In the early 18th century , countries vied with each other to expand their empires and the aristrocracy emphasized its position with lavish displays of wealth and luxury.
ROCOCO STYLE:-
Pieces of furniture were smaller, lighter, and more curvaceous in form than earlier styles, often with curved cabriole legs and pad or claw and ball feet.
Free standing tables no longer had cross strechers and pedestal legs were replaced by cabriole legs with a double s- curve.
Italian Renaissance1400 – 1600 Classical Architectural.docxLaticiaGrissomzz
Italian Renaissance
1400 – 1600
Classical Architectural Details guide a New Look
for Italy
Movement away from medieval thinking and primary Gothic style
Movement toward employing classic antiquity details of the Greeks and Romans. Mainly Roman.
Symmetry excels in design through order and balance
Vitruvian architectural principles of durability, utility and beauty
Developing linear perspective: Leonardo da Vinci
Classic orders of architecture are used: Round arches, Pilasters
Pediments
Italian Early Renaissance – Florence, Italy
1420-1500
Florence is the artistic center. Brunelleschi brings back architectural orders in the dome of the Florence Cathedral.
Churches are the most important public buildings and impressively large.
Following the Latin Cross design; a central nave with 2 side aisles.
The crossing of the transept and nave are generally domed.
The interiors include vaulted ceiling and repetitive round arches.
Early Renaissance continued some Gothic features as they transitioned to being less church centered and more humanistic.
Balancing the church and the potential of the individual.
The rise of the named MAN: scientist, artist, architect, painter and more are born.
Italian High Renaissance Italy – Rome
Italy 1500-1525
Rome is the artistic center.
Orders of classic architecture are presented more historically.
Symmetry commonly present.
St. Peter’s Basilica – Vatican City Rome, Italy
begun by Pope Julius II in 1506 and completed in 1615 under Paul V.
St. Peter’s Basilica by Dr. Beth Harris and Dr. Steven Zucker
https://smarthistory.org/st-peters-basilica/
Take a quick tour.
St.Peter’s site plans- Latin Cross form - Michelangelo
Interior – St. Peter’s Basilica
Renaissance Interiors: overall, the Renaissance interior became more comfortable and luxurious if your are wealthy. With the increase in trade, fine fabrics such as silk, are introduced into interiors as cushions, draperies, bed linens and such. Silk takes dye better than most fabrics and results in beautiful deep color additions to interior spaces.
Tour a Gorgeous Medieval Mansion - The Palazzo Davanzati
https://www.youtube.com/watch?v=fLI8KPq5CWI
Virtue, pride, and magnificence: the Medici Palace in Florence
https://www.youtube.com/watch?v=lWgkpKbjmUc
Renaissance Furniture: CASSONE –
lift-lid top for storage usually solid walnut and elaborately carved-architectural detail - allegorical carving or painting can be mythological in detail. Traditional bridal dowry chest - association of wealth.
CASSAPANCA- variation from the addition of a back and arms - seating and storage combined
CREDENZA: somewhat taller cabinet, served as a sideboard or serving table, storage for silver, glassware, dishes, linens
SEDIA-somewhat massive chair with 4 square legs supporting arms. Seat and back were bands of leather attached to the frame with nails. Nail heads were part of decoration
SAVONAROLA CHAIR: This folding (loo.
In the early 18th century , countries vied with each other to expand their empires and the aristrocracy emphasized its position with lavish displays of wealth and luxury.
ROCOCO STYLE:-
Pieces of furniture were smaller, lighter, and more curvaceous in form than earlier styles, often with curved cabriole legs and pad or claw and ball feet.
Free standing tables no longer had cross strechers and pedestal legs were replaced by cabriole legs with a double s- curve.
Italian Renaissance1400 – 1600 Classical Architectural.docxLaticiaGrissomzz
Italian Renaissance
1400 – 1600
Classical Architectural Details guide a New Look
for Italy
Movement away from medieval thinking and primary Gothic style
Movement toward employing classic antiquity details of the Greeks and Romans. Mainly Roman.
Symmetry excels in design through order and balance
Vitruvian architectural principles of durability, utility and beauty
Developing linear perspective: Leonardo da Vinci
Classic orders of architecture are used: Round arches, Pilasters
Pediments
Italian Early Renaissance – Florence, Italy
1420-1500
Florence is the artistic center. Brunelleschi brings back architectural orders in the dome of the Florence Cathedral.
