Co content może zrobić dla marki i co marka może zrobić dla contentuLionbridge Poland
O content marketingu powiedziano już niemal wszystko. Jeżeli tak i wszystko jest oczywiste, to dlaczego w praktyce dzieje się często inaczej? Opowiemy, w jaki sposób skutecznie opowiedzieć swoją historię, aby zrealizować cele.
Prezentacja z wystąpienia na konferencji mediowo - marketingowej VideoWars by Screenlovers na temat mechanizmów z branży mediowej i rozrywkowej, która powinny być implementowane w pracy z każdą marką.
Gameset - prezentacja na InternetBeta 2017Gameset.co
"Las Vegas, czeski milioner i Cypis. Czy gaming jest większy niż social media?"
Kilka lat temu social media były postrzegane jako innowacyjny sposób dotarcia do młodych osób, a ich użycie było dodatkiem do każdego briefu. Szybko jednak okazało się, że zjawisko wykorzystania social media jest na tyle masowe, że nie jest tylko dla najbardziej progresywnych marketerów. Social media znalazły swoje miejsce w każdej kampanii 360, a możliwość generowania sprzedaży z tego kanału już nikogo nie dziwi. Czy podobnie może się stać z gamingiem, który w tej chwili wchodzi na radar marketerów, ale jeszcze jest traktowany jako narzędzie do generowania buzzu i PR-u wokół firmy?
kontakt:
Piotr Bombol, piotr.bombol@gameset.co
Łukasz Turkowski, lukasz.turkowski@gameset.co
Este documento describe la evolución histórica de las obligaciones en el derecho romano. Originalmente, las obligaciones surgían de delitos y consistían en la "atadura" de un miembro de la familia del culpable como garantía de cumplimiento de una prestación. Más tarde, las obligaciones surgieron de préstamos entre familias, donde el deudor se ofrecía a sí mismo como responsable. En la actualidad, las fuentes de las obligaciones incluyen contratos, delitos, cuasicontratos y cuasidelitos, según Justiniano.
Co content może zrobić dla marki i co marka może zrobić dla contentuLionbridge Poland
O content marketingu powiedziano już niemal wszystko. Jeżeli tak i wszystko jest oczywiste, to dlaczego w praktyce dzieje się często inaczej? Opowiemy, w jaki sposób skutecznie opowiedzieć swoją historię, aby zrealizować cele.
Prezentacja z wystąpienia na konferencji mediowo - marketingowej VideoWars by Screenlovers na temat mechanizmów z branży mediowej i rozrywkowej, która powinny być implementowane w pracy z każdą marką.
Gameset - prezentacja na InternetBeta 2017Gameset.co
"Las Vegas, czeski milioner i Cypis. Czy gaming jest większy niż social media?"
Kilka lat temu social media były postrzegane jako innowacyjny sposób dotarcia do młodych osób, a ich użycie było dodatkiem do każdego briefu. Szybko jednak okazało się, że zjawisko wykorzystania social media jest na tyle masowe, że nie jest tylko dla najbardziej progresywnych marketerów. Social media znalazły swoje miejsce w każdej kampanii 360, a możliwość generowania sprzedaży z tego kanału już nikogo nie dziwi. Czy podobnie może się stać z gamingiem, który w tej chwili wchodzi na radar marketerów, ale jeszcze jest traktowany jako narzędzie do generowania buzzu i PR-u wokół firmy?
kontakt:
Piotr Bombol, piotr.bombol@gameset.co
Łukasz Turkowski, lukasz.turkowski@gameset.co
Este documento describe la evolución histórica de las obligaciones en el derecho romano. Originalmente, las obligaciones surgían de delitos y consistían en la "atadura" de un miembro de la familia del culpable como garantía de cumplimiento de una prestación. Más tarde, las obligaciones surgieron de préstamos entre familias, donde el deudor se ofrecía a sí mismo como responsable. En la actualidad, las fuentes de las obligaciones incluyen contratos, delitos, cuasicontratos y cuasidelitos, según Justiniano.
El documento describe la evolución histórica del origen de las obligaciones desde la venganza privada en las sociedades arcaicas hasta el desarrollo del derecho romano. Comenzó con la venganza privada sin límites de la víctima, luego hubo acuerdos privados de compensación para reemplazar la venganza, y finalmente la ley romana estableció tasaciones por daños y prohibió castigos como la prisión o muerte, en favor de pagos en especie o trabajo.
- Lieutenant Colonel Pat L. Kerbuski Jr. is an active duty Army officer with 28 years of experience in leadership roles of all sizes, known for effective and ethical leadership as well as focusing on innovative solutions.
- He has held numerous leadership positions in the Army including as a Division Chief at the Pentagon and serving tours in South Korea and at various military bases in the US.
