On Friday, Ariana Madix reposted a video to her Instagram Story that showed her singing her heart out with Scheana Shay, Lala Kent, Katie Maloney, Kristen Doute and Brittany Cartwright to *NSYNC’s 2000 hit single, “Bye, Bye, Bye.”
The document provides details about three music videos:
1) Tinashe ft. ASAP Rocky's "Pretend" video which shows the artists arguing to represent the song's theme of pretending relationships are fine. Scenes include green screens and close-ups.
2) Chris Brown ft. Usher and Rick Ross' "New Flame" features the artists in white clothing against blue skies, dancing with fire in the background. Rick Ross appears topless on a throne.
3) Ciara's "Body Party" depicts how she met Future and shows their flirtation through scenes of dancing at a party and a bedroom striptease. Cameos include Ludacris and Trinidad James.
The document discusses the music video being created for the song "Chelsea Dagger" by The Fratellis. It will include both performance shots of the band as well as a narrative storyline featuring an attractive woman who receives male attention. Scenes will be filmed at multiple locations, including a practice studio for band performance shots and other places like a party for the narrative. Costumes will adhere to indie stereotypes, with the band wearing items like skinny jeans, flannel, and denim and the woman wearing a cardigan, t-shirt, and denim shorts. The video will incorporate close-up shots of the band performing and long shots showing them playing together, using cuts that match the fast tempo of the
The document provides a summary and analysis of 10 music videos, highlighting elements like concepts, imagery, and how they relate to the lyrics. It notes OK GO's "Here It Goes Again" uses a simple one-take concept that is entertaining. Arctic Monkeys' "Cornerstone" shows the singer searching for a lost girl through still images. Frankie and the Heartstrings' "Hunger" uses a retro Blue Peter set concept.
Kula Shaker is a British pop band active in the 1990s that enjoyed success with their debut album 'K' reaching number 1 in the UK charts in 1996. The video for their song "Hey Dude" features the band playing their instruments on a moving red bus traveling around London. It contrasts bright colorful scenes with distorted inverted effects. While the video promotes their British heritage and conventions of 1990s Britpop style, the unconventional sped up pace and effects create an odd feature that doesn't fully match the song.
The music video for Marmozets' song "Born Young and Free" uses several conventions of rock music video form and genre. It has fast-paced editing that matches the fast tempo of the song. Scenes of the band performing are included to show them using their musical instruments. The lighting is mostly low-key and dark, the setting is an underground space, and the band members wear dark clothing, all of which are conventional for rock music videos. The narrative fits the lyrics of being trapped but breaking free by the end.
The document provides details about three music videos:
1) Tinashe ft. ASAP Rocky's "Pretend" video which shows the artists arguing to represent the song's theme of pretending relationships are fine. Scenes include green screens and close-ups.
2) Chris Brown ft. Usher and Rick Ross' "New Flame" features the artists in white clothing against blue skies, dancing with fire in the background. Rick Ross appears topless on a throne.
3) Ciara's "Body Party" depicts how she met Future and shows their flirtation through scenes of dancing at a party and a bedroom striptease. Cameos include Ludacris and Trinidad James.
The document discusses the music video being created for the song "Chelsea Dagger" by The Fratellis. It will include both performance shots of the band as well as a narrative storyline featuring an attractive woman who receives male attention. Scenes will be filmed at multiple locations, including a practice studio for band performance shots and other places like a party for the narrative. Costumes will adhere to indie stereotypes, with the band wearing items like skinny jeans, flannel, and denim and the woman wearing a cardigan, t-shirt, and denim shorts. The video will incorporate close-up shots of the band performing and long shots showing them playing together, using cuts that match the fast tempo of the
The document provides a summary and analysis of 10 music videos, highlighting elements like concepts, imagery, and how they relate to the lyrics. It notes OK GO's "Here It Goes Again" uses a simple one-take concept that is entertaining. Arctic Monkeys' "Cornerstone" shows the singer searching for a lost girl through still images. Frankie and the Heartstrings' "Hunger" uses a retro Blue Peter set concept.
Kula Shaker is a British pop band active in the 1990s that enjoyed success with their debut album 'K' reaching number 1 in the UK charts in 1996. The video for their song "Hey Dude" features the band playing their instruments on a moving red bus traveling around London. It contrasts bright colorful scenes with distorted inverted effects. While the video promotes their British heritage and conventions of 1990s Britpop style, the unconventional sped up pace and effects create an odd feature that doesn't fully match the song.
