A presentation done for my course, (MA Character Animation at Central Saint Martins College of Arts and Design in London), regarding the very best side of Polish animation - the Se-Ma-For Studio and its productions.
Paranormal Productions intends to produce a promotional package for an upcoming horror film including a teaser trailer, magazine cover, and poster. The film will target 15-30 year olds interested in horror and combine "amateur" and "professional" footage inspired by films like Paranormal Activity. The package will attract the intended audience by thoroughly following horror conventions and making the story believable. The poster and magazine cover will be consistent in style with the trailer and contain images from its production. The film focuses on a young couple who move into a haunted house previously lived in but quickly left by others. It will effectively use suggestion to create tension without always showing the demon haunting. The promotional package requests a £60,000
Paranormal Productions proposes to create a promotional package for an upcoming horror film including a teaser trailer, magazine cover, and poster. The film will target 15-30 year olds interested in horror and combine amateur and professional footage. It will follow horror genre conventions to attract the intended audience. The poster and magazine cover will promote the same target audience as the film and have a consistent horror-themed style. The film's storyline focuses on a young couple who discover their new house is haunted by the demonic spirit of a previous owner who died there. The film will use suggestion to create tension without explicitly showing the haunting. The promotional package will have a £40,000 budget to cover production and post-production
The document discusses several marketing campaigns:
1) The Adidas Match Tracker app that allows users to analyze soccer matches in detail.
2) A Cadbury Flake commercial featuring a model in a flowing yellow dress to represent the chocolate's folds.
3) A Forever 21 augmented reality billboard in Times Square that puts viewers' photos in a Forever 21 bag.
4) A Coca-Cola Simpsons commercial where Mr. Burns loses his wealth and finds value in family and friends.
5) A Grolsch campaign where consumers could trade warm beer for cold Grolsch delivered by moped.
Channel 4 is known for airing bold, controversial documentaries on subjects other channels avoid. The documentary "The Secret Life of Living Dolls" profiles men who secretly dress as dolls, spending thousands on costumes and makeup. It explores this hidden community respectfully while allowing viewers to form their own opinions. Stylistic techniques like opening montages, labels, and hashtags help introduce the topic and engage viewers.
There are many film institutions around the world, but some are better suited to specific genres like thriller films. The most prominent thriller film producers are Universal Studios and Warner Bros. However, as a smaller film, British companies focused on helping small, British-produced films could also be considered. Lionsgate and Twisted Pictures would be a good pairing as Lionsgate produces thriller films and Twisted Pictures horror films. They previously worked together on the successful Saw franchise. Platinum Dunes, run by Michael Bay, which produced A Nightmare on Elm Street, a film the document took inspiration from, would also be a solid choice. 20th Century Fox, Universal Pictures, and Warner Bros. would not be good fits as they are more focused
Warner Bros is a popular production company founded in 1923 that mainly distributes animated children's movies, as represented by its animated logo. Some recent films include "Dolphin Tale 2", "The Lego Movie", and "The Nut Job".
Blumhouse Productions, founded more recently in 2004, specializes solely in horror movies as shown by its logo within a dark room. Popular films include "Paranormal Activity", "Insidious", and "Ouija".
Universal Studios is a multi-genre production company distributing action, horror, and romantic comedies to worldwide audiences, as represented by its globe logo. Films include comedies like "American Pie" and dramas/biop
This document provides examples of documentaries produced by Channel 4 in the UK. It discusses documentaries that have explored controversial topics like "The Secret Life of Living Dolls" which profiles men who transform themselves into dolls. It also mentions the observational medical documentary "One Born Every Minute" and "My Brother, the Murderer" which follows a woman meeting her convicted murderer brother. Stylistic techniques used across documentaries like montages, interviews, hashtags for audience involvement are also outlined. Overall the document serves to showcase Channel 4's reputation for bold documentary storytelling and provides examples of their productions tackling intriguing real-life subjects.
Our general idea is to create a brand of hotdogs called "Dogfather hotdogs" that parodies Marlon Brando's portrayal of Vito Corleone in The Godfather. We will create television, radio, and sponsorship advertisements that parody famous scenes from The Godfather but relate them to hotdogs. The target audience is predominantly adult males and fans of vintage mafia movies. Future advertisements may parody scenes from other mafia films or reinvent previous Godfather scenes centered around preparing hotdogs.
Paranormal Productions intends to produce a promotional package for an upcoming horror film including a teaser trailer, magazine cover, and poster. The film will target 15-30 year olds interested in horror and combine "amateur" and "professional" footage inspired by films like Paranormal Activity. The package will attract the intended audience by thoroughly following horror conventions and making the story believable. The poster and magazine cover will be consistent in style with the trailer and contain images from its production. The film focuses on a young couple who move into a haunted house previously lived in but quickly left by others. It will effectively use suggestion to create tension without always showing the demon haunting. The promotional package requests a £60,000
Paranormal Productions proposes to create a promotional package for an upcoming horror film including a teaser trailer, magazine cover, and poster. The film will target 15-30 year olds interested in horror and combine amateur and professional footage. It will follow horror genre conventions to attract the intended audience. The poster and magazine cover will promote the same target audience as the film and have a consistent horror-themed style. The film's storyline focuses on a young couple who discover their new house is haunted by the demonic spirit of a previous owner who died there. The film will use suggestion to create tension without explicitly showing the haunting. The promotional package will have a £40,000 budget to cover production and post-production
The document discusses several marketing campaigns:
1) The Adidas Match Tracker app that allows users to analyze soccer matches in detail.