- Throughout his career he has received recognition for his leadership skills, mentoring abilities, and for building high performing teams while achieving results.
This document provides the program details for the Blessed Gyrls Rock (BGR) event held at Family of Faith Christian Church in Biloxi, Mississippi on May 3, 2014. The day-long event included praise and worship, testimonies, a guest speaker, workshops on health and other topics, and recognition of nominees. Breakfast and lunch were provided. The purpose was to empower Christian women and girls through fellowship, learning, and spiritual renewal. Nominees for awards were recognized in various age groups such as Promise (ages 13-18), Flame (ages 19-35), and Diamond (ages 36-59). Special thanks were given to the many volunteers and organizers who made the event possible.
Project Management Bootcamp for Event ProfessionalsSocial Tables
This document outlines an agenda for a project management bootcamp covering best practices, technology tools, and productivity hacks. The agenda includes an introduction, learning objectives, a discussion of why project management is important, a deep dive on the project definition document and Asana project management software, and tips for improving productivity. The document provides overviews of various project management and productivity technologies such as Google Apps, CRM software, proposal tools, task managers, time trackers, document sharing platforms, and communication tools to help attendees select options to improve their work.
License Management: making it fun and flexible with CORALXan Arch
Do you have license agreements with publishers languishing in your file cabinets? Or have you implemented an ERMS but struggled to manage the overload of data? The University of Notre Dame, Hesburgh Libraries, faced these challenges and decided to build their own solution. Their CORAL product is a suite of interoperable and independent modules designed around the core components of managing electronic resources, and the first module to be rolled out for external use was Licensing. The Licensing module was released to the public under a GNU GPL license in April 2010 and the first institution to implement outside of Notre Dame was Stanford University. This session will compare and contrast two institutions experiences implementing and using CORAL-Licensing. Hear how each institution initiated implementation of CORAL, learn how they determined which licensing terms to track, and find out how they kept the process of electronic resource management flexible, manageable and (almost) fun! We will discuss the adoption process, including internal communication and decision-making as well as hurdles and successes of CORAL-Licensing. For more information on CORAL: http://erm.library.nd.edu/.
The document is an advertisement for A-PDF Merger software that allows users to combine multiple PDF documents into a single file. It encourages purchasing the full version of the software from their website to remove the watermark that appears on merged files with the demo version. The watermark states that the document was created with the A-PDF Merger demo and prompts users to purchase the software to gain full functionality without limitations.
This document provides 10 tips for expert logo design: conduct thorough online and industry research; understand basic logo design principles like simplicity and memorability; establish your own design process; appropriately price your work based on factors like required concepts and revisions; learn from successful logos of other brands; avoid visual cliches; research your target audience; immerse yourself in the brand you are designing for; keep all your sketches; and do focused online research.
Este documento clasifica y describe las diferentes fuentes del derecho. Identifica las fuentes del derecho como normas escritas u orales que establecen reglas para la organización social. Luego clasifica las fuentes en reales, históricas y formales. Describe las fuentes reales como fenómenos sociales y naturales que dan origen a la norma jurídica. Identifica la ley, la doctrina, la jurisprudencia y los principios generales del derecho como fuentes formales principales. Finalmente, define las fuentes históricas como documentos antiguos que
1. Dokumen tersebut merupakan bagian dari kurikulum tingkat satuan pendidikan SDN Batuaji 2 yang mencakup latar belakang, tujuan penyusunan, dan karakteristik kurikulum 2013.
2. Kurikulum disusun berdasarkan undang-undang dan peraturan terkait untuk memenuhi standar nasional pendidikan serta mengembangkan nilai-nilai budaya dan karakter bangsa.
3. Tujuan penyusunan kurikulum adalah se
Este documento presenta una introducción al derecho administrativo, incluyendo las fuentes del derecho administrativo como la constitución, leyes, tratados, jurisprudencia, entre otras. Explica la clasificación de las fuentes en primarias, complementarias y aclaratorias. También define conceptos como precedentes administrativos, circulares y la autonomía del derecho administrativo respecto a otras ramas del derecho.
The use of natural ventilation as a energy in The Deck House.itsmylifesl
The document discusses natural ventilation as an energy efficient solution for the Deck House building. It describes strategies used to enhance natural ventilation, including building placement on stilts to capture wind, using vegetation to modify wind direction, an open floor plan, and openings placed to promote cross ventilation and stack ventilation to flush out stale air. The natural ventilation strategies help reduce energy consumption by decreasing the need for mechanical ventilation and air conditioning.