The music video for Marmozets' song "Born Young and Free" uses several conventions of rock music video form and genre. It has fast-paced editing that matches the fast tempo of the song. Scenes of the band performing are included to show them using their musical instruments. The lighting is mostly low-key and dark, the setting is an underground space, and the band members wear dark clothing, all of which are conventional for rock music videos. The narrative fits the lyrics of being trapped but breaking free by the end.
The music video will feature a girl band of schoolgirls who are in a rock band. It will have originality through the use of crazy colors not typically seen in rock videos. Creativity may come from stop motion animation or animation software to create a series of clips. The video will use narrative, conceptual, and performance elements to amplify and illustrate the song lyrics. It will feature the band members as schoolgirls to give them a star persona. The genre is pop rock, featuring bright colors and punk-inspired costumes. It may reference the Japanese pop/rock band Scandal who also take on a schoolgirl persona while playing soft rock.
NYC’s very own S.C.R.D., whose old school rock star vibe and fresh new hip hop beats have been hailed as a mashup of unlikely styles that delivers a deliciously guilty pleasure worthy of heavy indulgence. They say what you wanted to say, but never did.
S.C.R.D. is named after Sweet Chuck and Ravin Dave, the two principal members of the group based in Gramercy, Manhattan. Together they infuse old skool beats, live instrumentation and witty, humorous and slightly satirically lude lyrics to take fans on a journey through heartbreaks with an ebullience for life and the thirst for adventure. Their collaboration between each other, thrives off co-collaborating with local musicians, friends and fans they lure into their musical tsunami, which helps drive their artistic creativity to new heights.
S.C.R.D. is privately funded and releases content under the record label and licensing company, Trip Digital Inc.
S.C.R.D. on iTunes: https://itunes.apple.com/us/artist/s.c.r.d./id1014316942
The video parodies popular music videos by having All Time Low and their director recreate iconic scenes and imagery from other pop videos to comment on how repetitive the genre has become. It follows the band as they film a music video, dividing it into sections like "Product Placement", "Sex", and "Stealing Ideas" that satirize common tropes. Through costumes, sets and exaggerated performances, it copies the styles of videos by Lady Gaga, Katy Perry and Justin Bieber to make its point that most pop music videos lack originality.
The document analyzes three music videos based on Andrew Goodwin's theory of music video elements. It summarizes Love Me Again by John Newman as a performance/narrative video that matches lyrics and music visually through dancing. Adventure of a Lifetime by Coldplay is categorized as conceptual, featuring computer-generated monkeys dancing to the disco-style music. Last Friday Night by Katy Perry is a narrative video depicting the events of her last Friday night through party scenes and matching lyrics. The document examines each video's genre characteristics and use of intertextuality, record label promotion, notions of looking, and voyeurism.
- The document discusses the live performance of the American rock band Black Stone Cherry during their UK arena tour, which included support acts Airbourne and Theory of a Deadman.
- It focuses on the sound design aspects, interviewing both the front-of-house engineer Brandon Henbest and monitor engineer Michael Roland. Henbest uses a DiGiCo SD10 console and speaker simulators to achieve a clean sound, while Roland got the job after impressing Black Stone Cherry with a quick monitor mix.
- Both engineers praise the band's musical talents and discuss techniques for mixing their performances in large arena venues as their popularity in Europe continues to grow.
The document provides shots from both an abandoned area during the day and a music venue at night, showing a band playing an aggressive song. In both locations, there are numerous shots of each band member intensely performing their instruments and interacting energetically with the music. At the venue, the crowd also appears fully engaged, singing, moshing, and responding intensely to the performance. Both the band and crowd display passion throughout the song.
The video parodies popular music videos by having All Time Low and their director recreate iconic scenes from other artists' videos. It is split into three sections - "Product Placement", "Sex", and "Stealing Ideas" - to mock how those elements drive commercial success. Through costumes, sets, and exaggerated performances, the band members imitate videos by Lady Gaga, Katy Perry and Justin Bieber. The video critiques the lack of originality and ridiculous nature of mainstream pop music videos through humor and intertextual references.
