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This task list outlines the steps to create a graphic novel. It includes researching influences, generating ideas through mood boards and concept art, pitching the process and goals, planning the story through a script detailing characters and scenarios, keeping a production log, completing an introductory chapter, and evaluating the work.
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Fmp moodboards continued
The document provides citations for anime, clothing, depictions of apocalypse, an underground city, and the game Assassin's Creed: Revelations. It includes various URLs linking to images related to these topics, such as hoodies, trench coats, artwork depicting apocalyptic scenes, and photos of underground cities in Cappadocia, Turkey.
Unit 73 ig3 assignment programming sound assets to a game 2013_y2 (1)
The assignment brief tasks the student with programming sound assets they have produced into a computer game for a submission deadline of June 6th. They must select sounds to embed in blog posts along with explanations, produce annotated screenshots documenting their programming process, and include their programmed sounds and music in a gameplay video clip. The goals are to apply sound assets to a game following industry practice and standards at a good technical level, with imagination and independence.
Grav racer presentation
James Lodge wants to create a racing game called Grav-Racer that emphasizes chaos and unique game modes. The game modes include Gravtron Grab where players race to collect a valuable energy source called a Gravtron, and Combat Arena where the only objective is to destroy the other player. Grav-Racer is set in a futuristic world where resources are scarce and different planets compete in a racing tournament every 10 years to win a large amount of the most valuable resource, Grav-Tron. The visual style is heavily influenced by Tron and the target hardware is PlayStation 4 and Xbox One.
Ig2 task1worksheet james_lodge_new
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 key terms, sourced from online references. For each term, the student provides a short definition from an online source, along with a description of how the term relates to their own production work for computer games. The glossary covers areas such as sound file formats, audio limitations, recording and playback systems, MIDI, sampling, and more. It serves to both define industry terminology and illustrate how those concepts are applied in the student's coursework.
Bear your soul! (story) continued 130314
Daemon lives underground 100 years after an apocalypse forced humanity underground to escape demons on the surface. After demons kill Daemon's mother, he joins the underground's defense force, the Laminislibertas, to fight the demons. Unknown to Daemon, he has a secret connection to the demons that could endanger him if discovered. Daemon begins a year of training to join the Laminislibertas, led by his adoptive brother Jack, hoping to avenge his mother and reclaim the surface from the demons.
Unit 73 ig2 assignment creating a sample library 2013_y2
This assignment brief asks students to create sound assets for a computer games sample library. Students must produce sound samples and musical compositions for various game genres, and submit them to a central sample library. They are also tasked with creating a glossary of terms related to sound design and production methodology. The glossary must include definitions in key areas and connect them to the student's own audio production work. The assignment aims to develop students' understanding of sound design principles and their ability to create game audio assets following industry practice.
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Fmp moodboards continued
The document provides citations for anime, clothing, depictions of apocalypse, an underground city, and the game Assassin's Creed: Revelations. It includes various URLs linking to images related to these topics, such as hoodies, trench coats, artwork depicting apocalyptic scenes, and photos of underground cities in Cappadocia, Turkey.
Unit 73 ig3 assignment programming sound assets to a game 2013_y2 (1)
The assignment brief tasks the student with programming sound assets they have produced into a computer game for a submission deadline of June 6th. They must select sounds to embed in blog posts along with explanations, produce annotated screenshots documenting their programming process, and include their programmed sounds and music in a gameplay video clip. The goals are to apply sound assets to a game following industry practice and standards at a good technical level, with imagination and independence.
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James Lodge wants to create a racing game called Grav-Racer that emphasizes chaos and unique game modes. The game modes include Gravtron Grab where players race to collect a valuable energy source called a Gravtron, and Combat Arena where the only objective is to destroy the other player. Grav-Racer is set in a futuristic world where resources are scarce and different planets compete in a racing tournament every 10 years to win a large amount of the most valuable resource, Grav-Tron. The visual style is heavily influenced by Tron and the target hardware is PlayStation 4 and Xbox One.
Ig2 task1worksheet james_lodge_new
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 key terms, sourced from online references. For each term, the student provides a short definition from an online source, along with a description of how the term relates to their own production work for computer games. The glossary covers areas such as sound file formats, audio limitations, recording and playback systems, MIDI, sampling, and more. It serves to both define industry terminology and illustrate how those concepts are applied in the student's coursework.
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Daemon lives underground 100 years after an apocalypse forced humanity underground to escape demons on the surface. After demons kill Daemon's mother, he joins the underground's defense force, the Laminislibertas, to fight the demons. Unknown to Daemon, he has a secret connection to the demons that could endanger him if discovered. Daemon begins a year of training to join the Laminislibertas, led by his adoptive brother Jack, hoping to avenge his mother and reclaim the surface from the demons.
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This assignment brief asks students to create sound assets for a computer games sample library. Students must produce sound samples and musical compositions for various game genres, and submit them to a central sample library. They are also tasked with creating a glossary of terms related to sound design and production methodology. The glossary must include definitions in key areas and connect them to the student's own audio production work. The assignment aims to develop students' understanding of sound design principles and their ability to create game audio assets following industry practice.
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Presentation
- 1. Task List Scenario Research – Check out Dark Horse comics among other influences Ideas Generation – Create mood boards and concept art. Pitch Documentation – Make a pitch detailing your process and what you plan to achieve. Planning Documentation – Create a script for your story, detailing character dialogue and scenarios. Production Log and Schedule – Provide a production log detailing your processes, difficulties and how you over came them. Completed Product – Provide a complete introductory chapter for your graphic novel Evaluation – evaluate your work and how you achieved it.