Brother, can you spare a zone? Better design, smarter budgets and the fight f...Cindy Foster-Warthen
While light levels may be objectively measured, how we perceive light is entirely subjective. Light affects us on a primal emotional level. On a biological level, our brains are hardwired for long nights huddled around camp fires. More than just cycles of light and dark, color temperatures tied to the sun’s appearance at high noon and sunrise/sunset play a central role in regulating our body’s biochemistry. How light affects us changes throughout the course of our lives, can be culturally dependent and is ultimately, entirely personal. In order to illicit the desired emotional response, a lighting designer needs to be able to make choices about where, when, and what kind of light to put on any given surface. These choices need to be perfectly reproducible but also flexible and able to adapt to changes in ambient conditions and space usage requirements. This is what a lighting control system does. Designing a lighting control can be hard. Yes, it requires a thorough understanding of the technology, but that is not what makes it hard. What makes it hard is understanding how best to apply the technology within the context of the entirety of the job. What does the system need to be able to do, both now and in the future? How, and by whom, is the system is going to be used on a daily basis? What sort of special events, overrides and/or automatic triggers may help the space achieve the client’s desired level of efficiency? First and foremost, have you guaranteed that someone with no formal training or experience can easily turn on the lights? And what about the budget? It is easy to assume that hard means expensive. While that may be true for certain projects, it is by no means universally true. As I mentioned above, the difficult part is developing the detailed narrative. The actual equipment and installation required may not be very expensive in the scheme of your project. In fact, part of good design involves finding elegant solutions that streamline parts, pieces and installation requirements. A well designed system, tailored for your project and your needs, should cost less than a generic system capable of “doing it all.” Often, after careful analysis, a basic time clock and some presets may be all that a project needs. Make controls parts of your initial design conversation. They may not seem glamorous, but they give life to your design. They are the first thing your client experiences when they enter the space and the last thing they touch when they leave.
Presented by Dan Nichols, Architectural Business Development, Starlite Productions
El documento describe la evolución histórica del origen de las obligaciones desde la venganza privada en las sociedades arcaicas hasta el desarrollo del derecho romano. Comenzó con la venganza privada sin límites de la víctima, luego hubo acuerdos privados de compensación para reemplazar la venganza, y finalmente la ley romana estableció tasaciones por daños y prohibió castigos como la prisión o muerte, en favor de pagos en especie o trabajo.
- Lieutenant Colonel Pat L. Kerbuski Jr. is an active duty Army officer with 28 years of experience in leadership roles of all sizes, known for effective and ethical leadership as well as focusing on innovative solutions.
- He has held numerous leadership positions in the Army including as a Division Chief at the Pentagon and serving tours in South Korea and at various military bases in the US.
- Throughout his career he has received recognition for his leadership skills, mentoring abilities, and for building high performing teams while achieving results.
This document provides the program details for the Blessed Gyrls Rock (BGR) event held at Family of Faith Christian Church in Biloxi, Mississippi on May 3, 2014. The day-long event included praise and worship, testimonies, a guest speaker, workshops on health and other topics, and recognition of nominees. Breakfast and lunch were provided. The purpose was to empower Christian women and girls through fellowship, learning, and spiritual renewal. Nominees for awards were recognized in various age groups such as Promise (ages 13-18), Flame (ages 19-35), and Diamond (ages 36-59). Special thanks were given to the many volunteers and organizers who made the event possible.
Project Management Bootcamp for Event ProfessionalsSocial Tables
This document outlines an agenda for a project management bootcamp covering best practices, technology tools, and productivity hacks. The agenda includes an introduction, learning objectives, a discussion of why project management is important, a deep dive on the project definition document and Asana project management software, and tips for improving productivity. The document provides overviews of various project management and productivity technologies such as Google Apps, CRM software, proposal tools, task managers, time trackers, document sharing platforms, and communication tools to help attendees select options to improve their work.
License Management: making it fun and flexible with CORALXan Arch
Do you have license agreements with publishers languishing in your file cabinets? Or have you implemented an ERMS but struggled to manage the overload of data? The University of Notre Dame, Hesburgh Libraries, faced these challenges and decided to build their own solution. Their CORAL product is a suite of interoperable and independent modules designed around the core components of managing electronic resources, and the first module to be rolled out for external use was Licensing. The Licensing module was released to the public under a GNU GPL license in April 2010 and the first institution to implement outside of Notre Dame was Stanford University. This session will compare and contrast two institutions experiences implementing and using CORAL-Licensing. Hear how each institution initiated implementation of CORAL, learn how they determined which licensing terms to track, and find out how they kept the process of electronic resource management flexible, manageable and (almost) fun! We will discuss the adoption process, including internal communication and decision-making as well as hurdles and successes of CORAL-Licensing. For more information on CORAL: http://erm.library.nd.edu/.
The document is an advertisement for A-PDF Merger software that allows users to combine multiple PDF documents into a single file. It encourages purchasing the full version of the software from their website to remove the watermark that appears on merged files with the demo version. The watermark states that the document was created with the A-PDF Merger demo and prompts users to purchase the software to gain full functionality without limitations.
