Somehow Vermeer’s paintings manage to transcend time and place. They may have been created several hundred years ago, but they are almost shockingly present.
you can download my presentations at
https://ma-planete.com/olga_oes
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http://www.authorstream.com/Presentation/guimera-4724465-landscape-painting-renaissance/
The document discusses the intellectual and philosophical movement known as the Enlightenment. Key ideas of the Enlightenment included replacing religion with reason and science, questioning traditional values and authority, and prioritizing individual liberty and equality. These ideas influenced the American and French Revolutions in challenging absolute monarchy and divine rights of kings. Enlightenment philosophers advocated for separation of church and state, freedom of religion and speech, and that government derives power from the people rather than a divine ruler. The document traces how the Enlightenment marked a transition from the old world order to a new era of democracy, reason, and humanism.
Orazio and Artemisia Gentileschi. Father and Daughter Painters in Baroque Italyguimera
the tumultuous lives of these two artists moved along parallel trajectories from the popular quarters of papal Rome to the courts of the grand duke of Tuscany, Marie de' Medici in Paris, and Charles I in London ...
1) The rise of absolute monarchy in 17th century Europe led to powerful monarchs claiming divine right to rule and portraying themselves as such through portraiture.
2) Artists like Rubens and Velasquez painted portraits of monarchs like Marie de Medici and Philip IV that depicted them as living gods to promote their authority and divine right to rule.
3) Louis XIV of France epitomized absolute monarchy, portraying himself as the "Sun King" through grand portraits and the opulent Versailles palace, designed to showcase his immense wealth and power over the state.
external and visible sign of a person's faith, loyalty, friendship, love, honour or hostility towards others
fashion accessory for the aristocracy and the bourgeoisie until the beginning of the twentieth century
The Baroque style flourished in the Hispanic Monarchy during the 17th century. Architecture was characterized by decorative exuberance both inside and out, with churches and squares being the main works. Sculpture focused on religious themes and depicted realistic, often dramatic, images of pain and suffering. Painting was at its Golden Age, with renowned artists like Ribera, Murillo, Zurbarán, and Velázquez producing oil paintings on religious and royal commissions that used techniques like chiaroscuro and complex compositions. Velázquez in particular was a genius known for his portraits, still lifes, and scenes of everyday life.
In 15th century Italy, a new artistic culture emerged under the influence of humanism. In Florence, artists were influenced by ancient Greece and Rome as well as science and math, creating works that reflected these ideals. Donatello was a leading early Renaissance sculptor who created realistic works like the bronze David that broke from Gothic styles. Luca della Robbia pioneered glazed ceramic sculptures that brought bright color to religious works. Their contemporary, Brunelleschi, designed Neoclassical buildings like the Hospital of the Innocents in Florence.
Somehow Vermeer’s paintings manage to transcend time and place. They may have been created several hundred years ago, but they are almost shockingly present.
you can download my presentations at
https://ma-planete.com/olga_oes
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4724465-landscape-painting-renaissance/
The document discusses the intellectual and philosophical movement known as the Enlightenment. Key ideas of the Enlightenment included replacing religion with reason and science, questioning traditional values and authority, and prioritizing individual liberty and equality. These ideas influenced the American and French Revolutions in challenging absolute monarchy and divine rights of kings. Enlightenment philosophers advocated for separation of church and state, freedom of religion and speech, and that government derives power from the people rather than a divine ruler. The document traces how the Enlightenment marked a transition from the old world order to a new era of democracy, reason, and humanism.
Orazio and Artemisia Gentileschi. Father and Daughter Painters in Baroque Italyguimera
the tumultuous lives of these two artists moved along parallel trajectories from the popular quarters of papal Rome to the courts of the grand duke of Tuscany, Marie de' Medici in Paris, and Charles I in London ...
1) The rise of absolute monarchy in 17th century Europe led to powerful monarchs claiming divine right to rule and portraying themselves as such through portraiture.
