ROLAND BARTHES
ENIGMA THEORY
LINGUISTIC, ROLAND BARTHES, DESCRIBED FIVE
CODES WHICH ARE WOVEN INTO ANY
NARRATIVE.
THE HERMENEUTIC CODE
 THE HERMENEUTIC CODE REFERS TO ANY
ELEMENT OF THE STORY THAT IS NOT FULLY
EXPLAINED AND HENCE BECOMES A MYSTERY
TO THE READER
 THE PURPOSE OF THE AUTHOR IN THIS IS
TYPICALLY TO KEEP THE AUDIENCE GUESSING,
ARRESTING THE ENIGMA, UNTIL THE FINAL
SCENES WHEN ALL IS REVEALED AND ALL
LOOSE ENDS ARE TIED OFF AND CLOSURE IS
ACHIEVED.
THE PROAIRETIC CODE
 THE PROAIRETIC CODE ALSO BUILDS TENSION,
REFERRING TO ANY OTHER ACTION OR EVENT
THAT INDICATES SOMETHING ELSE IS GOING
TO HAPPEN, AND WHICH HENCE GETS THE
READER GUESSING AS TO WHAT WILL HAPPEN
NEXT.
 THE HERMENEUTIC AND PROAIRETIC CODE GO
AS A PAIR TO DEVELOP THE STORIES TENSION
AND KEEP THE AUDIENCE INTERESTED.
THE SEMANTIC CODE
 THIS REFERS TO CONNOTATION WITHIN THE
STORY THAT GIVES ADDITIONAL MEANING
OVER THE BASIC DENOTATIVE MEANING OF
THE WORD.
 IT IS BY THE USE OF EXTENDED MEANING THAT
CAN BE APPLIEDTO PAINT RICH PICTURES
WITH RELATIVELY LIMITED TEXT/SPEECH.
THE SYMBOLLIC CODE
 THIS IS SIMILAR TO THE SEMANTIC CODE, BUT
ACTS AT A WIDER LEVEL, ORGANISING
SEMANTIC MEANINGS INOT BROADER AND
DEEPER SETS OF MEANING.
 THIS IS TYPICALLY DONE IN THE USE OF
ANTITHESIS, WHERE NEW MEANING ARISES
OUT OF OPPOSING AND CONFLICT IDEAS.
THE CULTURAL CODE
 THIS CODE REFERS TO ANYTHING THAT I
FOUNDED ON SOME KIND OF CANONICAL
WORKS THAT CANNOT BE CHALLENGED AND IS
ASSUMED TO BE A FOUNDATION OF TRUTH.

Roland barthes

  • 1.
  • 2.
    LINGUISTIC, ROLAND BARTHES,DESCRIBED FIVE CODES WHICH ARE WOVEN INTO ANY NARRATIVE.
  • 3.
    THE HERMENEUTIC CODE THE HERMENEUTIC CODE REFERS TO ANY ELEMENT OF THE STORY THAT IS NOT FULLY EXPLAINED AND HENCE BECOMES A MYSTERY TO THE READER  THE PURPOSE OF THE AUTHOR IN THIS IS TYPICALLY TO KEEP THE AUDIENCE GUESSING, ARRESTING THE ENIGMA, UNTIL THE FINAL SCENES WHEN ALL IS REVEALED AND ALL LOOSE ENDS ARE TIED OFF AND CLOSURE IS ACHIEVED.
  • 4.
    THE PROAIRETIC CODE THE PROAIRETIC CODE ALSO BUILDS TENSION, REFERRING TO ANY OTHER ACTION OR EVENT THAT INDICATES SOMETHING ELSE IS GOING TO HAPPEN, AND WHICH HENCE GETS THE READER GUESSING AS TO WHAT WILL HAPPEN NEXT.  THE HERMENEUTIC AND PROAIRETIC CODE GO AS A PAIR TO DEVELOP THE STORIES TENSION AND KEEP THE AUDIENCE INTERESTED.
  • 5.
    THE SEMANTIC CODE THIS REFERS TO CONNOTATION WITHIN THE STORY THAT GIVES ADDITIONAL MEANING OVER THE BASIC DENOTATIVE MEANING OF THE WORD.  IT IS BY THE USE OF EXTENDED MEANING THAT CAN BE APPLIEDTO PAINT RICH PICTURES WITH RELATIVELY LIMITED TEXT/SPEECH.
  • 6.
    THE SYMBOLLIC CODE THIS IS SIMILAR TO THE SEMANTIC CODE, BUT ACTS AT A WIDER LEVEL, ORGANISING SEMANTIC MEANINGS INOT BROADER AND DEEPER SETS OF MEANING.  THIS IS TYPICALLY DONE IN THE USE OF ANTITHESIS, WHERE NEW MEANING ARISES OUT OF OPPOSING AND CONFLICT IDEAS.
  • 7.
    THE CULTURAL CODE THIS CODE REFERS TO ANYTHING THAT I FOUNDED ON SOME KIND OF CANONICAL WORKS THAT CANNOT BE CHALLENGED AND IS ASSUMED TO BE A FOUNDATION OF TRUTH.