This document provides 10 tips for expert logo design: conduct thorough online and industry research; understand basic logo design principles like simplicity and memorability; establish your own design process; appropriately price your work based on factors like required concepts and revisions; learn from successful logos of other brands; avoid visual cliches; research your target audience; immerse yourself in the brand you are designing for; keep all your sketches; and do focused online research.
Este documento clasifica y describe las diferentes fuentes del derecho. Identifica las fuentes del derecho como normas escritas u orales que establecen reglas para la organización social. Luego clasifica las fuentes en reales, históricas y formales. Describe las fuentes reales como fenómenos sociales y naturales que dan origen a la norma jurídica. Identifica la ley, la doctrina, la jurisprudencia y los principios generales del derecho como fuentes formales principales. Finalmente, define las fuentes históricas como documentos antiguos que
1. Dokumen tersebut merupakan bagian dari kurikulum tingkat satuan pendidikan SDN Batuaji 2 yang mencakup latar belakang, tujuan penyusunan, dan karakteristik kurikulum 2013.
2. Kurikulum disusun berdasarkan undang-undang dan peraturan terkait untuk memenuhi standar nasional pendidikan serta mengembangkan nilai-nilai budaya dan karakter bangsa.
3. Tujuan penyusunan kurikulum adalah se
Este documento presenta una introducción al derecho administrativo, incluyendo las fuentes del derecho administrativo como la constitución, leyes, tratados, jurisprudencia, entre otras. Explica la clasificación de las fuentes en primarias, complementarias y aclaratorias. También define conceptos como precedentes administrativos, circulares y la autonomía del derecho administrativo respecto a otras ramas del derecho.
The use of natural ventilation as a energy in The Deck House.itsmylifesl
The document discusses natural ventilation as an energy efficient solution for the Deck House building. It describes strategies used to enhance natural ventilation, including building placement on stilts to capture wind, using vegetation to modify wind direction, an open floor plan, and openings placed to promote cross ventilation and stack ventilation to flush out stale air. The natural ventilation strategies help reduce energy consumption by decreasing the need for mechanical ventilation and air conditioning.
Brother, can you spare a zone? Better design, smarter budgets and the fight f...Cindy Foster-Warthen
While light levels may be objectively measured, how we perceive light is entirely subjective. Light affects us on a primal emotional level. On a biological level, our brains are hardwired for long nights huddled around camp fires. More than just cycles of light and dark, color temperatures tied to the sun’s appearance at high noon and sunrise/sunset play a central role in regulating our body’s biochemistry. How light affects us changes throughout the course of our lives, can be culturally dependent and is ultimately, entirely personal. In order to illicit the desired emotional response, a lighting designer needs to be able to make choices about where, when, and what kind of light to put on any given surface. These choices need to be perfectly reproducible but also flexible and able to adapt to changes in ambient conditions and space usage requirements. This is what a lighting control system does. Designing a lighting control can be hard. Yes, it requires a thorough understanding of the technology, but that is not what makes it hard. What makes it hard is understanding how best to apply the technology within the context of the entirety of the job. What does the system need to be able to do, both now and in the future? How, and by whom, is the system is going to be used on a daily basis? What sort of special events, overrides and/or automatic triggers may help the space achieve the client’s desired level of efficiency? First and foremost, have you guaranteed that someone with no formal training or experience can easily turn on the lights? And what about the budget? It is easy to assume that hard means expensive. While that may be true for certain projects, it is by no means universally true. As I mentioned above, the difficult part is developing the detailed narrative. The actual equipment and installation required may not be very expensive in the scheme of your project. In fact, part of good design involves finding elegant solutions that streamline parts, pieces and installation requirements. A well designed system, tailored for your project and your needs, should cost less than a generic system capable of “doing it all.” Often, after careful analysis, a basic time clock and some presets may be all that a project needs. Make controls parts of your initial design conversation. They may not seem glamorous, but they give life to your design. They are the first thing your client experiences when they enter the space and the last thing they touch when they leave.
Presented by Dan Nichols, Architectural Business Development, Starlite Productions
Brother, can you spare a zone? Better design, smarter budgets and the fight f...
Promocja Pierwszej Internetowej Ramówki Wideo w kanałach social media grupy Onet-RASP, Social Media Convent 2016
1. Social Media Convent, Gdańsk 2016
Promocja Pierwszej Internetowej
Ramówki wideo w kanałach social
media grupy Onet-RASP
2.
3. W wiosennej ramówce znalazło się
łącznie ponad 30 własnych produkcji
i zapowiedzi wydarzeń, w tym 15
nowości i 6 cyklicznych programów
na żywo, które odpowiadają na
potrzeby widzów o różnych
zainteresowaniach!