2) Artists like Rubens and Velasquez painted portraits of monarchs like Marie de Medici and Philip IV that depicted them as living gods to promote their authority and divine right to rule.
3) Louis XIV of France epitomized absolute monarchy, portraying himself as the "Sun King" through grand portraits and the opulent Versailles palace, designed to showcase his immense wealth and power over the state.
external and visible sign of a person's faith, loyalty, friendship, love, honour or hostility towards others
fashion accessory for the aristocracy and the bourgeoisie until the beginning of the twentieth century
The Baroque style flourished in the Hispanic Monarchy during the 17th century. Architecture was characterized by decorative exuberance both inside and out, with churches and squares being the main works. Sculpture focused on religious themes and depicted realistic, often dramatic, images of pain and suffering. Painting was at its Golden Age, with renowned artists like Ribera, Murillo, Zurbarán, and Velázquez producing oil paintings on religious and royal commissions that used techniques like chiaroscuro and complex compositions. Velázquez in particular was a genius known for his portraits, still lifes, and scenes of everyday life.
In 15th century Italy, a new artistic culture emerged under the influence of humanism. In Florence, artists were influenced by ancient Greece and Rome as well as science and math, creating works that reflected these ideals. Donatello was a leading early Renaissance sculptor who created realistic works like the bronze David that broke from Gothic styles. Luca della Robbia pioneered glazed ceramic sculptures that brought bright color to religious works. Their contemporary, Brunelleschi, designed Neoclassical buildings like the Hospital of the Innocents in Florence.
Napoleon Bonaparte rose to power in France after the Reign of Terror. He was elected First Consul in 1799 and later crowned Emperor in 1804. Artists like Jacques-Louis David were commissioned to create works glorifying Napoleon that helped transition French art from Neoclassicism to Romanticism. David initially depicted Napoleon as a noble leader, but later works by artists like Antoine-Jean Gros portrayed Napoleon in dramatic, exaggerated styles that emphasized emotion and individual genius, reflecting the emerging Romantic aesthetic.
The document discusses depictions of glass in European paintings from the 15th to 19th centuries. It provides numerous examples of paintings that include detailed renderings of glass objects like cups, decanters, and glasses. These glass objects often hold symbolic meanings and were used to depict important religious symbols. The document also discusses how certain artists, like Vermeer and Manet, were fascinated with realistically depicting glassware and the dexterity of waitresses handling multiple glasses.
The document discusses several early Northern Renaissance artists including the Limbourg Brothers, Claus Sluter, Melchior Broderlam, Jan van Eyck, Rogier van der Weyden, Dirk Bout, Hugo van der Goes, and Hans Memling. It provides details on specific works such as the Très Riches Heures du Duc de Berry illuminated by the Limbourg Brothers, the Well of Moses sculpted by Claus Sluter, and the Ghent Altarpiece painted by Jan van Eyck. It also discusses characteristics of Northern Renaissance art including the use of oil paints to depict fine details and lifelike textures.
1) Nanni di Banco's relief Sculptors at Work depicts stoneworkers and sculptors working side by side, showing that in the early Renaissance there was no distinction between manual and creative labor.
2) In the Middle Ages, artists were considered skilled craftsmen similar to other laborers, but during the Renaissance artistic skills began to be seen as intellectual work.
3) As artists gained prestige and celebrity status, they began portraying themselves as gentlemen through self-portraits, reflecting their new social standing.
The ruff was an item of clothing worn around the neck in 16th-17th century Europe that symbolized wealth and status. Ruffs were made of stiffened linen or lace and increased dramatically in size over the century, requiring upright posture. By forcing good posture, ruffs emphasized aristocratic ideals of dignity and refinement. Ruffs began falling out of fashion in the early 17th century and were eventually banned in Spain, though the style persisted longer in the Dutch Republic as seen in portraits from that time.