2) A Cadbury Flake commercial featuring a model in a flowing yellow dress to represent the chocolate's folds.
3) A Forever 21 augmented reality billboard in Times Square that puts viewers' photos in a Forever 21 bag.
4) A Coca-Cola Simpsons commercial where Mr. Burns loses his wealth and finds value in family and friends.
5) A Grolsch campaign where consumers could trade warm beer for cold Grolsch delivered by moped.
Channel 4 is known for airing bold, controversial documentaries on subjects other channels avoid. The documentary "The Secret Life of Living Dolls" profiles men who secretly dress as dolls, spending thousands on costumes and makeup. It explores this hidden community respectfully while allowing viewers to form their own opinions. Stylistic techniques like opening montages, labels, and hashtags help introduce the topic and engage viewers.
There are many film institutions around the world, but some are better suited to specific genres like thriller films. The most prominent thriller film producers are Universal Studios and Warner Bros. However, as a smaller film, British companies focused on helping small, British-produced films could also be considered. Lionsgate and Twisted Pictures would be a good pairing as Lionsgate produces thriller films and Twisted Pictures horror films. They previously worked together on the successful Saw franchise. Platinum Dunes, run by Michael Bay, which produced A Nightmare on Elm Street, a film the document took inspiration from, would also be a solid choice. 20th Century Fox, Universal Pictures, and Warner Bros. would not be good fits as they are more focused
Warner Bros is a popular production company founded in 1923 that mainly distributes animated children's movies, as represented by its animated logo. Some recent films include "Dolphin Tale 2", "The Lego Movie", and "The Nut Job".
Blumhouse Productions, founded more recently in 2004, specializes solely in horror movies as shown by its logo within a dark room. Popular films include "Paranormal Activity", "Insidious", and "Ouija".
Universal Studios is a multi-genre production company distributing action, horror, and romantic comedies to worldwide audiences, as represented by its globe logo. Films include comedies like "American Pie" and dramas/biop
This document provides examples of documentaries produced by Channel 4 in the UK. It discusses documentaries that have explored controversial topics like "The Secret Life of Living Dolls" which profiles men who transform themselves into dolls. It also mentions the observational medical documentary "One Born Every Minute" and "My Brother, the Murderer" which follows a woman meeting her convicted murderer brother. Stylistic techniques used across documentaries like montages, interviews, hashtags for audience involvement are also outlined. Overall the document serves to showcase Channel 4's reputation for bold documentary storytelling and provides examples of their productions tackling intriguing real-life subjects.
Our general idea is to create a brand of hotdogs called "Dogfather hotdogs" that parodies Marlon Brando's portrayal of Vito Corleone in The Godfather. We will create television, radio, and sponsorship advertisements that parody famous scenes from The Godfather but relate them to hotdogs. The target audience is predominantly adult males and fans of vintage mafia movies. Future advertisements may parody scenes from other mafia films or reinvent previous Godfather scenes centered around preparing hotdogs.
Cem Yılmaz is a Turkish stand-up comedian, actor, filmmaker, and cartoonist best known for his films G.O.R.A. (2004), A.R.O.G (2008) and Yahşi Batı (2010). He has won two Sadri Alışık Awards for his roles in Organize İşler (2005) and The Magician (2006). While studying at university, he began drawing comics and doing stand-up comedy performances, eventually performing over 1,000 shows. His film career began in 1998 and he achieved his greatest success with the science fiction parody G.O.R.A. (2004).
Warner Bros. is one of the major film studios headquartered in Burbank, California and New York City. It has several subsidiary companies including Warner Bros. Studios and Warner Bros. Pictures. Disney and Pixar are also leading animation studios that produce films targeting both children and broader audiences. 20th Century Fox produces many television shows and films and is widely known for its theme and opening credits. The film industries produce movies for public release on DVD and streaming services like Netflix.
1. Carlsberg and Duval Guillaume played a prank on moviegoers by filling a cinema with bikers, leaving only two seats empty. Couples were scared walking through the crowd but those who stayed were applauded and given a Carlsberg beer.
2. Lynx Australia and New Zealand made videos to humorously explain the rules of rugby to viewers.
3. Hertz announced new dog cages in rental cars by hiding information and phone numbers with bones around Stockholm for dogs to find, cleverly marketing to dog owners through their pets.
British humour is considered superior to American humour. Some key differences are that British humour can be cruel, childish, and focus more on smutty innuendo. It also frequently mocks the English establishment and foreigners through sarcasm and racism. Physical comedy acts like Mr. Bean and Charlie Chaplin are examples of visual humour, while satire makes fun of famous people. Black humour deals with topics like death. Puns and parody are other forms of wit. American remakes of British comedies often fail to capture the same effect.