The document discusses and summarizes four music videos:
1) "Rabbit Heart" by Florence + The Machine, praising its romantic and dreamlike visuals and organic natural setting.
2) "Let's Make Love And Listen To Death From Above" by CSS, highlighting clever interpretations of the song through paper ghosts and earthquake effects.
3) "Kiss Of Life" by Friendly Fires, noting its obvious display of the song's samba beat through extra musicians.
4) "Strawberry Swing" by Coldplay, commending the original use of stop-motion chalk drawings that tell the story of a superhero rescuing a damsel in distress.
Linzi stoppard rock violin anthems albumlinzistoppard
Linzi Stoppard and Ben Lee are virtuoso violinists who form the duo FUSE. They harness their exclusive Swarovski crystal electric violins to put their own spin on classic rock tracks from artists like Coldplay, Michael Jackson, and Led Zeppelin. Their debut self-titled album features 14 reimagined rock songs and has been critically acclaimed. FUSE aims to prove that electric violins can be as versatile and powerful as electric guitars. They have gained support from rock artists like Roger Daltrey and want to blow away audiences' preconceptions of what violins can do.
1) Brother Neil, represented by the singer-songwriter Neil Parent, has released his debut solo album titled "Bonfire Confessions".
2) The album features Neil's original folk-rooted songs that he accompanies himself on acoustic guitar, introducing his talents as a singer, songwriter, and guitarist.
3) Neil drew from his own life experiences to write the songs' emotional and soul-searching lyrics, often finding inspiration in front of a fire with his guitar.
The document discusses 5 conventions of music videos through various examples:
1) Lenny Kravitz's "Are You Gonna Go My Way" illustrates typical rock music video conventions like crowd/band shots and grungy lighting.
2) Arthur Owen's "The Ballad of a Bourbon Biscuit" uses visuals that correspond directly to the lyrics.
3) Frederic's "Kanashii Ureshii" uses visuals that amplify the music by corresponding to instrumental/vocal elements.
4) Britney Spears' "Toxic" exemplifies demands of record labels through repetitive close-ups cultivating her star image.
5) Jay Park's "MO
The document summarizes a concert by tUnE-yArDs and the opening act Son Lux at Grand Central in Miami on April 4, 2015. It describes the musical styles and stage performances of both bands. Son Lux performed songs from their albums Alternate Worlds and their recent release Change Is Everything. Their set included the song All The Right Things, which features a clever wordplay and incorporation of different instruments. tUnE-yArDs then performed, mixing genres like afro-punk and reggae and using colorful costumes. Both bands brought unique sounds that were an refreshing experience for the audience. The concert was an success with the improved sound quality at the venue.
This document provides a proposal for a music video project. The proposal is to create a music video for the song "My Last Day" by the band Girl Kills Boy. The video will be around 3 minutes and 30 seconds and will also include designing a website homepage for the band and a DVD cover. The narrative of the video will involve a soldier being taken hostage in a foreign country and being forced to make a hostage video. While having a political message, the video will not show serious violence and will aim to get airtime on music channels. The target audience is identified as young adults aged 16 to 25.
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The music video will feature a girl band of schoolgirls who are in a rock band. It will have originality through the use of crazy colors not typically seen in rock videos. Creativity may come from stop motion animation or animation software to create a series of clips. The video will use narrative, conceptual, and performance elements to amplify and illustrate the song lyrics. It will feature the band members as schoolgirls to give them a star persona. The genre is pop rock, featuring bright colors and punk-inspired costumes. It may reference the Japanese pop/rock band Scandal who also take on a schoolgirl persona while playing soft rock.
NYC’s very own S.C.R.D., whose old school rock star vibe and fresh new hip hop beats have been hailed as a mashup of unlikely styles that delivers a deliciously guilty pleasure worthy of heavy indulgence. They say what you wanted to say, but never did.
S.C.R.D. is named after Sweet Chuck and Ravin Dave, the two principal members of the group based in Gramercy, Manhattan. Together they infuse old skool beats, live instrumentation and witty, humorous and slightly satirically lude lyrics to take fans on a journey through heartbreaks with an ebullience for life and the thirst for adventure. Their collaboration between each other, thrives off co-collaborating with local musicians, friends and fans they lure into their musical tsunami, which helps drive their artistic creativity to new heights.
S.C.R.D. is privately funded and releases content under the record label and licensing company, Trip Digital Inc.