The Baroque style in Spain was characterized by decorative exuberance in both interiors and exteriors of buildings like churches and squares. Sculpture focused on religious themes featuring realistic, dramatic portrayals of wounds, pain, and suffering. Painting reached its Golden age in the 17th century with exceptionally realistic and religious works commissioned by royalty and the Church. Some of the most famous artists of this period were José de Ribera, Francisco Zurbarán, Bartolomé Esteban Murillo, and Diego Velázquez, considered a genius and the court painter to Spanish kings Philip III and Philip IV.
The document summarizes Italian and Spanish Baroque art and architecture between 1600-1700. It describes key developments and influential artists of the period. In Italy, Caravaggio revolutionized painting with dramatic lighting and realistic figures. Bernini was the premier sculptor and designed St. Peter's square and baldachino. Borromini designed complex church designs. In Spain, Ribera and Zurbarán painted religious works while Velázquez became the royal painter at the Spanish court, blending influences from Caravaggio, Titian and Rubens.
Art in Detail_Michelangelo, Leonardo da Vinci, Raphael. Giants of the Renaiss...guimera
the masterpieces created at the end of the 15th and start of the 16th century in Florence, Milan and Rome
the ceiling of the Sistine Chapel and The Last Judgement by Michelangelo
The Annunciation, The Mona Lisa, The Last Supper by Leonardo da Vinci
The Lady and the Unicorn, The Sistine Madonna, The School of Athens by Raphael
The document discusses Baroque art in Spain and Northern Europe between 1600-1750. It provides examples of major works by Spanish artist Diego Velazquez and Flemish artists Peter Paul Rubens, Anthony van Dyck, and others. It prompts the reader to analyze how paintings depicting groupings communicate social, political, and historical concerns.
Gothic sculpture evolved from the Early Gothic period to the High Gothic period towards greater naturalism and accurate representation of the human form. Sculptures on Gothic cathedrals, which served as "Bibles for the poor", became more three-dimensional, showed a greater sense of the body beneath drapery, and had more realistic proportions and facial expressions. This naturalism was influenced by the rediscovery of classical learning at universities and a new interest in scientific observation and recorded reality.
The document lists important artists and artworks from the Italian Renaissance and Northern Renaissance. It includes paintings, sculptures, and frescoes by Massacio, Botticelli, Donatello, Leonardo da Vinci, Michelangelo, Dürer, Bosch, Brueghel, Holbein, and Van Eyck that showcase major developments and themes during these periods such as religious subjects, classical influences, and realistic depictions of nature and people.
The Royal Academies of Art established state control over artistic production in France and England in the 17th-18th centuries. They dictated standards and conventions through annual salon exhibitions, training methods that emphasized copying classical sculptures and paintings over nature, and a hierarchy of genres that ranked history painting highest. This system promoted ideals of beauty and style over realism until the Realists and Impressionists rebelled in the 19th century.
Ferronnière. Hat badge. Cameo ...An unusual jewel in paintingguimera
a jewel par excellence of the Renaissance ...
a jewel purely decorative or with meaning religious or symbolic …
a jewel appreciated for its beauty, its artistic, symbolic and even magical value …
The document discusses the genre of "Collector's Cabinets in Painting" which depicts art and curiosity collections. Frans Francken the Younger and Jan Brueghel the Elder were the first to create such paintings in the 1620s, showing large rooms displaying numerous paintings and precious items. Early works also included scientific instruments and natural specimens alongside the art. Some paintings portrayed the owners of the collections or artists working. The genre became immediately popular and was emulated by other artists such as Jan Brueghel the Younger, Cornelis de Baellieur, and David Teniers the Younger.