British humour is considered superior to American humour. It can be cruel, sarcastic, and focus on mocking others through sarcasm, physical comedy, satire, black humour, puns, parody, and topical cultural references. British humour is seen as more smutty, disrespectful of authority, and focusing on mocking people's misfortunes compared to American humour which is seen as less cruel. Sources provide explanations for these differences between British and American senses of humour.
This document provides summaries of 5 award-winning marketing campaigns:
1. El Bocón printed a newspaper with no football news to communicate that violence would end football.
2. Go Outside developed a radio signal that deterred mosquitoes during peak biting hours without interfering with programming.
3. Pilsen brought the passion of a soccer championship to life through a high-impact TV commercial and connecting with sports journalists live on TV.
4. KiwiRail recreated New Zealand's 681km train journey as a continuous photograph across magazines and posters to showcase the beautiful scenery.
5. Comedy Central wrote jokes in real-time about people waiting at a bus stop
British humour has developed over centuries and is characterized by sarcasm, slapstick, childish behavior, satire, and racism. Typical topics of British humor include irony, bullying/harsh sarcasm, smut and innuendo, disrespect to authority, the absurd, the macabre, humor in everyday life, the British class system, social ineptitude, loveable rogues, and making fun of foreigners. Successful examples of British humor include TV shows, films, radio programs, and magazines that showcase irony using Charlie Chaplin, humor in everyday life using shows like The Simpsons and Fresh Prince of Bel-Air, and humor around the class system and social awkwardness using Mr. Bean.
This film explores Jason Voorhees' backstory more than previous installments. It shows his childhood and explains that he only kills because he lost his humanity when he drowned as a boy. This aims to make the audience more sympathetic towards Jason. The film still includes the classic slasher elements of a final girl, incompetent adults, and Jason's iconic hockey mask and machete. However, the narrative and ending are criticized as being poorly executed and forced. While departing from the typical summer camp setting to an urban environment, it maintains isolated and scary locations to frighten the audience. The style and iconography mirror previous films to appeal to fans but also attempts to generate unease through its realistic and industrial tones
This document discusses differences between British and American senses of humor. It defines types of humor like irony, jokes, and sarcasm. British humor is characterized mainly by sarcasm and finding humor in misfortunes. British jokes are told with a serious tone, making the intent hard to discern. American humor often addresses anxieties around issues like class, sexism, and racism through comedy. While British see American humor as superficial, Americans find British humor too sophisticated and cold to understand fully.
This document contains summaries of advertising campaigns created by the agency Wizard Polska for various clients:
1) A campaign for Discovery Channel featuring a "terror" chasing a man through the forest to promote escaping the evils of autumn.
2) Creature designs created for a Polish radio station to feature in portals and billboards.
3) An idea for Bols vodka growing from the logo's ivy motif, commenting on the spirit that envelops one when drinking Bols.
This document contains summaries of advertising campaigns created by the agency Wizard Polska for various clients including radio stations, vodka brands, and automakers. Brief descriptions are given for campaigns featuring creatures to promote a radio station, an idea drawing from a vodka brand's logo, characters created for a radio station's target audience, using an Olympic athlete to promote a car brand, and portraying a radio station as a travel agency.
The director's concept is to set the play Lysistrata in New York City in 1863, during a time of conflict between gangs similar to the film Gangs of New York. The staging will take place in Paradise Square, with a building representing the Acropolis and surrounding areas representing streets. Costumes will resemble those worn in Gangs of New York, with women's costumes denoting their gang affiliations and men dressed as police officers. Lighting will be naturalistic to indicate the time of day, and sound effects will be minimal to keep the production realistic.
This letter recommends three television shows for a national television channel: Marco Polo comedy show from 8:30-9:30pm suitable for teens and adults as a stress reliever; The Amazing World of Gumball cartoon from 9-10am on weekends for people of all ages; and The Goldbergs comedy about a family called The Goldbergs in the afternoon weekends for all ages. The national television channel would be suitable for families and people who enjoy comedy shows.
The document recommends three national TV programs: Marco Polo, a comedy show that relieves stress for teens and adults; The Amazing World of Gumball, a funny animated show for all ages that would air on weekends from 9-10am; and The Goldbergs, a family-friendly comedy about the Goldberg family that would air on weekend afternoons. All three shows are comedies suitable for all ages that could air at times when families and busy people have free time to relax and enjoy lighthearted entertainment.
The document proposes a short film sequence set in a London tube station during World War 2. It would feature a young ghostly girl alone in the empty, dark station. Quick cuts and layered frames would create a disorienting, creepy atmosphere reinforced by scratchy sounds and a radio announcing bombing deaths. The goal is to set an unsettling mood and draw viewers into a thriller set in a unique historical context rather than a typical gory war film.
This is an example of a formal letter. This formal letter is about three programmes that we choose for our national television and we need to reschedule them.
Horror films strive to elicit emotions of fear, disgust and horror from viewers through unsettling scenes involving the macabre and supernatural. Early silent horror films from the 1920s took surreal, dark approaches influenced by expressionist art and theater of the time. The 1930s saw a rebirth of horror movies with the advent of sound film, which added new dimensions of terror through music, footsteps and monster sounds. By the 1950s, the concept of horrific monsters had changed from creatures to more human faces of evil representing issues of the time like nuclear weapons and the Holocaust.