S.C.R.D. on iTunes: https://itunes.apple.com/us/artist/s.c.r.d./id1014316942
The video parodies popular music videos by having All Time Low and their director recreate iconic scenes and imagery from other pop videos to comment on how repetitive the genre has become. It follows the band as they film a music video, dividing it into sections like "Product Placement", "Sex", and "Stealing Ideas" that satirize common tropes. Through costumes, sets and exaggerated performances, it copies the styles of videos by Lady Gaga, Katy Perry and Justin Bieber to make its point that most pop music videos lack originality.
The document analyzes three music videos based on Andrew Goodwin's theory of music video elements. It summarizes Love Me Again by John Newman as a performance/narrative video that matches lyrics and music visually through dancing. Adventure of a Lifetime by Coldplay is categorized as conceptual, featuring computer-generated monkeys dancing to the disco-style music. Last Friday Night by Katy Perry is a narrative video depicting the events of her last Friday night through party scenes and matching lyrics. The document examines each video's genre characteristics and use of intertextuality, record label promotion, notions of looking, and voyeurism.
- The document discusses the live performance of the American rock band Black Stone Cherry during their UK arena tour, which included support acts Airbourne and Theory of a Deadman.
- It focuses on the sound design aspects, interviewing both the front-of-house engineer Brandon Henbest and monitor engineer Michael Roland. Henbest uses a DiGiCo SD10 console and speaker simulators to achieve a clean sound, while Roland got the job after impressing Black Stone Cherry with a quick monitor mix.
- Both engineers praise the band's musical talents and discuss techniques for mixing their performances in large arena venues as their popularity in Europe continues to grow.
The document provides shots from both an abandoned area during the day and a music venue at night, showing a band playing an aggressive song. In both locations, there are numerous shots of each band member intensely performing their instruments and interacting energetically with the music. At the venue, the crowd also appears fully engaged, singing, moshing, and responding intensely to the performance. Both the band and crowd display passion throughout the song.
The video parodies popular music videos by having All Time Low and their director recreate iconic scenes from other artists' videos. It is split into three sections - "Product Placement", "Sex", and "Stealing Ideas" - to mock how those elements drive commercial success. Through costumes, sets, and exaggerated performances, the band members imitate videos by Lady Gaga, Katy Perry and Justin Bieber. The video critiques the lack of originality and ridiculous nature of mainstream pop music videos through humor and intertextual references.
The document discusses and summarizes four music videos:
1) "Rabbit Heart" by Florence + The Machine, praising its romantic and dreamlike visuals and organic natural setting.
2) "Let's Make Love And Listen To Death From Above" by CSS, highlighting clever interpretations of the song through paper ghosts and earthquake effects.
3) "Kiss Of Life" by Friendly Fires, noting its obvious display of the song's samba beat through extra musicians.
4) "Strawberry Swing" by Coldplay, commending the original use of stop-motion chalk drawings that tell the story of a superhero rescuing a damsel in distress.
Linzi stoppard rock violin anthems albumlinzistoppard
Linzi Stoppard and Ben Lee are virtuoso violinists who form the duo FUSE. They harness their exclusive Swarovski crystal electric violins to put their own spin on classic rock tracks from artists like Coldplay, Michael Jackson, and Led Zeppelin. Their debut self-titled album features 14 reimagined rock songs and has been critically acclaimed. FUSE aims to prove that electric violins can be as versatile and powerful as electric guitars. They have gained support from rock artists like Roger Daltrey and want to blow away audiences' preconceptions of what violins can do.
1) Brother Neil, represented by the singer-songwriter Neil Parent, has released his debut solo album titled "Bonfire Confessions".
2) The album features Neil's original folk-rooted songs that he accompanies himself on acoustic guitar, introducing his talents as a singer, songwriter, and guitarist.
3) Neil drew from his own life experiences to write the songs' emotional and soul-searching lyrics, often finding inspiration in front of a fire with his guitar.
The document discusses 5 conventions of music videos through various examples:
1) Lenny Kravitz's "Are You Gonna Go My Way" illustrates typical rock music video conventions like crowd/band shots and grungy lighting.
2) Arthur Owen's "The Ballad of a Bourbon Biscuit" uses visuals that correspond directly to the lyrics.