Surprising hairstyles in Western painting.ppsxguimera
This document provides descriptions of hairstyles from various works of Western art from the 15th to 19th centuries. It notes hairstyles like bowl cuts, zazzeras, cornets, poufs, and braided buns popular at different time periods. Specific works mentioned include portraits depicting styles like center-parted curls on a 15th century Florentine woman or the heart-shaped wig of Queen Elizabeth I of England. Context is given for trends like men shaving their foreheads or Louis XIV starting to wear wigs to hide hair loss.
not surprising to find flies in the paintings ...
can simply mean misery, loneliness, the vanity of earthly things
can be an allusion to the ephemeral of life, beauty, the symbol of death, the Passion of Christ, corruption and venality ...
The document discusses the use of transparency in paintings over centuries to depict various materials and objects. It provides numerous examples from famous paintings where artists showed transparency through techniques like diaphanous veils, glassware, bubbles, and other materials. The summaries highlight how transparency was a tool for artists to represent different textures and symbolic meanings in their works.
The staircase in painting is an unusual theme that has interested some artists: to Rembrandt and Dipre for their symbolism, to Hubert Robert for their aesthetic appearance ...
The carnation in the painting, the profane carnationguimera
The profane carnation …
symbol of earthly love, devotion
symbol of marriage or betrothal
symbol of distinction
symbol of fascination, passion in European Renaissance art, especially in portraiture
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations
http://www.authorstream.com/Presentation/guimera-4815215-glasses-paintings/
Napoleon Bonaparte rose to power in France after the Reign of Terror. He was elected First Consul in 1799 and later crowned Emperor in 1804. Artists like Jacques-Louis David were commissioned to create works glorifying Napoleon that helped transition French art from Neoclassicism to Romanticism. David initially depicted Napoleon as a noble leader, but later works by artists like Antoine-Jean Gros portrayed Napoleon in dramatic, exaggerated styles that emphasized emotion and individual genius, reflecting the emerging Romantic aesthetic.
The document discusses depictions of glass in European paintings from the 15th to 19th centuries. It provides numerous examples of paintings that include detailed renderings of glass objects like cups, decanters, and glasses. These glass objects often hold symbolic meanings and were used to depict important religious symbols. The document also discusses how certain artists, like Vermeer and Manet, were fascinated with realistically depicting glassware and the dexterity of waitresses handling multiple glasses.
The document discusses several early Northern Renaissance artists including the Limbourg Brothers, Claus Sluter, Melchior Broderlam, Jan van Eyck, Rogier van der Weyden, Dirk Bout, Hugo van der Goes, and Hans Memling. It provides details on specific works such as the Très Riches Heures du Duc de Berry illuminated by the Limbourg Brothers, the Well of Moses sculpted by Claus Sluter, and the Ghent Altarpiece painted by Jan van Eyck. It also discusses characteristics of Northern Renaissance art including the use of oil paints to depict fine details and lifelike textures.
1) Nanni di Banco's relief Sculptors at Work depicts stoneworkers and sculptors working side by side, showing that in the early Renaissance there was no distinction between manual and creative labor.
2) In the Middle Ages, artists were considered skilled craftsmen similar to other laborers, but during the Renaissance artistic skills began to be seen as intellectual work.
3) As artists gained prestige and celebrity status, they began portraying themselves as gentlemen through self-portraits, reflecting their new social standing.
The ruff was an item of clothing worn around the neck in 16th-17th century Europe that symbolized wealth and status. Ruffs were made of stiffened linen or lace and increased dramatically in size over the century, requiring upright posture. By forcing good posture, ruffs emphasized aristocratic ideals of dignity and refinement. Ruffs began falling out of fashion in the early 17th century and were eventually banned in Spain, though the style persisted longer in the Dutch Republic as seen in portraits from that time.
The Baroque style in Spain was characterized by decorative exuberance in both interiors and exteriors of buildings like churches and squares. Sculpture focused on religious themes featuring realistic, dramatic portrayals of wounds, pain, and suffering. Painting reached its Golden age in the 17th century with exceptionally realistic and religious works commissioned by royalty and the Church. Some of the most famous artists of this period were José de Ribera, Francisco Zurbarán, Bartolomé Esteban Murillo, and Diego Velázquez, considered a genius and the court painter to Spanish kings Philip III and Philip IV.