Rosssen Pentchev is a Bulgarian actor, director, and composer born in 1975. He received a BA in Acting from NATFA in Sofia in 1996 and an MA in Directing from SWU in Blagoevgrad in 2012. As an actor, he has had over 15 theatre roles and supporting roles in Bulgarian and international films and TV shows. As a director, he has directed 23 theatre performances and one 67-minute diploma film. He has also composed music for 15 theatre productions and 3 film soundtracks.
The document provides information about the French film "Velvet &" including the core team, story, production details, budget, locations and contacts. The film centers on a young woman named Aèle searching for freedom and meaning as she meets various characters on her journey. Shot on Super 16mm film to recreate the nostalgic feeling of a past era, the drama has a budget of 750,000 CZK and needs an additional 250,000 CZK to be fully funded. It will be filmed over 7 days in Prague locations in April/May 2022.
NID - pgdpd application form for 2013 - download here, Entrance exam is on 19th January 2013. Last date to fill up the application form is 2nd November, 2012. Post graduate applicants applying for 2 streams are required to fill up 2 separate application forms.
The document provides instructions for a graphic design studio test covering various exercises on the first day, including doodles, observation, and 3D modeling using clay. Students are directed to watch instructional DVDs and provided examples and references for completing doodles by completing unfinished lines in boxes and writing captions, practicing observation by closing their eyes and listening, and modeling objects from photographs using clay. The exercises are meant to evaluate students' skills in areas like focus, symbol manipulation, form and space perception, and creative problem solving.
Cem Yılmaz is a Turkish stand-up comedian, actor, filmmaker, and cartoonist best known for his films G.O.R.A. (2004), A.R.O.G (2008) and Yahşi Batı (2010). He has won two Sadri Alışık Awards for his roles in Organize İşler (2005) and The Magician (2006). While studying at university, he began drawing comics and doing stand-up comedy performances, eventually performing over 1,000 shows. His film career began in 1998 and he achieved his greatest success with the science fiction parody G.O.R.A. (2004).
Warner Bros. is one of the major film studios headquartered in Burbank, California and New York City. It has several subsidiary companies including Warner Bros. Studios and Warner Bros. Pictures. Disney and Pixar are also leading animation studios that produce films targeting both children and broader audiences. 20th Century Fox produces many television shows and films and is widely known for its theme and opening credits. The film industries produce movies for public release on DVD and streaming services like Netflix.
1. Carlsberg and Duval Guillaume played a prank on moviegoers by filling a cinema with bikers, leaving only two seats empty. Couples were scared walking through the crowd but those who stayed were applauded and given a Carlsberg beer.
2. Lynx Australia and New Zealand made videos to humorously explain the rules of rugby to viewers.
3. Hertz announced new dog cages in rental cars by hiding information and phone numbers with bones around Stockholm for dogs to find, cleverly marketing to dog owners through their pets.
British humour is considered superior to American humour. Some key differences are that British humour can be cruel, childish, and focus more on smutty innuendo. It also frequently mocks the English establishment and foreigners through sarcasm and racism. Physical comedy acts like Mr. Bean and Charlie Chaplin are examples of visual humour, while satire makes fun of famous people. Black humour deals with topics like death. Puns and parody are other forms of wit. American remakes of British comedies often fail to capture the same effect.
British humour is considered superior to American humour. It can be cruel, sarcastic, and focus on mocking others through sarcasm, physical comedy, satire, black humour, puns, parody, and topical cultural references. British humour is seen as more smutty, disrespectful of authority, and focusing on mocking people's misfortunes compared to American humour which is seen as less cruel. Sources provide explanations for these differences between British and American senses of humour.
This document provides summaries of 5 award-winning marketing campaigns:
1. El Bocón printed a newspaper with no football news to communicate that violence would end football.
2. Go Outside developed a radio signal that deterred mosquitoes during peak biting hours without interfering with programming.
3. Pilsen brought the passion of a soccer championship to life through a high-impact TV commercial and connecting with sports journalists live on TV.
4. KiwiRail recreated New Zealand's 681km train journey as a continuous photograph across magazines and posters to showcase the beautiful scenery.
5. Comedy Central wrote jokes in real-time about people waiting at a bus stop
British humour has developed over centuries and is characterized by sarcasm, slapstick, childish behavior, satire, and racism. Typical topics of British humor include irony, bullying/harsh sarcasm, smut and innuendo, disrespect to authority, the absurd, the macabre, humor in everyday life, the British class system, social ineptitude, loveable rogues, and making fun of foreigners. Successful examples of British humor include TV shows, films, radio programs, and magazines that showcase irony using Charlie Chaplin, humor in everyday life using shows like The Simpsons and Fresh Prince of Bel-Air, and humor around the class system and social awkwardness using Mr. Bean.
