lives are put in danger by the crime boss.
3) In the climax, Joe battles Mr. Claude to save Lola, who has been held captive. Joe wins the fight but Lola is shot. The film ends with the two lovers reunited in the hospital
9 scenesb
The document summarizes 9 shots from the film Sunset Boulevard, beginning with a long shot of a homicide squad arriving at a crime scene. It then describes high angle shots showing the squad exiting their cars and rushing to a pool, where a body is discovered in closer shots. A low angle shot from inside the pool gives a view of the man's face. The scene then fades into the next, bridged by light reflecting in the pool. The next scene fades in and is lighter, with a high angle long shot of the street below showing normal life. The camera pans to an apartment window showing palm trees iconic to LA, then zooms inside to show a man writing at his typewriter as he narrates.
Initalideas 120126055744-phpapp02
The document outlines an initial idea for a film noir movie called "Meeting Lola" with the following key elements:
- The main characters are a veteran detective named Joe Beckett who falls for a mysterious woman named Lola Mario, who is married to a crime boss.
- The basic plot involves Joe pursuing his love for Lola despite her being married to the most powerful crime boss in the city.
- An initial scene is described where Lola and Joe meet for the first time at a party.
Inital ideas
The document provides an initial outline for a film noir movie. It describes the conventions that will be used, including dynamic lighting, archetypal characters like a femme fatale and hardboiled detective, and a dark, pessimistic setting. The basic plot involves a veteran detective, Joe Beckett, falling for a mysterious woman, Lola Mario, at a party who turns out to be married to a powerful crime boss. The document then provides details on the scene where Lola and Joe first meet, including notes on casting, costumes, props, and potential locations.
Conventions of film noir g321
Film noir conventions include settings in urban areas like Los Angeles, San Francisco, New York and Chicago that act as mazes. Scenes often take place at night in bars, clubs or other locations associated with crime, under low-key lighting that creates dramatic shadows. Noir films also feature convoluted narratives with flashbacks and voiceover narration by the protagonist, usually a detective seeking justice against criminals motivated by greed and jealousy. They explore dark themes of corruption in society and human psychology.
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Shot list
- 1. Shot list Shot 1 – Extreme close up- Joe eyes and hat Shot 2 – Long shot – shows Joe walking down a poorly light path, credits superimposed over the top. Shot 3 – Crosscut to a image of Lola dancing in a long shot, visual effects to show it is in another time. Shot 4 – Returns to Joe is a medium shot (Knees to head), credits still super imposed over the top. Shot 5- Long shot setting the scene showing the path which Joe is walking on. Shot 6 – Medium shot showing Joe, some branches obstruct the view, idea of him being watched. Shot 7 – A second medium shot of Joe, from a different angle slightly low angle gives him power. Shot 8 – A Extreme close-up of Joe’s mouth, showing his lighting a cigarette. Shot 9 – A graphic match shows the same extreme close-up but a female lighting a cigarette. Shot 10 – A medium-long shot shows a female (Lola) lounging on a sofa, shot with a slight low angle giving her power, Femme fatale character. Shot 11 – Over the shoulder shot, Extreme close-up on one have of Lola face focusing on her eyes. This is shot in shallow focus and three men are seen blurry. Shot 12 – The focus shifts ,her face out of focus and the men are seen clearly. Shot 13 – Crosscut back to Joe, Extreme long shot right side shows Joe lent against a tree. On the left side a unknown man approaches from the distance. Shot 14 – An over the shoulder shot, in medium long shot, over Joe shoulder shows the unknown man confront Joe. Shot 15 – Shot reverse shot, Over the man shoulder, adhering to the 180 degree rule. Shot 16 – A close up of the mans face, he looks very happy. Shot 17 – A close-up of Joe’s face , looking very scared and angry. Shot 18 – Tracking him walking away. Close-up. Shot 19 – Fade to black , Directed by Shot 20 – The title.