The document summarizes Italian and Spanish Baroque art and architecture between 1600-1700. It describes key developments and influential artists of the period. In Italy, Caravaggio revolutionized painting with dramatic lighting and realistic figures. Bernini was the premier sculptor and designed St. Peter's square and baldachino. Borromini designed complex church designs. In Spain, Ribera and Zurbarán painted religious works while Velázquez became the royal painter at the Spanish court, blending influences from Caravaggio, Titian and Rubens.
Art in Detail_Michelangelo, Leonardo da Vinci, Raphael. Giants of the Renaiss...guimera
the masterpieces created at the end of the 15th and start of the 16th century in Florence, Milan and Rome
the ceiling of the Sistine Chapel and The Last Judgement by Michelangelo
The Annunciation, The Mona Lisa, The Last Supper by Leonardo da Vinci
The Lady and the Unicorn, The Sistine Madonna, The School of Athens by Raphael
The document discusses Baroque art in Spain and Northern Europe between 1600-1750. It provides examples of major works by Spanish artist Diego Velazquez and Flemish artists Peter Paul Rubens, Anthony van Dyck, and others. It prompts the reader to analyze how paintings depicting groupings communicate social, political, and historical concerns.
Gothic sculpture evolved from the Early Gothic period to the High Gothic period towards greater naturalism and accurate representation of the human form. Sculptures on Gothic cathedrals, which served as "Bibles for the poor", became more three-dimensional, showed a greater sense of the body beneath drapery, and had more realistic proportions and facial expressions. This naturalism was influenced by the rediscovery of classical learning at universities and a new interest in scientific observation and recorded reality.
The document lists important artists and artworks from the Italian Renaissance and Northern Renaissance. It includes paintings, sculptures, and frescoes by Massacio, Botticelli, Donatello, Leonardo da Vinci, Michelangelo, Dürer, Bosch, Brueghel, Holbein, and Van Eyck that showcase major developments and themes during these periods such as religious subjects, classical influences, and realistic depictions of nature and people.
The Royal Academies of Art established state control over artistic production in France and England in the 17th-18th centuries. They dictated standards and conventions through annual salon exhibitions, training methods that emphasized copying classical sculptures and paintings over nature, and a hierarchy of genres that ranked history painting highest. This system promoted ideals of beauty and style over realism until the Realists and Impressionists rebelled in the 19th century.
Ferronnière. Hat badge. Cameo ...An unusual jewel in paintingguimera
a jewel par excellence of the Renaissance ...
a jewel purely decorative or with meaning religious or symbolic …
a jewel appreciated for its beauty, its artistic, symbolic and even magical value …
The document discusses the genre of "Collector's Cabinets in Painting" which depicts art and curiosity collections. Frans Francken the Younger and Jan Brueghel the Elder were the first to create such paintings in the 1620s, showing large rooms displaying numerous paintings and precious items. Early works also included scientific instruments and natural specimens alongside the art. Some paintings portrayed the owners of the collections or artists working. The genre became immediately popular and was emulated by other artists such as Jan Brueghel the Younger, Cornelis de Baellieur, and David Teniers the Younger.
Surprising hairstyles in Western painting.ppsxguimera
This document provides descriptions of hairstyles from various works of Western art from the 15th to 19th centuries. It notes hairstyles like bowl cuts, zazzeras, cornets, poufs, and braided buns popular at different time periods. Specific works mentioned include portraits depicting styles like center-parted curls on a 15th century Florentine woman or the heart-shaped wig of Queen Elizabeth I of England. Context is given for trends like men shaving their foreheads or Louis XIV starting to wear wigs to hide hair loss.
not surprising to find flies in the paintings ...
can simply mean misery, loneliness, the vanity of earthly things
can be an allusion to the ephemeral of life, beauty, the symbol of death, the Passion of Christ, corruption and venality ...