This film explores Jason Voorhees' backstory more than previous installments. It shows his childhood and explains that he only kills because he lost his humanity when he drowned as a boy. This aims to make the audience more sympathetic towards Jason. The film still includes the classic slasher elements of a final girl, incompetent adults, and Jason's iconic hockey mask and machete. However, the narrative and ending are criticized as being poorly executed and forced. While departing from the typical summer camp setting to an urban environment, it maintains isolated and scary locations to frighten the audience. The style and iconography mirror previous films to appeal to fans but also attempts to generate unease through its realistic and industrial tones
This document discusses differences between British and American senses of humor. It defines types of humor like irony, jokes, and sarcasm. British humor is characterized mainly by sarcasm and finding humor in misfortunes. British jokes are told with a serious tone, making the intent hard to discern. American humor often addresses anxieties around issues like class, sexism, and racism through comedy. While British see American humor as superficial, Americans find British humor too sophisticated and cold to understand fully.
This document contains summaries of advertising campaigns created by the agency Wizard Polska for various clients:
1) A campaign for Discovery Channel featuring a "terror" chasing a man through the forest to promote escaping the evils of autumn.
2) Creature designs created for a Polish radio station to feature in portals and billboards.
3) An idea for Bols vodka growing from the logo's ivy motif, commenting on the spirit that envelops one when drinking Bols.
This document contains summaries of advertising campaigns created by the agency Wizard Polska for various clients including radio stations, vodka brands, and automakers. Brief descriptions are given for campaigns featuring creatures to promote a radio station, an idea drawing from a vodka brand's logo, characters created for a radio station's target audience, using an Olympic athlete to promote a car brand, and portraying a radio station as a travel agency.
The director's concept is to set the play Lysistrata in New York City in 1863, during a time of conflict between gangs similar to the film Gangs of New York. The staging will take place in Paradise Square, with a building representing the Acropolis and surrounding areas representing streets. Costumes will resemble those worn in Gangs of New York, with women's costumes denoting their gang affiliations and men dressed as police officers. Lighting will be naturalistic to indicate the time of day, and sound effects will be minimal to keep the production realistic.
This letter recommends three television shows for a national television channel: Marco Polo comedy show from 8:30-9:30pm suitable for teens and adults as a stress reliever; The Amazing World of Gumball cartoon from 9-10am on weekends for people of all ages; and The Goldbergs comedy about a family called The Goldbergs in the afternoon weekends for all ages. The national television channel would be suitable for families and people who enjoy comedy shows.
The document recommends three national TV programs: Marco Polo, a comedy show that relieves stress for teens and adults; The Amazing World of Gumball, a funny animated show for all ages that would air on weekends from 9-10am; and The Goldbergs, a family-friendly comedy about the Goldberg family that would air on weekend afternoons. All three shows are comedies suitable for all ages that could air at times when families and busy people have free time to relax and enjoy lighthearted entertainment.
The document proposes a short film sequence set in a London tube station during World War 2. It would feature a young ghostly girl alone in the empty, dark station. Quick cuts and layered frames would create a disorienting, creepy atmosphere reinforced by scratchy sounds and a radio announcing bombing deaths. The goal is to set an unsettling mood and draw viewers into a thriller set in a unique historical context rather than a typical gory war film.
This is an example of a formal letter. This formal letter is about three programmes that we choose for our national television and we need to reschedule them.
Horror films strive to elicit emotions of fear, disgust and horror from viewers through unsettling scenes involving the macabre and supernatural. Early silent horror films from the 1920s took surreal, dark approaches influenced by expressionist art and theater of the time. The 1930s saw a rebirth of horror movies with the advent of sound film, which added new dimensions of terror through music, footsteps and monster sounds. By the 1950s, the concept of horrific monsters had changed from creatures to more human faces of evil representing issues of the time like nuclear weapons and the Holocaust.
Rosssen Pentchev is a Bulgarian actor, director, and composer born in 1975. He received a BA in Acting from NATFA in Sofia in 1996 and an MA in Directing from SWU in Blagoevgrad in 2012. As an actor, he has had over 15 theatre roles and supporting roles in Bulgarian and international films and TV shows. As a director, he has directed 23 theatre performances and one 67-minute diploma film. He has also composed music for 15 theatre productions and 3 film soundtracks.
The document provides information about the French film "Velvet &" including the core team, story, production details, budget, locations and contacts. The film centers on a young woman named Aèle searching for freedom and meaning as she meets various characters on her journey. Shot on Super 16mm film to recreate the nostalgic feeling of a past era, the drama has a budget of 750,000 CZK and needs an additional 250,000 CZK to be fully funded. It will be filmed over 7 days in Prague locations in April/May 2022.
NID - pgdpd application form for 2013 - download here, Entrance exam is on 19th January 2013. Last date to fill up the application form is 2nd November, 2012. Post graduate applicants applying for 2 streams are required to fill up 2 separate application forms.
The document provides instructions for a graphic design studio test covering various exercises on the first day, including doodles, observation, and 3D modeling using clay. Students are directed to watch instructional DVDs and provided examples and references for completing doodles by completing unfinished lines in boxes and writing captions, practicing observation by closing their eyes and listening, and modeling objects from photographs using clay. The exercises are meant to evaluate students' skills in areas like focus, symbol manipulation, form and space perception, and creative problem solving.
NID test paper is one of the mock tests conducted in AFD's classes, for students preparing for the nid entrance exam. The sample paper consists of questions similar to the type of questions asked in the past nid's design aptitude test. Academy of Fashion & Design conducts coaching classes for the nid admission test. Classes are held in Mumbai, Banglore, Kochi, Chennai, Kolkatta, Chennai & Hyderabad.
