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This call sheet provides production details for a three-day shoot including locations, dates, times, cast names and roles, wardrobe/makeup requirements, equipment responsibilities, and contact information. The shoot will take place on February 22nd and 23rd at Burn Valley and February 27th at College, with Alex Preston bringing a suit, tie, fedora, and cigarette as his character's attire and props.
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Risk Assessment
This risk assessment document identifies four potential risks to filming - technical faults, illness, weather, and costumes. It describes how each risk can be overcome and who would be responsible. Technical faults with cameras could be addressed by using a backup camera, and the cameraperson would be responsible. Technical faults with computers could be fixed by using backup computers and memory sticks, with the editor primarily responsible. Illness may require finding a new actor or continuing without them. Weather could require rescheduling or changing locations, which would be managed by the location manager. Costumes need to be kept clean by those responsible for them.
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Georgia Johnson completed a personal skills audit to assess her abilities for an upcoming A2 project creating a music video. She has experience with Photoshop, Final Cut, LiveType, and Garage Band from her previous film project. For that project, she used those skills to create titles, credits, and edit video clips together. She plans to use the same software to create posters, album artwork, and edit music videos. Johnson also completed risk assessments and call sheets for filming previously. She will apply those planning skills to the new music video production. When researching film genres, she took inspiration from film noir conventions like those in Sunset Boulevard and Se7en but adapted them for a modern setting. She aims to follow genre conventions
Evalution question 3
Our noir film would be best distributed through smaller art house cinemas or online platforms rather than mainstream media, for three reasons:
1) Traditional film noirs from the 1940s are no longer regularly produced and their modern counterparts like "neo-noirs" are also rare in mainstream cinemas today.
2) As a stand-alone traditional noir piece set in an older time period rather than present day, it would likely not appeal to broad mainstream audiences or have potential for sequels.
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Alex Preston plays a hard-boiled detective investigating a case where the bad guy, played by Laurence Brown, crosses multiple characters' paths. The document provides casting information for two roles in a project called "Paths That Cross", with Alex Preston cast as the lead detective character and Laurence Brown cast as "the bad guy".
Editing rough cut
The document provides instructions for editing a rough cut video using iMovie. It discusses watching unedited video to choose clips, optimizing clips by adjusting speed and adding visual effects while also editing audio. The software allows changing how each clip looks and ensures clips are sufficient length by adjusting settings. Audio editing in iMovie is basic but enough for small adjustments, and unwanted sections can be removed or clips merged together to finalize the video.
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The document discusses potential risks and hazards to consider for filming at a creek location, including someone slipping in the creek which could be dangerous due to rubbish, ensuring the tripod is on a secure surface for camera safety and shot integrity, passersby potentially ruining shots or endangering equipment requiring shooting pauses as it is a public place where people may be recorded, loose wires or equipment posing a tripping hazard as shooting in a public place, and having to conserve battery life as there will be no way to charge the camera while filming in Burn Valley.
Shot list
The shot list summarizes 20 shots that will be used to tell a story. Shot 1 is an extreme close up of the main character Joe's eyes and hat. Shot 2 is a long shot that introduces Joe walking down a path at night with credits overlayed. Shot 3 crosscuts to another character, Lola, dancing in a different time period with visual effects. The shots continue cutting between Joe and Lola, with various angles and close-ups, to build tension and mystery around their relationship and an encounter Joe has with an unknown man.
Pychological thiller
The document discusses common traits in psychological thriller films, including using obstructed views to create a sense of being watched, protagonists overcoming challenges through mental strength rather than physical strength, and incidental music being used to build tension to a climactic scene. Key themes in these types of films are reality, perception, mind, existence, purpose, identity and death.
Film noir treatment sheet
1) The film noir treatment sheet outlines the plot of "Paths That Cross" about a detective named Joe Beckett who falls for a woman named Lola at a party, not knowing she is married to the biggest crime boss on the east coast, Mr. Claude.
2) As Joe investigates Mr. Claude, his feelings for Lola complicate the case. When their relationship is discovered, Joe and Lola's lives are put in danger by the crime boss.
3) In the climax, Joe battles Mr. Claude to save Lola, who has been held captive. Joe wins the fight but Lola is shot. The film ends with the two lovers reunited in the hospital
9 scenesb
The document summarizes 9 shots from the film Sunset Boulevard, beginning with a long shot of a homicide squad arriving at a crime scene. It then describes high angle shots showing the squad exiting their cars and rushing to a pool, where a body is discovered in closer shots. A low angle shot from inside the pool gives a view of the man's face. The scene then fades into the next, bridged by light reflecting in the pool. The next scene fades in and is lighter, with a high angle long shot of the street below showing normal life. The camera pans to an apartment window showing palm trees iconic to LA, then zooms inside to show a man writing at his typewriter as he narrates.
Initalideas 120126055744-phpapp02
The document outlines an initial idea for a film noir movie called "Meeting Lola" with the following key elements:
- The main characters are a veteran detective named Joe Beckett who falls for a mysterious woman named Lola Mario, who is married to a crime boss.
- The basic plot involves Joe pursuing his love for Lola despite her being married to the most powerful crime boss in the city.
- An initial scene is described where Lola and Joe meet for the first time at a party.
Inital ideas
The document provides an initial outline for a film noir movie. It describes the conventions that will be used, including dynamic lighting, archetypal characters like a femme fatale and hardboiled detective, and a dark, pessimistic setting. The basic plot involves a veteran detective, Joe Beckett, falling for a mysterious woman, Lola Mario, at a party who turns out to be married to a powerful crime boss. The document then provides details on the scene where Lola and Joe first meet, including notes on casting, costumes, props, and potential locations.
Conventions of film noir g321
Film noir conventions include settings in urban areas like Los Angeles, San Francisco, New York and Chicago that act as mazes. Scenes often take place at night in bars, clubs or other locations associated with crime, under low-key lighting that creates dramatic shadows. Noir films also feature convoluted narratives with flashbacks and voiceover narration by the protagonist, usually a detective seeking justice against criminals motivated by greed and jealousy. They explore dark themes of corruption in society and human psychology.
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Callsheet media
- 1. G321 FOUNDATION PORTFOLIO CALL SHEET SHOOT DATE(S) TIME LOCATION 22/02/12 4.30pm Burn Valley 23/02/12 4.30pm Burn Valley 27/02/12 4.30pm College Insert Map and directions here
- 2. NAME WARDROBE/COSTUME/MAKE-UP PROPS Alex Preston Suit,Tie fedora Cigerette Laurence Brown Suit,tie Jade Wharam NAME (RESPONSIBILITY) EQUIPMENT Alex Preston Georgia Johnson Laurence Brown Apparel and cigarette Camera – Script , info Apparel CAST/CREW E-MAIL CONTACT NUMBER Alex Preston 10110652@hpoolsfc.ac.uk Georgia Johnson Georgia95j@hotmail.co.uk Laurence Brown Jade Wharam 09100110@hpoolsfc.ac.uk 10110957@hpoolsfc.ac.uk