The document discusses the use of transparency in paintings over centuries to depict various materials and objects. It provides numerous examples from famous paintings where artists showed transparency through techniques like diaphanous veils, glassware, bubbles, and other materials. The summaries highlight how transparency was a tool for artists to represent different textures and symbolic meanings in their works.
The staircase in painting is an unusual theme that has interested some artists: to Rembrandt and Dipre for their symbolism, to Hubert Robert for their aesthetic appearance ...
The carnation in the painting, the profane carnationguimera
The profane carnation …
symbol of earthly love, devotion
symbol of marriage or betrothal
symbol of distinction
symbol of fascination, passion in European Renaissance art, especially in portraiture
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations
http://www.authorstream.com/Presentation/guimera-4815215-glasses-paintings/
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4873170-beautiful-redheads-european-paintings/
The iconography of 'Madonna and Child' and 'Venus and Cupid' in the most repr...PasqualeRaimo
Questo ciclo di lezioni in lingua inglese, prende il titolo “Un viaggio nell’arte tra l’amore sacro e profano”. In pratica viene messo a confronto il tema iconografico della Madonna con il Bambino e quello di Venere con Cupido attraverso le opere d’arte più rappresentative esposte in quattro tra i più rappresentativi musei d’Europa: The State Hermitage Museum di SanPietroburgo, il Victoria and Albert Museum di Londra, il Museo di Capodimonte di Napoli e il Museo del Prado di Madrid.
Prima di passare alla visione le singole opere d’arte, il progetto prevede un conciso cenno storico circa l’origine e la struttura dei suddetti musei. Le opere che saranno analizzate sono soprattutto dipinti, oscillanti cronologicamente tra l’XI e il XIX secolo, ma non mancherà la descrizione anche di oggetti d’arte di diversa tipologia (sculture, bronzi, arti applicate, etc.). Per ogni opera esaminata, prima della sua descrizione si procederà con una breve introduzione biografica dell’autore.
The document discusses the rise of Neoclassicism during the Enlightenment period. Neoclassicism rejected the ornate styles that came before it in favor of a simpler, more rational style inspired by classical antiquity. Artists like Jacques-Louis David created works depicting stories of virtue from Greek and Roman history that promoted Enlightenment ideals of patriotism and civic duty. While Neoclassicism intended to educate through moral examples, the French Revolution it helped inspire descended into violence and terror rather than the noble republic envisioned in its classical references.
felt, silk and velvet hats, adorned with skins, embroidery, feathers
bonnets, veils
hennins, conical headdresses almost eighty centimeters in height decorated with a long veil indicating the social rank of its owner
Here are the answers to the quiz:
1. Jacques-Louis David
2. Bertel Thorvaldsen
3. Antonio Canova
4. Jacques-Louis David
5. Jean Auguste Dominique Ingres
6. Temple Style
7. Palladian Style
8. Classic Block Style
9. Temple Style
10. Palladian Style
The document provides an overview of notable landmarks, museums, and works of art in Rome and the Vatican. It mentions the Galleria Borghese museum containing works by Bernini, Caravaggio, and Raphael. In the Vatican, it highlights Bernini's Baldacchino and other works in St. Peter's Basilica, Michelangelo's Pieta, the Vatican Museums containing works by Raphael, Michelangelo, Caravaggio and others. It also briefly describes other major sites around Rome including the Colosseum, Pantheon, Roman Forum, Trajan's Column, and famous squares like Piazza Navona.
The document provides information on numerous artists and works from the Renaissance period in Europe, including Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Titian. It discusses their influential paintings, sculptures, and other works that advanced techniques like sfumato, linear perspective, and use of light and shadow. Key artistic developments during this period included greater realism and naturalism in depictions of the human body and nature.