Students can enroll in a 7-class test preparation course offered by Opus to help them succeed in the 2-day NID Studio Test being held on March 12th in Ahmedabad. The test evaluates students' aptitude, skills, creativity, and personality through practical and creative exercises judged by a panel of interviewers. The 21-hour course costs Rs. 2500 for Opus students and Rs. 5000 for other students, and will be held in Kolkata or Salt Lake from March 12th to help students gain confidence and practice for the test.
This document contains sample questions from mock entrance exams for the National Institute of Design's Post Graduate Diploma Program. It includes sample questions in various design disciplines like industrial design, communication design, lifestyle and accessory design, and retail experience design. The questions assess skills like drawing from observation, conceptual design, storytelling, and media planning. Students have to complete combinations of drawings, written descriptions, and design proposals within specified time limits. The document aims to help students prepare for the entrance exam format and types of questions asked.
2.2Indian (NID) perspective on PSS design for sustainabilityUtttam Kumar
This document discusses relating the National Institute of Design's (NID) Product Service System (PSS) curriculum to their Systems Design Project course. It provides an overview of NID's Systems Design Project methodology, which takes a systems thinking approach to address complex problems. Students conduct research, develop systems models, and design interventions across products, services, and policies. Examples of past project themes include disaster response, maternal health, transportation, and waste management. The goal is to apply design thinking to leverage points that can positively impact an entire system.
This presentation was create for a Creative Seminar for Student of class XII and above who are aspiring to become designers by applying to Top Design Colleges in India as well as Abroad like: NID, NIFT, IDC, RISD, RCA
This document contains a mock test for a postgraduate design program. It includes 3 tests with multiple questions. Test 1 asks candidates to create a composition using shapes to depict a theme and explain it in 100 words. Test 2 consists of sketching how an elephant would be weighed in a series of 10 spaces and illustrating an underground city plan for the year 2507. Test 3 involves drawing one of three scene options: a doctor's office, village well, or railway ticket booth. The test aims to assess candidates' skills in areas like visual composition, illustration, planning, and scene depiction. It provides prompts and guidelines for candidates to demonstrate their design abilities.
La empresa Merbain ofrece servicios de tercerización de procesos de negocio relacionados con el diseño arquitectónico y de ingeniería como modelado 3D, renderizado fotorealista, y recorridos virtuales. Sus clientes incluyen constructoras, desarrolladoras inmobiliarias y despachos de arquitectura. Merbain gestiona cada proyecto con un gerente y equipo multidisciplinario para ofrecer soluciones a la medida de cada cliente de manera oportuna, confidencial y de alta calidad.
NID Entrance Sample Papers, NID Previous Year Question Paper with Answer or S...Takshshila
This document outlines a 3-section design aptitude test from Takshshila Institute for a National Institute of Design program. Section 1 involves drawing skills like illustrating a woman consoling a crying child, redrawing objects with added details, and drawing objects and scenes from portions or themes. Section 2 matches words to synonyms and illustrates them. Section 3 includes multiple choice questions about color, naming and coloring images, creating a poster on a social issue using color pencils, and analyzing the message of a painting. The test evaluates abilities in visualization, illustration, color theory, and conveying concepts through images.
The Walt Disney Company was founded in 1923 by Walt and Roy Disney as an animation studio. It is now one of the largest Hollywood studios, licensing 11 theme parks and several television networks. Headquartered in Burbank, California, Disney created the iconic character Mickey Mouse in 1928 and uses him as their official mascot. Disney has diversified its business into areas like films, television, home video, merchandise, and theme parks, dominating the family entertainment market. It faces competition from other entertainment companies but maintains competitive advantages through its collection of creative assets and consistent management philosophy focused on quality and value.
This document provides an overview of animation, including its definition, history, techniques, and status in India. Animation is the illusion of motion created by displaying a sequence of images rapidly. It was discovered in Latin and referred to as the "animating principle." Some key points discussed are:
- The first Indian animated film was in 1974 and the first TV series was in 1986.
- Animatronics uses mechatronics to create lifelike machines and creatures.
- 3D animation techniques include 2D/3D modeling, rigging, simulations, and motion capture.
- Major animation institutions and studios are located in India.
- The Indian animation market was estimated at $354 million in 2006
The Top Skills That Can Get You Hired in 2017LinkedIn
We analyzed all the recruiting activity on LinkedIn this year and identified the Top Skills employers seek. Starting Oct 24, learn these skills and much more for free during the Week of Learning.
#AlwaysBeLearning https://learning.linkedin.com/week-of-learning
Radio drama relies on dialogue, sound effects, and music to help listeners imagine the story without visuals. Successful audio dramas engage the imagination through narration, description, and intimacy with the listener. Historic examples like Orson Welles' Mercury Theatre broadcasts of Dracula and The War of the Worlds placed the listener directly within the story through first-person narration. The anthology programs Quiet, Please and Lights Out also used description and an intimate style to immerse listeners in imaginative and often horrific tales.