Churches are the most important public buildings and impressively large.
Following the Latin Cross design; a central nave with 2 side aisles.
The crossing of the transept and nave are generally domed.
The interiors include vaulted ceiling and repetitive round arches.
Early Renaissance continued some Gothic features as they transitioned to being less church centered and more humanistic.
Balancing the church and the potential of the individual.
The rise of the named MAN: scientist, artist, architect, painter and more are born.
Italian High Renaissance Italy – Rome
Italy 1500-1525
Rome is the artistic center.
Orders of classic architecture are presented more historically.
Symmetry commonly present.
St. Peter’s Basilica – Vatican City Rome, Italy
begun by Pope Julius II in 1506 and completed in 1615 under Paul V.
St. Peter’s Basilica by Dr. Beth Harris and Dr. Steven Zucker
https://smarthistory.org/st-peters-basilica/
Take a quick tour.
St.Peter’s site plans- Latin Cross form - Michelangelo
Interior – St. Peter’s Basilica
Renaissance Interiors: overall, the Renaissance interior became more comfortable and luxurious if your are wealthy. With the increase in trade, fine fabrics such as silk, are introduced into interiors as cushions, draperies, bed linens and such. Silk takes dye better than most fabrics and results in beautiful deep color additions to interior spaces.
Tour a Gorgeous Medieval Mansion - The Palazzo Davanzati
https://www.youtube.com/watch?v=fLI8KPq5CWI
Virtue, pride, and magnificence: the Medici Palace in Florence
https://www.youtube.com/watch?v=lWgkpKbjmUc
Renaissance Furniture: CASSONE –
lift-lid top for storage usually solid walnut and elaborately carved-architectural detail - allegorical carving or painting can be mythological in detail. Traditional bridal dowry chest - association of wealth.
CASSAPANCA- variation from the addition of a back and arms - seating and storage combined
CREDENZA: somewhat taller cabinet, served as a sideboard or serving table, storage for silver, glassware, dishes, linens
SEDIA-somewhat massive chair with 4 square legs supporting arms. Seat and back were bands of leather attached to the frame with nails. Nail heads were part of decoration
SAVONAROLA CHAIR: This folding (loo.
This Presentation consists information about the Furniture used during Greek Period.
consists information about:
- styles of furniture
- types of furniture
This Presentation consists information about the Furniture used during Greek Period.
consists information about:
- styles of furniture
- types of furniture
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Ideal for homeowners, tech enthusiasts, and industry professionals, this presentation provides valuable insights into the trends, benefits, and future developments in smart garage technology. Stay ahead of the curve with our expert analysis and practical tips on implementing smart garage solutions.
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2. Italian furniture
Cassone: It was a chest or box of any kind which was used as dowry or
wedding chest and it was the most important furniture piece in an Italian
room. The lid was hinged at the top, and when the piece was closed it could
be used as a seat or a table. In the early period the chest was quite simple in
construction, but in the later period it became more elaborate with massive
carving and carved ends.
4. Italian furniture
Credenza:
This was a cabinet sideboard with doors and drawers intended for the storage
of linen, dishes, and silverware. It was made in various sizes
5. Italian furniture
Squabbles:
It was a light wooden chair with a straight narrow back heavily carved for
dining and other purposes. A sgabello is armless, with a thin back and an
octagonal seat, not so comfortable, not designed for long term seating. The
legs can be either two decorated boards with a stretcher for support, or three
separate impost legs that would be also ornamented and carved.
6. Italian furniture
Dante:
This type of chair had heavily carved arms and legs and usually had a cloth
back and seat. The front was heavily carved whereas the sides were plain. The
seats were made comfortable with velvet or decorative leather.
The arms end in scrolls and continue all the way up to the back support. It is
made to look like it can fold, but in reality it cannot. It always has a leather
seat and back support. It also has a boss where the legs intersect.
7. Italian furniture
Tables:
The tables of Italian Renaissance were massive and were supported by heavily
carved trestles. A trestle is a bar fixed on a pair of spreading legs, placed at
each corner. The small tables had hexagonal or octagonal tops and were
supported by carved turning legs. The Refectory table was a solid oblong top
supported by trestles, columns or balusters, or slab ends, with stretchers
between for support.
8. Italian furniture
Beds:
Beds were elaborate and massive, with paneled head and footboards, a tester
or canopy, and side draperies to keep out the ‘evil night air’. Enclosed beds
with wooden doors were used primarily in northern Europe.