Auguste Toulmouche (1829-1890), Carl Larrson (1853-1919), Alexandre Cabanel (1823 – 1889) etc
SLIDESHOW - Collection of artworks featuring books and readers from throughout history, for the delight of art lovers and bibliophiles. The act of reading, especially reading that is done by a woman, is a very common subject matter throughout art history, despite the paucity of women's education throughout the centuries.
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
From Gethsemane to the Tomb ... Passion Stories.ppsxguimera
This document provides summaries of paintings depicting scenes from Jesus's passion and death. It describes paintings showing Jesus in the Garden of Gethsemane praying before his arrest, Jesus appearing before Pilate, Jesus being mocked and crowned with thorns, Jesus carrying the cross, Jesus on the cross with Mary and John, the crucifixion and death of Jesus, his body being taken down and mourned over, and his entombment. The paintings highlighted come from artists like William Blake, James Tissot, Hieronymus Bosch, and Lovis Corinth and are housed in museums around the world.
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
Personnages de la mythologie grecque ....ppsxguimera
exceptionnels par leur intelligence, leur bravoure et leur force,
mais aussi parfois arrogants, fiers, prétentieux, vaniteux, vindicatifs et un peu infantiles ...
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
5. the sculptures are not there simply as decorative fillers and background, but to stimulate eye and mind ...
6. an successful Venetian merchant and collector,
three representations of Hercules,
two representations of Venus,
a bust of Hadrian
and
a statuette of Diana of Ephesus
Lorenzo Lotto
Portrait of Andrea Odoni
Portrait de Andrea Odini
1527
Royal Collection of the United Kingdom, London
7.
8.
9.
10.
11. an unknown collector
a bronze statuette in ancient style, perhaps
a female divinity, identified by some as Ceres
a marble bas-relief of Mars, Cupid and Venus,
a typical theme of the Platonic Academy
Parmeggiano
Portrait of a Collector
Portrait d’un collectionneur
1523
National Gallery, London
12.
13.
14.
15.
16.
17. a lady of the nobility, dressed in a costume compatible
with that of the rich women of the territories controlled
by the Republic of Venice
the profile relief, inspired by those on antique cameos,
seems to be of the same sitter
Tiziano Vecelli, Titien
Portrait of a Woman (La Schiavona)
Portrait de Femme (La Schiavona)
1508-1510
National Gallery, London
18.
19.
20.
21. the blue figure of a “Venus pudica" , modest Venus
and
one of the wealthiest and most prominent Florentine bankers
Agnolo Bronzino
Portrait of Pierantonio Bandini
Portrait de Piero Antonio Bandini
1550-1555
National Gallery of Canada, Ottawa
22.
23.
24.
25. the identity of the model, sculptor or amateur,
remains unknown …
Agnolo Bronzino
Portrait of a Man Holding a Statuette
Portrait d'homme tenant une statuette
1545
Musée du Louvre, Paris
26.
27.
28. an painter, architect and goldsmith, art expert
and
a statuette, Roman copy of the Aphrodite Pseliumene by Praxiteles
Tiziano Vecelli, Titien
Portrait of Jacopo Strada
Portrait de Jacopo Strada
1567-1568
Kunsthistorisches Museum, Vienna
29.
30.
31. a Florentine aristocrat, humanist, linguist
and
a marble sculpture by David, a traditional symbol
of the Florentine freedom
Agnolo Bronzino
Portrait of Ugolino Martelli
Portrait d'Ugolino Martelli
1536-1540
Gemäldegalerie, National Museums in Berlin
32.
33.
34. Charles Towneley the most famous of the English collectors,
three friends
and
Discobole by Myron, Eros, Minerva, Diana, Venus,
Faun and Nymph, Bacchus, Sphinx ...
Johann Zoffany
Charles Townley and Friends in His Library at Park Street,
Westminster
Charles Townley et ses amis dans sa bibliothèque à Park Street,
Westminster
1782
Art Gallery and Museum, Burnley
Towneley Hall Art Gallery & Museum
35.
36.
37. admiring ancient sculptures ...