Films and TV series were an important form of entertainment for generations in Poland. For grandparents in the 1950s-60s, cinemas and limited TV programming featured mostly Polish films. By the 1970s, parents had access to more foreign films from the US and Soviet Union. Now, modern Polish families like ours can choose from a vast array of films on TV, DVDs, and online, with popular choices including the Harry Potter, Twilight, and Avengers franchises.
The Street of Crocodiles is a 21-minute stop-motion animation from 1986 directed by twin brothers Stephen and Timothy Quay, based on a novel by Polish writer Bruno Schulz. The animation depicts the strange and surreal world of Schulz's stories using puppets made from organic materials to create an eerie atmosphere. The Quay brothers were influenced by Central European artists and the political situation in Poland, creating a dark and mysterious film that reflects the settings and psychology of Schulz's work.
This document provides a summary of a person's professional experience working in television, film, and theater in Serbia and abroad from 1997 to 2009. It lists their roles as a journalist, actor, and animator for various television and radio stations in Serbia. It also lists several minor roles in European films and television shows. Finally, it provides an extensive list of theater roles and productions they participated in for theaters in Serbia during this time period.
Stephen and Timothy Quay are identical twin brothers born in 1947 who are renowned puppet animation filmmakers. They studied illustration and graphics at the Philadelphia College of Art and later received a scholarship to study at the Royal College of Art in London. There they made their early short films with fellow student Keith Griffiths. Working together as Koninck Studios, the Quays have created a steady output of surreal puppet films inspired by European artists like Bruno Schulz and Max Ernst. They are known for their craftsmanship and unusual sources of inspiration, constructing their own intricate sets and puppets that resemble old abused dolls. Their films focus more on enigmatic visuals than narrative and feature original music to create a bizarre
This document provides an overview of the exhibition "LE STRANGE", which is curated by Anthony Bruno and features odd and unconventional works of art. The exhibition is described as ideally taking place in a dark forest illuminated by napalm, with alcoholic drinks served. It then profiles several artists and their strange works, including Carolee Schneemann's film "Meat Joy" involving dancing with raw meats, Ralph Steadman's surreal silkscreens, Tony Oursler's video projections on sculptures, and Patricia Piccinini's hyperrealistic hybrid creature sculptures.
Kalle Konsta Hermanni Sohlberg is a Finnish cinematographer and director of photography. He received a Master of Arts degree in cinematography from the University of Art and Design Helsinki in 2011. His film credits include numerous feature films and documentaries as well as commercial work. He has over 20 years of experience in the film industry working as a cinematographer, camera operator, gaffer, and grip.
The National Theatre of the Deaf has launched their Fall touring season featuring two works by Mark Twain directed by guest artists Joey Caverly and William C. Martin. The tour will also include an American poetry curtain warmer and their acclaimed theatre for young audiences show "It's in the Bag". The season features performances that combine American Sign Language with spoken English in an accessible way for both deaf and hearing audiences.
Films and TV series which were watched by POLISH grandparents, parents and no...pavpil
The document provides information on several Polish films from the 1950s-1980s including comedies, adventure films, and films for children. It lists the titles, production years, genres, short plot summaries, and cast/crew for films like "Eva Feels Sleepy", "Mr. Anatol's Hat", "Four Armoured and a Dog", "Summer Holidays with Ghosts", and "The Leśniewscy Family". The films portrayed everyday situations and characters that many Polish families of the time could relate to.
This document summarizes several classic Polish films from the 1950s-1980s as well as more recent films and TV series. It provides descriptions of the plots and main characters for films like "Eva Feels Sleepy" from 1957, the "Mr. Anatol" trilogy from the late 1950s, and the popular 1970s films "Four Armoured and a Dog" and "Janosik." It also briefly outlines the children's TV series "The Leśniewscy Family" from 1980 and the modern comedy series "Rodzinka.pl."
Konstantin Bronzit is a Russian animator and director known for his witty yet sentimental films. He was born in 1965 in Leningrad and studied at the Higher Art and Industrial Academy of Saint Petersburg. Bronzit is considered a follower of Fyodor Khitruk and creates films featuring grotesque graphics and intellectual jokes. Some of his notable short animations include Soother, Switchcraft, and Tuk-Tuk. Bronzit also worked at the Moscow Animation Studio Pilot and directed the animated feature Alyosha in 2004. He is now based in France and is renowned for award-winning films like At the Ends of the Earth and Lavatory Lovestory.
EMC 3000 Lecture 5 Silent Film HistoryEdward Bowen
The document traces the history of motion pictures from 1695 to 1915, highlighting several important milestones and innovators. It describes the invention of the magic lantern in 1695, the first horror projection in 1790, and Eadweard Muybridge's sequential photos of a galloping horse in 1877. It then discusses the early work of Louis Le Prince, Thomas Edison, the Lumiere brothers, Edwin Porter, and D.W. Griffith, noting their key contributions that advanced motion picture technology and established narrative storytelling in film.
The document provides a detailed timeline of key events and innovations in the history of motion pictures from the late 17th century to the early 20th century. It describes early inventions like the magic lantern in 1695 and phantasmagoria in 1790. Major figures who advanced the development of motion pictures are highlighted, including Eadweard Muybridge, Louis Le Prince, Thomas Edison, the Lumière brothers, Georges Méliès, and D.W. Griffith. Important milestones covered include the first motion picture cameras, projectors, studios, films, and the growth of storefront cinemas and early Hollywood in the 1900s-1910s.