3) Frederic's "Kanashii Ureshii" uses visuals that amplify the music by corresponding to instrumental/vocal elements.
4) Britney Spears' "Toxic" exemplifies demands of record labels through repetitive close-ups cultivating her star image.
5) Jay Park's "MO
The document summarizes a concert by tUnE-yArDs and the opening act Son Lux at Grand Central in Miami on April 4, 2015. It describes the musical styles and stage performances of both bands. Son Lux performed songs from their albums Alternate Worlds and their recent release Change Is Everything. Their set included the song All The Right Things, which features a clever wordplay and incorporation of different instruments. tUnE-yArDs then performed, mixing genres like afro-punk and reggae and using colorful costumes. Both bands brought unique sounds that were an refreshing experience for the audience. The concert was an success with the improved sound quality at the venue.
This document provides a proposal for a music video project. The proposal is to create a music video for the song "My Last Day" by the band Girl Kills Boy. The video will be around 3 minutes and 30 seconds and will also include designing a website homepage for the band and a DVD cover. The narrative of the video will involve a soldier being taken hostage in a foreign country and being forced to make a hostage video. While having a political message, the video will not show serious violence and will aim to get airtime on music channels. The target audience is identified as young adults aged 16 to 25.
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
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In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
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Orpah Winfrey: The Queen of All Media
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Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
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In the early 20
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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The Gallery of Shadows, In the heart of a bustling city
See the Ladies of Vanderpump Rules Get Down to NSYNC’s Bye Bye Bye with Lance Bass.pdf
1. See the Ladies of Vanderpump
Rules Get Down to NSYNC’s
Bye Bye Bye with Lance Bass
HomeVanderpump Rules See the Ladies of Vanderpump Rules Get
Down to NSYNC‟s Bye Bye Bye with Lance Bass
The ladies of Vanderpump Rules are hitting notes and letting loose!
2. On Friday, Ariana Madix reposted a video to her Instagram Story that
showed her singing her heart out with Scheana Shay, Lala Kent, Katie
Maloney, Kristen Doute and Brittany Cartwright to *NSYNC‟s 2000 hit
single, “Bye, Bye, Bye.”
The group‟s performance included a special appearance by Lance Bass,
who was one-fifth of the boy band alongside Justin Timberlake, Joey
Fatone, Chris Kirkpatrick and JC Chasez. (Bass, 44, also happens to be
a good pal of VPR doyenne Lisa Vanderpump.)
The video slowly pans around the room to show Bass dancing and
singing to his song, surrounded by the women, who can be seen
laughing and holding out the last note in the track‟s bridge.
3. The video comes just days after the members of *NSYNC reunited
during their surprise appearance at the 2023 MTV Video Music
Awards on Tuesday.
While presenting Taylor Swift the award for best pop video, the
beloved ‟90s boy band gifted Swift, 33, a set of beaded friendship
bracelets. Fans of the singer have made swapping friendship bracelets
a tradition throughout her record-breaking Eras Tour, making it a
memorable onstage moment.
4. After being handed the Moon Person and the bracelets by Bass, Swift
began her acceptance speech by expressing her excitement to see the
band reunited.
“You‟re pop personified, so to receive this from your golden pop hands
is really … it‟s too much,” she said. “Thank you for the friendship
bracelets.”
Following their viral reunion, the boy band announced they would be
releasing their first new song in over two decades on Thursday. The
track will be called “Better Place,” and will be featured in the
soundtrack for Universal‟s upcoming film, Trolls Band Together.
5. Timberlake, 42, later posted a behind-the-scenes video of the group
recording the track in the studio on Instagram.
“So many stars aligned,” he said in the clip while addressing his
bandmates. “That‟s why I hit y‟all, I was like, „Hey, something came
up.‟ If we do this song, it‟s a love letter to our fans. I would be honored
to have the group on this song.”
The band appeared to be having fun in the video, from their quirky
dances and warm embraces to head-bobbing to the disco-sounding
track.
6. “Sounds good, sounds like it‟s finished,” Kirkpatrick added in the clip,
before Bass guesstimated that it was the “first *NSYNC song finished in
23 years.”
“When the stars align… got my brothers back together in the studio to
work on something fun and the energy was special,” Timberlake
captioned his video. “„Better Place‟ is coming 9/29 �� LOVE Y‟ALL.”