Heracles and the Nemean Lion,
Cupid and Psyche, Dancing Faun,
Medici Venus, Chimera of Arezzo
Johann Zoffany
The Tribuna of the Uffizi
La Tribune des Offices
1772-1778
Royal Collection, Windsor Castle
38.
39.
40.
41.
42.
43.
44. comptroller-General of Finances,
chief minister of Louis XIV from 1661 to 1683
and
a statuette of Hercules supporting the globe,
symbolizing his assiduity in the service of the sovereign
Claude Lefèbvre
Portrait of Jean-Baptiste Colbert
Portrait de Jean-Baptiste Colbert
1666
Château de Versailles, Versailles
45.
46.
47. an young art dealer
a statue of Venus
and
a small, apparently classical statue
Jacopo Tintoretto
Portrait of Ottavio Strada
Portrait d’Ottavio Strada
1567
Rijksmuseum Amsterdam, Amsterdam
48.
49.
50.
51. the Count holds the hilt of its sword
the statue of the Perseus, recognisable by his cape,
scimitar and by the Corinthian helmet of Pallas Athene
the relief of Hercules, grandson of Perseus,
which symbolizes the use of force controlled by intelligence,
and who also used a scimitar to kill the Lernaean Hydra
Parmigianino
Portrait of Pier Maria Rossi di San Secondo
Portrait de Pier Maria Rossi di San Secondo
1535-1538
Museo Nacional del Prado, Madrid
52.
53.
54. the putti on the relief emphasize
Clarissa's childlike vitality ...
Tiziano Vecelli, Titien
Portrait of Clarissa Strozzi
Portrait de Clarissa Strozzi
1542
Staatliche Museen, Berlin
55.
56.
57. stone-coloured figures depict
Moses and the Golden Calf, the Virgin and Child,
and Josiah destroying the false altars
Amico Aspertini
The Virgin and Child between Saint Helena and Saint
Francis
Vierge et l’Enfant entre Sainte Hélène et Saint François
1520
National Museum Wales, National Museum Cardiff
58.
59.
60. an young man
with
three famous antique sculptures …
a bronze version of a statue of Athena,
Trajan’s Column,
and
the bottom part of a famous statue
of Hercules at rest, known as
the “Farnese Hercules”
Livio Mehus
The Genius of Sculpture
Le Génie de la sculpture
1655
Galleria Palatina (Palazzo Pitti), Florence
61.
62.
63. a ceremonial portrait ...
the profusion of fleur de lys,
the crown upon a pillow
and
a bust of Louis XVI held by Minerve
Jean-Baptiste André Gautier-d’Agoty
Portrait of Marie-Antoinette, queen of France
Portrait de Marie-Antoinette, reine de France
1775
Château de Versailles, Versailles
64.
65.
66. the real first lady of the great French court
and
the sculpture Love and Friendship
(to symbolize her later, platonic relationship with the Louis XV.)
François Boucher
Portrait of Marquise de Pompadour
Portrait de la marquise de Pompadour
1759
Wallace Collection, London
67.
68.
69. an elegantly dressed gentleman
and
a statuette of the god Mercury
Charles Le Brun
Sculpture, Portrait of Nicolas Le Brun
father of the artist
La sculpture, Portrait de Nicolas Le Brun
père de l’artiste
1635
Residenzgalerie, Salzburg
70.
71.
72. one of the principal modern art dealers in the early
twentieth century, a shrewd businessman
examining a statuette of a kneeling female nude
Pierre-Auguste Renoir
Ambroise Vollard
1908
Courtauld Institute of Art, London
73.
74.
75. the passing train,
the perishable bananas ...
the contemporary and immediate
in contrast
the classical arcades,
statuary of antiquity - a torso of Aphrodite
Giorgio de Chirico
The Uncertainty of the Poet
L'Incertitude du poète
1913
Tate
76.
77.
78. olga_oes
Sculpture in Painting
La sculpture dans la peinture
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