Hanna Polak is an Academy Award-nominated Polish film director, producer and cinematographer born in 1967. She has over 30 years of experience in film and television production. Some of her most notable films include The Children of Leningradsky (2004), which received an Academy Award nomination, and Something Better to Come (2000-2015) which won over 15 awards internationally. Polak speaks Polish, English and Russian and has a Master's degree in Cinematography from the Russian State University of Cinematography.
This document provides the rules for a general quiz competition called Sphinx - The General Quiz (Finals). The rules state that questions can be answered on the first guess for 10 points or 5 points will be lost for a wrong answer. Bonus points are available for correctly guessing titles. The quizmaster can summon Greek monsters. The document then provides a series of questions on various topics to be answered by participants.
Every year in September The Smalls celebrates the work of its talented global community with The Smalls Film Festival. Now in its ninth year, The Smalls began in 2006 with an exhibition of short films screened on Apple's then newly released video iPod. The festival has evolved into a 5-day programme of screenings, masterclasses and panel discussions, dedicated to exploring short film, digital media, and creative ideas, with some of the industry's leading professionals
Kosta Djordjevic is a Serbian film director and producer born in 1981 in Belgrade. He graduated from the Faculty of Dramatic Arts in Belgrade in 2007 with a master's degree in film directing. Some of his films include the short film "Street Walker" which screened at the Locarno Film Festival, the documentary series "Together" about children with disabilities, and his feature film debut "Trolling" from 2013. In addition to directing films, Djordjevic has extensive experience in television, commercials, music videos and other projects. He is currently working on developing new screenplays and directing episodes of a television series in Belgrade.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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The teleprotection market size has grown
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2. SEMAFOR STUDIO - THE BEGINNINGS: 1947 - 1960
“In Times of King Krakus” (“Za Króla Krakusa”), 1947
Dir. Zenon Wasilewski
The first puppet stop-motion short film made in Polish Semafor Studio.
3. THE SEMAFOR “STUDIO OF SMALL FORMS”: 1960 - 1990
The Sixties - “golden era” of Polish animated series for children. Semafor Studio was producing puppet series,
as well as cartoon or plasticine ones.
5. CARTOON SERIES FOR CHILDREN: “MAGIC PENCIL”, “FILEMON THE CAT”,
“FEW ADVENTURES OF SPARROW TWEET”
“Magic Pencil”, 1964-77, 39 episodes, “Filemon the Cat”, 1972-81, 42 episodes
“Few Adventures of Sparrow Tweet”, 1983-89, 39 episodes,
6. 1983 - THE FIRST OSCAR AWARD FOR SEMAFOR STUDIO!
“Tango”, 1980
Dir. Zbigniew Rybczyński
7. Bad times for Semafor Studio: 1990 - 1999
1999 - The shut down of Semafor Studio
- Polish National Television withdrew from
producing animated series for kids.
- Private animation studios appeared, making
Polish animation market really competitive.
8. v
1999 - “Se-Ma-For” Studio: reopening
1999 - today
- Still producing short and feature animations as well as short series
or videoclips.
- Puppet stop motion, 2D, 3D and mixed media.
11. MIXED MEDIA SHORT FILM: “ŚWITEŹ, THE LOST TOWN”
“Świteź, The Lost Town”, 2010
Dir: Kamil Polak
12. (TOTALLY) MIXED MEDIA SHORT FILM: “CITY FLOWS”
“City Flows”, 2008
Dir: Balbina Bruszewska
13. 2008: SECOND OSCAR AWARD FOR SE-MA-FOR STUDIO!
“PETER AND THE WOLF”, 2006
DIR. SUZIE TEMPLETON
BASED ON A MUSICAL TALE WRITTEN BY SERGIEJ PROKOFIEV, A RUSSIAN COMPOSER
Director: Suzie Templeton
Screenplay: Suzie Templeton, Marianela Maldonado
Cinematography: Hugh Gordon
Music: Siergiey Prokofiev
Production: Se-ma-for, BreakThru Films, Storm Studios
Co-financing: Polish Film Institute, Channel Four Television, Archangel, Kreis Consulting, Art Haus Musik,
Nesta, Well-go, Tv Unam, Tae-Won, Storm Studio
Polish Team:
Set Designer: Marek Skrobecki
Stop Motion Animators: Adam Wyrwas, Krzysztof Brzozowski
Cinematography: Mikołaj Jaroszewicz
VFX: Kamil Polak
Co-Production: Zbigniew Żmudzki
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32. “PETER AND THE WOLF” - SET DESIGN
“Peter and The Wolf”, 2006
Dir. Suzie Templeton, Set Design: Marek Skrobecki
33. “PETER AND THE WOLF” - FACIAL EXPRESSION
“Peter and The Wolf”, 2006
Dir. Suzie Templeton, Stop motion Animators: Adam Wyrwas, Krzysztof Brzozowski
34. AND IT’S ALL THANKS TO THESE PIVOTS, WIRES AND HINGES!